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Whisperin' Bill Anderson: An Unprecedented Life in Country Music
Bill Anderson and Peter Cooper
Book
Whisperin' Bill: An Unprecedented Life in Country Music presents a revealing portrait of Bill...
Emma @ The Movies (1786 KP) rated Anna (2019) in Movies
Jun 20, 2020
Appearances are deceiving, not only with our main character Anna but with the trailer for this film too. What I was expecting was Atomic Blonde, what I got was Atomic Blonde mixed with Red Sparrow but with none of the redeeming features of either.
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
I would normally at this point write a slightly expanded synopsis of the film, but reading back my notes even I can't remember (or work out) what happened at the beginning of the film.
This confusion is the one consistent thing throughout the whole film.
The TV shows Hustle and Leverage like to do the reveal where they show you a scene unfold and then play it back a little later showing you the truth behind what actually happened. Anna does this too, excessively. We jump around the timeline so much that eventually when you see the words "X months earlier" you just let out a resigned sigh.
I've been contemplating how the film would have played out if they'd don't it in a more traditional/chronological order. I'm not sure that there would have been enough to keep you interested in what was going on. It certainly would have left the ending surprise heavy with little to no pay off for your patience.
Anna looked to be a serious action-fest and in the trailer we see a well choreographed restaurant fight that I had particularly been looking forward to. The finished product was somehow incredibly dull and unengaging and I think that's entirely down to the music. In the trailer they picked an upbeat track and the action is cut to coincide with the punchy notes, it makes you react to what's happening. The music in the final cut does not contribute anything to what's going on at all. I've seen this happen previously with Kingsman: The Golden Circle, although in that case the scene wasn't hurt as much as here.
Luke Evans is the main Russian spy, Alex, he's strong and decisive. Cillian Murphy is the CIA agent, Lenny, he's abrasive and suspicious. Both characters are ultimately the same, but different. There's little to work out about either man or their relationship with Anna.
Anna is played by Sasha Luss, her only other acting credit is in Valerian and the City with a longer than necessary name (actual title of the film... I'm sure of it), I honestly wouldn't have recognised her from it. There's little that's memorable about her in this, which is worrying as the main character. The part was let down by the story, and while I'm sure she has the ability to do Anna justice I don't think anything here gave her the opportunity to try.
We're also treated to Helen Mirren, she is wonderful all the time, and this wasn't any different. I loved her performance in this as it was something a bit grittier, but I don't think her character and the script really aligned. She's shown as an astute spy and she picks up on the little details... unless it's essential to the plot that she doesn't.
Perhaps I'm being too harsh, but the promise of the trailer and the delivery of the film held very different things for the viewer. There are much better examples of this sort of film out there, it doesn't feel like it brings anything new to the table.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/anna-movie-review.html
Gareth von Kallenbach (980 KP) rated Cherry (2021) in Movies
Feb 25, 2021
Tom Holland and Joe and Anthony Russo have teamed up again but this time on a project which is about as far away from the Marvel universe as possible. Based on the book Nico Walker; “Cherry” is a compelling tale told in segments that depict a different style and phase of the main character’s life.
Holland stars as a young man who is trying to find a direction in his life. He meets a young girl named Emily (Ciara Bravo), and soon begins a relationship with her. This phase of the film plays out as a Young Romance film and the audience is given a good look at their world.
When Emily decides to move to Montreal to go to school and escape the issues she has’ Cherry goes into a downward spiral and enlists in the Army as a way to escape his pain and to try to find direction.
The film takes a dramatic turn at this point as Emily and Cherry reunite and marries but he is facing his pending military service which will split the couple. The film then pivots and becomes a war movie as we see Cherry go through Basic Training and then is deployed to Afghanistan as a medic. The horrors he experiences during his two years in the service traumatize him and he returns home to Emily with a severe case of PTSD which complicates their life and relationship.
The film then pivots again to show a descent into depression and drug addiction as Cherry and Emily fall deeply into the spell of drugs which causes Cherry to become more and more desperate to fund their habit which soon includes bank robbery.
While the film is deeply dark and depressing; there is a thread of hope throughout the film as despite their numerous issues; the bond between Emily and Cherry remains despite challenges well beyond what any normal relationship faces.
The honest and brutal nature of the story is amplified by the fact that this is a true story based on the life of Nico Walker. There have been films that depict the challenges facing Vets such as “The Deer Hunter” “Coming Home”, and “Born on the 4th of July”, which underscores the struggles that Vietnam Vets faced after their service. While “Cherry” looks at a modern conflict; it underscores how Vets are still struggling to get the care they need as many survivors to return broken and unable to resume their lives.
Holland and Bravo have solid chemistry with one another and the story is gripping and engaging throughout. Seeing Holland in a much more mature and darker role than we are used to seeing him in shows that he has a range of talents and is very capable of taking on a variety of parts.
Joe and Anthony Russo moved well from their recent Marvel films to a deeply personal and troubling story and the fact that they cover the multiple genres in each of the film segments shows they are very talented filmmakers with a bright future.
Do not be shocked to see “Cherry” come up at the next awards season as it is a film not to be missed and you can see it on Apple TV on March 12th. and cinemas on February 26th.
4.5 stars out of 5
Holland stars as a young man who is trying to find a direction in his life. He meets a young girl named Emily (Ciara Bravo), and soon begins a relationship with her. This phase of the film plays out as a Young Romance film and the audience is given a good look at their world.
When Emily decides to move to Montreal to go to school and escape the issues she has’ Cherry goes into a downward spiral and enlists in the Army as a way to escape his pain and to try to find direction.
The film takes a dramatic turn at this point as Emily and Cherry reunite and marries but he is facing his pending military service which will split the couple. The film then pivots and becomes a war movie as we see Cherry go through Basic Training and then is deployed to Afghanistan as a medic. The horrors he experiences during his two years in the service traumatize him and he returns home to Emily with a severe case of PTSD which complicates their life and relationship.
The film then pivots again to show a descent into depression and drug addiction as Cherry and Emily fall deeply into the spell of drugs which causes Cherry to become more and more desperate to fund their habit which soon includes bank robbery.
While the film is deeply dark and depressing; there is a thread of hope throughout the film as despite their numerous issues; the bond between Emily and Cherry remains despite challenges well beyond what any normal relationship faces.
The honest and brutal nature of the story is amplified by the fact that this is a true story based on the life of Nico Walker. There have been films that depict the challenges facing Vets such as “The Deer Hunter” “Coming Home”, and “Born on the 4th of July”, which underscores the struggles that Vietnam Vets faced after their service. While “Cherry” looks at a modern conflict; it underscores how Vets are still struggling to get the care they need as many survivors to return broken and unable to resume their lives.
Holland and Bravo have solid chemistry with one another and the story is gripping and engaging throughout. Seeing Holland in a much more mature and darker role than we are used to seeing him in shows that he has a range of talents and is very capable of taking on a variety of parts.
Joe and Anthony Russo moved well from their recent Marvel films to a deeply personal and troubling story and the fact that they cover the multiple genres in each of the film segments shows they are very talented filmmakers with a bright future.
Do not be shocked to see “Cherry” come up at the next awards season as it is a film not to be missed and you can see it on Apple TV on March 12th. and cinemas on February 26th.
4.5 stars out of 5
Sarah (7798 KP) rated Little Miss Sunshine (2006) in Movies
Mar 24, 2021
Adorably heartwarming
Film #17 on the 100 Movies Bucket List: Little Miss Sunshine
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
Little Miss Sunshine is a quirky gem of an indie film from 2006 that whilst a favourite of mine and Oscar nominated, has likely flown below the radar for many mainstream viewers. Which is a huge shame as this is such a fun, heartwarming and enjoyable film
Directed by husband and wife team Jonathan Dayton and Valerie Faris, Little Miss Sunshine follows the life of the dysfunctional Hoover family from New Mexico. The Hoovers are a family of unfortunates, misfits and losers, and probably one of the most realistic family depictions you’ll ever seen on screen outside of reality TV. There’s Sheryl (Toni Collette), the harassed mum who keeps her family fed on fast food. Dad Richard (Greg Kinnear) who’s trying to peddle a failing business that focuses on teaching others the secrets to success. Grandpa Edwin (Alan Arkin), an ageing hippie with a drug habit that has been kicked out of his retirement home. Sheryl’s brother Frank (Steve Carell), a gay man currently recovering from a suicide attempt after his partner left him. Son Duane (Paul Dano) who’s goal to get into flight school has led him to take a vow of silence. And finally there’s young daughter Olive (Abigail Breslin), who’s obsession with beauty pageants leads the family to take a cross country trip in an ageing VW van to help her compete in the Little Miss Sunshine pageant. Along the way, the family encounter a variety of mishaps and events that can potentially change their lives.
The Hoover family for the most part are ridiculously lovable and this is entirely down to their flaws that they are so likeable. Aside from Dad Richard who has a number of questionable ethics and morals that demean others, the family and their unique quirky personalities are the main reason why this film is so enjoyable. And the fact that the entire family are all brought together by young Olive across the span of the film makes this incredibly heartwarming. Olive is an underdog and being realistic, not the type of girl who you’d see in your typical American beauty pageant, but you still find yourself rooting for her all the same.
The cast are fantastic and while you can always rely on Toni Collette, Alan Arkin and Greg Kinnear, it’s Steve Carell and Abigail Breslin that shine brightest. Until this, I didn’t think Steve Carell could do serious and especially not a role that like. But he excels, bringing a sad, intelligent air to Frank and personally I think this is his best role to date. And then there’s Abigail Breslin, a 9 year old who steals the show and pulls the entire cast and film together. Together with a clever, well written script, the cast pull together a heartwarming and surprisingly funny film where emotions and family are key to an eventful road trip.
What I enjoyed the most about Little Miss Sunshine is that while the journey the family take is obviously most important, we do at least get the joy of seeing Olive enter the beauty pageant and this is such a fitting end to the story. There may be some slightly unbelievable or predictable events that occur across the journey (the police traffic stop being one), but ultimately you come out of this feeling incredibly satisfied and rather warm and fuzzy inside. One of the most enjoyable family road trip movies I’ve ever seen.
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Bob Mann (459 KP) rated Ghost Stories (2018) in Movies
Sep 29, 2021
In that sleep of death, what dreams may come.
“Ghost Stories” is based on the spooky London West-End stage play by Jeremy Dyson and Andy Nyman who both write and direct the film version. I didn’t know this until the end credits, but began to wonder in the final act where the action suddenly becomes very “stagey” in nature. The screenplay was always bound to be both bizarre and intriguing, since Dyson has been a past contributor to TV’s “League of Gentlemen” and other equally surreal programmes and Nyman has been a major collaborator with the stage-illusionist Derren Brown.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.
Nyman himself plays TV paranormal debunker Professor Goodman who receives a surprise message from a respected colleague, long thought dead, who on his death bed wants Goodman to investigate the three cases from his career that he was never able to debunk. The first concerns Tony Matthews (Paul Whitehouse, “The Death of Stalin“) as a night watchman at a spooky old asylum; the second concerns Simon Rifkind (Alex Lawther, young Turing in “The Imitation Game“) as a freaked-out young man with a forest breakdown; and Mike Priddle (Martin Freeman, “Black Panther“) as a rich broker with parenting issues. As Goodman investigates each case weirder and weirder things start to happen: is this his mind playing tricks as his faith is rocked, or is there something more sinister going on?
The primary issue I have with this film is its portmanteau nature, harking back to similar films like “The Twilight Zone: the Movie”. Having three segments, loosely linked together, feels like a clunky device for a feature film…. (“Why are there three cases to investigate? Well, two would have made the film too short, and four would have made it too long!”).
That being said, the overall story arc and the drawing together of the strands for the unexpected (although not terribly original) conclusion, is intriguing.
The film looks and feels like a British-made horror film, which is both a compliment and a criticism. Who doesn’t like the jump-scares and the vague tackiness of a Hammer horror? But if you care to compare the production values on show here versus “A Quiet Place“, there is no comparison. The location-shot scenes (which are most of the scenes) seem to be very poorly lit: and that’s the non-spooky ones where you are supposed to see what’s going on!
The cast seem to be well-suited to their roles, with Paul Whitehouse in particular being impressive as the ‘on the make’ Matthews, who always feels like being on the knife-edge of violent outburst. I particularly liked Alex Lawther who does “spooked” extremely well! The script also seems to be well-tuned to the characters, with a number of laugh-out-loud lines. “****ing O2” exclaims Simon as he waves his mobile in the air… something the marketing department at the telecoms giant must have loved!
The critics seem to have been overtly positive about this film, which I can’t quite match. Apart from one or two scenes towards the end, all of the jump scares were pretty well signposted in advance. But it’s still as fun as a slightly tacky ghost house ride at the fairground, if you like that sort of thing, and is certainly a much more interesting and better watch in my book than some recent and much higher budget horror films like “It“.