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Bob Mann (459 KP) rated Halloween (2018) in Movies
Sep 28, 2021
“He’s waited for me; I’ve waited for him”.
A blood-soaked history.
There’s such a familiarity with the content of these films that it’s difficult to put yourself back in 1978 for Jamie Lee Curtis‘s original battle with Michael Myers when the teen-slasher genre was in its infancy. Arguably “The Texas Chain Saw Massacre” four years earlier booted the 70’s/80’s genre; but thanks to its huge success John Carpenter’s “Halloween” opened the flood-gates… or should I say, blood-gates.
The plot.
40 years after the terrifying events of Halloween night in Haddonfield, Illinois, Michael Myers is still mute and incarcerated in a psychiatric unit being studied by Dr Sartain (Haluk Bilginer). He is joined by two investigative journalists – Aaron Korey (Jefferson Hall) and Dana Haines (Basingstoke’s-own Rhian Rees: “Where are your loos?”… classic!). They are keen to reunite Myers with his nemesis Laurie Strode (Jamie Lee Curtis) to watch the fireworks.
Strode is unfortunately damaged goods: still mentally traumatised and with failed marriages and a child taken into care, she lives in a fortified home in the middle of the woods. But she knows she has a date with destiny. As Halloween 2018 approaches, an ‘incident’ puts Myers on a collision course with Haddonfield’s teenage population all over again.
The turns.
Wow… you forget what an effective actress Jamie Lee Curtis is and here she absolutely owns every single scene she’s in, bringing enormous energy to the screen as the paranoid but ever-prepared hunter-in-waiting. The original Halloween was Lee Curtis’s movie debut and the film that made her a household name, and it almost feels like this is a passion-project for her to say “thanks for all the fish” for her career. Impressive.
As her eye-rolling daughter, Judy Greer rather pales in comparison (I found her character is a bit whiny and annoying), but the acting stakes pick up again with Andi Matichak as the granddaughter Allyson.
Of the other teens, Virginia Gardner is particularly effective as Vicky: the cute “favourite” babysitter who you can’t help but empathise with.
The review.
It’s very easy to make a very bad slasher movie, but this isn’t such a movie. Although having a wonderfully retro feel (when is the last time you saw “traditional” opening titles like this?) and despite mining every horror cliché known to man (ALWAYS look in the back seat when you get in a car!) it’s all obviously been done with loving care by the director David Gordon Green.
Above all, the director knows that what’s more scary than seeing violent murders is what your imagination can visualise happening off-screen. Don’t get me wrong, there is some SERIOUS gore meted out, with a few ‘cover your eyes’ moments. However, a good proportion of the violence is not shown, and very effective that is too, supported by Carpenter’s classic and insistent theme and some kick-ass foley work to add spice to your imagination!
The script (by the writing team of David Gordon Green, Danny McBride and Jeff Fradley) also wickedly plays with your darkest fear of where the plot *could* go if it wanted to: in a brilliant piece of misdirection (you’ll know the scene) your “OMG surely not” nerves twang and then un-twang with relief.
The script also works well to help you care about the teens on the menu, in much the same way as “Jaws” did with the tourists to Amity Beach.
Where the plot nearly lost me was in a rather daft twist before the final reel (which actually made more sense of what happened in the first reel, but was still hugely improbable). The ship rights itself fairly quickly (if messily) and normal order is resumed for the finale it deserves.
Final thoughts.
I’m not really a “horror nut” but this was popcorn horror of the best sort and I enjoyed it. Reverential to the original classic, it made for some entertaining reactions in the sparsely populated showing I attended: I imagine if seen in a packed auditorium on a Saturday night (or perhaps tomorrow night!) it would literally be a scream.
One’s thing for sure: when I got into my car in the dark cinema car park, I did take a sneaky look into the back seat!
There’s such a familiarity with the content of these films that it’s difficult to put yourself back in 1978 for Jamie Lee Curtis‘s original battle with Michael Myers when the teen-slasher genre was in its infancy. Arguably “The Texas Chain Saw Massacre” four years earlier booted the 70’s/80’s genre; but thanks to its huge success John Carpenter’s “Halloween” opened the flood-gates… or should I say, blood-gates.
The plot.
40 years after the terrifying events of Halloween night in Haddonfield, Illinois, Michael Myers is still mute and incarcerated in a psychiatric unit being studied by Dr Sartain (Haluk Bilginer). He is joined by two investigative journalists – Aaron Korey (Jefferson Hall) and Dana Haines (Basingstoke’s-own Rhian Rees: “Where are your loos?”… classic!). They are keen to reunite Myers with his nemesis Laurie Strode (Jamie Lee Curtis) to watch the fireworks.
Strode is unfortunately damaged goods: still mentally traumatised and with failed marriages and a child taken into care, she lives in a fortified home in the middle of the woods. But she knows she has a date with destiny. As Halloween 2018 approaches, an ‘incident’ puts Myers on a collision course with Haddonfield’s teenage population all over again.
The turns.
Wow… you forget what an effective actress Jamie Lee Curtis is and here she absolutely owns every single scene she’s in, bringing enormous energy to the screen as the paranoid but ever-prepared hunter-in-waiting. The original Halloween was Lee Curtis’s movie debut and the film that made her a household name, and it almost feels like this is a passion-project for her to say “thanks for all the fish” for her career. Impressive.
As her eye-rolling daughter, Judy Greer rather pales in comparison (I found her character is a bit whiny and annoying), but the acting stakes pick up again with Andi Matichak as the granddaughter Allyson.
Of the other teens, Virginia Gardner is particularly effective as Vicky: the cute “favourite” babysitter who you can’t help but empathise with.
The review.
It’s very easy to make a very bad slasher movie, but this isn’t such a movie. Although having a wonderfully retro feel (when is the last time you saw “traditional” opening titles like this?) and despite mining every horror cliché known to man (ALWAYS look in the back seat when you get in a car!) it’s all obviously been done with loving care by the director David Gordon Green.
Above all, the director knows that what’s more scary than seeing violent murders is what your imagination can visualise happening off-screen. Don’t get me wrong, there is some SERIOUS gore meted out, with a few ‘cover your eyes’ moments. However, a good proportion of the violence is not shown, and very effective that is too, supported by Carpenter’s classic and insistent theme and some kick-ass foley work to add spice to your imagination!
The script (by the writing team of David Gordon Green, Danny McBride and Jeff Fradley) also wickedly plays with your darkest fear of where the plot *could* go if it wanted to: in a brilliant piece of misdirection (you’ll know the scene) your “OMG surely not” nerves twang and then un-twang with relief.
The script also works well to help you care about the teens on the menu, in much the same way as “Jaws” did with the tourists to Amity Beach.
Where the plot nearly lost me was in a rather daft twist before the final reel (which actually made more sense of what happened in the first reel, but was still hugely improbable). The ship rights itself fairly quickly (if messily) and normal order is resumed for the finale it deserves.
Final thoughts.
I’m not really a “horror nut” but this was popcorn horror of the best sort and I enjoyed it. Reverential to the original classic, it made for some entertaining reactions in the sparsely populated showing I attended: I imagine if seen in a packed auditorium on a Saturday night (or perhaps tomorrow night!) it would literally be a scream.
One’s thing for sure: when I got into my car in the dark cinema car park, I did take a sneaky look into the back seat!
Purple Phoenix Games (2266 KP) rated Sprawlopolis in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
If you had the chance to design a city, how would you do it? Would you have a park on every block for some nice greenery, or do you think a large commercial district will bring in more people? What about housing – would people live right in the heart of the city, or would they live more on the outskirts? The day has finally come where those decisions are up to you! Well, mostly. You’ve been hired to help design the ultimate city! The city officials have given you some specific requirements, but beyond that, the plans are up to you! Can you meet their needs while also maximizing your space? It’s time to put your skills to the test and build the best city ever!
Sprawlopolis is a cooperative card placement game of only 18 cards. Given 3 random scoring conditions, you must draw and play cards into the city to fulfill those requirements. Meet or exceed their score, and you win the game! Fail to do so, and you have not succeeded in building the city up to specifications. Be careful how you decide to place your cards, however, because depending on the scoring conditions in play, certain placements could result in negative points at the end of the game. Working together, you and your team must decide which cards to play at what time to ensure that the requirements are all met. Solo play is identical to cooperative play, except that you just always have a hand of 3 cards from which to play. The score to beat each game is dependent on the scoring conditions, so this game isn’t just another beat-your-own-high-score game – you actually have a specific number in mind.
For a game with only 18 cards, there is a lot of variability in Sprawlopolis. I have yet to play 2 identical games. The layout of each card is unique, as are all of the scoring conditions, so the possibilities are endless… almost! I also enjoy playing this game solo because it requires a decent amount of strategy. Three things factor into your final score (the scoring conditions, block groupings, and roads) and it is impossible to succeed by focusing on only one of them. Your strategy is always changing based on the cards in your hand, and you really have to think about how to best utilize each card for maximum end-game points. Depending on when and where you play a card, it could change the entire city so you have to be thinking about the big picture, literally! And a neat thing about Sprawlopolis is that you can overlap cards. So maybe a card you played earlier is not really ideal anymore, given your current hand, so you can just cover up either a portion of it or the entire card!
The hardest thing about Sprawlopolis for me is that certain combinations of scoring conditions can be difficult to complete. One may give you points for a certain type of city block, but then another may take away as many, or more, points for that same type of city block. Or one gives you points for certain roads, but all roads result in negative points during end-game scoring. Since the scoring conditions are chosen randomly, there’s not really a way to negate this unless you just re-draw those cards. You usually can’t just look at a scoring condition combination and know if it will be difficult or not either – you just have to try it. I’m not saying they’re impossible necessarily, just harder to successfully complete.
Overall, I think Sprawlopolis is a neat game. It’s fast and easy to learn, yet strategic enough to keep you coming back for more games. I like to use it as a nice light filler game between some bigger games, or I just like to play it if I’ve got a quick 15 minutes to spare! Sprawlopolis is a fun game to play with a group, and it’s also a fun game to play solo. In my arsenal of solo games, it’s definitely one on standby.
https://purplephoenixgames.wordpress.com/2019/02/11/solo-chronicles-sprawlopolis/
If you had the chance to design a city, how would you do it? Would you have a park on every block for some nice greenery, or do you think a large commercial district will bring in more people? What about housing – would people live right in the heart of the city, or would they live more on the outskirts? The day has finally come where those decisions are up to you! Well, mostly. You’ve been hired to help design the ultimate city! The city officials have given you some specific requirements, but beyond that, the plans are up to you! Can you meet their needs while also maximizing your space? It’s time to put your skills to the test and build the best city ever!
Sprawlopolis is a cooperative card placement game of only 18 cards. Given 3 random scoring conditions, you must draw and play cards into the city to fulfill those requirements. Meet or exceed their score, and you win the game! Fail to do so, and you have not succeeded in building the city up to specifications. Be careful how you decide to place your cards, however, because depending on the scoring conditions in play, certain placements could result in negative points at the end of the game. Working together, you and your team must decide which cards to play at what time to ensure that the requirements are all met. Solo play is identical to cooperative play, except that you just always have a hand of 3 cards from which to play. The score to beat each game is dependent on the scoring conditions, so this game isn’t just another beat-your-own-high-score game – you actually have a specific number in mind.
For a game with only 18 cards, there is a lot of variability in Sprawlopolis. I have yet to play 2 identical games. The layout of each card is unique, as are all of the scoring conditions, so the possibilities are endless… almost! I also enjoy playing this game solo because it requires a decent amount of strategy. Three things factor into your final score (the scoring conditions, block groupings, and roads) and it is impossible to succeed by focusing on only one of them. Your strategy is always changing based on the cards in your hand, and you really have to think about how to best utilize each card for maximum end-game points. Depending on when and where you play a card, it could change the entire city so you have to be thinking about the big picture, literally! And a neat thing about Sprawlopolis is that you can overlap cards. So maybe a card you played earlier is not really ideal anymore, given your current hand, so you can just cover up either a portion of it or the entire card!
The hardest thing about Sprawlopolis for me is that certain combinations of scoring conditions can be difficult to complete. One may give you points for a certain type of city block, but then another may take away as many, or more, points for that same type of city block. Or one gives you points for certain roads, but all roads result in negative points during end-game scoring. Since the scoring conditions are chosen randomly, there’s not really a way to negate this unless you just re-draw those cards. You usually can’t just look at a scoring condition combination and know if it will be difficult or not either – you just have to try it. I’m not saying they’re impossible necessarily, just harder to successfully complete.
Overall, I think Sprawlopolis is a neat game. It’s fast and easy to learn, yet strategic enough to keep you coming back for more games. I like to use it as a nice light filler game between some bigger games, or I just like to play it if I’ve got a quick 15 minutes to spare! Sprawlopolis is a fun game to play with a group, and it’s also a fun game to play solo. In my arsenal of solo games, it’s definitely one on standby.
https://purplephoenixgames.wordpress.com/2019/02/11/solo-chronicles-sprawlopolis/
Andy Meakin (5 KP) rated Thor: Ragnarok (2017) in Movies
Jul 11, 2018
Thor-oughly entertaining.
Thor has always come across as the weaker of the Marvel film series’. The first film was well made, but never really demanded a repeat watch. The second, whilst not as bad as some people will attest, still felt more like a stop gap filler. You can’t blame the casting for the feeling of nonchalance that the films, so far, have delivered. Hemsworth is great in the role, and the support cast have always given their all, from Hiddleston as Loki, to Anthony Hopkins as Odin. But the stories have just felt superfluous, generic, and lacking in anything fantastical or mystical. In addition they have made the same error that DC made when they adapted Green Lantern – they spent too much time on Earth! You see, there are enough super-hero films that focus on a threat to Earth, so even though you could argue that it is faithful to the comics to have Thor defending Midgard against some mythical enemy, it has the unfortunate effect of making it seem just a little too…familiar. Wisely the decision was made for this third film to break away from Midgard, and go ‘cosmic’ with the story – and the end result is a damn sight better as a result.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.
The film spends the first act tying up some loose ends from the previous film, and returning Thor to Asgard. There he finds things are not as he left, and pretty soon Hela (Cate Blanchett) arrives to take control of Asgard, and threaten all the kingdoms with her army. Thor himself finds himself stranded on a remote junk-planet called Sakaar, where he finds himself thrown into gladiatorial combat against…well…an old friend. Can Thor unite an army to return to Asgard and save his people?
To say the film is immense fun would be an understatement! Director Taika Waititi, known for comedy dramas such as Hunt for the Wilderpeople and What We Do In The Shadows, definitely had an aim to explore the somewhat sillier side of the character, and the film is funny from the outset. Thor, who has always been a little naïve and shown some more awkward moments, is really given a lot of great lines, jibes, and clumsy aspects to round him out as more than just a ‘dumb, cocky Asgardian’. Throughout the film, characters quip and riff on ideas, creating genuine laughs and quotable moments, with even the newer characters getting their moments to impress on the audience. Amongst those newer additions, Karl Urban as Skurge, Jeff Goldblum as Grandmaster, and Tessa Thompson as Valkyrie steal any moments they appear on screen (Goldblum in particular just needs to have a wry grin and a raised eyebrow and all focus is on him). But Waititi himself gets to play with the best new addition to the cast, and one we will apparently see more of in the future, as Korg, a Kronan warrior.
So far, so entertaining, but is it all comedy and no substance? Far from it! The comedy serves well to balance against the dark drama of the story. This is titled Ragnarok, and Hela’s assault on Asgard is chilling indeed. In addition, the weaving in of elements from the Planet Hulk storyline, to give the mid-point journey part of the film some meat, ensures that there is never any dip in the tale, and there is plenty going on. The delicate balance of drama, emotion, and comedy is very reminiscent of the Guardians of the Galaxy films, and the franchise is so much better for it. After all, Asgardians are an alien race, so why not explore the cosmos a little with them? Even the soundtrack feels a little ‘Guardians-esque’ in style, with Led Zeppelin’s fabulous Immigrant Song being utilised perfectly for battle moments, but a somewhat electro-pop-synth score resonating throughout the film.
This is a film that flies by in run time (130 minutes, but never dragging), and finally gives Thor an identity in the Marvel Cinematic Universe. As the end credits finish rolling, the immediate desire is to watch it all again – which is not a feeling that the other two films left in me at all. Jostling for position in the top three Marvel films to date (Avengers and Guardians for those who are curious – yes, I know Winter Soldier and Civil War are damned good too, but these films are just fun). Thor: Ragnarok looks amazing, and entertains thoroughly. Ragnarok may mean the end of Asgard according to myth and legend, but it signals the true start of Thor as a character in his own right. All of that positive without even mentioning Ruffalo as Hulk (which you just knew was going to be great anyway)! Just watch the film for yourself, and enjoy.
Connor Sheffield (293 KP) rated Bloodborne in Video Games
Aug 13, 2018
Incredible atmosphere (5 more)
Great variety of enemies
Beautiful art and imagery
Interesting Lore (optional)
Plenty of different ways to play
Great combat mechanics
Can be difficult (1 more)
Not as easy and some people make it look
Challenging and Satisfying
Contains spoilers, click to show
Bloodborne is part of the famous series of games such as Demon Souls and Dark Souls, which if you know those previous games, you'll know that they are infamous for their difficulty, even spawning an entire meme phrase that simply says "git gud".
Bloodborne however, stands aside from the souls series because it's combat mechanics are faster and each enemy requires the player to evolve their skills and tactics in order to progress. The first major difference in Bloodborne that might throw previous souls players off, is the fact that there is no shield. Instead the Hunter wields a right handed melee weapon and in the left hand they wild a ranged weapon in place of a shield. This ranged weapon at first is primarily used not for damage, but for parry's/counter attacks.
The lack of shield helps the player evolve their combat from hiding behind a shield like in the souls games, to being more aggressive in a fight but also tactical because during your first run through of the game, you'll simply be dealing with each enemy through trial and error until you learn their attacks and learn how to defeat them. This is something that has been in every souls game and that is why these games are so rewarding.
The reason Bloodborne is my favourite is because of this speed that makes you evolve in combat. I ran into this game thinking it was like other RPG games where I could pretty much take on any beginning level enemy and even if they packed a punch I'd take out the enemy with a thin line of health left, only to use a few health potions and repeat. But Bloodborne? Good God you can't rush this game!
Every enemy has their own attack system that varies. Some Yarnhamites are more vicious that other, and some are more defensive and cautious. There are also enemies that are deceptive. If you were to come across a large, fat troll in a fantasy world, you'd expect them to be rather slow, especially when swinging a weapon. You'd only expect the force and weight of the weapon to give speed to a swing. But the large troll creatures in Bloodborne are deceptively fast and even if you keep some distance between you, they can leap really quickly and instantly pummel you with a cinder block.
But I'm not going to reveal too much about enemies because it's easier and more fun to test out the game for yourself.
Boss fights are the main factor for the infamous difficulty of the souls series and Bloodborne is no stranger to this element either. There are Two bosses in the beginning of the game. One is optional but I would highly recommend facing it. The other boss is your first taste (if you didn't kill the optional boss first) of the challenges you'll face. Both bosses help prepare for later boss fights because of their different combat styles.
The first (optional) boss is the Cleric Beast on the bridge in the beginning level, and it is intimidating as fuck for a beginner of the souls series. If you haven't watched or played a souls game before and you go into Bloodborne (or any of them) with no knowledge of the scale of bosses, then they are intimidating in comparison to your measly character size. However once you learn this boss, and face later bosses, you'll realize that this boss is one of the easiest to face.
The next boss and the main boss of the beginning level, who is not optional as defeating him let's you progress through the story, is Father Gascoigne, another Hunter in the world of Bloodborne and the first of many you'll come across but facing this hunter is by far one of the most painstakingly challenging beginning fights to a game I've ever had to face. In my first run through I died to him so so soooo many times and sometimes it was simply cos he was on low health and I got cocky and fucked up. However defeating this boss, and any boss in this game, really feels like an achievement.
I've realised iv made this review hella long but that's because Bloodborne cannot be easily reviewed in just a few words but I'll do my best to do a quick overall conclusion as to why this is my favourite game:
The level design isn't flawless but it is incredible and the atmosphere created through sound design and soundtrack make this game incredibly in depth and really creepy which I love because even after a few play through I still get creeped out and even jump at some of the jumpscares that I forget about!
The weapons of this game are all well designed aesthetically and though I know certain ones I never use, they are all useable depending on player preference and style of play. There's so much to choose from and learn and every item in this game has a description that teaches the player more about the Lore of the world but that is of course optional and isn't required necessarily to understand the games main quest plot.
This game also requires exploration because the path the player needs to take isn't set out for them which makes the game less linear meaning that you can play this game differently every time you play it. It also might mean that you'll need to look up the paths you need to take online or in a guide in order to just get through the game and complete it. Otherwise it could take you hours, maybe days to figure out where you need to go.
The combat mechanics of Bloodborne are some of the best I've ever seen and played with and that's why it stands out to me above the other souls games.
The boss fights are intense and each new boss helps the player to adapt and evolve their combat skills and tactics in order to overcome the enemy.
The world is very heavily Lovecraftian and therefore the Lore is incredible but also optional. Also, there are easier ways to fight this games enemies including bosses, so if you're struggling, then Google it and there will be hundreds of players in the same boat as you, and in my opinion there's no wrong way to play games like this. If it remains fun and let's me complete the storyline, such as summoning AI for boss battles in offline mode. Then play however you want to because it's you playing the game, not some internet troll who says you're shit and/or cheating the game. If it's possible to do in game, it's part of the game...deal with it!
There are faults such as minor framerate glitches, and glitches with the ragdoll bodies of defeated enemies falling through the environment. There are also some elements that are part of the game such as windows for visceral attacks and hitboxes which sometimes feel like bullshit, but this also helps you evolve so....pros and cons.
My final comment is this;
The best way to learn about this game and enjoy it, is to play it for yourself. It's hard to put into words (even this amount of words in this review) just how incredible this game looks and feels. So if you have a Playstation 4 then grab yourself a copy of Bloodborne and enjoy!
Fear the Old blood!
Bloodborne however, stands aside from the souls series because it's combat mechanics are faster and each enemy requires the player to evolve their skills and tactics in order to progress. The first major difference in Bloodborne that might throw previous souls players off, is the fact that there is no shield. Instead the Hunter wields a right handed melee weapon and in the left hand they wild a ranged weapon in place of a shield. This ranged weapon at first is primarily used not for damage, but for parry's/counter attacks.
The lack of shield helps the player evolve their combat from hiding behind a shield like in the souls games, to being more aggressive in a fight but also tactical because during your first run through of the game, you'll simply be dealing with each enemy through trial and error until you learn their attacks and learn how to defeat them. This is something that has been in every souls game and that is why these games are so rewarding.
The reason Bloodborne is my favourite is because of this speed that makes you evolve in combat. I ran into this game thinking it was like other RPG games where I could pretty much take on any beginning level enemy and even if they packed a punch I'd take out the enemy with a thin line of health left, only to use a few health potions and repeat. But Bloodborne? Good God you can't rush this game!
Every enemy has their own attack system that varies. Some Yarnhamites are more vicious that other, and some are more defensive and cautious. There are also enemies that are deceptive. If you were to come across a large, fat troll in a fantasy world, you'd expect them to be rather slow, especially when swinging a weapon. You'd only expect the force and weight of the weapon to give speed to a swing. But the large troll creatures in Bloodborne are deceptively fast and even if you keep some distance between you, they can leap really quickly and instantly pummel you with a cinder block.
But I'm not going to reveal too much about enemies because it's easier and more fun to test out the game for yourself.
Boss fights are the main factor for the infamous difficulty of the souls series and Bloodborne is no stranger to this element either. There are Two bosses in the beginning of the game. One is optional but I would highly recommend facing it. The other boss is your first taste (if you didn't kill the optional boss first) of the challenges you'll face. Both bosses help prepare for later boss fights because of their different combat styles.
The first (optional) boss is the Cleric Beast on the bridge in the beginning level, and it is intimidating as fuck for a beginner of the souls series. If you haven't watched or played a souls game before and you go into Bloodborne (or any of them) with no knowledge of the scale of bosses, then they are intimidating in comparison to your measly character size. However once you learn this boss, and face later bosses, you'll realize that this boss is one of the easiest to face.
The next boss and the main boss of the beginning level, who is not optional as defeating him let's you progress through the story, is Father Gascoigne, another Hunter in the world of Bloodborne and the first of many you'll come across but facing this hunter is by far one of the most painstakingly challenging beginning fights to a game I've ever had to face. In my first run through I died to him so so soooo many times and sometimes it was simply cos he was on low health and I got cocky and fucked up. However defeating this boss, and any boss in this game, really feels like an achievement.
I've realised iv made this review hella long but that's because Bloodborne cannot be easily reviewed in just a few words but I'll do my best to do a quick overall conclusion as to why this is my favourite game:
The level design isn't flawless but it is incredible and the atmosphere created through sound design and soundtrack make this game incredibly in depth and really creepy which I love because even after a few play through I still get creeped out and even jump at some of the jumpscares that I forget about!
The weapons of this game are all well designed aesthetically and though I know certain ones I never use, they are all useable depending on player preference and style of play. There's so much to choose from and learn and every item in this game has a description that teaches the player more about the Lore of the world but that is of course optional and isn't required necessarily to understand the games main quest plot.
This game also requires exploration because the path the player needs to take isn't set out for them which makes the game less linear meaning that you can play this game differently every time you play it. It also might mean that you'll need to look up the paths you need to take online or in a guide in order to just get through the game and complete it. Otherwise it could take you hours, maybe days to figure out where you need to go.
The combat mechanics of Bloodborne are some of the best I've ever seen and played with and that's why it stands out to me above the other souls games.
The boss fights are intense and each new boss helps the player to adapt and evolve their combat skills and tactics in order to overcome the enemy.
The world is very heavily Lovecraftian and therefore the Lore is incredible but also optional. Also, there are easier ways to fight this games enemies including bosses, so if you're struggling, then Google it and there will be hundreds of players in the same boat as you, and in my opinion there's no wrong way to play games like this. If it remains fun and let's me complete the storyline, such as summoning AI for boss battles in offline mode. Then play however you want to because it's you playing the game, not some internet troll who says you're shit and/or cheating the game. If it's possible to do in game, it's part of the game...deal with it!
There are faults such as minor framerate glitches, and glitches with the ragdoll bodies of defeated enemies falling through the environment. There are also some elements that are part of the game such as windows for visceral attacks and hitboxes which sometimes feel like bullshit, but this also helps you evolve so....pros and cons.
My final comment is this;
The best way to learn about this game and enjoy it, is to play it for yourself. It's hard to put into words (even this amount of words in this review) just how incredible this game looks and feels. So if you have a Playstation 4 then grab yourself a copy of Bloodborne and enjoy!
Fear the Old blood!
Sign Off, a murder mystery by Patricia McLinn, is a marvelous book about a woman named Elizabeth who works for a news station when a little girl asks her to look into a murder case that has been unsolved. At first Elizabeth wasn’t sure if she could solve it, but as she looks at the news from the case, she finds herself curious about all parties involved and begins asking questions. Along the way, she start to find herself after having had a rough past that left her in a small town, as well as finding someone who might be interested in her. With her small team of colleagues, they all work to try to solve the case and find out what really happened.
At first, I was worried the book would leave out details about the main character that could help fill in her background, but upon reading further I was pleasantly surprised with hoe they would tie in the information that was left out in the beginning, using the case to help introduce the said information. I enjoy the suspense and the way the book was written so that you were trying to solve the murder mystery alongside Elizabeth and Mike. The details McLinn used to describe different scenes and things in the book was chilling to think about. Even though it would be accurate in the way she was suing them, it still makes me shiver at the thought of such descriptions used.
I enjoyed the different characters and their personalities which made you want to suspect someone over another person and even take notes mentally in hopes to figure it out before the murderer was revealed. Though, your thoughts may be wrong. I also enjoyed the underlying tone of romance in the brewing. It made it so that it was realistic and made it able to give reasons for Mike to want to spend time with Elizabeth other than helping solve the case. I would have loved to see that develop more, but was pleasantly surprised with everything that was said about such a development between the characters and seeing them be mature about it.
Though they were mature about most things, it was clear not everything earned such merit. While the characters seemed to be able to handle themselves, you couldn’t help but wonder why in some instances where they so brave and in others seemed slightly cowardly or lost for words. There were also a few things that had confused me on the approach the characters took to certain problems but wasn’t like confused in the way that left you unhappy, but more like “why would they do that instead of this”? While I believe even though the characters made some slight error in my own opinion of what should be done, I found that these small errors made the story feel more well-rounded, unlike some story-lines that can make their characters seem like a god in their area of expertise. I quite enjoyed the reality feel for this murder mystery.
Sign Off was a real page turned that kept me wanting more, and even though it is book one of the Caught Dead in Wyoming series, I will have to say I was pleasantly surprised that it could easily stand alone. I will be looking forward to the rest of the series, as there are currently seven books in total. Patricia McLinn has given us a fabulous product that can satisfy just about any need you may have. It you want action, mystery, suspense, and a tad bit of romance mixed in with some comedy, this is a book for you. I would rate this book 4 star out of 4 stars. It was just a truly amazing tale that kept me wanting more.
At first, I was worried the book would leave out details about the main character that could help fill in her background, but upon reading further I was pleasantly surprised with hoe they would tie in the information that was left out in the beginning, using the case to help introduce the said information. I enjoy the suspense and the way the book was written so that you were trying to solve the murder mystery alongside Elizabeth and Mike. The details McLinn used to describe different scenes and things in the book was chilling to think about. Even though it would be accurate in the way she was suing them, it still makes me shiver at the thought of such descriptions used.
I enjoyed the different characters and their personalities which made you want to suspect someone over another person and even take notes mentally in hopes to figure it out before the murderer was revealed. Though, your thoughts may be wrong. I also enjoyed the underlying tone of romance in the brewing. It made it so that it was realistic and made it able to give reasons for Mike to want to spend time with Elizabeth other than helping solve the case. I would have loved to see that develop more, but was pleasantly surprised with everything that was said about such a development between the characters and seeing them be mature about it.
Though they were mature about most things, it was clear not everything earned such merit. While the characters seemed to be able to handle themselves, you couldn’t help but wonder why in some instances where they so brave and in others seemed slightly cowardly or lost for words. There were also a few things that had confused me on the approach the characters took to certain problems but wasn’t like confused in the way that left you unhappy, but more like “why would they do that instead of this”? While I believe even though the characters made some slight error in my own opinion of what should be done, I found that these small errors made the story feel more well-rounded, unlike some story-lines that can make their characters seem like a god in their area of expertise. I quite enjoyed the reality feel for this murder mystery.
Sign Off was a real page turned that kept me wanting more, and even though it is book one of the Caught Dead in Wyoming series, I will have to say I was pleasantly surprised that it could easily stand alone. I will be looking forward to the rest of the series, as there are currently seven books in total. Patricia McLinn has given us a fabulous product that can satisfy just about any need you may have. It you want action, mystery, suspense, and a tad bit of romance mixed in with some comedy, this is a book for you. I would rate this book 4 star out of 4 stars. It was just a truly amazing tale that kept me wanting more.
Chris Sawin (602 KP) rated After.Life (2010) in Movies
Jun 23, 2019
Anna (Christina Ricci) and Paul (Justin Long) have been together for quite some time. Although Anna seems to be pulling away, Paul is still madly in love with her. When his job offers him a promotion that would require him to move, Paul intends to ask Anna to come with him and be his wife. Anna, however, takes his lead-in as a break-up proposal before he can finish and leaves. After getting into a car accident, Anna wakes up in a funeral home where the director Eliot Deacon (Liam Neeson) tries to convince her that she's dead. Anna struggles with whether or not she has passed on and is merely in transition to the afterlife in the hands of a man with an incredible gift or is still alive and being held captive by a a lunatic.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
Kristy H (1252 KP) rated Boyfriend Material in Books
Jul 1, 2021
Charming fake dating romance
Luc O'Donnell's never met his father. But he's lived in his shadow his whole life. His rock star dad has made Luc famous by proxy. With his dad making a comeback, both of them are in the public eye again--and the tabloids. So when Luc's latest escapade at a club goes public and threatens his job, he has to find a way to show everyone that he's changed. Enter Oliver Blackwood. The barrister is as normal and non-threatening as they come. The two have nothing in common, beyond being gay, but agree to be fake boyfriends to help Luc keep his job and Oliver save face at a family event. But as the pair get to know each other, they come to realize that there's something comforting about dating--even fake dating. And that falling for someone, even when it's fake, can take on something special.
"I was a cagey, grumpy, paranoid mess who would find a way to ruin even the most basic human interaction." ~Luc
This book was a little slow to take off for me, but it was a very cute story, and I really liked both Luc and Oliver. Despite Luc having a few issues dealing with his rock star dad, he's quite an engaging character--very flawed and honest. Plus, I felt quite an attachment to straight-laced Oliver, as I am, of course, that person. At its core, this is a story of two hurt people learning to love. We have Luc, burned by past loves, and Oliver, uptight and trying to deal with the hurt his family has pushed upon him. The book deals deftly with acceptance (or lack thereof)--both of others and yourself.
BOYFRIEND MATERIAL shines with its supporting cast--a whole host of humorous folks, including Luc's coworkers (including one so daft, he's almost impossible to believe), Luc's mom and her friend, whom I adored, and Luc's friends, who were a diverse and supportive bunch. I laughed a lot during this story and cried a bit too. Oliver and Luc's journey is sweet and silly and heartbreaking.
It's also a bit long, with a storyline with Luc's sick dad thrown in that seems unnecessary and too much. There's also a bit of latent homophobia--Luc's job is threatened because he's gay, Oliver's family's prejudice--that's never really addressed. While this was a romance, I would have liked to see those issues taken care of or acknowledged, instead of glossed over/ignored.
Still, overall, this is a fun read and a cute story. Luc and Oliver are sweet characters, and their character arc/journey is enjoyable. 3.5 stars.
"I was a cagey, grumpy, paranoid mess who would find a way to ruin even the most basic human interaction." ~Luc
This book was a little slow to take off for me, but it was a very cute story, and I really liked both Luc and Oliver. Despite Luc having a few issues dealing with his rock star dad, he's quite an engaging character--very flawed and honest. Plus, I felt quite an attachment to straight-laced Oliver, as I am, of course, that person. At its core, this is a story of two hurt people learning to love. We have Luc, burned by past loves, and Oliver, uptight and trying to deal with the hurt his family has pushed upon him. The book deals deftly with acceptance (or lack thereof)--both of others and yourself.
BOYFRIEND MATERIAL shines with its supporting cast--a whole host of humorous folks, including Luc's coworkers (including one so daft, he's almost impossible to believe), Luc's mom and her friend, whom I adored, and Luc's friends, who were a diverse and supportive bunch. I laughed a lot during this story and cried a bit too. Oliver and Luc's journey is sweet and silly and heartbreaking.
It's also a bit long, with a storyline with Luc's sick dad thrown in that seems unnecessary and too much. There's also a bit of latent homophobia--Luc's job is threatened because he's gay, Oliver's family's prejudice--that's never really addressed. While this was a romance, I would have liked to see those issues taken care of or acknowledged, instead of glossed over/ignored.
Still, overall, this is a fun read and a cute story. Luc and Oliver are sweet characters, and their character arc/journey is enjoyable. 3.5 stars.
Ross (3284 KP) rated Stranger Things - Season 2 in TV
Nov 17, 2017
A great series following on from the ground-breaking first. Extra characters are revealed and the current characters are explored in more detail as they grow and mature. The addition of Paul Reiser and Sean Astin was simply inspired, somehow managing to conjure up memories of Aliens, The Goonies, LoTR and ... erm ... My Two Dads.
There are the usual geeky references here and there (the boys dressed as ghostbusters and awkwardly discussing why Lucas should be Winston; Eleven wanting to wear the same Halloween costume as ET etc etc).
The action was a little slow to get going in the first few episodes, but it was still enjoyable viewing all the same, getting the chance to see the boys in action without the fear or tension from the events of the first series.
I feel a bit sorry for the actor playing Will - he is a bit like Doug from The Hangover - barely there and when he is there he is quite weedy and annoying.
For me Hopper was the star of the series showing his paternal side with Eleven while still being the strong leader/father figure that some of the boys don't have.
The only slight negative I had was the timeline of the DemaDog's growth - it seemed to take almost a year for the slug that Will coughed up to grow to the size of a frog and then from there it became dog-sized in a matter of days. Unless these were separate creatures and I have mistaken this but, a la Prometheus, this wasn't all that well explained. It could just be the incredible nutritious qualities of nougat.
All in all another excellent series and a taste of more to come, possibly with Max's brother (a dead-ringer for Jason Patric in The Lost Boys) and Dustin (with his Corey Haim hair at the Snow Ball) teaming up to battle vampires.
There are the usual geeky references here and there (the boys dressed as ghostbusters and awkwardly discussing why Lucas should be Winston; Eleven wanting to wear the same Halloween costume as ET etc etc).
The action was a little slow to get going in the first few episodes, but it was still enjoyable viewing all the same, getting the chance to see the boys in action without the fear or tension from the events of the first series.
I feel a bit sorry for the actor playing Will - he is a bit like Doug from The Hangover - barely there and when he is there he is quite weedy and annoying.
For me Hopper was the star of the series showing his paternal side with Eleven while still being the strong leader/father figure that some of the boys don't have.
The only slight negative I had was the timeline of the DemaDog's growth - it seemed to take almost a year for the slug that Will coughed up to grow to the size of a frog and then from there it became dog-sized in a matter of days. Unless these were separate creatures and I have mistaken this but, a la Prometheus, this wasn't all that well explained. It could just be the incredible nutritious qualities of nougat.
All in all another excellent series and a taste of more to come, possibly with Max's brother (a dead-ringer for Jason Patric in The Lost Boys) and Dustin (with his Corey Haim hair at the Snow Ball) teaming up to battle vampires.
Brecoles Nine (16 KP) rated God of War in Video Games
Mar 12, 2019
God of War- BOY!
Contains spoilers, click to show
Hello! So, God of War on the PS4. Techically God of War 4. The game started off by throwing you into this emotional journey by burying the wife of Kratos.
The emotional music that was lined up with the journey of gathering something as simple as wood, was by far the best part of the beginning.
Then a stranger comes and you being Kratos, you say to yourself, "Yeah, I can take him, look at this skinny little man thinking he stands a chance against me, the mighty KRATOS-" Then he catches you by surprise, he is so much more powerful than you imagined and now you're in this brilliantl, beautiful fight to the death. It was crazy. The whole game was filled with emotion and raw power. The emotional growth of the bond between Father and Son was a beautiful thing to watch.
This is a super late review, so there isn't much to say about it other than it was an incredible game that added onto an already incredible series. The end of the game left us with wanting more and more. By the end of it I found myself wanting to send an email to Santa Monica Studios, begging for an early copy of the next game or maybe a script just to know what happens. The cliffhanger it left us with was amazing and wonderful.
The combat was smooth and I found myself throwing the axe for no apparent reason but to see how far I could throw it and travel away from it, just to call it back and watch as the axe returns to Kratos' hand in real time. The amount of detail they put into this game is incredible and I'm sure that it will be quite a wait until the next one. In my honest opinion about God of War, I would personally give the game a solid 10/10. Thank you so much for reading!
The emotional music that was lined up with the journey of gathering something as simple as wood, was by far the best part of the beginning.
Then a stranger comes and you being Kratos, you say to yourself, "Yeah, I can take him, look at this skinny little man thinking he stands a chance against me, the mighty KRATOS-" Then he catches you by surprise, he is so much more powerful than you imagined and now you're in this brilliantl, beautiful fight to the death. It was crazy. The whole game was filled with emotion and raw power. The emotional growth of the bond between Father and Son was a beautiful thing to watch.
This is a super late review, so there isn't much to say about it other than it was an incredible game that added onto an already incredible series. The end of the game left us with wanting more and more. By the end of it I found myself wanting to send an email to Santa Monica Studios, begging for an early copy of the next game or maybe a script just to know what happens. The cliffhanger it left us with was amazing and wonderful.
The combat was smooth and I found myself throwing the axe for no apparent reason but to see how far I could throw it and travel away from it, just to call it back and watch as the axe returns to Kratos' hand in real time. The amount of detail they put into this game is incredible and I'm sure that it will be quite a wait until the next one. In my honest opinion about God of War, I would personally give the game a solid 10/10. Thank you so much for reading!
Neon's Nerd Nexus (360 KP) rated Suspiria (2018) in Movies
May 13, 2019
Does it cut it?
#suspiria #suspiria2018 is a #disturbing, uneasy & cold remake of the 1977 #cultclassic which instead of being a straight up copy refreshingly tells its own spellbinding tale of female identity both visually & metaphorically. #suspiria the #darioargento #original holds a special place in my heart not only is it intoxicating, visually magnificent & nerve shreddingly atmospheric its also clearly the main inspiration for my favourite movie of all time the #neondemon as well as proving #horror films can indeed be #artistic too. So here we have the #remake & i must say what a cracking piece of cinema it is too. Where as the original is visually striking the remake goes for a more cold, drab less saturated look but make no mistake about it its still all #gorgeous to take in & this new palette works in the films favour creating yet again such an unnerving sense of threat, dread & unknowingness lurking in every scene. Sound design is incredible too with dialog volume constantly ramped up & layered over silent scenes which lingers in your ears inducing spine tingling chills every time. Metaphor riddled the movie feels like one big jigsaw requiring multiple views to really delve into all of its subject matter. Running themes of the relationship between a #mother & her daughter are strong here & how a mother can influence, have a hold on, controller & manipulate her child for good or bad are unnerving & unsettling realistic portrayed. While objectification, favoritism, sexuality, desire & #feminisum also play a big parts here Suspiria isnt afraid to show the deceitful, manipulative, cold, calculating, unforgiving, sexually manipulative & selfish traits women/humans can portray too. A fantastic movie with exceptional performance from #dakotajohnson thats surly destined to become a #cult classic of its own some day. Suspiria is brutal, #wicked & #sinister & had me gripped, shocked & engaged the entire run time. A great achievement & proof remakes can be done well. #odeon #odeonlimitless #scary #creepy #empowerment #fiftyshadesofgrey #sex #dancing #italian #tildaswinton #german #callmebyyourname #friyay