Search

Search only in certain items:

40x40

Hazel (1853 KP) rated Smoke in Books

Dec 14, 2018  
Smoke
Smoke
Dan Vyleta | 2016 | Fiction & Poetry
4
7.0 (2 Ratings)
Book Rating
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>

If sin were visible, what would the world be like? That is the premise of this brand new, original historical novel by Dan Vyletta. Bordering on steam-punk, <i>Smoke</i> is set in a Victorian England unlike any version ever documented before. Instead of an era of peace and posterity, it is full of wickedness and chaos. For an unexplained reason whenever a human acts with malicious intention or has a sinful thought their body emits a plume of smoke, staining their clothes and surrounding area with a coating of soot.

The story begins in an Oxford boarding school where two friends, Thomas and Charlie, are being taught that Smoke is bad and that they must learn to control it. However during the Christmas holidays, which both boys spend at a prodigious manor, they discover alternative views regarding Smoke, and are spooked by the Lady Naylor’s fascination. With their lives in sudden danger, Thomas and Charlie, along with Livia – Lady Naylor’s daughter – flee with the knowledge of a sinister, scientific intent that they do not understand.

From this point onwards the tale becomes darker and much more violent as the three friends try to work out Livia’s mother’s plans and endeavor to prevent her from carrying them out. All the while they are trying to deal with the effects of Smoke, which they have long given up trying to suppress.

Written from a large variety of viewpoints, <i>Smoke</i> is full of mystery and suspense, making it difficult to work out whom to trust. The reader has the same amount of knowledge as the protagonists and thus comes to the same conclusions at the same time, making reader and character feel like they are working together to identify the unknown.

It is unclear whether this is a young adult novel or intended for older readers. The key characters are only sixteen and are a trio of friends – two boys and a girl – which is something that since the dawn of <i>Harry Potter</i> has become fairly common place in YA literature. Also, Lady Naylor is reminiscent of the antagonist in Philip Pullman’s <i>His Dark Materials</i>. On the other hand, the language, whilst fitting for the time period, is far too formal to flow in a way that a book for teenagers would expect. There is also no attempt to sugarcoat or conceal the violence that takes place throughout a large section of the novel.

<i>Smoke</i> gets off to a shaky start leaving the reader feeling bewildered. The idea of Smoke and soot is not introduced in a clear manner, instead being thrown out there where everyone has to try and find the author’s wavelength and pick up the pieces as they go. Once the action begins – the escape from the manor – the story picks up the pace and becomes far more exciting before, sadly, diminishing into a confusing, violent jumble of a narrative that is tedious to try and follow. The conclusion, unfortunately, is also unclear, providing more questions that it actually solves.

I have very mixed feelings about this book. At times I enjoyed it, yet it also felt a chore to read. I found the concept rather confusing, unresolved and, on the whole, disappointing. <i>Smoke </i>is not a book I would easily recommend to anyone; even those who I know enjoy this particular genre. To be perfectly honest, I am glad I have finished it and do not need to read it anymore.
  
Max Winslow and the House of Secrets (2019)
Max Winslow and the House of Secrets (2019)
2019 | Family, Sci-Fi, Thriller
8
7.0 (2 Ratings)
Movie Rating
An out of the blue watch here, I had my fingers crossed for something a little lighthearted... and that's sort of what I received.

A challenge is issued, a competition that will see the mansion of tech billionaire Atticus Virtue gifted to the lucky winner. Chosen from his old school, five pupils enter to compete for the prize. As the evening goes on the games become increasingly dangerous and they find themselves fighting back against an advanced AI who's out to get them.

Max Winslow And The House Of Secrets feels like the kind of hybrid you'd get from crossing Willy Wonka with Ready Player One. All three films have the same sort of idea to them but convey it in their own quirky ways.

The story isn't the only classic idea the film capitalises on, we've also got your stereotypical group of teens thrown together end up having to work together to solve their problems. As they're introduced to us there was a little eye-roll on my part... we've got the computer nerd, the jock/musician, the social media icon, the gamer and the bully... but despite that eye-roll I quickly got over it as we progressed further in.

All these characters actually give us quite a well-balanced film, their introductions were handled quickly and clearly so it doesn't feel like a slog meeting them all, and jumping between characters/scene helps move the action along and keep you interested.

The acting from the younger members of the cast is pretty good when they're thrown in together, they all work well together and in scenes that could quite easily have become a little cheesy they manage to keep it quite sensible. We're treated to Marina Sirtis playing the AI running the mansion, I was amused by this casting, I don't think my brain could quite comprehend her in this role. The mansion's eccentric owner is played by Chad Michael Murray, I wish I could be a little more excited about him in this film but his brief appearances didn't rate highly with me. There weren't many moments when he was on screen where his performances weren't slightly awkward, at one point it felt like a script issue, but either way I was pleased that the main focus was one the younger actors.

Eye-rolling early on felt like it was becoming a habit, as the main storyline began it happened again. A moment occurs and you know that the information is going to be relevant later, you don't have to wait too long for an initial pay off to it either. I was worried that this would mean the ending of the film would be ruined but the pace from switching up between characters helps to drag you away from it.

Something I was a little surprised about was the tone of some of the scenes. When you start to watch the film it feels very much like a made for TV (that's not a negative comment, you know I love my made for TV movies!) family adventure affair, but some scenes are actually a little darker than would happily fit in that sort of film. Sitting at a 12A seems like the right level, had it been sanitised for younger viewers I think we'd have been left with something too tame to be good. (You could have pushed it further into the 15 and up area, but that would have put it in Escape Room territory and I'm not entirely sure we need more of that.)

Despite my eye-rolling and (many) unanswered questions that come from an adult watching a film not entirely made for them, I really enjoyed Max Winslow And The House Of Secrets. It's a fun watch, with some surprising little additions.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/max-winslow-and-house-of-secrets-movie.html
  
Adventureland (2009)
Adventureland (2009)
2009 | Comedy, Drama
8
6.5 (6 Ratings)
Movie Rating
The summer of 1987 holds some special memories for me as that was the year that I graduated from high school and set about my college studies. In the summer before the start of classes, I had to learn to manage finances, become independent as much as I could and that relationships in the real world are much different than they were in school.

As nice as it would have been to spend that entire summer enjoying the sun and activities and enjoying the abundance of movies, music, and video games, the demands of work and school had to be factored in as I strove to find a balance.

In the new movie “Adventureland” Writer/Director Greg Mottola has given the audience a winning mix of romance and humor that was inspired by his adventures in a Long Island amusement park in 1987.
When recent college graduate James (Jesse Eisenberg), learns that his plans to spend his summer in Europe have fallen through, he is forced to look for work in order to help fund his pending year of graduate studies thanks to his father’s recent demotion.

Despite his degree, James is unable to find work due to his lack of experience and soon finds himself resorting to working as a games operator in the local theme park Adventureland in the Pittsburgh suburbs.

As demeaning as James finds his job, he does strike up friendships with many of his co-workers including an attractive girl named Em (Kristen Stewart) and the older ride mechanic named Mike (Ryan Reynolds).

James is popular at work for his easygoing manner and the fact that he has pot to share makes him go over well with his co-workers who look for an escape from the drudgery of their jobs and the array of park goers who help make their lives difficult.

As the summer unfolds, Em and James become closer which is further complicated by the issues in the lives which stem largely from unhappy home lives and uncertainty over their futures. When other factors come into play, love triangles form which causes James to step out from his comfort zone and take stock of his life, his future, and what truly is important to him.

“Adventureland” is not a comedy nor is it a romance, but rather it is a nostalgic look back at a summer long ago, and how the events that unfolded helped shaped the lives of one man and his friends. There are some funny moments in the film but they are secondary to the stories of growth, pain, and development that mark the final steps from youth into adulthood.

Stewart and Eisenberg have a good chemistry with one another and they portray James and Em with an earnest and honest frailty that makes them come across as real people. They are not the glamorous kids that are so often featured in films with front line wardrobe, plenty of cash, and few if any concerns. They are real people who have issues that they deal with and insecurities about themselves and their futures, and are slow to let their guards down.

The look and sounds of the era are dead on and include an abundance of late 80’s tunes, so much so that a character takes the time to joke about one song being played numerous times a day.
While some may want a bit more closure or humor in the film, it is an enjoyable look at a era gone by and is filled with many moments that viewers of any age will relate to.
  
    Puzzle Quest 2

    Puzzle Quest 2

    Games and Entertainment

    (0 Ratings) Rate It

    App

    ATTENTION: This game is not currently compatible with iOS 7.1 on the iPhone 4. *New holiday sale...

40x40

Paul Chesworth (3 KP) created a post

Feb 20, 2018  
OSTURA – THE ROOM

Six years is a long time between album releases. A lot can happen in that time, the biggest issue being the fan-base. In today's throwaway music era, where songs are disposed for having a 20 second intro by the ‘millennials’, but thankfully us rock fans are of a more discerning disposition and made of sterner stuff. Six years is nothing in the scale of rock bands, but I had to admit that even I was a bit worried that this album would never see the light of day. It was written immediately after the debut ‘Ashes Of The Reborn) from 2013 up and through to 2016…..and here it is (finally) in 2018! Top marks to Ostura for not losing faith and getting ‘The Room’ out there. I for one am bloody glad that they have persevered.


They probably feel like a cat with 10 lives, as it has been picked up by Universal Music MENA, when it could have literally gone south and not got released at all. There have been some Ostura casualties along the way. Gone are Tony Ghanem (vocals) and Chris Naimeh (drums), and in comes Alain Ibrahim (guitars), and Alexander Abi Chaker (drums – live, and additional percussions, and he wrote all the drum parts for The Room’). For the album, Thomas Lang is behind the kit and has quite an extensive CV; and I have to say, he IS ON FIRE here.

The 12 songs were written in chronological order and work as a score for an equally cinematic storyline about a social recluse girl who takes refuge in a room. Locked in with her thoughts, fears and ambitions, the girl’s imagination turns the room into an endless universe where she is the creator. Soon after, the creation gains the ability to create and ask the right questions. The story tackles the notions of fear, perfection, social anxiety, ambitions, rage, power, and the struggle between the creator and the creation.

'The Room' is a massive production with performers from 12 countries, alongside the City of Prague Philharmonic Orchestra and the core band. The premise has a lot to live up to. So, do Ostura live up to this high bar they have set for themselves?

Emphatically, yes! Where the debut was more ‘Metal’, and a mix between something like Avantasia and Kamelot, ‘The Room’ is a different experience entirely. The sound now is more cinematic and falls partly on the side of Ayreon. The sound (track) is like that of a film, it’s filled out and sounds huge, partly due to the involvement of The City of Prague Philharmonic Orchestra, a choir, string quartet, and an electric triangle (one of these isn't true). The whole concept has been so carefully constructed that the Orchestra and band are not overwhelming each other or jockeying for position. It’s a perfect balance of band and orchestra coming together for probably THE release of the year.

After a very long wait, I can wholeheartedly, 100% state that ‘The Room’ is worth it, and then some! Opening track ‘The Room’ starts with this pulsating and growing riff that explodes into action. The contrast in vocals between Erosion (Monsef) and The Girl (Jreissata) works a treat, you have the roughness/industrial vs. the angelic, its light vs. dark, and they also have the wonderfully melodic metal vocals of Utopia (Michael Mills, Toehider). ‘Escape’ has hall the hallmarks of symphonic metal that you could wish for. Mills proves to be the Ace in the pack as his vocals are ear-splittingly phenomenal. The Room is more than just Within Temptation with a couple of extra sets of balls, as Ostura throw everything into the mix, both vocally and musically, there is even the daddy of them all, a Hammond organ.

In case you are worried, the three-pronged (trident) vocal assault that was seen on the debut is still here. Only this time, Monsef and Jreissata have seriously upped their game, and have in Mills a singer of the highest quality. Mills is immense, his vocals are up there with early Queesnryche’s Geoff Tate. Its not just the Mills show - Monsef glides from low to high with ease, and Jreissati' vocals are just simply divine. The three together are pure perfection.

‘Beyond’ is where the cinematic soundtrack comes to the fore. Alan Ibrahim’s and Marco Sfogli’s guitar playing collides with the PSO – electric vs. an orchestra, industrial riffs dueling against violins (An orchestra is just the heavy metal of the 1600s to the present day, without a Marshall), all coming together for this huge soundscape of noise. ‘Erosion’ is one of those songs that I wish I could play through a PA. It’s a track that you just can’t play loud enough. It mixes the brutality of guitars that Dream Theater used to do so well, with a male baritone choir! Ostura have so much faith in what they are doing that the orchestra parts come to the fore and throw in a choir for good measure adding further to the already pomp-tastic sound.

‘Mourning Light’ is the first chance to catch your breath as its just The Girl, and a small accompaniment in comparison. We have just witnessed the beautiful calm and serenity of The Girl, you know there’s something sinister just around the corner. It doesn’t half deliver with ‘Deathless’. It’s the kind of intro that you would see on a film like Godzilla, or Cloverfield, dark and looming with a sense of impending danger. The final third of ‘The Room’ has two of the biggest songs in both ‘Darker Shape Of Black’ in which Ostura have roped in 'he who shall not be named!' The other being a 12-minute magnum opus ‘Duality’. 'The 'International Man of Mystery's' style is so distinctive that it is bound to draw comparisons. The song has everything – huge riffs, against a Middle Eastern backdrop, and with the orchestra adding an overall massive sound. The filling in the middle of these two monsters is ‘The Surge’ and is solely a vehicle for ‘Erosion’ and Monsef to take centre stage.

In fact I’m going to leave it right there. It would be a poor read if all I did was wax lyrical about every song in a similar manner. I blame Danny Bou-Maroun and Elia Monsef. Its their bloody fault that the ‘The Room’ is so damn good!

I simply cannot fully express in words how good ‘The Room’ is. If you’re a fan of Ayreon, and I know there are quite a few of you out there, you absolutely positively need this in your collection. There’s a lot to absorb here, as ‘The Room’ will require several listens as its like being bombarded with a wall of sound. You will pick up on things you didn't hear the first time, and so on. The end result though is seriously worth the wait. In the world of cinematic rock, Ostura stand-alone, no one can touch them. Purely as an album it is up there with Ayreon’s ‘01011001’ and possibly Dream Theater’s ‘Metropolis Pt. 2: Scenes From A Memory’. I'm not kidding.

Credit also needs to go to Jens Bogren. Ostura have a hell of a lot going on here, and to get the production so ‘right’ has taken one huge effort. To mix the sound and multiple layers are not an easy task to make it sound as good as this, and he has done a superb job, where others could easily have failed.

Honestly, very few albums hit my inbox that are this good. If anything peaks this in 2018 whether it be metal, prog, AOR and everything in between, I will be very surprised indeed. This is without doubt, awesome!

NOTE – Universal are not releasing this on CD as it’s a dying format. This is a shocking decision considering they have a potential ‘Ostura’ of an album in their possession. Criminal. Here’s hoping the band can offer up something via a Pledge campaign.

Score – Awesome!

Tracklisting –
The Room
Escape
Beyond (The New World)
Let There Be
Erosion
Mourning Light
Deathless
Darker Shade Of Black
The Surge
Duality
Exit The Room

Ostura
Youmna Jreissati – Vocals as ‘The Girl’
Elia Monsef – Vocals as ‘Erosion’ Charango, Additional Acoustic Guitar, Programming, Engineering, Media
Danny Bou-Maroun – Piano, Keyboards, Orchestration, Programming, Cubase Operation, Additional Percussions
Alain Ibrahim – Acoustic guitar, Rhythm Guitars, Guitar Co-arrangements
Alexander Abi Chaker –Additional percussions, Drums Co-arrangements on tracks (1,2,4,5,8)

Guest Musicians

Michael Mills – Vocals as ‘Utopia’
Thomas Lang – Drums
Dan Veall – Bass
Marco Sfogli – Lead Guitar on tracks (1.2.3.5.8.11)
He who shall not be named, yet!! – Lead Guitar on Track 9
Ōzgūr Abbak – Lead Guitar on Track 6
The City Of Prague Philharmonic Orchestra Conducted by Danny Bou-Maroun
The Lebanese Filmscoring Ensemble – Choirs, String Quartet
Yamane Al Hage – Violin Solo on Tracks (3,8,9)
Jokine Solban – Violin Solo on Track 2
Nobuko Miyazaki – Flutes on Tracks (9,11)
Mohannad Nassar - Oud on Tracks (5,10)
Roger Smith – Cello on Tracks (1,10,12)

Mixed, mastered and re-amped by Jens Bogren at fascination Street Studio, Sweden
Alexandre Moreira – Editing
All vocals, piano, violins, percussions, recorded at the Citadel, Dlebta, Lebanon

Twitter - @Ostruraband
Facebook - https://www.facebook.com/osturaband/
     
GD
Grace Doll
8
8.0 (1 Ratings)
Book Rating
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl).

Wow, wow, wow! I finished this book in less than 12 hours!! Yes, it was so good. Okay, yeah, I had won this book from a blog comp some time last year, and it had just been sitting on my shelf for awhile. I'm so glad that I decided to read it.

Grace Doll is Rufus Solomon's creation. He is a big movie director who has made her what she is. She should be thankful, right? Not so because Rufus has taken away her freedom. She has no family to turn to. One night, Rufus decides to give Grace the gift of immortality, a gift that Grace doesn't want. Luckily, Grace's friends help her escape from the clutches of Rufus, but Rufus is always just around the corner.

I think the title of Grace Doll is a cute one. I would say it more than suits the book because it's about Grace.

The cover of Grace Doll is what first caught my attention when I saw this book. I liked the way it was designed. Plus, it fits in with the book as the chair Grace is sitting in is mentioned in the book. I also like the way the photo of Grace is within a film strip.

The world building was a little bit weak. I found it hard to believe that a side effect of the whole eternal youth thing was that Grace would go crazy sexually from the touch of a man she was attracted to. That was what really bothered me. Also, I like the way there are photographs of Grace throughout the book, but, the girl in the photos is not drop dead gorgeous like as described in the book. Apparently, wherever Grace went, men and women alike would stare at her because of her beauty. The photos of the girl in the book look just like a plain looking girl. There's nothing special. I mean, the girl is cute, but she's not drop dead beautiful. Another thing that annoyed me about the world building was the fact that Grace kept saying how she was stuck in the mind set of a 17 year old girl. However, the treatment she had allowed her to keep her beautiful, youthful appearance. It didn't mess with her mind. You would think that after she's been alive for over 80 years, she'd act a bit more grown up than a 17 year old girl. There's also the dreaded insta-love happening. It's called lust, not love!!! You can't just instantly fall in love with someone you've just met. You have to get to know them first!

I absolutely thought the pacing was fantabulous! I would've read the book in one sitting if I wouldn't have had to cook dinner. I totally devoured this book, and I found myself wanting to know what was going to happen in the next chapter even before I finished the chapter I was on.

I did love all the characters in this book! I felt so bad for how Rufus treated Grace. I was constantly wishing bad things to happen to Rufus. I did like how Grace and Brenden didn't trust each other to begin with and how the author played that out between them. I did wish we got to know a bit more about Jonathon though.

The dialogue was interesting and worked for the ages of the characters for the most part. There were some times that I was thinking that Brenden spoke like an older person, not like someone who is 18 years old. However, the dialogue between the characters did flow quite well. I did enjoy reading the book from both Grace's and Brenden's point of view. It was interesting to see what each character was thinking and feeling. As for swear words, I only counted one, and it wasn't a bad one either.

Grace Doll by Jennifer Laurens is a fun and fast read that will leave its readers feeling breathless and wanting more but in a good way. The world building does take away some from the book, but overall, this book is highly enjoyable.

I'd recommend this book to everyone aged 15+ that's looking for something lighthearted and interesting to read.
  
    King of Thieves

    King of Thieves

    Games and Entertainment

    (0 Ratings) Rate It

    App

    Steal gems, build your defenses and win guild wars in the Arenas in this unique blend of arcade,...

Red Dawn (2012)
Red Dawn (2012)
2012 | Action
5
6.6 (9 Ratings)
Movie Rating
Back in 1984 in the late stages of the Cold War, the movie named “Red Dawn” was released. It starred several young actors and actresses who went on to a variety of success including Patrick Swayze, Charlie Sheen, Jennifer Grey, and Lea Thompson. The film follows a group of high school students who fight to defend their town, families, and country after an invasion of Soviet and Cuban forces occupies mainland America.

Despite being delayed for nearly 3 years due to financial issues, the new version of “Red Dawn” has arrived and also features an impressive young cast of future stars. Chris Hemsworth has gone on to find fame as Thor while Josh Hutcherson has found fame playing Peeta in “The Hunger Games”. The fact that this movie was filmed before either of those actors appeared in their signature roles allows the studio to now benefit from the increased name recognition of the cast.

Instead of a California town, the new film is set in Spokane, Washington where thanks to news clip segments at the beginning of the film, we understand that the country is involved in numerous conflicts around the globe and some question whether or not we have enough forces to secure our borders. Enter Jed Eckert (Hemsworth), who’s just returned home on leave after serving combat duty in the Middle East. His younger brother Matt (Josh Peck), is a quarterback at the local high school team and he bears resentment toward his brother for leaving shortly after the death of their mother. Their father is a well-respected member of the force and does his best to ensure harmony between the brothers as well as their local community.

The brothers are literally shaken awake by an airborne assault as North Korea lands troops throughout their community. Unsure what is happening, Jed, Matt, and several of their friends managed to escape into the wilderness and devise a plan for survival. Further complicating matters is the fact that Matt’s girlfriend Erica (Isabel Lucas), has been taken prisoner. Jed, with his military background quickly assumes control of the group, but Matt finds himself distracted from following orders and missions whenever he sees an opportunity to pursue Erica’s freedom.

The group calls itself “The Wolverines” after the local football team, and engages in a series of hit-and-run tactics against the invading forces. The plan is to make the occupation so costly that they will eventually give up. While they do have initial success, they soon realize that they are fighting against substantial odds not the least of which is their own internal conflicts and agendas as well as diminishing supplies.

When a recon group from the military under the command of Col. Andy Tanner (Jeffrey Dean Morgan), arrives and tells the Wolverines about a device that may hold the key to their victory. The two sides must team up in an all-out assault on enemy headquarters in an effort to save the day.

While the film has plenty of action, the leaps of logic and common sense it requires the audience to take are astronomical. I understand that for a film of this type you must suspend a lot of reality in order for it to work. I’m not supposed asked questions about the logistics of the enemy’s plan and their actions. Suffice it to say that I could think of at least a dozen factors that were not brought into play. While the enemy may indeed have the ability to shut down various electronics and defensive capabilities which enabled the invasion. That does not explain where the military outside of the combat zone is, why our allies and remaining military are not dropping bombs and nukes on North Korea in retaliation, and scores of other inconsistencies. It is essentially left to our imaginations as to why this is not happening and we’re just supposed to accept on blind faith that there’s a good reason for this even though the recon unit manages to infiltrate Spokane in a helicopter and makes mentions of Missouri to Arizona as being free of any enemy influence.

The best thing I can say about the film said if you are willing to overlook the abundance of plot holes and logic gaps, as well as some at times stiff acting and dialogue, there are some enjoyable action seems to be found. The young cast works well with one another and often gave a very energetic and physical performance.

If you are a fan of the original, you may enjoy this film from a nostalgia standpoint, otherwise leave your common sense behind, sit back and enjoy the ride.