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Gareth von Kallenbach (965 KP) rated The Expendables 3 (2014) in Movies
Jun 19, 2019
Many times when a film series reaches it”s third installment, it is out of ideas and running on fumes. The idea that if a film has spawned a successful sequel it must have a trilogy is nothing new in Hollywood, but far too many times the third films loses momentum and goes through the motions for one last payday for the cast and studio.
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
Andy K (10821 KP) rated First Blood (1982) in Movies
Jun 23, 2018 (Updated Jun 23, 2018)
They drew First Blood, not me!
Sylvester Stallone will probably always be best remembered for his portrayal of boxer Rocky Balboa, but a close second is his role and character of troubled Vietnam War veteran John Rambo.
All he wanted to do was stop and settle in a small, rural town, but the local sheriff would have none of that. Rambo, the drifter, was arrested and booked for just wanting to have a hot meal somewhere. Thus, this is when the ordeal began. Rambo quickly escaped his captors as well as the police station and set forth a sequence of events, like a game of cat and mouse, whereas the authorities try to bring him back into custody.
After their initial attempt are unsuccessful they even try bringing in his former commanding officer, Colonel Trautman, to try and talk him in.
Stallone's portrayal of Rambo in First Blood shows real depth and emotion. Subsequent Rambo sequels show him as more of a huklish, strongman, badass, one man army, but First Blood shows his emotional scars come to the surface several times. You feel empathy for him and realize his actions were defensive and only used because of his intense training.
It's one of the great chase movies ever made.
All he wanted to do was stop and settle in a small, rural town, but the local sheriff would have none of that. Rambo, the drifter, was arrested and booked for just wanting to have a hot meal somewhere. Thus, this is when the ordeal began. Rambo quickly escaped his captors as well as the police station and set forth a sequence of events, like a game of cat and mouse, whereas the authorities try to bring him back into custody.
After their initial attempt are unsuccessful they even try bringing in his former commanding officer, Colonel Trautman, to try and talk him in.
Stallone's portrayal of Rambo in First Blood shows real depth and emotion. Subsequent Rambo sequels show him as more of a huklish, strongman, badass, one man army, but First Blood shows his emotional scars come to the surface several times. You feel empathy for him and realize his actions were defensive and only used because of his intense training.
It's one of the great chase movies ever made.
Gareth von Kallenbach (965 KP) rated The Expendables (2010) in Movies
Aug 8, 2019
The latest from Sylvester Stallone since 2008’s Rambo, The Expendables is a movie where the testosterone flows like enemy blood. Both movies have similar themes of redemption, regret, and courage, and also thankfully similar is that the moments of awesomeness are plentiful. The Expendables put up a lot of hype, and it had a lot to live up to with it’s cast of action star greats, but it doesn’t let the audience down. It’s not the cerebral meta-violence of Inglorious Basterds, but a simpler, old-school, fun action movie kind of violence. You can root for your favorite action hero, watch them kick a little bad-guy ass, and sit back and enjoy the show.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
The characters, despite the star-studded name dropping on the film’s advertising hype, follow Barney Ross (Stallone) for the most part, and his right-hand-man Lee Christmas (Statham) a close second, with most of the other actors merely rounding out the team. Despite what would seem to be a ripoff from what they advertised on their posters, each character still gets a crowning moment of glory, albeit with less screen time than expected. In addition, these “major” side characters share frequent snide remarks that truly give each person on the team their own humorous depth of character. If you’re a fan of Jet Li or Terry Crews for example, rest assured that they all get their shining moment in the sun.
The plot, while not so simple as to be boring, surrounds an attempt by the team to overthrow a dictator in a small South American country. Complications arise, interpersonal conflicts come up, and from there, the plot takes off. Mercenary soldiers do a lot of bad things, and Stallone and co-screenwriter Dave Callaham give a good shot at prying open the inner world of some of these men as they go about their jobs, and the consequences that their actions (and often inactions) have on the way they see themselves. Granted, this is a fairly emotional touchy-feely way to describe the heart of the film, but don’t worry, these discussions are done with the stoicism and deflective humor you would expect from large men with bulging muscles and raging testosterone. The Expendables isn’t just another mindless action movie; it’s got enough going on beneath the surface to be worth watching again.
For an action blockbuster, it succeeds on most of the metrics we measure such films by, and surprisingly didn’t have many negatives. Do I care about the characters? Yes. Were there long periods without action sequences? No. Was the use of action cliche, or was it clever and original? Hilariously original at times. Was it fun? That’s an explosive yes.
Gareth von Kallenbach (965 KP) rated Creed (2015) in Movies
Jun 19, 2019
Life for Adonis Johnson (Michael B Jordan) has always been a struggle. He has moved from one facility to another under the care the state constantly fighting for his place in society. When he is adopted by Mary Anne Creed (Phylicia Rashad), he learns that his father was actually legendary fighter Apollo Creed who had a dalliance with his mother and died before Adonis was born. Flash forward year’s later, despite a life of privilege and a good job, Adonis yearns to be a boxer and follow in his father’s footsteps. Unable to secure fights, he travels across the border to fight on the circuit in Mexico where he is undefeated. When able to quench his conflicting emotions, Adonis moves to Philadelphia to live a simpler life. He hopes to take pointers from his father’s chief rival and longtime friend Rocky Balboa (Sylvester Stallone), but is at first hesitant to reveal his true connection to Creed. This is the promise of the new film “Creed”, which is a very worthy and in joy of all entry into the popular “Rocky” series. In older, more cautious and world beaten Balboa is hesitant to go back into the world that made him a household name, but eventually is determined to train the young boxer and in doing so both of them learn what it is to be a champion in and out of the ring.
There is the uplifting training and human stories that made the series so popular but what really keeps this from being a retread is the solid work of Jordan and Stallone. Jordan is very much his own character and not trying to copy his father. He is headstrong, impulsive, quick to anger, but also willing to listen to the wisdom of Rocky. Stallone does perhaps his best work in a very long time in a supporting role by playing a more vulnerable and wise character that is not afraid to show his humanity. This is a very welcome change for the actor who is best known as larger-than-life and unstoppable in many of the roles that he portrays. I know it would be considered a long shot but this is the type of performance that veteran actors get award nominations for in a supporting role.
Of course Johnson is leading up to his big fight with destiny that will either make or break him against an overwhelmingly unstoppable opponent but the well-choreographed and paste fight sequences will have you on the edge of your seat and captivated much like the best sequences from the earlier Rocky films.
This was a very solid and entertaining film that should delight fans of the series as well as sports films in general and was one of the most enjoyable surprises of the year.
http://sknr.net/2015/11/23/creed/
There is the uplifting training and human stories that made the series so popular but what really keeps this from being a retread is the solid work of Jordan and Stallone. Jordan is very much his own character and not trying to copy his father. He is headstrong, impulsive, quick to anger, but also willing to listen to the wisdom of Rocky. Stallone does perhaps his best work in a very long time in a supporting role by playing a more vulnerable and wise character that is not afraid to show his humanity. This is a very welcome change for the actor who is best known as larger-than-life and unstoppable in many of the roles that he portrays. I know it would be considered a long shot but this is the type of performance that veteran actors get award nominations for in a supporting role.
Of course Johnson is leading up to his big fight with destiny that will either make or break him against an overwhelmingly unstoppable opponent but the well-choreographed and paste fight sequences will have you on the edge of your seat and captivated much like the best sequences from the earlier Rocky films.
This was a very solid and entertaining film that should delight fans of the series as well as sports films in general and was one of the most enjoyable surprises of the year.
http://sknr.net/2015/11/23/creed/
LoganCrews (2861 KP) rated Ratchet & Clank (2016) in Movies
Sep 21, 2020
The accompanying ps4 game sucked but this somehow sucks way more. Absolutely guts the video games of their charisma, nuance, wit, humor, lively visuals, world-building, sense of wonderment, good characters, memorability, fun, and solid writing until it eventually whittles away and lays waste to nearly everything which made them what they were in the first place - leaving behind a shallow, barren husk of another throwaway film for babies with no sense of object permanence yet. Can't say it's completely laugh free, and it is cool to see Jim Ward's lovable doofus Captain Qwark (albeit a watered-down version) sharing the screen with cinematic heavyweights like Sylvester Stallone and Paul Giamatti - but otherwise it's a profoundly nothing experience. Also pretty ironic that they attempted to reboot a story where capital ran rampant and turned everybody into selfish, greedy assholes into one of the most bastardized corporate attempts at appealing to a broader demographic by shucking away all its personality and slapping on the most overused trite template that all of these dumbass cash-grab children's dumps which do little more than insult kids' intelligence use. If I have to see one more movie about a bland wide-eyed dreamer who dreams of being something more and they get it for no reason I'm going to sue. For the record I also do not side with the people complimenting this cold, soulless, chintzy animation. The new characters reek and it's boring as fuck. Even the weaker games are miles better than this dirt.
LeftSideCut (3778 KP) rated Rambo: Last Blood (2019) in Movies
Mar 25, 2020
Honestly, I'm not a massive fan of the Rambo franchise. I don't hate them...the first movie is enjoyable enough, but anything else I can give or take.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
LeftSideCut (3778 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Feb 11, 2021
It might be playing hard to get, but there's plenty to love about Guardians of the Galaxy Vol. 2 if you know where to look.
A lot of it's strength lies in its stellar cast once again. All the key players from the first movie are back, with a whole heap of new faces, and expanded roles for side characters. New cast members include Kurt fucking Russell as none other than Ego the Living Planet, which is wild in itself, Pom Klementieff as Mantis, as well as smaller roles for Sylvester Stallone and Elizabeth Debicki. Bigger roles for Karen Gillan and Michael Rooker are also welcome.
In terms of material, it's brimming with Easter eggs, and hints at what's to come in the future - Adam Warlock, the original Guardians roster, The Watchers, Celestials - it has some truly wonderful moments for fans of the comics.
The plot is fun enough, and all leads to the subject of family and parenthood. It has some touching scenes amongst all the space battles. My main issue is with the comedy - the jokes and quips in Vol. 2 are absolutely relentless. Where as the first movie, and plenty of other MCU entries, manage to strike a fine balance in the more comedic side of things, Vol. 2 just throws everything and the kitchen sink at the script hoping that something will stick the landing, and there are plenty of funny lines here, but there's an equal amount of jokes that miss the mark. It becomes a little tiresome, and is the exact same issue I had with Deadpool 2!
However, despite its flaws, Vol. 2 is still a lot of fun, and another decent entry into the cosmic MCU canon, and it's moving closing scene, set to Cat Stevens "Father & Son" is one of my favourites in the entire franchise. Also, Baby Groot.
A lot of it's strength lies in its stellar cast once again. All the key players from the first movie are back, with a whole heap of new faces, and expanded roles for side characters. New cast members include Kurt fucking Russell as none other than Ego the Living Planet, which is wild in itself, Pom Klementieff as Mantis, as well as smaller roles for Sylvester Stallone and Elizabeth Debicki. Bigger roles for Karen Gillan and Michael Rooker are also welcome.
In terms of material, it's brimming with Easter eggs, and hints at what's to come in the future - Adam Warlock, the original Guardians roster, The Watchers, Celestials - it has some truly wonderful moments for fans of the comics.
The plot is fun enough, and all leads to the subject of family and parenthood. It has some touching scenes amongst all the space battles. My main issue is with the comedy - the jokes and quips in Vol. 2 are absolutely relentless. Where as the first movie, and plenty of other MCU entries, manage to strike a fine balance in the more comedic side of things, Vol. 2 just throws everything and the kitchen sink at the script hoping that something will stick the landing, and there are plenty of funny lines here, but there's an equal amount of jokes that miss the mark. It becomes a little tiresome, and is the exact same issue I had with Deadpool 2!
However, despite its flaws, Vol. 2 is still a lot of fun, and another decent entry into the cosmic MCU canon, and it's moving closing scene, set to Cat Stevens "Father & Son" is one of my favourites in the entire franchise. Also, Baby Groot.
PopcornPaul (3 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jul 15, 2017
Returning cast, soundtrack is great, special effects and action, cameos (1 more)
Baby Groot
Guardians of the Galaxy Vol. 2
Writer/director James Gunn takes us back to Knowhere to join Star-Lord, Drax, Gamora, Rocket and Baby Groot in the follow-up to the unexpected smash Guardians of the Galaxy.
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Taking up where we left off from the last movie, albeit a few years later, the Guardians are in the groove now and start the movie with a spectacular set piece with the super popular Baby Groot showing off some dance moves while the rest of them fight a gigantic intergalactic beast.
All the original cast return and have settled into the characters so the movie cracks straight on with the story. As rumours had it, this film is all about family and charts the discovery of Star-Lord’s father’s origin and how this relates to Star-Lord. Without giving too much away, Star-Lord meets his father (Kurt Russell) and has to choose between his dysfunctional family or his birth father. Another character arc of interest is in a returning character Yondu who also faces another dilemma over family.
Family pervades the movie in Gamora’s case too as Nebula (Karen Gillen) returns to provide a reluctant support to the Guardians while trying to fight them. Some impressive cameos including Sylvester Stallone and, get this, David Hasselhoff!!!
Guardian’s 2 is a fantastic (if not even better) than the first instalment and Gunn has already said he is on board for film 3. The quirkiness, the humour and the action from the first is ramped up in this one and doesn’t let you down.
There’s a shock and no less than 5 after credits scenes, so be sure to stay until the end of the movie to get your money’s worth.
A recommended movie if you like sci-fi, action or just a good exciting adventure story. It’s out now at all good cinemas.
(From @paulandpopcorn - https://popcornpaul.blogspot.co.uk/)
Gareth von Kallenbach (965 KP) rated Zookeeper (2011) in Movies
Aug 7, 2019
Kevin James plays Griffin Keyes, a sweet, kind-heartened animal loving zookeeper, who is loved by all his cohorts at the Franklin Park Zoo, from his co-workers to the zoo animals. Unfortunately, his status-seeking girlfriend Stephanie (Leslie Bibb) doesn’t feel his job as a zookeeper is very respectable when she rejects his marriage proposal and leaves Griffin completely heartbroken. Crushed, he tries to find a way to win back Stephanie by getting a new job, gaining some confidence and becoming completely different person.
Once the animals realize that Griffin wants to leave the zoo to pursue another job opportunity, they decide to break their code of silence and help Griffin try to win back Stephanie. They begin coaching Griffin in many animal courting techniques, which of course was very funny to watch him attempt to work these moves on a human. Joe the lion (voiced by Sylvester Stallone) suggests “cutting her from the herd” by trying to steal Stephanie away from her currently egotistical boyfriend Gale (Joe Rogan). Enter Kate (Rosario Dawson), the zoo veterinarian and Griffin’s best friend, whose love of animals is comparable to that of Griffin’s. Kate’s role was to try to make Stephanie jealous and help build up Griffin’s confidence and finally make him realize that he needs appreciate who he is.
Adam Sandler’s Happy Madison Production co-produced the film along with Kevin James and Director Frank Coraci, a veteran of some of Sandler’s best movies such as the Waterboy, Click, and The Wedding Singer. They attempted to go outside the box and use real animals to play the roles as opposed to CG animals, which was very impressive. Unfortunately I was a little off put by the voices of each animal. They didn’t really match each creature. One thing is for sure, you can always rely on Kevin James to provide some great and painfully uncomfortable physical comedy. He definitely tried to create a movie that teaches people to stay true to who they are and do what you love.
Once the animals realize that Griffin wants to leave the zoo to pursue another job opportunity, they decide to break their code of silence and help Griffin try to win back Stephanie. They begin coaching Griffin in many animal courting techniques, which of course was very funny to watch him attempt to work these moves on a human. Joe the lion (voiced by Sylvester Stallone) suggests “cutting her from the herd” by trying to steal Stephanie away from her currently egotistical boyfriend Gale (Joe Rogan). Enter Kate (Rosario Dawson), the zoo veterinarian and Griffin’s best friend, whose love of animals is comparable to that of Griffin’s. Kate’s role was to try to make Stephanie jealous and help build up Griffin’s confidence and finally make him realize that he needs appreciate who he is.
Adam Sandler’s Happy Madison Production co-produced the film along with Kevin James and Director Frank Coraci, a veteran of some of Sandler’s best movies such as the Waterboy, Click, and The Wedding Singer. They attempted to go outside the box and use real animals to play the roles as opposed to CG animals, which was very impressive. Unfortunately I was a little off put by the voices of each animal. They didn’t really match each creature. One thing is for sure, you can always rely on Kevin James to provide some great and painfully uncomfortable physical comedy. He definitely tried to create a movie that teaches people to stay true to who they are and do what you love.
LeftSideCut (3778 KP) rated The Suicide Squad (2021) in Movies
Jul 31, 2021
Firstly, let it be known that The Suicide Squad is a far, far, superior movie to 2016's Suicide Squad (although, that's not exactly a tall order...)
It's fun, frantic, sweary, gory, and is, above all, unmistakably a James Gunn film.
The remants of the 2016 version that remain are improved, namely Rick Flag and Harley Quinn. Both characters are well fleshed out and likable. Stand them side by side with all the newcomers and you have a wonderfully weird line up of D-list DC villains. Amongst the massive ensemble, the meatier roles are given to Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka-Dot Man (David Dastmalchian), Thinker (Peter Capaldi) and of course, the show stealer King Shark (Sylvester Stallone). I would happily kill for him, and Sebastian the rat....
All of these characters are simply a pleasure to watch. Their interactions with eachother are frequently hilarious and the combined team give this movie a huge fricking heart that was so lacking back in 2016.
My main criticism is the pacing. After an amusingly brutal opening gambit, the whole thing takes a bit of a dive. The humour isn't quite enough to hold the slow-paced first hour together, and I found myself drifting on more than one occasion. I also wasn't a fan of the arty title cards that crop up throughout (with the exception of one during the films final act, which is quite possibly one of my favourite moments in the history of comic book movies...)
Sure, this whole part drags the experience down as a whole, but the last hour is an absolute riot. A fantastic scene involving Harley Quinn, a long hallway, and a javelin, marks a triumphant turn in proceedings, and the build up and resulting climax is batshit insane, with a villain I genuinely thought I'd never get to see in the big screen. It's horrifically entertaining and doesn't let up until the credits roll.
Ultimately, The Suicide Squad is heaps of gory fun, and a welcome addition to the mixed bag that is the DCEU. Personally, I would love to see Gunn return to the franchise in some form. Hell, give him the keys to the whole kingdom and see what happens.
It's fun, frantic, sweary, gory, and is, above all, unmistakably a James Gunn film.
The remants of the 2016 version that remain are improved, namely Rick Flag and Harley Quinn. Both characters are well fleshed out and likable. Stand them side by side with all the newcomers and you have a wonderfully weird line up of D-list DC villains. Amongst the massive ensemble, the meatier roles are given to Bloodsport (Idris Elba), Peacemaker (John Cena), Ratcatcher 2 (Daniela Melchior), Polka-Dot Man (David Dastmalchian), Thinker (Peter Capaldi) and of course, the show stealer King Shark (Sylvester Stallone). I would happily kill for him, and Sebastian the rat....
All of these characters are simply a pleasure to watch. Their interactions with eachother are frequently hilarious and the combined team give this movie a huge fricking heart that was so lacking back in 2016.
My main criticism is the pacing. After an amusingly brutal opening gambit, the whole thing takes a bit of a dive. The humour isn't quite enough to hold the slow-paced first hour together, and I found myself drifting on more than one occasion. I also wasn't a fan of the arty title cards that crop up throughout (with the exception of one during the films final act, which is quite possibly one of my favourite moments in the history of comic book movies...)
Sure, this whole part drags the experience down as a whole, but the last hour is an absolute riot. A fantastic scene involving Harley Quinn, a long hallway, and a javelin, marks a triumphant turn in proceedings, and the build up and resulting climax is batshit insane, with a villain I genuinely thought I'd never get to see in the big screen. It's horrifically entertaining and doesn't let up until the credits roll.
Ultimately, The Suicide Squad is heaps of gory fun, and a welcome addition to the mixed bag that is the DCEU. Personally, I would love to see Gunn return to the franchise in some form. Hell, give him the keys to the whole kingdom and see what happens.