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Lonely Planet Egypt
Lonely Planet, Anthony Sattin and Jessica Lee
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Egypt is your passport to...
Going to Blazes?: Further Tales of a Country Fireman
Book
It's 1987 and 26-year-old Malcolm Castle is going up in the world. He's made it through eight long...
iHeart Pro - Pulse Reader
Medical and Health & Fitness
App
iHeart Pro - Pulse Reader is advanced and easy-to-use tool to watch for your blood pressure and...
RəX Regent (349 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Feb 20, 2019
This is not the first Star Wars spin-off, but it is joining a legacy of sub par entries to the franchise, certainly as where the big screen has been concerned, with two Ewoks movies and The Clone Wars TV pilot come movie to contend with. But Rogue One is first to take on the mantle of a blockbuster and attempt to compete with the very best of the Saga, if not join them.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
In many ways, Rogue One is the prequel that we have been waiting for, taking place directly before the original movie, A New Hope, Gareth Edwards of Monsters (2010) and Godzilla fame, has managed to create a fan boy's dream following the events which are mentioned in the opening crawl for that classic movie, the theft of the Death Star plans which would ultimately lead to Luke Skywalker's "shot in a million" to destroy the moon sized planet killer.
But here, the task was to both take Star Wars in new new direction as well as to flesh out the story of the Star Wars saga itself. They manage to pull this off with the only real complaint being the pacing which is sporadic at best. With a combination of contrived plotting and uneven pacing, the starker, war movie which this is, can feel at times, like a check list of everything that fans have wanted to see on the big screen since 1983 and as such, runs the risk of being a vacuous, through-away movie, the "greatest hits" as it were.
But I feel that it skirts this issue and manages to stay on the side of narrative integrity, just about. We finally see Darth Vader, post Episode III for the first time in a life action film since 2005, something which the prequels failed to deliver and whilst at first it seemed to be a crowd pleasing cameo, by the finale, it paid off perfectly, as did the resurrection of the late Peter Cushing's Grand Moff Tarkin, with the aid of ground breaking, if not morally questionable CGI effects. This was also used to bring us a cameo from Princess Laia (1977) to great effect.
Also, integrating stock footage of the original Red and Gold Squadron pilots from Star Wars (1977) and the demise of the original Red 5, who's place Luke Skywalker would assume, were all nice touches.
In the end, at best Rogue One serves to turn the original Star Wars movie into and two part epic, with this movie seamlessly leading into the opening of Star Wars but how does it hold up in its own right?
Well, it is entertaining, well acted, if not let down by Gareth Edwards' slightly uneven direction, but how the notorious re-shoots, which have clearly left several key shots form the trailers on the cutting room floor and possibly changes the finale significantly, effected this is as yet unknown, and Michael Giacchino's slightly over the top bombastic score, Rogue One will certainly be an entertaining and action packed entry into the Star Wars universe.
But the true success of this film lies with its expansion of the Saga as a whole, bridging the less popular prequels with the original trilogy for the first time on the big screen, taking on finally, what J.J. Abrams' The Force Awakens (2015) deliberately chose not too. Hopefully Episode VIII (2017) follow in the same vein, finally repairing some of the issues which Lucas' much derided prequels, which at their heart, may have had much more to offer than Lucas' poor direction let us see the first time around.
Lonely Planet Moscow
Lonely Planet, Mara Vorhees and Leonid Ragozin
Book
Lonely Planet: The world's leading travel guide publisher Lonely Planet Moscow is your passport to...
The Good Carbs Cookbook: 100 Vibrant, Smart Energy Recipes for Every Day
Kate McGhie and Philippa Sandall
Book
This book is about bringing us back to the joy of cooking traditional carbohydrate staples and all...
A Tiny Game of Pong
Games and Entertainment
App
The tiniest game of pong for your Apple Watch. Play the game that everyone is calling the best Apple...
postapocalypticplayground (27 KP) rated Scarlet (The Lunar Chronicles, #2) in Books
Mar 15, 2018
Awesome continuation of the series
I’m so happy to be back in the world of the Lunar Chronicles! Scarlet, is Marissa Meyer’s take on Red Riding Hood, big bad wolf and grandma included. As with Cinder, Scarlet is a whirlwind of a story, straight into the good stuff and the story blends seamlessly with the continuation of Cinder’s overarching story line. Scarlet is a girl on a mission to rescue her Grandmother with Wolf (the big bad fighter) on her side. Outside of New Beijing, Scarlet’s story is set in a future France, which seems very undamaged by the wars, it has a very rustic feel, with Scarlet and her Grandmother enjoying a simple farming life. But Grandma, what big secrets you have! The collision of her grandmothers disappearance and the entrance of Wolf is played to perfection and their journey to Paris is both exciting and full of anxious moments. Scarlet is a fantastic character and you can completely understand, through the brief glimpses of her father, why she gives up everthing to take the journey to Paris. Whilst she wants to appear worldly, she is also wonderfully niaive at times, very much wearing her heart on her sleeve. I also loved the nuggets of information about hers and Cinder’s past and how the lines become blurred at times as the secrets and lies unfurl.
The action is frequent with huge set pieces which played out cinematically in my mind as I was reading. It’s quite an emotional one at times too, Kai’s dispair, Cinder’s desperation, Wolf’s inner turmoil and a bit of an insight into Levana left me quite breathless by the end.
My favourite thing at this stage, is how there is still so many secrets to be revealed. With 2 more books in the series to go it’s clear that each of the next characters will have some connection to what happened to Cinder as a child and how we reach present day, in story terms, I can’t wait to pick up Cress and see where the story goes next!
The action is frequent with huge set pieces which played out cinematically in my mind as I was reading. It’s quite an emotional one at times too, Kai’s dispair, Cinder’s desperation, Wolf’s inner turmoil and a bit of an insight into Levana left me quite breathless by the end.
My favourite thing at this stage, is how there is still so many secrets to be revealed. With 2 more books in the series to go it’s clear that each of the next characters will have some connection to what happened to Cinder as a child and how we reach present day, in story terms, I can’t wait to pick up Cress and see where the story goes next!
Emma @ The Movies (1786 KP) rated Cats (2019) in Movies
Dec 27, 2019
[Nostalgia enters the room looking cheery. A cat lurks in the background. Nostalgia starts tapdancing. Suddenly a red dot appears on Nostalgia's back and the cat savagely attacks it, leaving it bloody and beaten on the ground.]
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
As I've been saying to people... this film isn't good, but it's also not entirely bad, it has its moments.
Let's talk about the CGI first. You know what? It's not all that bad. Take out whatever you think about the concept of the human cats the fur in the second trailer looked much better than its first outing. During the film, Old Deuteronomy looked so fluffy I just wanted to pet her. The ear movements were pretty good, if a little consistent, it felt a little like they'd looked up cat actions in a book and taken the textbook description to animate rather than watching an actual cat. The cats as a whole could probably been a little larger compared to the "life-sized" staging around them because the ratio did feel a little off, but it wasn't really enough to make it off-putting.
Ever since I saw Cats at the cinema I've been singing the songs, but that's off the back of me listening to the stage recordings on Spotify and not the film versions. They don't quite have the same pep of the originals, watching them wasn't the wondrous experience I was hoping for. There are small exceptions. Taylor Swift was excellent and set a perfect tone for her number. Jason Derulo is a showman in this and after his Red Dwarf Cat-like clip in the trailer I was excited for his full numbers, they didn't disappoint.
Memory has to be my favourite song since seeing it on the stage and I was keen to see the talented Jennifer Hudson perform it. When it surfaced briefly I was worried, there was no impact, no heart... potential disaster. Finally the full number happened at the end and I was convinced. I listened to Hudson sing with such emotion that I cried, streams of tears and a quivering lip. It was beautiful.
The rest of the cast, while chockful of talent, didn't have quite the same buzz about it.
Francesca Hayward is a massively talented ballerina but the acting portion of the performance didn't quite hit the spot. This wasn't helped by the advert that has been running with her and Jennifer Hudson before the trailer was running before every film I watched for about two weeks.
I love Dame Judi and Sir Ian, and it was fun seeing them in this, but both had their issues. I wasn't a fan of Dench's moments of singing and the melancholy role of Gus for McKellen was a little unsettling. Who doesn't love seeing an Idris Elba film? He does the bad "guy" well but there was something wrong here too, I think that was partly to do with that fur torso.
It would be entirely possible to go on and on about this and all its ins and outs, but I don't think either of us have the time for that. I do feel that having the previous knowledge of Cats on the stage will help immensely when seeing this. That does also have some drawbacks though, when we saw it at the theatre it was a very interactive experience with the cats in the aisles with the audience and that's something the film can't compete with. I'm tempted to say that they should have forgone CGI aspects for the most part and had costumed cast. Making something more realistic when everything around it is unrealistic (in that it's not quite what we're used to as regular-sized humans) makes everything more confusing, perhaps the low tech angle would have made it a little less scary to some.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/cats-movie-review.html
Masters' Mistress (The Angel Eyes #1)
6.0
Rate It
Book
A man bound by chains. A woman burdened by regret. Will love set this tortured pair free? In...
Adult Dystopian Romance