Search
BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated The Flight Attendant in Books
Feb 26, 2018
Compulsively readable (1 more)
Fascinating, befuddling story
Unpredictable book that sucks you in from the start
Cassandra Bowen is a flight attendant with a history of bad decisions--most of them tied to her predilection to heavy drinking. Mostly her drinking leads to sexual encounters with dubious men, topless dancing, and a few bouts of blackouts. But when Cassie's work takes her to Dubai, she spends the night with a gentleman she met on the plane, drinking heavily with him all evening; in the morning she wakes up next to him in bed and finds him dead, covered in blood. Alone and female in Dubai, Cassie sneaks out of the hotel room and returns home on the plane with her fellow flight attendants, setting off a trail of lies that will haunt her. And in the back of her mind, she fears the worst: could she have killed Alex while drunk? And what will happen when the authorities discover her deception?
This novel starts off with a bang, with Cassie waking up next to a dead man. Once Cassie gets back to the States, I found myself fascinated what could possibly happen for the other 80% of the book. (My mistake, a lot can happen.) The entire novel kept me wondering what on earth would come next. This is a crazy, unpredictable book that sucks you in and never lets you go. I was constantly wondering who the various characters were--who really was Alex, for instance? Is there more to Cassie than we are being told? I was honestly confused for a good portion of the book, which doesn't happen often when I read.
It was really fun and befuddling to piece things together in this one. The book was rather stressful, trying to decipher all the various characters and to deal with Cassie's high-risk behavior. As the end nears, I was actually shocked by a couple of twists, which I really appreciated. It's rare that a thriller truly shocks me anymore. I was truly impressed with this one. The ending was a little odd, but as I pondered it more, I think I'm good with it.
As for Cassie, she was a hard character to like, and there's certainly been no shortage of unreliable drunken female narrators in contemporary fiction as of late. Still, you can't help but get caught up in her story. It's compulsively readable. There are also lots of good flight attendant stories; Chris Bohjalian always well researches his books.
Cassie's chapters also alternate with a woman named Elena, which is an effective storytelling device, and only ratchets up the suspense. Her tale is just as befuddling as Cassie's--perhaps even more so--and just added to my desire to turn the pages and find out what on earth was going on and how these people were all connected. Bohjalian really weaved a fascinating story here, and I love how all of his books are so different. Whereas some can be emotional, this one was truly a thriller, and focused so much on the story and mystery. It wasn't exactly what I was expecting, but it was great.
I also found some amusing little personal tidbits in the book: references to Charlottesville (the second in a row in the novels I read--it's my hometown) and Cassie's Kentucky references, including her attendance at the University of Kentucky. We are, in fact, a UK and UVA household--my five-year-old twins are very divided between the two. It's funny how little things stick with you when you read a novel.
Overall, this was a great read. Completely befuddling, but incredibly suspenseful and just sort of fun. Not at all what I expected from Bohjalian, but a fascinating, enjoyable thriller. I was completely lost in Cassie and Elena's bizarre world for a few days--the sign of a great book. 4 stars.
I received a copy of this novel from the publisher and Edelweiss and Netgalley in return for an unbiased review; more at http://justacatandabookatherside.blogspot.com/.
This novel starts off with a bang, with Cassie waking up next to a dead man. Once Cassie gets back to the States, I found myself fascinated what could possibly happen for the other 80% of the book. (My mistake, a lot can happen.) The entire novel kept me wondering what on earth would come next. This is a crazy, unpredictable book that sucks you in and never lets you go. I was constantly wondering who the various characters were--who really was Alex, for instance? Is there more to Cassie than we are being told? I was honestly confused for a good portion of the book, which doesn't happen often when I read.
It was really fun and befuddling to piece things together in this one. The book was rather stressful, trying to decipher all the various characters and to deal with Cassie's high-risk behavior. As the end nears, I was actually shocked by a couple of twists, which I really appreciated. It's rare that a thriller truly shocks me anymore. I was truly impressed with this one. The ending was a little odd, but as I pondered it more, I think I'm good with it.
As for Cassie, she was a hard character to like, and there's certainly been no shortage of unreliable drunken female narrators in contemporary fiction as of late. Still, you can't help but get caught up in her story. It's compulsively readable. There are also lots of good flight attendant stories; Chris Bohjalian always well researches his books.
Cassie's chapters also alternate with a woman named Elena, which is an effective storytelling device, and only ratchets up the suspense. Her tale is just as befuddling as Cassie's--perhaps even more so--and just added to my desire to turn the pages and find out what on earth was going on and how these people were all connected. Bohjalian really weaved a fascinating story here, and I love how all of his books are so different. Whereas some can be emotional, this one was truly a thriller, and focused so much on the story and mystery. It wasn't exactly what I was expecting, but it was great.
I also found some amusing little personal tidbits in the book: references to Charlottesville (the second in a row in the novels I read--it's my hometown) and Cassie's Kentucky references, including her attendance at the University of Kentucky. We are, in fact, a UK and UVA household--my five-year-old twins are very divided between the two. It's funny how little things stick with you when you read a novel.
Overall, this was a great read. Completely befuddling, but incredibly suspenseful and just sort of fun. Not at all what I expected from Bohjalian, but a fascinating, enjoyable thriller. I was completely lost in Cassie and Elena's bizarre world for a few days--the sign of a great book. 4 stars.
I received a copy of this novel from the publisher and Edelweiss and Netgalley in return for an unbiased review; more at http://justacatandabookatherside.blogspot.com/.
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
The Hanging Club
8.0
Rate It
Book
"Tony Parsons puts you right there in every scene he writes. I love that kind of storytelling and...
Siren's Surrender (Dark Tides #2)
7.0
Rate It
Book
Never embracing her mermaid heritage, Gwen Lonike lives in the human world as the owner of a Maine...
BookInspector (124 KP) rated Dear Child in Books
Sep 24, 2020 (Updated Oct 8, 2020)
It is worth reading.
This novel is told from multiple perspectives, and we have three people who are sharing their sides of the story. First of all, it is a woman, who ran away from the cabin. She is sharing her story during the time inside, as well as how she is coping now. She is a really disturbed woman, who went through a lot, and I found her story very engrossing and absorbing. The second character is Hannah, one of the children, that were kept in that cabin. She is on the spectrum of Autism, and she sees her life through a completely different perspective than the woman that was held captive. Hannah is a perfectionist, and the cabin with all the rules imposed by the captor are her norms, so she finds very hard to open up about her life, but when she does, I could not stop reading her parts. The last character would be Matthias, Lena’s father. For me he was the least interesting character of all, I could not understand his role in all this story, but he does have few tricks up his sleeve.
The narrative of this book is pure beauty. It has everything that my thriller loving heart could wish for, the twists and turns left me gobsmacked on many occasions, the suspense was very well placed and kept developing throughout the pages, and I was so absorbed in this novel, that the pages just flew by. The topics discussed in this novel were an obsession, controlling personalities, blind fatherly love, denial, post-traumatic disorder and other mental illnesses, and many more.
The book was set in Germany, and I was very intrigued by the way German police were working. I really liked the writing style of this book, we have the very intense parts with Hannah and the woman in the cabin, as well as calmer ones with Matthias, that created the perfect balance. The chapters are short, so the book was easy to read for me. The ending was amazing and I really enjoyed how this book ended, it did answer my questions and rounded this story very well. I would like to mention, that this book has plenty of violent and disturbing parts, so it might not be very suitable to sensitive readers.
The narrative of this book is pure beauty. It has everything that my thriller loving heart could wish for, the twists and turns left me gobsmacked on many occasions, the suspense was very well placed and kept developing throughout the pages, and I was so absorbed in this novel, that the pages just flew by. The topics discussed in this novel were an obsession, controlling personalities, blind fatherly love, denial, post-traumatic disorder and other mental illnesses, and many more.
The book was set in Germany, and I was very intrigued by the way German police were working. I really liked the writing style of this book, we have the very intense parts with Hannah and the woman in the cabin, as well as calmer ones with Matthias, that created the perfect balance. The chapters are short, so the book was easy to read for me. The ending was amazing and I really enjoyed how this book ended, it did answer my questions and rounded this story very well. I would like to mention, that this book has plenty of violent and disturbing parts, so it might not be very suitable to sensitive readers.
BookInspector (124 KP) rated Believe Me in Books
Sep 24, 2020
The protagonist in this story is Claire, an extremely talented, but very unlucky actress. Due to the lack of green card and work, she is forced to work as a decoy in catching out cheating spouses. Until one dies. Who is the killer? Is it Claire? Is it a victim’s husband? Or is it someone else altogether? You will have to read it to figure that out! 😛
This book has a very interesting variety of characters, we have elegant and artistic actors; classy, intelligent and very poetic victim’s husband, and like always, insightful police. But the real star in this book was Claire. Her ability to transform into different characters was absolutely stunning, and I really loved that she shared how these transformations made her feel. I think it was a great insight into actor’s psyche.
The narrative always kept me on the edge. There are so many twists and deception, that you never know what to expect next. Sometimes it feels, that the plot is slowing down, but that is just a very creatively incorporated “quiet before the storm” phase. 😉 The narrative was told from a single perspective, but that was necessary to keep the suspense going, and it was fully sufficient for me. This novel discusses quite a variety of topics, such as foster families in the UK; actor’s struggles in the market; kinky sex community; mental institutions and their work methods; art, and when it becomes a danger to society; etc. Due to this wide variety, the plot didn’t have the chance to be boring for me. 🙂
I really enjoyed the writing style of this book, it was very insightful and creative. The ending was absolutely mind-blowing, it left me absolutely baffled. I had to sit down and rethink all the plot, to figure out what was real and what was the illusion. The chapters are pretty short, and once I started, they just flew by. 🙂 I liked that the setting of this book was constantly changing, that created more intrigue to me, as a reader.
So, to conclude, it is a very artistic, poetic and sophisticated psychological thriller, where suspicions and illusion plays an integral part. I absolutely loved the complexity of the characters and unexpected turns and twists, that is why, I strongly recommend to read this book, and I hope you will enjoy it as much as I did. 🙂
This book has a very interesting variety of characters, we have elegant and artistic actors; classy, intelligent and very poetic victim’s husband, and like always, insightful police. But the real star in this book was Claire. Her ability to transform into different characters was absolutely stunning, and I really loved that she shared how these transformations made her feel. I think it was a great insight into actor’s psyche.
The narrative always kept me on the edge. There are so many twists and deception, that you never know what to expect next. Sometimes it feels, that the plot is slowing down, but that is just a very creatively incorporated “quiet before the storm” phase. 😉 The narrative was told from a single perspective, but that was necessary to keep the suspense going, and it was fully sufficient for me. This novel discusses quite a variety of topics, such as foster families in the UK; actor’s struggles in the market; kinky sex community; mental institutions and their work methods; art, and when it becomes a danger to society; etc. Due to this wide variety, the plot didn’t have the chance to be boring for me. 🙂
I really enjoyed the writing style of this book, it was very insightful and creative. The ending was absolutely mind-blowing, it left me absolutely baffled. I had to sit down and rethink all the plot, to figure out what was real and what was the illusion. The chapters are pretty short, and once I started, they just flew by. 🙂 I liked that the setting of this book was constantly changing, that created more intrigue to me, as a reader.
So, to conclude, it is a very artistic, poetic and sophisticated psychological thriller, where suspicions and illusion plays an integral part. I absolutely loved the complexity of the characters and unexpected turns and twists, that is why, I strongly recommend to read this book, and I hope you will enjoy it as much as I did. 🙂
BookInspector (124 KP) rated The Shadow Friend in Books
Jan 26, 2021
The protagonist of this story is Paul. He has to come back to a miserable town where he grew up after he found out that his mother is about to die. Paul hates that town for so many reasons, but mainly because of what happened when he was young. This book is told from a dual perspective. Another character sharing details is Amanda, she is a detective, investigating a murder, that looks exactly like the one that happened many many years ago. Amanda has her own issues, and she is kind of a background character in this book. I liked Paul as a character, he was a good kid, he is awkward, but a nice guy. All the characters chosen in this novel are quite mysterious, and the whole book has a very depressing and gloomy atmosphere, that works very well in Alex North’s books.
The narrative of this novel is exceptionally well written. The author used a dual timeline, we have the events happening now, and the events that happened when Paul was young. My favourite was the ones from the past, of course. It absolutely absorbed me, I was so eager to find out what happened all those years ago. The parts from the present were quieter and more self-reflecting, sharing the inner struggles, but creepy nevertheless. This book is very twisty, and some of the turns really left me gobsmacked and surprised. The topics discussed in this novel were lucid dreaming, bullying, wish to belong, abusive parents, mental abuse, dementia and its effects, parent-child relationships, the influence of the internet and many, many more.
I really love Alex North’s writing style. He is amazing in creating suspense, and all the mind manipulation of the reader was truly amazing. 🙂 The chapters are quite short, I was engrossed in this novel, so the pages just flew by, for me. The ending was shocking and very unexpected, but I did like the way this novel ended. I hope someone will adopt this novel to a film, I am pretty sure it would be wickedly good. 🙂
So, to conclude, I really liked this horror psychological thriller. The characters are very mysterious and the plot is absorbing, layered and complex. This book left me emotionally shaken in the best possible way, and I really recommend to those, who would like something creepy.
The narrative of this novel is exceptionally well written. The author used a dual timeline, we have the events happening now, and the events that happened when Paul was young. My favourite was the ones from the past, of course. It absolutely absorbed me, I was so eager to find out what happened all those years ago. The parts from the present were quieter and more self-reflecting, sharing the inner struggles, but creepy nevertheless. This book is very twisty, and some of the turns really left me gobsmacked and surprised. The topics discussed in this novel were lucid dreaming, bullying, wish to belong, abusive parents, mental abuse, dementia and its effects, parent-child relationships, the influence of the internet and many, many more.
I really love Alex North’s writing style. He is amazing in creating suspense, and all the mind manipulation of the reader was truly amazing. 🙂 The chapters are quite short, I was engrossed in this novel, so the pages just flew by, for me. The ending was shocking and very unexpected, but I did like the way this novel ended. I hope someone will adopt this novel to a film, I am pretty sure it would be wickedly good. 🙂
So, to conclude, I really liked this horror psychological thriller. The characters are very mysterious and the plot is absorbing, layered and complex. This book left me emotionally shaken in the best possible way, and I really recommend to those, who would like something creepy.
Dead in a Week (Forensic Instincts #7)
Book
What would you do if your daughter was kidnapped and given only a week to live? Lauren...
Suspense Thriller
Gareth von Kallenbach (980 KP) rated 7500 (2019) in Movies
Jun 22, 2020
Greetings & Salutations Everyone!
On behalf of myself and my fellows at ‘Skewed & Reviewed’ I want to say I hope all of you and those nearest and dearest to you continue to be healthy and safe during these uncertain times.
We’ve made it to another summer and with that comes a multitude of new films for the summer of 2020 only they’ll assemble in the queues on your digital devices rather than the movie theaters. Trust me. That’s a good thing right about now. We’re going to take a turn off the beaten path this time. Instead of a comedy or an action film, we’re going to start things off with a thriller. With all the unpleasantness going about it seems like an odd move perhaps? Not really. A well-made thriller film will create such intensity that you’ll completely forget about everything else at least for the film’s running time anyways. Judging from my own experience, today’s movie for you consideration will accomplish just that.
The aviation transponder code indicating that a hijack is in progress. Essentially the worst case scenario for any flight crew and accompanying passengers. The basis for today’s film. ‘7500’ is a 2019 an Austrian/German/American dramatic thriller from Amazon Studios and the directorial debut of German filmmaker Patrick Vollrath. Written by Vollrath and Senad Halilbasic and stars Joseph Gordon-Levitt (in his first film since 2016), Omid Memar, Aylin Tezel, Carlo Kitzlinger, Aurélie Thépaut, Murathan Muslu, and Paul Wollin.
Evening. Berlin Tegal Airport. Passengers and crew board a passenger plane bound for Paris. A routine flight (from what I’ve personally been told by retired U.S. Air Force personnel and friends in France, an amazing experience for any traveler). While the passengers begin to board he plane, Co-pilot Tobias Ellis (Levitt) and his girlfriend Gökce (Tezel) one of the flight attendants trying to decide on which school they can send their child too. Captain Michael Lutzmann (Kitzlinger) makes his way into the cockpit while making jokes regarding the plane. Everyday life. Flight check complete, the plane proceeds to take off and for the first few moments a routine trip. That quickly changes when a group of men including a young man named Vedat, attempt to break into the plane’s flight deck and take control of plane. After a brief but violent struggle, Tobias and Captain Lutzman despite both being wounded, overpower one of the hijackers and force the cockpit door closed. Over the course of the next few moments, the situation will go from bad to worse as the fate of the passengers, the crew, and even the hijackers will be left in Tobias’s hands as he attempts to get the plane to safety while injured and thwart the plans of Vedat and his associates. One thing is clear. No matter what happens, no matter how much he might want to, he cannot under any circumstances open the door to the flight deck.
Right off the bat. 4 out of 5 stars. The film was brilliant. My eyes were glued to the computer monitor for the 92 minute runtime of the movie. Part of which was due to the fact that the film was based entirely upon the idea of something that could very well possibly happen and unfortunately has happened before. There is a focus on conviction for both sides. How far is an individual prepared to go? What are they willing to do to prevent the other from overpowering them regardless if your intentions are just or malevolent? What is one willing to sacrifice in order to carry out an objective or safeguard the lives of a group? Joseph Gordon-Levitt might have been out of the game for a while but he certainly hasn’t lost his edge and the cast and crew of the film he decided to team-up with for this outing did not disappoint either.
I wouldn’t recommend this one for the kids due to the dark nature of the story and the violence involved at points in the film. It does touch upon certain stereotypes which perhaps should be talked about among those who see the movie. The film takes place almost exclusively on the flight deck of the plane which reminded me of Joel Schumacher’s 2003 film ‘Phone Booth’ starring Colin Farrell or Mukunda Michael Dewil’s 2013 film Vehicle 19 starring the late Paul Walker. The focus of the confined space only adds to the intensity and so very few directors have managed to pull off films like these three. Definitely add this film to your queue and pick a Friday or Saturday late night to view it. I personally believe the ‘Master of Suspense’ Alfred Hitchcock himself would have.
On behalf of myself and my fellows at ‘Skewed & Reviewed’ I want to say I hope all of you and those nearest and dearest to you continue to be healthy and safe during these uncertain times.
We’ve made it to another summer and with that comes a multitude of new films for the summer of 2020 only they’ll assemble in the queues on your digital devices rather than the movie theaters. Trust me. That’s a good thing right about now. We’re going to take a turn off the beaten path this time. Instead of a comedy or an action film, we’re going to start things off with a thriller. With all the unpleasantness going about it seems like an odd move perhaps? Not really. A well-made thriller film will create such intensity that you’ll completely forget about everything else at least for the film’s running time anyways. Judging from my own experience, today’s movie for you consideration will accomplish just that.
The aviation transponder code indicating that a hijack is in progress. Essentially the worst case scenario for any flight crew and accompanying passengers. The basis for today’s film. ‘7500’ is a 2019 an Austrian/German/American dramatic thriller from Amazon Studios and the directorial debut of German filmmaker Patrick Vollrath. Written by Vollrath and Senad Halilbasic and stars Joseph Gordon-Levitt (in his first film since 2016), Omid Memar, Aylin Tezel, Carlo Kitzlinger, Aurélie Thépaut, Murathan Muslu, and Paul Wollin.
Evening. Berlin Tegal Airport. Passengers and crew board a passenger plane bound for Paris. A routine flight (from what I’ve personally been told by retired U.S. Air Force personnel and friends in France, an amazing experience for any traveler). While the passengers begin to board he plane, Co-pilot Tobias Ellis (Levitt) and his girlfriend Gökce (Tezel) one of the flight attendants trying to decide on which school they can send their child too. Captain Michael Lutzmann (Kitzlinger) makes his way into the cockpit while making jokes regarding the plane. Everyday life. Flight check complete, the plane proceeds to take off and for the first few moments a routine trip. That quickly changes when a group of men including a young man named Vedat, attempt to break into the plane’s flight deck and take control of plane. After a brief but violent struggle, Tobias and Captain Lutzman despite both being wounded, overpower one of the hijackers and force the cockpit door closed. Over the course of the next few moments, the situation will go from bad to worse as the fate of the passengers, the crew, and even the hijackers will be left in Tobias’s hands as he attempts to get the plane to safety while injured and thwart the plans of Vedat and his associates. One thing is clear. No matter what happens, no matter how much he might want to, he cannot under any circumstances open the door to the flight deck.
Right off the bat. 4 out of 5 stars. The film was brilliant. My eyes were glued to the computer monitor for the 92 minute runtime of the movie. Part of which was due to the fact that the film was based entirely upon the idea of something that could very well possibly happen and unfortunately has happened before. There is a focus on conviction for both sides. How far is an individual prepared to go? What are they willing to do to prevent the other from overpowering them regardless if your intentions are just or malevolent? What is one willing to sacrifice in order to carry out an objective or safeguard the lives of a group? Joseph Gordon-Levitt might have been out of the game for a while but he certainly hasn’t lost his edge and the cast and crew of the film he decided to team-up with for this outing did not disappoint either.
I wouldn’t recommend this one for the kids due to the dark nature of the story and the violence involved at points in the film. It does touch upon certain stereotypes which perhaps should be talked about among those who see the movie. The film takes place almost exclusively on the flight deck of the plane which reminded me of Joel Schumacher’s 2003 film ‘Phone Booth’ starring Colin Farrell or Mukunda Michael Dewil’s 2013 film Vehicle 19 starring the late Paul Walker. The focus of the confined space only adds to the intensity and so very few directors have managed to pull off films like these three. Definitely add this film to your queue and pick a Friday or Saturday late night to view it. I personally believe the ‘Master of Suspense’ Alfred Hitchcock himself would have.