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Ivana A. | Diary of Difference (1171 KP) rated The Last Wish in Books
Aug 3, 2020
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#0.5 <a href="https://www.goodreads.com/review/show/3150137897">The Last Wish</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-59.png"/>;
For me, The Last Wish is the perfect introduction to start the Witcher series and meet Geralt of Rivia.
<b>Synopsis</b>
The Last Wish is the prequel to the Witcher series. In this book we are introduced to Geralt of Rivia, a Witcher - a man whose magic powers and strength training made him a brilliant fighter and a merciless assassin.
However, Geralt is not an ordinary killer. He hunts the monsters that bring fear to people and creatures that attack the innocent.
But not everything is as seems, as some monsters are not evil, and not everything fair is good. In every fairy tale, there is a pinch of truth.
<b>My Thoughts:</b>
I loved the introduction of Geralt in this book. I have known Geralt from the video games, and then I watched the TV Show. Usually I am more attracted to the book characters rather than a movies/TV Show character, and this was no different. Even though, I have to admit that the video games and the TV Show are also extraordinary, when it comes to their characters. Geralt in this book is vivid and brave, and I was happy to follow him on the various adventures he went on.
The book is written in multiple chapters, each containing a call for a quest, and the following chapter containing the quest itself. Each quest is a completely different topic, all featuring Geralt, and many side characters joining him as we move along in the story.
Each chapter was magical on its own, and we get to meet various stories. We meet a girl that turned to a striga because of a curse. We encounter a beast hidden in a castle, a story that resembles the Beauty and the Beast. There are also stories that resemble the Snow White and Cinderella, all significantly darker and much more graphic in their retellings. I love how the author took those storylines and managed to create something much more sinister and cruel. Some of the stories also reminded me of the traditional Slavic folk tales, which brought back some nice feelings from my childhood too.
The last few chapters were the ones I enjoyed the most. Especially the moment when we get to meet Yennefer for the very first time. I cannot wait to read more about her in the books.
A truly beautiful and adventurous fantasy novel by Andrzej Sapkowski and published by Gollancz. I definitely recommend The Last Wish.
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#0.5 <a href="https://www.goodreads.com/review/show/3150137897">The Last Wish</a> - ★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-59.png"/>;
For me, The Last Wish is the perfect introduction to start the Witcher series and meet Geralt of Rivia.
<b>Synopsis</b>
The Last Wish is the prequel to the Witcher series. In this book we are introduced to Geralt of Rivia, a Witcher - a man whose magic powers and strength training made him a brilliant fighter and a merciless assassin.
However, Geralt is not an ordinary killer. He hunts the monsters that bring fear to people and creatures that attack the innocent.
But not everything is as seems, as some monsters are not evil, and not everything fair is good. In every fairy tale, there is a pinch of truth.
<b>My Thoughts:</b>
I loved the introduction of Geralt in this book. I have known Geralt from the video games, and then I watched the TV Show. Usually I am more attracted to the book characters rather than a movies/TV Show character, and this was no different. Even though, I have to admit that the video games and the TV Show are also extraordinary, when it comes to their characters. Geralt in this book is vivid and brave, and I was happy to follow him on the various adventures he went on.
The book is written in multiple chapters, each containing a call for a quest, and the following chapter containing the quest itself. Each quest is a completely different topic, all featuring Geralt, and many side characters joining him as we move along in the story.
Each chapter was magical on its own, and we get to meet various stories. We meet a girl that turned to a striga because of a curse. We encounter a beast hidden in a castle, a story that resembles the Beauty and the Beast. There are also stories that resemble the Snow White and Cinderella, all significantly darker and much more graphic in their retellings. I love how the author took those storylines and managed to create something much more sinister and cruel. Some of the stories also reminded me of the traditional Slavic folk tales, which brought back some nice feelings from my childhood too.
The last few chapters were the ones I enjoyed the most. Especially the moment when we get to meet Yennefer for the very first time. I cannot wait to read more about her in the books.
A truly beautiful and adventurous fantasy novel by Andrzej Sapkowski and published by Gollancz. I definitely recommend The Last Wish.
Steven Sklansky (231 KP) rated xXx: Return of Xander Cage (2017) in Movies
Sep 7, 2017
Simple Story Line (2 more)
Action Packed
Good Cast
Bad CGI in some parts (2 more)
Editing
Over the top stunts
Action Packed, Explosions and All Around Craziness
Contains spoilers, click to show
Man do I love action movies, but this one seemed to get out of control sometimes. I really do like the XXX series but there were somethings I would change about this one. The fact that Xander Cage was dead and come back was fine, but I would have liked a little back story on where he was hanging out. It also felt like he was doing a good job staying off the grid so finding him that easily and getting him on board felt simple.
The opening scene was OK, that's usually the part of the action movie that is supposed to grab you. But with Gibbons blowing up and not being a part of the movie was kind of sad. I really do like Vin and Sam's back and forth during the movie. Adding a little comedy the way they do is why I like their chemistry on screen. The rest of the plot was simple and straight forward. Only adding a few twists to a movie like this makes it more fun to watch and less to think about what is going on.
I like the addition of the XXX teams, it really showed that something was going on in between movies. Although it made is seem like the "bad" XXX team went rogue, but they were still trying to do right by the country. The team up between the 2 was fantastic, they finally realized they were on the same team and kicked some ass.
Now for the bad, there were times in this movie where the stunt work was too over the top even for me. You can do action without all the flipping and jumping. There are great stunt coordinators out there that can put together a great fight scene with out all extra stuff and still make it a good movie. There were also a few parts of the movie were you could tell it was CGI and not edited very well. The most notable was the motorcycle jet skis on the water. You really could tell how fake it was. Which is sad because it really could have been a cool scene.
Overall the movie was fun to watch, I would see the other 2 XXX movies before jumping into this one. There are a few hidden easter eggs that might make the watch more enjoyable. I wouldn't look to hard into the quality, just sit back and enjoy the show.
The opening scene was OK, that's usually the part of the action movie that is supposed to grab you. But with Gibbons blowing up and not being a part of the movie was kind of sad. I really do like Vin and Sam's back and forth during the movie. Adding a little comedy the way they do is why I like their chemistry on screen. The rest of the plot was simple and straight forward. Only adding a few twists to a movie like this makes it more fun to watch and less to think about what is going on.
I like the addition of the XXX teams, it really showed that something was going on in between movies. Although it made is seem like the "bad" XXX team went rogue, but they were still trying to do right by the country. The team up between the 2 was fantastic, they finally realized they were on the same team and kicked some ass.
Now for the bad, there were times in this movie where the stunt work was too over the top even for me. You can do action without all the flipping and jumping. There are great stunt coordinators out there that can put together a great fight scene with out all extra stuff and still make it a good movie. There were also a few parts of the movie were you could tell it was CGI and not edited very well. The most notable was the motorcycle jet skis on the water. You really could tell how fake it was. Which is sad because it really could have been a cool scene.
Overall the movie was fun to watch, I would see the other 2 XXX movies before jumping into this one. There are a few hidden easter eggs that might make the watch more enjoyable. I wouldn't look to hard into the quality, just sit back and enjoy the show.
Debbiereadsbook (1303 KP) rated Touch Of A Yellow Sun (Colors of Love #2) in Books
Mar 7, 2019
not quite as good as book one
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Marek has been sent a lower league after one too many outbursts on the ice. He knows this could be his last posting. After yet another outburst, Marek is forced to try to lower his anger levels and who better than the most lovely neighbour of his, Shey, who just happens to be the owenr of a yoga studio? Helps that Shey pushes all of Marek's buttons, but does Marek push Shey's? Can Marek get his temper under control enough to help Shey when his past comes back to haunt him?
I really enjoyed this one second book in the Colors of Love series, not quite as much as book one though! My only gripe (and this WILL make you laugh once you read my review for Lost In Indigo!) was that only Marek has a say!
Told ya!
I'll explain. In my review for Indigo, I said that Ms Locey has a way of negating my dislike of single point of view but strong voiced characters. And while Marek has a strong voice, it's not AS strong as Matt in Indigo, and here, I really missed that! I have NO clue why Marek isn't up to muster cos the man has a LOT to say: about his hockey, his career, his attraction to Shey, his feelings (once they hit him square in the face!) for Shey, and just how he feels about that cat! It's maybe just Marek himself, who didn't push MY buttons, maybe it's just me, I dunno! I hate not being able to say!
I did enjoy the way Shey's home crept up on Marek, very quickly, he was calling Shey's apartment, HIS home. I loved Shey's history, and his grandma! The twist with the past was a surprise, and I loved how Marek handled that, even if it cost him so much. Shey really is his whole world!
Other than the hockey theme, and the colours in the titles, I'm not sure I see a common thread, but is Arn, Marek's agent, the same one that is Matt's agent?? The name rang a bell, is all!
I'm sorry this is far shorter than my usual fayre, I'm not doing so well with my reading at the moment, and my reviews are few and far between.
A very VERY good. . . .
4 star read
**same worded review will appear elsewhere**
Marek has been sent a lower league after one too many outbursts on the ice. He knows this could be his last posting. After yet another outburst, Marek is forced to try to lower his anger levels and who better than the most lovely neighbour of his, Shey, who just happens to be the owenr of a yoga studio? Helps that Shey pushes all of Marek's buttons, but does Marek push Shey's? Can Marek get his temper under control enough to help Shey when his past comes back to haunt him?
I really enjoyed this one second book in the Colors of Love series, not quite as much as book one though! My only gripe (and this WILL make you laugh once you read my review for Lost In Indigo!) was that only Marek has a say!
Told ya!
I'll explain. In my review for Indigo, I said that Ms Locey has a way of negating my dislike of single point of view but strong voiced characters. And while Marek has a strong voice, it's not AS strong as Matt in Indigo, and here, I really missed that! I have NO clue why Marek isn't up to muster cos the man has a LOT to say: about his hockey, his career, his attraction to Shey, his feelings (once they hit him square in the face!) for Shey, and just how he feels about that cat! It's maybe just Marek himself, who didn't push MY buttons, maybe it's just me, I dunno! I hate not being able to say!
I did enjoy the way Shey's home crept up on Marek, very quickly, he was calling Shey's apartment, HIS home. I loved Shey's history, and his grandma! The twist with the past was a surprise, and I loved how Marek handled that, even if it cost him so much. Shey really is his whole world!
Other than the hockey theme, and the colours in the titles, I'm not sure I see a common thread, but is Arn, Marek's agent, the same one that is Matt's agent?? The name rang a bell, is all!
I'm sorry this is far shorter than my usual fayre, I'm not doing so well with my reading at the moment, and my reviews are few and far between.
A very VERY good. . . .
4 star read
**same worded review will appear elsewhere**
Kyera (8 KP) rated Batman: Nightwalker - DC Icons Book 2 in Books
Jan 31, 2018
Batman: Nightwalker gives us an origin story for the Caped Crusader that we didn't know we needed - even if it doesn't feel like the dark, gritty Batman we know from the Dark Knight or the comics. Bruce is an eighteen-year-old boy who is still trying to figure out who he is in a world where his parents were murdered when he was a child and he has just come into their vast fortune. He struggles to figure out how to live up to his parents' legacy and finds himself in a dangerous situation.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
Louise (64 KP) rated The Raven Boys in Books
Jul 2, 2018
This book is quite a big deal in the book community at the moment, it appears everyone is reading it and loving it!.... apart from ME! So I don't hate this book and I don't love it..... it was just MEH! Here's why:
Blue was annoying, she has been told by her mother, aunts and other psychics that her first true love will die when she kisses him, to me the idea of this was like ummmm the mum is just saying this so she doesn't kiss any boys at all.
Throughout the whole book she is sort of starting a relationship with Adam the less privileged of the Raven boys although she has seen Gansey's future which is bleak you can tell she doesn't know who decide to fall in love with and it's just annoying, because she know's they will die if she does, it just gets a bit tedious.
Adam is the less privileged of the Raven boys, he is a local boy studying hard and paying his own way through private school and has a pretty rough time with an abusive father (I am starting to see a trend *rolls eyes*). He appears very genuine, not wanting hand outs and to make something of himself.
Ronan is a boy who has some issues, his father was killed on the doorstep of their house. Since then he is a very angry young man, who wants to vent his anger on his brother and not complete his studies, Ronan definitely grew on me by the end of it and has a softer side to him.
Gansey is the leader of the gang, with money, sophistication and an insatiable desire to find they Ley lines and wake the Raven king. He appears to act much older than his years, but a very mysterious character I don't know why but I can't explain him, his moods seem to change all the time.
The book was very slow to start with it was only the last third that it started getting interesting for me, the twist in the book did have my jaw on the floor......WTF!! that was the best bit.
There are fantasy elements to the book but not heavy. The world building in the book was well done and the character development was very strong. Stiefvater did a good job and her writing is very easy to read.
Do I continue with the series? Does it get better? Please tell me I am not the only one that had these thoughts.
Overall I rated this 3.5 stars out of 5
Blue was annoying, she has been told by her mother, aunts and other psychics that her first true love will die when she kisses him, to me the idea of this was like ummmm the mum is just saying this so she doesn't kiss any boys at all.
Throughout the whole book she is sort of starting a relationship with Adam the less privileged of the Raven boys although she has seen Gansey's future which is bleak you can tell she doesn't know who decide to fall in love with and it's just annoying, because she know's they will die if she does, it just gets a bit tedious.
Adam is the less privileged of the Raven boys, he is a local boy studying hard and paying his own way through private school and has a pretty rough time with an abusive father (I am starting to see a trend *rolls eyes*). He appears very genuine, not wanting hand outs and to make something of himself.
Ronan is a boy who has some issues, his father was killed on the doorstep of their house. Since then he is a very angry young man, who wants to vent his anger on his brother and not complete his studies, Ronan definitely grew on me by the end of it and has a softer side to him.
Gansey is the leader of the gang, with money, sophistication and an insatiable desire to find they Ley lines and wake the Raven king. He appears to act much older than his years, but a very mysterious character I don't know why but I can't explain him, his moods seem to change all the time.
The book was very slow to start with it was only the last third that it started getting interesting for me, the twist in the book did have my jaw on the floor......WTF!! that was the best bit.
There are fantasy elements to the book but not heavy. The world building in the book was well done and the character development was very strong. Stiefvater did a good job and her writing is very easy to read.
Do I continue with the series? Does it get better? Please tell me I am not the only one that had these thoughts.
Overall I rated this 3.5 stars out of 5
Darren (1599 KP) rated Diamonds Are Forever (1971) in Movies
Nov 7, 2019
Characters – James Bond gets to finally take care of his arch nemesis Blofeld before going on his latest mission going undercover searching for diamonds, he shows us his usually swagger, getting the women along the way as he looks to solve this latest mystery. Tiffany Case is one of the connections in the chain of the diamond smuggling, the first one James makes contact with, she must learn the help along the way to get out alive. Blofeld is the old enemy that James gets to take care of early on, the man that has held James up from multiply other mission. We do get to meet plenty of people involved in the ring which only make James’s mission more difficult.
Performances – Sean Connery is back and back to his best in this outing as the iconic spy, it is great to have him back even if it is only for one last time. Jill St John is good as the Bond girl for the movie though offers nothing new for the series. Charles Gray keeps the role of Blofeld nicely giving us just what we need from the villain role.
Story – The story here shows James finally getting his hands on Blofeld before needing to head off on a new mission, one that gives him everything he wants, beautiful women, casinos and a villain he wants to stay ahead off. This story plays out just like one of the more famous ones in reverse which becomes very interesting to watch, it has everything you need for the latest adventure for Bond, a villain that is prepared for the intelligence of Bond and the world needing saving once again. This does feel like it has given the life back to the franchise which needed to be bought back from the weaker outings, the story is simple enough and continues to keep us watching along with Bond.
Action/Adventure – The action is good even if the fights are simple enough to show how Bond can beat most in combat. The adventure just takes Bond to new and old locations for his mission.
Settings – From Amsterdam to America, we get a much more knowledge set of locations with the bases being in locations which would make sense for a super villain to be hiding in.
Scene of the Movie – The base attack.
That Moment That Annoyed Me – They seem to be too friendly Bond and Blofeld.
Final Thoughts – For the Bond franchise this is a new feel to them, one that is more interesting and strong then the last few instalments.
Overall: Returning to what we want to see.
Performances – Sean Connery is back and back to his best in this outing as the iconic spy, it is great to have him back even if it is only for one last time. Jill St John is good as the Bond girl for the movie though offers nothing new for the series. Charles Gray keeps the role of Blofeld nicely giving us just what we need from the villain role.
Story – The story here shows James finally getting his hands on Blofeld before needing to head off on a new mission, one that gives him everything he wants, beautiful women, casinos and a villain he wants to stay ahead off. This story plays out just like one of the more famous ones in reverse which becomes very interesting to watch, it has everything you need for the latest adventure for Bond, a villain that is prepared for the intelligence of Bond and the world needing saving once again. This does feel like it has given the life back to the franchise which needed to be bought back from the weaker outings, the story is simple enough and continues to keep us watching along with Bond.
Action/Adventure – The action is good even if the fights are simple enough to show how Bond can beat most in combat. The adventure just takes Bond to new and old locations for his mission.
Settings – From Amsterdam to America, we get a much more knowledge set of locations with the bases being in locations which would make sense for a super villain to be hiding in.
Scene of the Movie – The base attack.
That Moment That Annoyed Me – They seem to be too friendly Bond and Blofeld.
Final Thoughts – For the Bond franchise this is a new feel to them, one that is more interesting and strong then the last few instalments.
Overall: Returning to what we want to see.
Leigh J (71 KP) rated Lords of Chaos (2018) in Movies
Nov 19, 2019
Let the Churches Burn
I feel I need to mention that I was into the Black Metal scene when all this was going down.
Oysten "Euroymous" Aarseth is a young Metalhead who thinks Metal isn't extreme enough, so he starts an extreme "Black" Metal band called Mayhem. Mayhem are heavy, screechy, blasphemous and absolutely shocking, resulting in them being an instant hit with the other Metal fans of Norway. Black Metal is born! Unfortunately, their lead vocalist, aptly named Dead suffers from severe bouts of suicidal depression and it leads to his self inflicted demise. Upon discovering Dead's corpse, Euronymous does the very Black Metal thing of taking pictures of his dead body (which appeared then on Mayhem's "Dawn of the Black Hearts" album), and also taking parts of his bone and brain to put on a Necklace.
Euronymous shortly after opens Helvete Records, which attracts a newcomer to the scene called Kristian "Varg" Vikernes. At first, Euronymous scoffs at Varg and thinks he's just a poser... but he soon starts paying attention when Varg's one man band Burzum starts getting more notoriety than Mayhem. Also, Varg is admitting responsibility for a series of Church Burnings in the area, and Euronymous starts to also get involved. Will Euronymous and Vargs constant need to one-up each other go too far? Who in the Black Metal scene will also be dragged in to their crimes? And will their volatile relationship reach a breaking point?
As mentioned, I was (and still am) into the Black Metal scene when this was all happening and I have also read "Lords of Chaos" by Michael Moynihan and Didrik Søderlind a few times. Don't get me wrong, there are a few... embellishments in the Movie, but there is also a large portion that is true. I really enjoyed Lords of Chaos because I'm glad they've done a Movie about this Scene... even if some of it is fictional. I think the people who are really trashing this are taking it more seriously than they should, honestly. It's well acted, great cinematography and is an interesting story! I feel like this appeals to a wide audience, not just those of us who are partial to a bit of the ol' True Norwegian Black Metal. My only hang-up is that I think there are a few unnecessary scenes in the Movie that serve no purpose and just make the Movie feel long. But for me, it's a nice piece of fucked up nostalgia from my own Black Metal loving days!
Oysten "Euroymous" Aarseth is a young Metalhead who thinks Metal isn't extreme enough, so he starts an extreme "Black" Metal band called Mayhem. Mayhem are heavy, screechy, blasphemous and absolutely shocking, resulting in them being an instant hit with the other Metal fans of Norway. Black Metal is born! Unfortunately, their lead vocalist, aptly named Dead suffers from severe bouts of suicidal depression and it leads to his self inflicted demise. Upon discovering Dead's corpse, Euronymous does the very Black Metal thing of taking pictures of his dead body (which appeared then on Mayhem's "Dawn of the Black Hearts" album), and also taking parts of his bone and brain to put on a Necklace.
Euronymous shortly after opens Helvete Records, which attracts a newcomer to the scene called Kristian "Varg" Vikernes. At first, Euronymous scoffs at Varg and thinks he's just a poser... but he soon starts paying attention when Varg's one man band Burzum starts getting more notoriety than Mayhem. Also, Varg is admitting responsibility for a series of Church Burnings in the area, and Euronymous starts to also get involved. Will Euronymous and Vargs constant need to one-up each other go too far? Who in the Black Metal scene will also be dragged in to their crimes? And will their volatile relationship reach a breaking point?
As mentioned, I was (and still am) into the Black Metal scene when this was all happening and I have also read "Lords of Chaos" by Michael Moynihan and Didrik Søderlind a few times. Don't get me wrong, there are a few... embellishments in the Movie, but there is also a large portion that is true. I really enjoyed Lords of Chaos because I'm glad they've done a Movie about this Scene... even if some of it is fictional. I think the people who are really trashing this are taking it more seriously than they should, honestly. It's well acted, great cinematography and is an interesting story! I feel like this appeals to a wide audience, not just those of us who are partial to a bit of the ol' True Norwegian Black Metal. My only hang-up is that I think there are a few unnecessary scenes in the Movie that serve no purpose and just make the Movie feel long. But for me, it's a nice piece of fucked up nostalgia from my own Black Metal loving days!
Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Bob Mann (459 KP) rated Joker (2019) in Movies
Nov 10, 2019
Joachim Phoenix - Oscar winning performance? (1 more)
Look and feel of the film - technically brilliant
A loser's tale.
“Joker” has managed to stir up a whirlwind of controversy, centring partly around the level of violence included but also on the use of “that song” on the soundtrack. But putting aside that flurry of commentary, what of the film itself?
Man, this is a dark film! It’s as much of an anti-superhero film as this year’s “Brightburn“. The Batman legacy has addressed the mental state of the protagonists before (both that of the hero and the villains). Here we have a real study of how a mentally unstable no-hoper can be pushed over the edge by bigotry, carelessness and government cut-backs.
Indeed, there is something alarmingly prescient about the movie’s plot line, watching this as we (in the UK) are in the month of possible (or as Boris Johnson would say, definite) Brexit madness! “Is it me, or is it getting crazier out there?” Arthur Fleck muses to his social worker (Sharon Washington). And a rant by Arthur late on goes “Everybody just yells and screams at each other. Nobody’s civil anymore. Nobody thinks what it’s like to be the other guy. You think men like Thomas Wayne ever think what it’s like to be someone like me? To be somebody but themselves? They don’t. They think that we’ll just sit there and take it, like good little boys! That we won’t werewolf and go wild!” Chilling words as we possibly face a very bumpy October and November in the UK.
After reviewing “Judy” I wouldn’t be the least surprised if I’d just seen the Best Actress award bagged (by Renée Zellweger). Now, with “Joker”, surely Joachim Phoenix might bag his first (and well overdue in my book) Oscar. Although nominated before (for “Gladiator”, “Walk the Line” and “The Master”) he’s never won. Here Phoenix’s physical transformation into Arthur Fleck is SIMPLY EXTRAORDINARY. And the way he captures the (medically) induced fits of helpless laughter, ending in a sort of choking fit, is brilliant and replicated to a ‘T’ on multiple occasions.
I loved “You Were Never Really Here“, primarily due to Phoenix’s pitch-perfect performance. And “Joker” reminded me very much of Lynne Ramsey‘s film: a disturbed loner, looking after his elderly mother; with violence meted out to wrong-doers. Joe is almost the yin to Arthur Fleck’s yang: Joe is an invisible man who is very much present; Arthur is a very visible man who thinks he is invisible. There’s even comment by Fleck towards the end of the film that sometimes he thinks he’s ‘not really there at all’! (A deliberate ‘in’ joke in reference to that film?)
After some pretty piss-poor “pension grabs” in recent years, culminating in the appalling career- nadir of “Dirty Grandpa” in 2016, Robert De Niro comes good with a fine performance as the idolised but thoughtless and cruel talk-show host Murray Franklin. It’s very much a supporting role, but delivered with great aplomb.
Also great again is “Deadpool 2“‘s Zazie Beetz (a great trivia answer for an actor with three ‘z’s’ in the name). This angle of the story is deviously clever, and Zazie handles the various twists and turns brilliantly.
Movie violence needs to be taken in context to both the film’s story and to the movie’s certificate. For those expecting a light and fluffy “Avengers” style of movie, they might be shocked by what they see. True that the film definitely pushes the boundaries of what I think is acceptable in a UK15-certificate film. … I suspect there were HEATED discussions at the BBFC after this screening! The violence though seems comparable to some other 15’s I’ve seen: a DIY-store drill scene in “The Equalizer” comes to mind.
A particularly brutal scene is reminiscent of a climactic scene in “Once Upon a Time… in Hollywood“, such that Quentin Tarantino might have just cause to appeal his ‘UK18’ certificate.
You might argue about the level of violence that SHOULD be shown in a 15 certificate film. But I think the violence portrayed – given this is in the known context an origin story for a psychopathic killer – is appropriate. I personally found the Heath Ledger‘s Joker’s “pencil trick” scene in “The Dark Knight” more disturbing, given it was a 12 certificate.
I have less sympathy for the inclusion of “Rock and Roll Part 2” on the soundtrack. The fact that a convicted paedophile (I refuse to say his name) is profiting from the ticket sales is galling. This is almost deliberately courting controversy. There has been some view that this is a “traditional” chant song at US football matches (as “The Hey Song”). But most (all?) teams have now recognized the connection and stopped its use. At least here the director and producers should have more of a ‘world view’ on this.
Where “Hangover” director Todd Phillips does recover some of this respect is in the quality of the script (co-written with Scott Silver) and the direction. It’s misdirection without mis-direction! Some of the twists in the plot (no spoilers here!) I did not see coming, and certain aspects of the story (again no spoilers!) are left brilliantly (and chillingly) vague.
Sure, it borrows heavily in story-line and mood from Martin Scorsese‘s “Taxi Driver”. And I was also reminded of 1993’s Joel Schumacher flick “Falling Down” where Michael Douglas is an ordinary man pushed to the edge and beyond by a series of life’s trials. But if you want to criticise a film for “not being 100% original” then let’s start at the top of the 2019 IMDB listings and keep going! I’ve also seen comment from some that criticises the somewhat clunky overlay of the Batman back-story into the script. I also understand that view but I didn’t personally share it.
Elsewhere I would not be surprised if the movie gets garlanded with technical Oscar nominations aplenty come January. The cinematography, by Phillips-regular Lawrence Sher, is exquisite in setting the grimy 70’s tone. (I loved the retro Warner Brothers logo too). And both video and sound editing is top-notch. Not forgetting a sonorous cello-heavy soundtrack that perfectly suits the mood. Want to put a bet on which film might top the “number of Oscar nominations” list? This might not be a bad choice.
Dark and brooding, with a slow-burn start, this is a proper drama that might make action superhero fans fidgety. But I simply loved it, and would love to carve out the time to give it a re-watch. The Phoenix performance is extraordinary. Will this make my Top 10 of the year? Fingers to head, and pull the trigger…. it’s a no-brainer.
Man, this is a dark film! It’s as much of an anti-superhero film as this year’s “Brightburn“. The Batman legacy has addressed the mental state of the protagonists before (both that of the hero and the villains). Here we have a real study of how a mentally unstable no-hoper can be pushed over the edge by bigotry, carelessness and government cut-backs.
Indeed, there is something alarmingly prescient about the movie’s plot line, watching this as we (in the UK) are in the month of possible (or as Boris Johnson would say, definite) Brexit madness! “Is it me, or is it getting crazier out there?” Arthur Fleck muses to his social worker (Sharon Washington). And a rant by Arthur late on goes “Everybody just yells and screams at each other. Nobody’s civil anymore. Nobody thinks what it’s like to be the other guy. You think men like Thomas Wayne ever think what it’s like to be someone like me? To be somebody but themselves? They don’t. They think that we’ll just sit there and take it, like good little boys! That we won’t werewolf and go wild!” Chilling words as we possibly face a very bumpy October and November in the UK.
After reviewing “Judy” I wouldn’t be the least surprised if I’d just seen the Best Actress award bagged (by Renée Zellweger). Now, with “Joker”, surely Joachim Phoenix might bag his first (and well overdue in my book) Oscar. Although nominated before (for “Gladiator”, “Walk the Line” and “The Master”) he’s never won. Here Phoenix’s physical transformation into Arthur Fleck is SIMPLY EXTRAORDINARY. And the way he captures the (medically) induced fits of helpless laughter, ending in a sort of choking fit, is brilliant and replicated to a ‘T’ on multiple occasions.
I loved “You Were Never Really Here“, primarily due to Phoenix’s pitch-perfect performance. And “Joker” reminded me very much of Lynne Ramsey‘s film: a disturbed loner, looking after his elderly mother; with violence meted out to wrong-doers. Joe is almost the yin to Arthur Fleck’s yang: Joe is an invisible man who is very much present; Arthur is a very visible man who thinks he is invisible. There’s even comment by Fleck towards the end of the film that sometimes he thinks he’s ‘not really there at all’! (A deliberate ‘in’ joke in reference to that film?)
After some pretty piss-poor “pension grabs” in recent years, culminating in the appalling career- nadir of “Dirty Grandpa” in 2016, Robert De Niro comes good with a fine performance as the idolised but thoughtless and cruel talk-show host Murray Franklin. It’s very much a supporting role, but delivered with great aplomb.
Also great again is “Deadpool 2“‘s Zazie Beetz (a great trivia answer for an actor with three ‘z’s’ in the name). This angle of the story is deviously clever, and Zazie handles the various twists and turns brilliantly.
Movie violence needs to be taken in context to both the film’s story and to the movie’s certificate. For those expecting a light and fluffy “Avengers” style of movie, they might be shocked by what they see. True that the film definitely pushes the boundaries of what I think is acceptable in a UK15-certificate film. … I suspect there were HEATED discussions at the BBFC after this screening! The violence though seems comparable to some other 15’s I’ve seen: a DIY-store drill scene in “The Equalizer” comes to mind.
A particularly brutal scene is reminiscent of a climactic scene in “Once Upon a Time… in Hollywood“, such that Quentin Tarantino might have just cause to appeal his ‘UK18’ certificate.
You might argue about the level of violence that SHOULD be shown in a 15 certificate film. But I think the violence portrayed – given this is in the known context an origin story for a psychopathic killer – is appropriate. I personally found the Heath Ledger‘s Joker’s “pencil trick” scene in “The Dark Knight” more disturbing, given it was a 12 certificate.
I have less sympathy for the inclusion of “Rock and Roll Part 2” on the soundtrack. The fact that a convicted paedophile (I refuse to say his name) is profiting from the ticket sales is galling. This is almost deliberately courting controversy. There has been some view that this is a “traditional” chant song at US football matches (as “The Hey Song”). But most (all?) teams have now recognized the connection and stopped its use. At least here the director and producers should have more of a ‘world view’ on this.
Where “Hangover” director Todd Phillips does recover some of this respect is in the quality of the script (co-written with Scott Silver) and the direction. It’s misdirection without mis-direction! Some of the twists in the plot (no spoilers here!) I did not see coming, and certain aspects of the story (again no spoilers!) are left brilliantly (and chillingly) vague.
Sure, it borrows heavily in story-line and mood from Martin Scorsese‘s “Taxi Driver”. And I was also reminded of 1993’s Joel Schumacher flick “Falling Down” where Michael Douglas is an ordinary man pushed to the edge and beyond by a series of life’s trials. But if you want to criticise a film for “not being 100% original” then let’s start at the top of the 2019 IMDB listings and keep going! I’ve also seen comment from some that criticises the somewhat clunky overlay of the Batman back-story into the script. I also understand that view but I didn’t personally share it.
Elsewhere I would not be surprised if the movie gets garlanded with technical Oscar nominations aplenty come January. The cinematography, by Phillips-regular Lawrence Sher, is exquisite in setting the grimy 70’s tone. (I loved the retro Warner Brothers logo too). And both video and sound editing is top-notch. Not forgetting a sonorous cello-heavy soundtrack that perfectly suits the mood. Want to put a bet on which film might top the “number of Oscar nominations” list? This might not be a bad choice.
Dark and brooding, with a slow-burn start, this is a proper drama that might make action superhero fans fidgety. But I simply loved it, and would love to carve out the time to give it a re-watch. The Phoenix performance is extraordinary. Will this make my Top 10 of the year? Fingers to head, and pull the trigger…. it’s a no-brainer.
Debbiereadsbook (1303 KP) rated The Garden (Lavender Shores #2) in Books
Feb 28, 2018
excellent narration!
Independent reviewer for Archaeolibrarian, I was gifted both the ebook and audio file of this book.
This is book two in the series, but can be read as a stand alone. Andrew and Joel from book one take part here, and I loved that, but you don't need their story to follow this one.
Gilbert is in town for Andrew and Joel's engagement party. He fins solace in Walden, the man who catches his eye at the gym. But it will only ever be sex for Gilbert, right? He doesn't do relationships. Neither does Walden, but it creeps up on them both and neither wants to walk, or commit. But they both have a dark past. Can they overcome that??
I said in my review for book one, The Palisade, that I was looking forward to Gilbert's story, and I was not disappointed.
His past, the one he ran from town for, smacks him in the face every time he comes back to town. And he hates being in Lavender Shores for that reason. But he won't let Andrew, his best friend, down. Meeting Walden, and then discovering his profession, and then Gilbert STILL not being able to walk away, is a shock to his system. Walden's past has a darker undertone and one that could well have been a deal breaker but Gilbert is like...and??
I loved how both men fought hard against their feelings! Loved that they battled with their innermost desires and insecurities. Loved that they were able to overcome it all.
Again written in the first person, from both men. Because I KNEW this going in, I was aware and able to set my mind in the right place, cos lord knows, I say it often enough that i don't like first person books!! But because I KNEW that, I really did enjoy it. And you do get a better sense of the person in the first. Not sure I would have got it all from a third person book. huh. Check me out! Might actually be getting over it!
I've filed this on the Over 18 shelf, because there are some darker undertones, and some might find them difficult to read. Nothing is described in great detail, but you are told about them.
I have book three, The Veranda, to read shortly. That is Donovan's book, Gilbert's therapist. I loved their interaction here. I look forward to getting into Donovan's mind!
Creeping up to 4 stars
Audio Review
Kirt Graves continues to narrate this series. And he is growing on me!
He manages to get across things that I miss when reading, the depth of his emotions is powerful and comes across amazingly well. I do find, more and more, I'm enjoying LISTENING to first person books, and that can only be because of the outstanding narration of those books.
Graves voices for Gilbert and Walden are just what I heard in my head (do you do that? hear people talking in your head when you are reading?? ) when I read this book. When Joel and Andrew pop up, the voices are consistent from The Palisade. I had no trouble keeping up with multi person conversations.
When Walden tells Gilbert what he did, Graves manages to pull out all the stops and I cried at that bit! I knew it was coming, of course, but I wasn't prepared for it, actually hearing it in Walden's voice.
I cannot wait to see what Graves does with Donovan and Spencer (book3) but I'm especially keen to get my hands on Lamont and Tyler's story (book4)
4 stars for the book
5 stars for the narration
4.5 stars overall
**same worded review will appear elsewhere**
This is book two in the series, but can be read as a stand alone. Andrew and Joel from book one take part here, and I loved that, but you don't need their story to follow this one.
Gilbert is in town for Andrew and Joel's engagement party. He fins solace in Walden, the man who catches his eye at the gym. But it will only ever be sex for Gilbert, right? He doesn't do relationships. Neither does Walden, but it creeps up on them both and neither wants to walk, or commit. But they both have a dark past. Can they overcome that??
I said in my review for book one, The Palisade, that I was looking forward to Gilbert's story, and I was not disappointed.
His past, the one he ran from town for, smacks him in the face every time he comes back to town. And he hates being in Lavender Shores for that reason. But he won't let Andrew, his best friend, down. Meeting Walden, and then discovering his profession, and then Gilbert STILL not being able to walk away, is a shock to his system. Walden's past has a darker undertone and one that could well have been a deal breaker but Gilbert is like...and??
I loved how both men fought hard against their feelings! Loved that they battled with their innermost desires and insecurities. Loved that they were able to overcome it all.
Again written in the first person, from both men. Because I KNEW this going in, I was aware and able to set my mind in the right place, cos lord knows, I say it often enough that i don't like first person books!! But because I KNEW that, I really did enjoy it. And you do get a better sense of the person in the first. Not sure I would have got it all from a third person book. huh. Check me out! Might actually be getting over it!
I've filed this on the Over 18 shelf, because there are some darker undertones, and some might find them difficult to read. Nothing is described in great detail, but you are told about them.
I have book three, The Veranda, to read shortly. That is Donovan's book, Gilbert's therapist. I loved their interaction here. I look forward to getting into Donovan's mind!
Creeping up to 4 stars
Audio Review
Kirt Graves continues to narrate this series. And he is growing on me!
He manages to get across things that I miss when reading, the depth of his emotions is powerful and comes across amazingly well. I do find, more and more, I'm enjoying LISTENING to first person books, and that can only be because of the outstanding narration of those books.
Graves voices for Gilbert and Walden are just what I heard in my head (do you do that? hear people talking in your head when you are reading?? ) when I read this book. When Joel and Andrew pop up, the voices are consistent from The Palisade. I had no trouble keeping up with multi person conversations.
When Walden tells Gilbert what he did, Graves manages to pull out all the stops and I cried at that bit! I knew it was coming, of course, but I wasn't prepared for it, actually hearing it in Walden's voice.
I cannot wait to see what Graves does with Donovan and Spencer (book3) but I'm especially keen to get my hands on Lamont and Tyler's story (book4)
4 stars for the book
5 stars for the narration
4.5 stars overall
**same worded review will appear elsewhere**