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Daniel Boyd (1066 KP) rated Sharp Objects in TV
Oct 4, 2018 (Updated Oct 4, 2018)
Boring and drawn out (1 more)
Terrible ending
Overrated and Slow
Contains spoilers, click to show
I was looking forward to Sharp Objects when it premiered earlier this year. I love a whodunit thriller and am a fan of Gone Girl, Gillian Flynn's other adapted novel. I also read a bunch of glowing reviews before I dove into this series that promised an engaging, gripping story, which just made me more excited to get through the show.
Unfortunately, gripping isn't the word I would choose to describe this show. Engaging maybe, in that even though none of the characters that you are following are very likable, you do have a morbid curiosity to see what is going to happen to them. To be honest though, this series is only 8 episodes long and it was a slog to try and get through. Each episode drags something awful, to the point that 3 episodes in, I was ready to give up on this series. Then my girlfriend reminded me that it is only a limited series and will be worth sticking with to find out who the killer is in the end. Well, she was wrong about that last part, but we'll get back to that later.
I am not a huge Amy Adams fan, I feel that other than Arrival, she pretty much does the exact same thing in any role she is in. In this, she actually puts in a decent performance, it's more the way that her character is written that I take issue with. Camille is a whiney, dour character that is a drag to watch and none of the characters around her are any better. Her mother is a bitter, nasty old cow and her younger sister is an arrogant, immature little shit.
I haven't read the book, so I don't know if the pacing issues that the show has are inherent to the source material or the fault of the filmmakers. Either way, they are present and they are a detriment to this show. Every episode ends on an ambiguously exciting moment in order to keep you watching, then when the following episode picks up, it doesn't address whatever mad shit it just dropped on you at the end of the previous episode, to the point that I was left wondering a few times if I had actually missed out an episode in-between. Then it just drones on for another dull hour before dropping another inexplicable, shocking moment and it rinses and repeats this process throughout the entire series.
*SPOILERS FROM HERE ON*
This also applies to the last episode, which ends with such a nonsensical, out-of-nowhere twist that is never justified or explained. It is a classic example of having a twist, simply for the sake of ending on a twist. A good twist ending makes a reveal that causes everything that the viewer has seen so far click into place, it explains everything at once and that is why endings to stories like Fight Club, Mr Robot and The Sixth Sense are so satisfying. This makes the viewer want to go back and re-watch the film or series again with the new knowledge of what is going to happen in their mind in order to see it from a different perspective and spot the hints that point towards the big reveal. A bad twist ending drops a bomb abruptly and offers no explanation to the bombshell and leaves the viewer baffled and annoyed.
That is what happens with Sharp Objects' ending. There is absolutely no precedent to Amma being the killer. When Adora got arrested, it was underwhelming but there was at least some precedent for Adora to be the killer based on her other messed up behaviour, which provided some explanation, but Amma makes literally no sense. They could honestly have picked any other character on the show to be the killer and it would have made more sense. There is a weird post credits scene that I feel that was put in as a half-arsed explanation for the nonsensical twist, but it really doesn't help matters any. Again, I haven't read the book so I don't know if the ending plays out the same way as the source material, or if it makes any more sense in the book, but in the show it is a mess.
Overall this is a slow burn that isn't even worth the slog of getting through thanks to a hugely disappointing payoff. The ending is the main reason that this only gets a 5. One of the most overrated things I've seen this year.
Unfortunately, gripping isn't the word I would choose to describe this show. Engaging maybe, in that even though none of the characters that you are following are very likable, you do have a morbid curiosity to see what is going to happen to them. To be honest though, this series is only 8 episodes long and it was a slog to try and get through. Each episode drags something awful, to the point that 3 episodes in, I was ready to give up on this series. Then my girlfriend reminded me that it is only a limited series and will be worth sticking with to find out who the killer is in the end. Well, she was wrong about that last part, but we'll get back to that later.
I am not a huge Amy Adams fan, I feel that other than Arrival, she pretty much does the exact same thing in any role she is in. In this, she actually puts in a decent performance, it's more the way that her character is written that I take issue with. Camille is a whiney, dour character that is a drag to watch and none of the characters around her are any better. Her mother is a bitter, nasty old cow and her younger sister is an arrogant, immature little shit.
I haven't read the book, so I don't know if the pacing issues that the show has are inherent to the source material or the fault of the filmmakers. Either way, they are present and they are a detriment to this show. Every episode ends on an ambiguously exciting moment in order to keep you watching, then when the following episode picks up, it doesn't address whatever mad shit it just dropped on you at the end of the previous episode, to the point that I was left wondering a few times if I had actually missed out an episode in-between. Then it just drones on for another dull hour before dropping another inexplicable, shocking moment and it rinses and repeats this process throughout the entire series.
*SPOILERS FROM HERE ON*
This also applies to the last episode, which ends with such a nonsensical, out-of-nowhere twist that is never justified or explained. It is a classic example of having a twist, simply for the sake of ending on a twist. A good twist ending makes a reveal that causes everything that the viewer has seen so far click into place, it explains everything at once and that is why endings to stories like Fight Club, Mr Robot and The Sixth Sense are so satisfying. This makes the viewer want to go back and re-watch the film or series again with the new knowledge of what is going to happen in their mind in order to see it from a different perspective and spot the hints that point towards the big reveal. A bad twist ending drops a bomb abruptly and offers no explanation to the bombshell and leaves the viewer baffled and annoyed.
That is what happens with Sharp Objects' ending. There is absolutely no precedent to Amma being the killer. When Adora got arrested, it was underwhelming but there was at least some precedent for Adora to be the killer based on her other messed up behaviour, which provided some explanation, but Amma makes literally no sense. They could honestly have picked any other character on the show to be the killer and it would have made more sense. There is a weird post credits scene that I feel that was put in as a half-arsed explanation for the nonsensical twist, but it really doesn't help matters any. Again, I haven't read the book so I don't know if the ending plays out the same way as the source material, or if it makes any more sense in the book, but in the show it is a mess.
Overall this is a slow burn that isn't even worth the slog of getting through thanks to a hugely disappointing payoff. The ending is the main reason that this only gets a 5. One of the most overrated things I've seen this year.
Kara Skinner (332 KP) rated Mine Forever in Books
Sep 10, 2019
What do you do when the love of your life is almost kidnapped by druggies? You do everything you can to convince her to come home with you, of course. Which is exactly what Simon does with Kara. But even with Kara reluctantly living with Simon again, things aren’t perfect. Kara won’t accept anything less than a relationship and Simon is still trying to figure out how to be in one. Can Simon put his past behind him so he can finally have happiness with Kara?
Like Mine for Tonight and Mine for Now, Mine Forever is a fantastic erotic romance. I like it even better than the second one because aside from getting Kara to move in with Simon again,the under-developed druggie plot has all but disappeared. and Kara is showing that she’s not willing to take any crap from Simon, even refusing sex until he opened up to her about his past. Don’t get me wrong, there are plenty of hot sex scenes that can make you blush, but Kara still needs Simon to open up.
And Simon, despite being an alpha male, is still awkward and endearing. 15479193670_d73f1ff314_mIt’s really obvious that he has no idea what to do in a relationship, to the point of absurdity. I mean, you have to be living under a rock not to know that flowers and chocolates are basic gifts for Valentine’s Day. As much as I like an awkward love interest, I really didn’t like how Simon handled Valentine’s Day. Getting help from his female employees is good and so is being nervous and wanting to make things right with Kara, but buying an entire carload of Valentine’s Day merchandise? That was a little to ridiculous for me. First of all, it’s unrealistic. Nervous binge-shopping and being a billionaire don’t go hand in hand. Binge-shopping leads to a broke hoarder real quick, I don’t care how high your salary is. Second of all, does he even know Kara? She’s hardly a material girl. Why would a large quantity of material goods make her happy? But Simon does express his love with gifts, so I guess that does fit.
We finally learn how Simon got his scars in this book. The suspense had actually been killing me to find out and the reason did not disappoint. Honestly, I’d have relationship problems too if I went through the same thing. And now that he’s opened up to Kara he can finally begin healing for real.
This book is one of my favorites of the series, right up there with the first one. You can’t find it by itself anymore. You’ll have to buy the entire Billionaire’s Obsession series. But if you like contemporary romance that flirts with the erotica genre, then you’ll like this series.
Like Mine for Tonight and Mine for Now, Mine Forever is a fantastic erotic romance. I like it even better than the second one because aside from getting Kara to move in with Simon again,the under-developed druggie plot has all but disappeared. and Kara is showing that she’s not willing to take any crap from Simon, even refusing sex until he opened up to her about his past. Don’t get me wrong, there are plenty of hot sex scenes that can make you blush, but Kara still needs Simon to open up.
And Simon, despite being an alpha male, is still awkward and endearing. 15479193670_d73f1ff314_mIt’s really obvious that he has no idea what to do in a relationship, to the point of absurdity. I mean, you have to be living under a rock not to know that flowers and chocolates are basic gifts for Valentine’s Day. As much as I like an awkward love interest, I really didn’t like how Simon handled Valentine’s Day. Getting help from his female employees is good and so is being nervous and wanting to make things right with Kara, but buying an entire carload of Valentine’s Day merchandise? That was a little to ridiculous for me. First of all, it’s unrealistic. Nervous binge-shopping and being a billionaire don’t go hand in hand. Binge-shopping leads to a broke hoarder real quick, I don’t care how high your salary is. Second of all, does he even know Kara? She’s hardly a material girl. Why would a large quantity of material goods make her happy? But Simon does express his love with gifts, so I guess that does fit.
We finally learn how Simon got his scars in this book. The suspense had actually been killing me to find out and the reason did not disappoint. Honestly, I’d have relationship problems too if I went through the same thing. And now that he’s opened up to Kara he can finally begin healing for real.
This book is one of my favorites of the series, right up there with the first one. You can’t find it by itself anymore. You’ll have to buy the entire Billionaire’s Obsession series. But if you like contemporary romance that flirts with the erotica genre, then you’ll like this series.
Kristy H (1252 KP) rated Always and Forever, Lara Jean in Books
Feb 1, 2018
In the final book of Jenny Han's "To All the Boys I've Loved Before" series, we find our heroine, Lara Jean, in her senior year of high school and facing some big changes: college choices; her dad's impending marriage (yay, Mrs. Rothschild!); and figuring out the fate of her relationship with her handsome high school sweetheart, Peter K. The plan, of course, is for Lara Jean and Peter to head to UVA together. Peter already has a lacrosse scholarship there, and Lara Jean's acceptance email should be arriving any day. Still, Lara Jean is worried about the possibility of change and if things do not go exactly according to her plans.
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I can't remember how I stumbled across this series, beloved to me (a mid-thirties lesbian) and teen girls everywhere, but I do have such a soft spot for Lara Jean. My girl is all grown up now! *sniff sniff* I love this series even more because it's basically set in my hometown, and I get to read about references to Bodo's Bagels, UVA and the Rotunda, BBQ Exchange, and more.
The strength of Han's series certainly centers around Lara Jean. She's such a realistic and endearing character, and she's grown and progressed over the three books. I adore her spirit, her love of baking, and her fierce devotion to her family. Indeed, Lara Jean's family is very well fleshed out, and you can so easily visualize each of her sisters and their poor, beleaguered father. Everyone--even our additional supporting characters--feels like family by now.
The hardest part of this book was that it felt a bit like filler. Don't get me wrong, I'm glad Han wrote a third book, and I'm happy to see what happened to Lara Jean, Peter, and the rest of the gang, but it sort of feel like we were killing time for the sake of killing time. There's no major plot impetus beyond college decisions and Mr. Covey's wedding preparations. It ties back to a thread in the first book involving Lara Jean's mom warning about not going to college with a boyfriend (remember Margot and Josh?), but it's a tenuous thread.
Still, this is a sweet book, and I enjoyed most of it, though Peter didn't always seem like his usual self. (I don't enjoy when "stress" is an excuse for guys to treat girls poorly.) I was glad to see Lara Jean stay true to her Lara Jean self: she's just so fun, spunky, and adorable. Han says definitively at the end that she won't write anymore about Lara Jean and even though I felt like this book was a little bit of fluff, I still felt sad reading that, because darnit, it was Lara Jean fluff, and I love her.
You can find my review of the first book <a href="https://www.goodreads.com/review/show/1521015379?book_show_action=false&from_review_page=1">here</a>; and the second <a href="https://www.goodreads.com/review/show/1521018057?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Heather Cranmer (2721 KP) rated You Are Not Alone in Books
Dec 29, 2019
I've been a fan of Greer Hendricks and Sarah Pekkanen since I read their novel The Wife Between Us as well as their other book An Anonymous Girl. Hendricks and Pekkanen are definitely a force to be reckoned with when it comes to writing. When I was offered a chance to read their new book You Are Not Alone, I didn't even have to think twice about saying yes!
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
--
(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
--
(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)
Movie Metropolis (309 KP) rated The Iron Lady (2012) in Movies
Jun 10, 2019
Meryl Streep certainly has an impressive roster of films under her belt. She’s reduced Anne Hathaway to tears in The Devil Wears Prada, she’s played the role of struggling hotelier in the all singing, all dancing Mamma Mia and has racked up an astonishing 16 Oscar nominations for films like Kramer vs. Kramer and Sophie’s Choice. However, here, she perhaps takes on her biggest role to date portraying arguably the most controversial figure in British politics; Baroness Thatcher. Can she pull it off? Did you really need to ask?
Streep teams up with Mammia Mia director Phyllida Lloyd in the Iron Lady, a biopic surrounding the life of ex-Prime Minister, Margaret Thatcher and between the two of them and a wonderful supporting cast, deliver a stunning but disappointingly safe take on the 86 year olds life.
The film opens with a frail looking woman wandering the streets and buying a bottle of milk, we soon learn that this woman is of course, Baroness Thatcher. After a thought provoking moment of silence, the scene is switched to her current home where she is kept under lock and key, struggling with ever worsening dementia. Her constant conversations with dead husband Dennis, played fabulously by Jim Broadbent are emotional and form the basis of the entire film.
It is in these scenes that we begin to ‘study’ Thatcher’s life from her youth right up until the present day. We see her refusing to give up after failing to gain a seat in the 1950 and 1951 general elections as well as her first steps into Number 10 as the first ever female Prime Minister. Lloyd displays these moments with great finesse and integrates Streep’s portrayal with real footage of Thatcher walking into 10 Downing Street amongst other key moments.
Most of the major events in Margaret’s career are carried over into the film, bar a few notable exceptions. The Grand Hotel bombing, the Falklands war, the death of Thatcher’s personal assistant at the hands of the IRA and of course the controversial Poll Tax all make the grade but are explained in a way that isn’t damaging to the reputation of the Baroness and this is perhaps where the film loses its way a little.
There’ll be no prizes in telling you that Margaret Thatcher was either a fantastic woman who turned around the fates of a country struggling with recession or a woman who nearly destroyed everything we hold dear; depending obviously on your thoughts of her. No matter what thoughts we all have, opinions are opinions. Here, however, the film tries to make up the minds of those watching, rather than allowing an opinion to form on its own and this is perhaps the biggest problem with a political biopic, there is always a sense of bias.
Fortunately, Lloyd stays on the right side of mass appeal and doesn’t give in to mindless brown-nosing.
It is in the films present day moments that really shine. Seeing a woman who wanted to change the world struggle to cope with the loss of her husband and fall into dementia is, no matter what your opinion on the ex-Prime Minister, heart-breaking. It is here, that sympathy is found.
Streep’s performance is stunning to say the least and she is a joy to watch. Her transgression from young, enthusiastic Thatcher to the old and frail woman we see today is yes, in part down to the astonishing make-up given to her throughout but mainly because of her ability as an actress. She, like the lady herself takes charge of every scene she is a part of, something which many actresses struggle to do. Streep may have had her critics in being cast for this film, but she has proved them wrong. It will be a crime if she isn’t nominated for an Oscar this year.
Of the films other cast, Olivia Colman does well as Margaret’s daughter Carole and as mentioned previously, Jim Broadbent is brilliant as the deceased Dennis Thatcher; he fits the role perfectly and again should be nominated for an Oscar later this year. The supporting cast includes the likes of Anthony Head as Geoffrey Howe and Nicholas Farrell as Thatcher’s murdered assistant Airey Neave, but the scenes with these characters are often overshadowed by Streep’s presence.
The Iron Lady is a joy to behold. It makes you proud to be British, to know that we as a country can produce films of this calibre and it shows the world just what a woman Margaret Thatcher was. In the scenes showing Thatcher’s spiral into dementia is where it becomes most touching, but throughout, we get a full, if slightly biased view of her 11 and a half years in office and Meryl Streep does the old girl proud.
Think what you will of the former Conservative leader, but The Iron Lady is worth a watch for Streep’s performance alone.
https://moviemetropolis.net/2012/01/12/review-the-iron-lady-2011/
Streep teams up with Mammia Mia director Phyllida Lloyd in the Iron Lady, a biopic surrounding the life of ex-Prime Minister, Margaret Thatcher and between the two of them and a wonderful supporting cast, deliver a stunning but disappointingly safe take on the 86 year olds life.
The film opens with a frail looking woman wandering the streets and buying a bottle of milk, we soon learn that this woman is of course, Baroness Thatcher. After a thought provoking moment of silence, the scene is switched to her current home where she is kept under lock and key, struggling with ever worsening dementia. Her constant conversations with dead husband Dennis, played fabulously by Jim Broadbent are emotional and form the basis of the entire film.
It is in these scenes that we begin to ‘study’ Thatcher’s life from her youth right up until the present day. We see her refusing to give up after failing to gain a seat in the 1950 and 1951 general elections as well as her first steps into Number 10 as the first ever female Prime Minister. Lloyd displays these moments with great finesse and integrates Streep’s portrayal with real footage of Thatcher walking into 10 Downing Street amongst other key moments.
Most of the major events in Margaret’s career are carried over into the film, bar a few notable exceptions. The Grand Hotel bombing, the Falklands war, the death of Thatcher’s personal assistant at the hands of the IRA and of course the controversial Poll Tax all make the grade but are explained in a way that isn’t damaging to the reputation of the Baroness and this is perhaps where the film loses its way a little.
There’ll be no prizes in telling you that Margaret Thatcher was either a fantastic woman who turned around the fates of a country struggling with recession or a woman who nearly destroyed everything we hold dear; depending obviously on your thoughts of her. No matter what thoughts we all have, opinions are opinions. Here, however, the film tries to make up the minds of those watching, rather than allowing an opinion to form on its own and this is perhaps the biggest problem with a political biopic, there is always a sense of bias.
Fortunately, Lloyd stays on the right side of mass appeal and doesn’t give in to mindless brown-nosing.
It is in the films present day moments that really shine. Seeing a woman who wanted to change the world struggle to cope with the loss of her husband and fall into dementia is, no matter what your opinion on the ex-Prime Minister, heart-breaking. It is here, that sympathy is found.
Streep’s performance is stunning to say the least and she is a joy to watch. Her transgression from young, enthusiastic Thatcher to the old and frail woman we see today is yes, in part down to the astonishing make-up given to her throughout but mainly because of her ability as an actress. She, like the lady herself takes charge of every scene she is a part of, something which many actresses struggle to do. Streep may have had her critics in being cast for this film, but she has proved them wrong. It will be a crime if she isn’t nominated for an Oscar this year.
Of the films other cast, Olivia Colman does well as Margaret’s daughter Carole and as mentioned previously, Jim Broadbent is brilliant as the deceased Dennis Thatcher; he fits the role perfectly and again should be nominated for an Oscar later this year. The supporting cast includes the likes of Anthony Head as Geoffrey Howe and Nicholas Farrell as Thatcher’s murdered assistant Airey Neave, but the scenes with these characters are often overshadowed by Streep’s presence.
The Iron Lady is a joy to behold. It makes you proud to be British, to know that we as a country can produce films of this calibre and it shows the world just what a woman Margaret Thatcher was. In the scenes showing Thatcher’s spiral into dementia is where it becomes most touching, but throughout, we get a full, if slightly biased view of her 11 and a half years in office and Meryl Streep does the old girl proud.
Think what you will of the former Conservative leader, but The Iron Lady is worth a watch for Streep’s performance alone.
https://moviemetropolis.net/2012/01/12/review-the-iron-lady-2011/
Gareth von Kallenbach (980 KP) rated Skyfall (2012) in Movies
Aug 7, 2019
It has been four years since Daniel Craig graced the screen as James Bond, in large part due to financial issues with MGM studio. Thankfully the matters were resolved and Academy award-winning director Sam Mendes kept his schedule free to avoid any conflicts that would have kept him from filming the latest chapter in the series. “Skyfall” has a very satisfying and enjoyable plot that twist and turns yet is not difficult to follow as it takes the audience on an emotional roller coaster.
After being wounded in the line of duty, Bond has gone missing and is assumed dead by everyone at MI6. While recuperating, Bond is in no hurry to let the world or his former comrades know that he still alive, becoming very dependent on alcohol and medication to help him cope.
A list of all the operatives in deep cover operations has fallen into the wrong hands which places not only the agents’ lives, but the effectiveness of the British Secret Service, in grave danger. As a result, the head of MI6, M (Dame Judy Dench), is fighting not only for the lives of her agents, but for her very career as she is strongly encourage to ease into retirement by the new government minister named Gareth Mallory (Ralph Fiennes).
As if M’s troubles could not get any worse without her primary operative, an explosion rocks the MI6 headquarters as M returns from her meeting with Mallory. It becomes very clear that the person in possession of list has a personal score to settle with M, and delights in taunting her and her agents online as he executes a deadly plan of revenge.
Following the explosion, Bond resurfaces and demands to return to active duty despite having physical and mental issues as a result of his last mission. Mallory and others urge Bond to get out of the game and leave it for younger men, but Bond’s sense of honor and duty drive him to face the challenge.
With exotic locales ranging from Shanghai, Macau, Turkey, as well as London and Scotland, “Skyfall” captures the best of Bond with a gripping story that will have you hooked for the film’s entire 2 1/2 hours run time.
The introduction of Javier Bardem to the series was a masterful stroke as he plays a Bond villain unlike others. He is not a mega-millionaire bent on conquering the world, but rather he is a sympathetic and somewhat tragic figure that is a very kindred spirit to Bond himself.
The hallmark of the series has always been great action pieces and stunt work and “Skyfall”, does not disappoint in this category. I am very impressed with how computer generated effects were kept to an absolute minimum in the movie and how Craig and cast really went all out for their demanding and physical roles.
Mendes is to be commended for his work. Not only is the film wonderful to look at capturing the darkness of the world Bond operates in as well as the lavish beauty of the locales in which he travels. The stark contrast between light and dark in the film aptly portrays the psyche of Bond as he’s truly a person haunted by demons and the film even allows us greater insight into his character and past than has previously been seen before.
Naomi Harris and Bérénice Marlohe are the latest of Bond girls and they prove that they are more than just eye candy for the film, as they both are complex and strong women who complement the story well instead of being gratuitous sidekicks and obligatory damsels in distress.
The action-filled finale is very satisfying and the film concludes very well setting up the next chapters in the series very well. I had not been as big offensive glass to Daniel Craig films as I have of certain past Bond films. My biggest issue was that the new version of bond comes across more as a common thug rather than the suave, sophisticated, gentleman killer that I had grown to associate with bond.
This time around the film has much more of a balance in this regard as there is a quiet strength to Craig’s performance as he seems more comfortable in the role than he had in previous outings. We know that he can carry the physical demands of the role, this time around Mendes encouraged him to open up his emotional range which allowed for a more diverse and complex Bond than we had seen previously. I truly think that his work in “The Girl with the Dragon Tattoo” really helped Craig as he did a masterful job playing a complex character with flaws, and seemed much more comfortable in bringing more bonds demons to light.
I’m extremely happy with the film and especially love the movie’s dénouement which, for me, promises a very good and eagerly anticipated direction for future films.
After being wounded in the line of duty, Bond has gone missing and is assumed dead by everyone at MI6. While recuperating, Bond is in no hurry to let the world or his former comrades know that he still alive, becoming very dependent on alcohol and medication to help him cope.
A list of all the operatives in deep cover operations has fallen into the wrong hands which places not only the agents’ lives, but the effectiveness of the British Secret Service, in grave danger. As a result, the head of MI6, M (Dame Judy Dench), is fighting not only for the lives of her agents, but for her very career as she is strongly encourage to ease into retirement by the new government minister named Gareth Mallory (Ralph Fiennes).
As if M’s troubles could not get any worse without her primary operative, an explosion rocks the MI6 headquarters as M returns from her meeting with Mallory. It becomes very clear that the person in possession of list has a personal score to settle with M, and delights in taunting her and her agents online as he executes a deadly plan of revenge.
Following the explosion, Bond resurfaces and demands to return to active duty despite having physical and mental issues as a result of his last mission. Mallory and others urge Bond to get out of the game and leave it for younger men, but Bond’s sense of honor and duty drive him to face the challenge.
With exotic locales ranging from Shanghai, Macau, Turkey, as well as London and Scotland, “Skyfall” captures the best of Bond with a gripping story that will have you hooked for the film’s entire 2 1/2 hours run time.
The introduction of Javier Bardem to the series was a masterful stroke as he plays a Bond villain unlike others. He is not a mega-millionaire bent on conquering the world, but rather he is a sympathetic and somewhat tragic figure that is a very kindred spirit to Bond himself.
The hallmark of the series has always been great action pieces and stunt work and “Skyfall”, does not disappoint in this category. I am very impressed with how computer generated effects were kept to an absolute minimum in the movie and how Craig and cast really went all out for their demanding and physical roles.
Mendes is to be commended for his work. Not only is the film wonderful to look at capturing the darkness of the world Bond operates in as well as the lavish beauty of the locales in which he travels. The stark contrast between light and dark in the film aptly portrays the psyche of Bond as he’s truly a person haunted by demons and the film even allows us greater insight into his character and past than has previously been seen before.
Naomi Harris and Bérénice Marlohe are the latest of Bond girls and they prove that they are more than just eye candy for the film, as they both are complex and strong women who complement the story well instead of being gratuitous sidekicks and obligatory damsels in distress.
The action-filled finale is very satisfying and the film concludes very well setting up the next chapters in the series very well. I had not been as big offensive glass to Daniel Craig films as I have of certain past Bond films. My biggest issue was that the new version of bond comes across more as a common thug rather than the suave, sophisticated, gentleman killer that I had grown to associate with bond.
This time around the film has much more of a balance in this regard as there is a quiet strength to Craig’s performance as he seems more comfortable in the role than he had in previous outings. We know that he can carry the physical demands of the role, this time around Mendes encouraged him to open up his emotional range which allowed for a more diverse and complex Bond than we had seen previously. I truly think that his work in “The Girl with the Dragon Tattoo” really helped Craig as he did a masterful job playing a complex character with flaws, and seemed much more comfortable in bringing more bonds demons to light.
I’m extremely happy with the film and especially love the movie’s dénouement which, for me, promises a very good and eagerly anticipated direction for future films.
Kristy H (1252 KP) rated The Most Dangerous Place on Earth in Books
Feb 13, 2018
Mill Valley is the perfect little town, and Molly Nicoll is excited to start a teaching career in English at the local high school. However, when she starts up mid-year, she has no idea about a tragedy that occurred in her students' eighth grade year. To Miss Nicoll, these kids are in deep need of understanding and guidance, even if they are sometimes a bit rude and unfocused. There's Abby, the perfect student prepping for her Ivy League future, but also hiding a secret; Nick, an intelligent kid with a trick for every situation; Cally, a prominent player in the early tragedy, who now floats through school with the other hippie kids; Emma, a talented dancer who loves to let go and party on the weekends; Damon, who just wants to have fun; Ryan, a popular kid who hangs with Nick and Damon; Elizabeth, the most beautiful girl in school - and the one without any friends; and Dave, who is struggling with the weight of his parents' expectations. These kids have known each other for years, and their lives are shared in every way possible - in their small town, at school, and across all forms of social media.
I'd heard a lot of advance praise for this novel, and had put it on hold at my local library ages ago. I was excited to finally get a chance to read it, but upon finishing it, was left feeling conflicted. This is going to be yet another one of those lauded novels that everyone loves where I feel a bit "eh." Don't get me wrong: this is a well-written book--even a beautiful one at times--and it often tells a compelling and sometimes frightening story of kids growing up in suburbia. The novel starts with the gang in eighth grade and goes through their senior year. It's told in snippets from various students, as well as Miss Nicoll.
The problem, for me, is that it read more like a series of interconnected short stories than a novel. We get brief insights into a variety of students, but no real depth or insight into anyone. You're able to infer a lot about each and how their home life and past has affected them, but every student's piece leaves you wanting more, feeling unfinished. Even Miss Nicoll's role sort of trails off. It's a shame, because most of the teens are so clearly written that you can visualize them so well - they each stand out on the page, and each one could have commanded the book on their own. Instead, they come and go, and at times, the plot veers off into strange side stories that seem unnecessary or unbelievable.
This is one of those novels that terrifies me to have my children grow up, because it presents high school as one never-ending saga of bullying and partying. The rich, disaffected teens are abandoned by their similarly rich and disaffected parents and no one really seems to care about anything. Still, you find yourself getting into one kids' story, only to have the point of view turn and you're thrust into another student's life instead. By the end, I found myself frustrated, wanting to know more, and wishing for more finality to, well, everything. 3.5 stars
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I'd heard a lot of advance praise for this novel, and had put it on hold at my local library ages ago. I was excited to finally get a chance to read it, but upon finishing it, was left feeling conflicted. This is going to be yet another one of those lauded novels that everyone loves where I feel a bit "eh." Don't get me wrong: this is a well-written book--even a beautiful one at times--and it often tells a compelling and sometimes frightening story of kids growing up in suburbia. The novel starts with the gang in eighth grade and goes through their senior year. It's told in snippets from various students, as well as Miss Nicoll.
The problem, for me, is that it read more like a series of interconnected short stories than a novel. We get brief insights into a variety of students, but no real depth or insight into anyone. You're able to infer a lot about each and how their home life and past has affected them, but every student's piece leaves you wanting more, feeling unfinished. Even Miss Nicoll's role sort of trails off. It's a shame, because most of the teens are so clearly written that you can visualize them so well - they each stand out on the page, and each one could have commanded the book on their own. Instead, they come and go, and at times, the plot veers off into strange side stories that seem unnecessary or unbelievable.
This is one of those novels that terrifies me to have my children grow up, because it presents high school as one never-ending saga of bullying and partying. The rich, disaffected teens are abandoned by their similarly rich and disaffected parents and no one really seems to care about anything. Still, you find yourself getting into one kids' story, only to have the point of view turn and you're thrust into another student's life instead. By the end, I found myself frustrated, wanting to know more, and wishing for more finality to, well, everything. 3.5 stars
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Zuky the BookBum (15 KP) rated Under the Banner of Heaven: A Story of Violent Faith in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/under-the-banner-of-heaven-a-story-of-violent-faith-by-jon-krakauer
<b>TRIGGER WARNING: rape, incest, domestic abuse, child abuse, animal abuse, child murder</b>
I’m speechless. (OK, maybe not). What the <i>heck</i> did I just read? You’re telling me this is <b><i>non-fiction?</b></i> ...How? <b>HOW?</b> This isn’t just some freak incident either, people live like what’s described in this book, I’m baffled by it. I mean I’m a little baffled by strict religious following anyway (no offence meant) but Mormonism is just on another level.
The story of Mormonism is so strange because Joseph Smith was a fucking control freak and swindler but also the way society got away with treating him and his followers was awful. You really can’t pick a right and wrong side, they’re both pretty terrible.
This book's main focus is on how people's strong faith in Mormonism makes them believe they're above the laws of the land, so they go and commit crimes they think are justified and right. For example, Dan and Ron Lafferty, who <i>truly</i> believe God has spoken to them and told them they need to kill their brothers wife and young baby. A deed done by them so brutally, the poor baby was basically beheaded. <b>Clearly this book isn’t for the faint hearted.</b>
One of the saddest moments in this book is when Krakauer meets a Mormon family and their young daughter (I think she was between 8 to 12) comes into the room with floor plans of her dream house, where she's drawn out several different rooms for the other wives of the husband she is going to share. How <i>awful</i> is that, to believe that you must share your husband with other women, because for men of the Mormon faith, women are just child bearers, nothing more. <b>Joseph Smith actually declared God said "women shall be man's handmaid".</b> For this young girl to be planning her life with a shared husband and feeling that's <i>normal</i>, even feeling <i>happy</i> about it, is a terrible, terrible thing to think about.
This took me around 3 months to finish, not only because I accidentally left this in my dad’s suitcase when I came back from Spain, but also because this was such heavy non-fiction reading. Not only did it describe, in gruesome detail, the crimes committed by those under the Mormon faith, it was also a long historical timeline of how Mormonism was created and has grown to where it currently sits today. (<i>Did you know,</i> there are currently more Mormons on this planet than Jewish people?) Not to mention the confusion it causes when trying to remind you who everyone is and how everyone is related, because they’re pretty much <i>all</i> related through marriage.
This is certainly an interesting read. I'm sure you’ve heard about Mormon’s and the Book of Mormon and polygamy, etc, but never really looked further into it. Well, for those of you that would like to look further into it, then this is the book for you! It's incredible to read all about how Joseph Smith magicked up Mormon faith and how gruesome and evil polygamy really is.
I really recommend this book for all of you who love learning about religions or just love to have some random shocking facts to dish out around the dinner table. A seriously interesting, if not disturbing read.
<b>TRIGGER WARNING: rape, incest, domestic abuse, child abuse, animal abuse, child murder</b>
I’m speechless. (OK, maybe not). What the <i>heck</i> did I just read? You’re telling me this is <b><i>non-fiction?</b></i> ...How? <b>HOW?</b> This isn’t just some freak incident either, people live like what’s described in this book, I’m baffled by it. I mean I’m a little baffled by strict religious following anyway (no offence meant) but Mormonism is just on another level.
The story of Mormonism is so strange because Joseph Smith was a fucking control freak and swindler but also the way society got away with treating him and his followers was awful. You really can’t pick a right and wrong side, they’re both pretty terrible.
This book's main focus is on how people's strong faith in Mormonism makes them believe they're above the laws of the land, so they go and commit crimes they think are justified and right. For example, Dan and Ron Lafferty, who <i>truly</i> believe God has spoken to them and told them they need to kill their brothers wife and young baby. A deed done by them so brutally, the poor baby was basically beheaded. <b>Clearly this book isn’t for the faint hearted.</b>
One of the saddest moments in this book is when Krakauer meets a Mormon family and their young daughter (I think she was between 8 to 12) comes into the room with floor plans of her dream house, where she's drawn out several different rooms for the other wives of the husband she is going to share. How <i>awful</i> is that, to believe that you must share your husband with other women, because for men of the Mormon faith, women are just child bearers, nothing more. <b>Joseph Smith actually declared God said "women shall be man's handmaid".</b> For this young girl to be planning her life with a shared husband and feeling that's <i>normal</i>, even feeling <i>happy</i> about it, is a terrible, terrible thing to think about.
This took me around 3 months to finish, not only because I accidentally left this in my dad’s suitcase when I came back from Spain, but also because this was such heavy non-fiction reading. Not only did it describe, in gruesome detail, the crimes committed by those under the Mormon faith, it was also a long historical timeline of how Mormonism was created and has grown to where it currently sits today. (<i>Did you know,</i> there are currently more Mormons on this planet than Jewish people?) Not to mention the confusion it causes when trying to remind you who everyone is and how everyone is related, because they’re pretty much <i>all</i> related through marriage.
This is certainly an interesting read. I'm sure you’ve heard about Mormon’s and the Book of Mormon and polygamy, etc, but never really looked further into it. Well, for those of you that would like to look further into it, then this is the book for you! It's incredible to read all about how Joseph Smith magicked up Mormon faith and how gruesome and evil polygamy really is.
I really recommend this book for all of you who love learning about religions or just love to have some random shocking facts to dish out around the dinner table. A seriously interesting, if not disturbing read.
Carma (21 KP) rated The Christmas Sisters in Books
Jun 17, 2019
Once again I am transported straight into a family I want to seek out and join. Sarah Morgan has the uncanny ability to weave a story so real, so engaging that it leaves you wanting so much more when the storyline ends. I want to pack a bag, jump on a plane and head to the Highlands of Scotland to find this magnificent family and climb a mountain or 2.
Suzanne is the matriarch of the McBride family, 25 years ago her life changed, for the better, when she was blessed with 3 daughters. She was fulfilling a promise she made to their mother to care for them if anything happened to her or their dad. After that day on the mountain, 5 went up and only 1 came down, she knew what her new destiny would become. She is ecstatic that all 3 of her girls are coming home to Scotland for Christmas this year, it has to all be perfect.
Hannah doesnt want to remember, or talk about, anything that happened 25 years ago. She prides herself on being a hard worker, a good boss, firm but strict and doesnt have time for reminiscing or letting emotions get in the way. She knows this has strained her relationships with her sisters and adoptive parents Suzanne and Stewart. She just doesnt know any other way. Getting involved with a colleague was by far the wildest thing she has ever done. Now she may be pregnant with his baby and has no idea what to do. First step is getting herself on the plane to Scotland, after canceling last year can she do it?
Beth is a champion multi-tasking mom. She left the work force after her first daughter was born and now that her kids are older, she is ready to head back. She needs to feel important, smart, not just like someones mom. Her husband works hard to make sure they have what they need but what she needs is to have some help from him at home. When she receives an offer to rejoin her old boss she goes to Jason to discuss her reentering the work force. He wants her to have another baby instead. She grabs her stuff, changes her ticket and heads to Scotland leaving him to care for their daughters and to fend for himself.
Posy loves living in Scotland, though she hates that her village is so small that literally everyone knows her business. Enter handsome lodger renting part of their barn for months in the winter. Whats a girl to do but do a little flirting? When both her sisters arrive home early she knows something is up but cant get the real story from either of them. When their mother falls ill with the flu just before Christmas, Posy has to rally the troops to pull off the most perfect Christmas celebration yet.
But with a secret agenda, a demanding not quite boss, an arthritic pony, makeup malfunction, unexpected arrivals and locals that get the gossip all wrong, can anyone save this Christmas?
Once again a 5 star read from Ms Morgan, she grabs me at the first sentence and I just cant stop reading until I finish. I literally read while brushing my teeth for fear of missing something. I received an advance copy without expectation for review. This book is just another reason why Sarah Morgan is one of my go to authors. I absolutely cannot wait to see where her next adventure takes me.
Suzanne is the matriarch of the McBride family, 25 years ago her life changed, for the better, when she was blessed with 3 daughters. She was fulfilling a promise she made to their mother to care for them if anything happened to her or their dad. After that day on the mountain, 5 went up and only 1 came down, she knew what her new destiny would become. She is ecstatic that all 3 of her girls are coming home to Scotland for Christmas this year, it has to all be perfect.
Hannah doesnt want to remember, or talk about, anything that happened 25 years ago. She prides herself on being a hard worker, a good boss, firm but strict and doesnt have time for reminiscing or letting emotions get in the way. She knows this has strained her relationships with her sisters and adoptive parents Suzanne and Stewart. She just doesnt know any other way. Getting involved with a colleague was by far the wildest thing she has ever done. Now she may be pregnant with his baby and has no idea what to do. First step is getting herself on the plane to Scotland, after canceling last year can she do it?
Beth is a champion multi-tasking mom. She left the work force after her first daughter was born and now that her kids are older, she is ready to head back. She needs to feel important, smart, not just like someones mom. Her husband works hard to make sure they have what they need but what she needs is to have some help from him at home. When she receives an offer to rejoin her old boss she goes to Jason to discuss her reentering the work force. He wants her to have another baby instead. She grabs her stuff, changes her ticket and heads to Scotland leaving him to care for their daughters and to fend for himself.
Posy loves living in Scotland, though she hates that her village is so small that literally everyone knows her business. Enter handsome lodger renting part of their barn for months in the winter. Whats a girl to do but do a little flirting? When both her sisters arrive home early she knows something is up but cant get the real story from either of them. When their mother falls ill with the flu just before Christmas, Posy has to rally the troops to pull off the most perfect Christmas celebration yet.
But with a secret agenda, a demanding not quite boss, an arthritic pony, makeup malfunction, unexpected arrivals and locals that get the gossip all wrong, can anyone save this Christmas?
Once again a 5 star read from Ms Morgan, she grabs me at the first sentence and I just cant stop reading until I finish. I literally read while brushing my teeth for fear of missing something. I received an advance copy without expectation for review. This book is just another reason why Sarah Morgan is one of my go to authors. I absolutely cannot wait to see where her next adventure takes me.
Great writing (2 more)
Never slows down
Great characters
Of the few children's horror books out there, Neil Gaiman's 2002 short novel Coraline, is one of the must-read for that age group. When a young girl named Coraline, and her family move into a new house (one which shares its basement and attic with other tenets), she finds a locked door that leads to nowhere, but soon after the door opens to a house that mirrors her own, yet the people there are a little bit "different. "
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.