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Gareth von Kallenbach (980 KP) rated Love, Simon (2018) in Movies
Jul 8, 2019
Meet Simon, just your average teenage boy who loves to hang out with his best friends and spend time with his family. His life is seemingly perfect, except he has a secret. Simon (Nick Robinson) is gay. With news of a closeted gay kid at school, who only is known as Blue; Simon starts to venture out of his secret. However, as John Hughes taught us in the 1980’s it’s not easy being a teenager. As Simon tries to navigate this new friendship with Blue, he begins to affect the lives of his best friends Leah (Katherine Langford), Nick (Keiynan Lonsdale), and Abby (Alexandra Shipp) just to keep his secret safe. Even his mom (Jennifer Gardiner) and dad (Josh Duhamel) begin to realize something is up. So, the question is if his secret gets out how will he handle it?
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
ArecRain (8 KP) rated Boys that Bite (Blood Coven Vampire, #1) in Books
Jan 18, 2018
As far as young adult novels go, this one lacked all the teenage drama and angst that most do. Very little action happened while Sunny, our narrator, was pumping us information about her, her family and life, and what she learned over the course of the novel. I liked that the plot was so simple. There was no world that needed to be saved except for Sunnys (own little high school world). Although I found it awkward at BEST that a hundreds (maybe thousands) of years old vampire fell in love with a teenage girl in a matter of day.
Other than that, it was an overall enjoyable story. It was nothing spectacular and groundbreaking, and I am no hurry to read the rest of the series. But I am interested enough to read it eventually. I actually really enjoyed Sunny as a narrator. She was funny and sounded like a teenager, with a multitude of asides that actually didnt take away from the story itself, regardless of how long winded they were.
At the same time, I wanted to punch her sister Rayne. Rayne was so stereotypical and cliche, but I could imagine her perfectly and have people exactly like it, making my dislike of her all that more real. I dont think it helped that everyone but Magnus seemed to be bemoaning their situation (whiny ungrateful children).
The best part about the novel? The detail that Mancusi put into her vampire race and culture. I thought it was well thought out and unique. I wish there could have been vampire interaction that just Magnus and Lucifent, but I suppose that will have to wait for the other novels in the series.
Other than that, it was an overall enjoyable story. It was nothing spectacular and groundbreaking, and I am no hurry to read the rest of the series. But I am interested enough to read it eventually. I actually really enjoyed Sunny as a narrator. She was funny and sounded like a teenager, with a multitude of asides that actually didnt take away from the story itself, regardless of how long winded they were.
At the same time, I wanted to punch her sister Rayne. Rayne was so stereotypical and cliche, but I could imagine her perfectly and have people exactly like it, making my dislike of her all that more real. I dont think it helped that everyone but Magnus seemed to be bemoaning their situation (whiny ungrateful children).
The best part about the novel? The detail that Mancusi put into her vampire race and culture. I thought it was well thought out and unique. I wish there could have been vampire interaction that just Magnus and Lucifent, but I suppose that will have to wait for the other novels in the series.
Phil Leader (619 KP) rated I am Number Four (Lorien Legacies #1) in Books
Nov 15, 2019
When the planet Lorien is destroyed by invading aliens 9 refugee children who are bound by fate and will develop mystical powers come to Earth with their mentors. Each is given a number and they can only be killed in sequence. After Number Three is killed Number Four knows he is the next on the list, but he has a lot on his plate with not only his powers developing but his teenage school life becoming complicated. With the predatory aliens closing in he must rely on both friends and enemies to survive.
The basic outline is that of a good book but the detail and the execution somewhat let it down; too much of the back story is paper thin and invented for dramatic convenience. The killing in order thing is just hokey and absurd and that's just the start. The 9 aren't supposed to meet each other but that makes no sense as they would be stronger together. 'Henri', the mentor of Number Four is obseessed with secrecy yet sends him to school just when his powers are going to manifest in an obvious way. The plot itself doesn't quite hold together and the final showdown at the end of the book is over the top to the point of ridiculousness.
There are good bits, but they are generally unrelated to the whole Lorien part of it. The story of the new boy at school who gets on the wrong side of the school bully and befriends the previously friendless is good and works well with some good characters. This may have been better as a standard story of teenage life without all the science fiction trimmings.
I was disappointed with this book. I expected a lot more than it delivered. There are far far better science fiction books for young adults out there.
The basic outline is that of a good book but the detail and the execution somewhat let it down; too much of the back story is paper thin and invented for dramatic convenience. The killing in order thing is just hokey and absurd and that's just the start. The 9 aren't supposed to meet each other but that makes no sense as they would be stronger together. 'Henri', the mentor of Number Four is obseessed with secrecy yet sends him to school just when his powers are going to manifest in an obvious way. The plot itself doesn't quite hold together and the final showdown at the end of the book is over the top to the point of ridiculousness.
There are good bits, but they are generally unrelated to the whole Lorien part of it. The story of the new boy at school who gets on the wrong side of the school bully and befriends the previously friendless is good and works well with some good characters. This may have been better as a standard story of teenage life without all the science fiction trimmings.
I was disappointed with this book. I expected a lot more than it delivered. There are far far better science fiction books for young adults out there.
Totally Awesome: The Greatest Cartoons of the Eighties
Andrew Farago and Russi Taylor
10.0
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Totally Awesome: The Greatest Cartoons of the Eighties is the ultimate guide to '80s cartoon...
Television cartoons
Frank Carter recommended Coral Fang by The Distillers in Music (curated)
Matthew Krueger (10051 KP) rated Deadly Friend (1986) in Movies
Sep 14, 2020
Death By Basktetball
Deadly Friend- is a good movie. The best sence is the basketball kill. It was gory, horrorfying and terrorfying. Other than that this film is basically Frankenstien but instead of a monster its a robot. Which does turn into a monster.
The plot: Its plot follows a teenage computer prodigy who implants a robot's hardrive into the brain of his teenage neighbor after she is pronounced brain dead; the experiment proves successful, but she swiftly begins a killing spree in their neighborhood.
Originally, the film was a sci-fi thriller without any graphic scenes, with a bigger focus on plot and character development and a dark love story centering around the two main characters, which were not typical aspects of Craven's previous films. After Craven's original cut was shown to a test audience by Warner Bros., the audience criticized the lack of graphic, bloody violence and gore that Craven's other films included. Warner Bros. executive vice president Mark Canton and the film's producers then demanded script re-writes and re-shoots, which included filming gorier death scenes and nightmare sequences, similar to the ones from Craven's previous film, A Nightmare on Elm Street. Due to studio imposed re-shoots and re-editing, the film was drastically altered in post-production, losing much of the original plot and more scenes between characters, while other scenes, including more grisly deaths and a new ending, were added. This version was criticized by test audiences for containing too much graphic, bloody violence and gore.
In April 2014, an online petition for the release of the original cut was made.
Its a intresting movie see it for yourself and see if you like it.
The plot: Its plot follows a teenage computer prodigy who implants a robot's hardrive into the brain of his teenage neighbor after she is pronounced brain dead; the experiment proves successful, but she swiftly begins a killing spree in their neighborhood.
Originally, the film was a sci-fi thriller without any graphic scenes, with a bigger focus on plot and character development and a dark love story centering around the two main characters, which were not typical aspects of Craven's previous films. After Craven's original cut was shown to a test audience by Warner Bros., the audience criticized the lack of graphic, bloody violence and gore that Craven's other films included. Warner Bros. executive vice president Mark Canton and the film's producers then demanded script re-writes and re-shoots, which included filming gorier death scenes and nightmare sequences, similar to the ones from Craven's previous film, A Nightmare on Elm Street. Due to studio imposed re-shoots and re-editing, the film was drastically altered in post-production, losing much of the original plot and more scenes between characters, while other scenes, including more grisly deaths and a new ending, were added. This version was criticized by test audiences for containing too much graphic, bloody violence and gore.
In April 2014, an online petition for the release of the original cut was made.
Its a intresting movie see it for yourself and see if you like it.
Lenard (726 KP) rated Bill & Ted Face the Music (2020) in Movies
Dec 23, 2020
Stupid Sometimes is Different From Dumb
There is a "danger" to a 50-something year old actor playing a role that they originated as a young adult actor. Especially when the role is the one that a whole generation associates with that actor even when there are at least three other characters one could recognize as the actor's. But the analysis of Keanu Reeves's career, especially the more experimental aspects, is worthy of a blog post or podcast episode.
Bill and Ted Face the Music is the third entry in the series released 29 years after the second one. Bill and Ted are now middle-aged parents still trying to write the song that will unite the world and bring about a utopian society. But once again, that future is threatened unless Bill and Ted can fulfill their destiny. Reality is starting to unravel as George Washington is transported to another time, Babe Ruth takes his place, and Kid Cudi comes to San Dimas. Bill and Ted hijack a time machine and consult with future selves to take the song to their time.
First, I was happy to see the original actors for Missy and Col. Logan also return. Second, the actresses playing the two teenage daughters really captured the essence of Bill and Ted. Third, the couples therapy was a brilliant idea although I am not sure that medieval princesses would really consider this modern-day novelty. Lastly, it was a great idea to have different versions of Bill and Ted to cover the fact that Keanu and Alex are too old to play overgrown versions of the teenage Bill and Ted.
My only complaint was the undercooked screenplay. It had ideas but abruptly ended the threads.
Bill and Ted Face the Music is the third entry in the series released 29 years after the second one. Bill and Ted are now middle-aged parents still trying to write the song that will unite the world and bring about a utopian society. But once again, that future is threatened unless Bill and Ted can fulfill their destiny. Reality is starting to unravel as George Washington is transported to another time, Babe Ruth takes his place, and Kid Cudi comes to San Dimas. Bill and Ted hijack a time machine and consult with future selves to take the song to their time.
First, I was happy to see the original actors for Missy and Col. Logan also return. Second, the actresses playing the two teenage daughters really captured the essence of Bill and Ted. Third, the couples therapy was a brilliant idea although I am not sure that medieval princesses would really consider this modern-day novelty. Lastly, it was a great idea to have different versions of Bill and Ted to cover the fact that Keanu and Alex are too old to play overgrown versions of the teenage Bill and Ted.
My only complaint was the undercooked screenplay. It had ideas but abruptly ended the threads.
Bong Mines Entertainment (15 KP) rated We Were Kings - Single by Neon Dreams in Music
Jun 25, 2019
Neon Dreams (Frank Kadillac, Adrian Morrisis) is a pop outfit based in Halifax, Nova Scotia. Not too long ago, they released a music video for their “We Were Kings” single.
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
My Absolute Darling
6.0
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A brilliant and immersive, all-consuming read about one fourteen-year-old girl’s heart-stopping...
Fiction