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Sarah (7798 KP) rated The Witches (2020) in Movies
Mar 6, 2021
Not a patch on the original
The Witches is a 2020 retelling of the Roald Dahl children’s story, from director Robert Zemeckis. Remakes and reboots have been commonplace in the movies for quite some time, so it’s no surprise that The Witches has been given a Hollywood makeover, especially as it has been 30 years since the original film adaptation was released in 1990. I will readily admit that the original film is a childhood favourite, so this remake has very big shows to fill.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
This time round, the story has been transported to late 1960s Alabama. It follows a unnamed boy (named in the credits as simply ‘Hero Boy’), played by Jahzir Bruno, and his grandma (Octavia Spencer) as they encounter a witch in their home town, prompting her to whisk him away to a seaside resort. Unbeknownst to them, this seaside resort is also where the Grand High Witch (Anne Hathaway) is due to unveil her dastardly plans to transform the world’s children. In his bids to thwart the witches plans, Hero Boy bumps into some familiar names, greedy English boy Bruno Jenkins (Codie-Lei Eastick) and put-upon hotel manager Mr Stringer (Stanley Tucci).
I was very sceptical about this in general, and while I think my scepticism was most definitely warranted, I was at least pleasantly surprised that moving the action from England to 60s America worked. It gives the film a different vibe with a new setting (with some very good costume and set design too), yet still keeping the same base story. However I’m afraid that’s the only good change that they’ve made in this entire remake. The 60s setting works, but the hotel itself lacks the beauty and grandeur of the hotel in the original. Gone are the imposing shots of a beautiful old hotel set on top of a cliff with its gorgeous landscapes (which incidentally is a real life hotel called The Headland which is on my travel wish list), and instead replaced with something that looks good on the surface, but is sadly lacking in realism and has obviously been entirely computer generated.
And this is the major problem with The Witches (2020), it’s over reliance and overuse of CGI. Everything in this, from the mice to the hotel exteriors to the witches true appearance, are all computer generated, and not particularly well at that. The mice look pretty bad and unrealistic, but the worst of all is what they’ve done to the witches. The changes themselves may have worked had this used practical effects, but sadly the CGI only serves to highlight how ridiculous the changes are. From the missing two fingers on each hand to the elongated mouths with demon like tongues, the witches to begin with seem creepy but after this initial shock, you see how absurd and laughable they really are.
Unfortunately even the performances can’t save this adaptation. Octavia Spencer is as reliable as always and Jazhir Bruno and Codie-Lei Eastick are quite adorable, but the rest of the fairly decent cast are sadly misplaced. The usually loveable Stanley Tucci is given absolutely nothing to work with, not even giving him a chance to try and match up to Rowan Atkinson’s original Mr Stringer, and Chris Rock is sadly out of place as the voice of older Hero Mouse. However the worst offender here is Anne Hathaway. Admittedly she isn’t helped much by the poor transformations to the witches appearance, but all the CGI in the world couldn’t fix her questionable Eastern European accent and hammy performance. The fact that Angelica Huston put in a more sinister and believable performance with 90s facial prosthetics and practical effects is a credit to her and only highlights how bad a choice Hathaway was for this role.
While parts of this remake aren’t entirely condemnable, as some aspects do stick closer to Dahl’s original source material, overall it is a far inferior adaptation that loses everything that made the 1990 film such a classic. Gone are the sinister witches and the dark stories of missing children (the girl stuck in the picture is an image that has always stuck with me), instead replaced with a far too lighthearted story with an over reliance on CGI. The most worrying thing of all is that even Robert Zemeckis and Guillermo Del Toro being involved couldn’t save this.
Gareth von Kallenbach (968 KP) rated Ad Astra (2019) in Movies
Sep 16, 2019
My first experience in IMAX was at the IMAX theater at the Grand Canyon. This was before IMAX theaters could easily be found within easy driving distance in most large cities. The movie, which interestingly still is showing today from those early years took viewers on the magical journey through the Grand Canyon. Throwing in a bit of history, with incredible visages, viewers could experience the canyon without ever hiking within its depths. It may seem odd to compare a big budget title like Ad Astra written and directed by James Gray (The Immigrant / The Lost City of Z) to a short thirty-minute experience film about the Grand Canyon, but both are equally awe inspiring and beautiful if experienced in the same way.
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
Ad Astra features Brad Pitt as Astronaut Roy McBride, a film that takes place in the not so distant future where the moon has become a commercialized tourist destination. A place where outside the safe tourist zones corporations fight for control of resources, and convoys are regularly ransacked by pirates looking to make a quick buck off the wares they are able to obtain. Mars has become a staging location for deep exploration ships hoping to discover if intelligent life exists outside our solar system.
Strange power surges begin to emanate deep within the galaxy, threatening to destroy everything in their path (Earth not excluded) and the top scientist are brought together to identify the threat and propose a theory to stop it. Roy McBride after suffering a near fatal fall from aboard a space station is brought into a top-secret meeting to discuss these surges. It is in this meeting that Roy is informed that the surges appear to be manifesting near Neptune and even more interestingly they are identified as anti-matter surges that are being generated from a ship that Roy’s father Clifford (Tommy Lee Jones) was in charge of nearly 29 years ago. The mission was a search for extra terrestrial life that Clifford was overseeing and presumed dead after Earth had lost contact with his ship. Roy must put his personal feelings aside regarding his father and must travel to the outer reaches of our solar system to put a stop to the surges, in any way possible.
Ad Astra is an incredible achievement in cinematography. The visions of the moon, mars and the numerous rockets taken to get there are spectacular. Much like the Grand Canyon film I spoke of earlier, in IMAX Ad Astra gives you a front row seat exploring the solar system as we know it. It takes a realistic approach while not bogging the viewers in all the technical details that would be necessary to achieve this flight. You would be doing yourself a disservice to see this film on any but the largest of movie screens. While it might be an acceptable experience in a normal theater, much of the grandiose vistas and beautiful sets would be wasted. This is not a movie to wait for on Netflix if you have any interest in seeing it at all.
From a story perspective, there isn’t a whole lot to tell. Brad Pitt brings his amazing acting abilities to a film that features more inner dialogue to himself, then to others on the screen. It is reminiscent to the original Dune movie from the 80s combined with 2001: A space odyssey. For a movie that literally is about a voyage to deep space, there are some scenes sprinkled throughout that provide some action and even a bit of suspense. Supporting characters such as Tommy Lee Jones and Donald Sutherland provide outstanding performances, even if their screen time is extremely limited. Liv Tyler once again reprises a role similar to the one from Armageddon as the reluctant wife of a man who is tasked with saving the world.
Ad Astra is a cinematic experience, the story alone is passable if not particularly quick moving and at time rarely engaging. However, when you combine this with the technological wizardry used to bring the Solar System to life it makes for an adventure that certainly lives up to the hype and will delight your visual senses. If you’ve ever dreamed of what it would be like to live on the moon or adventure into the stars, then Ad Astra might just be the closest we ever get in our lifetime. It’s beautiful, deadly and overall an achievement to behold, just make sure you see it on the biggest screen you can.
4 out of 5 stars
Kaysee Hood (83 KP) rated Fangirl in Books
Oct 3, 2017
Fangirling (2 more)
College Life
Carry On
Oh can I relate!
Rainbow Rowell’s Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms, but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Kaysee Hood (83 KP) rated Fangirl in Books
Nov 16, 2017
Twin Life (4 more)
College Life
Mental Illness
Carry On
Fan Fic
Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Bookapotamus (289 KP) rated The Glitch in Books
May 31, 2018
Not worth the hype
So, when I first heard about The Glitch, I was all like - Wow. What cool idea for a story! This is going to be awesome. I need to get my hands on this one! And then I read it, and I was all like - WTF did I just read? Did someone slip me drugs? Did I miss something?
Shelley is like one of those Steve Jobs-esque corporate tech CEO robots who is basically all work and zero play. Her company is called Conch, and is sort of like a Siri for everyday life that clips onto your ear. Even Steve jobs seems like a wuss compared to Shelley. She's stiff, and brusque and her marriage and friendships are more of business arrangements it seems, as well as having children (Nova and Blazer?!? ummm what?), she has ZERO social life - and she likes it all this way. In fact she thrives on it.
The story starts out with Nova going missing on the beach and her and her husband CASUALLY STROLL around on the beach looking for her while they are both ON THE PHONE taking conference calls. I cannot even believe people like this might exist. Then a "glitch" happens with the Conch product and weirdness ensues. I'm all for weird books. I don't base a books review on unlikeable characters. In fact Shelley is written PERFECTLY. Elisabeth Cohen is apparently a technical writer by trade and she shines at developing Shelley as a character. Her writing is SO smart, and sharp and I LOVE the way she writes. I'm giving a slight pass since it's her first novel because the words are there - and they are exquisite! They just need some finesse in arranging the story better. But the themes here all ALL over the place. Kidnapping? Corporate espionage? Time travel? Lightning? Weird romantic feeling for coworkers and nannies? Women's empowerment? Technology? Work/Life/Mom balance? I had enough trouble with being in Shelley's head with her ramblings and descriptions - thoroughly written, and passionately descriptive - but the story itself just fell flat.
And the ending, just really unsatisfying. And a bit unbelievable knowing how hardcore Shelley was about most things - It was like she just conceded and gave up? Which seemed so out of character.. There were several times I was like "No WAY this type A personality would let this chick in her house!" and "Why isn't she calling the cops!" It was like you knew so precisely who Shelley was by the incredible character development of how robotic and precise her actions would be and then - what? Huh? What just happened? I'm still just really confused.
I hate when this happens. I find out about a book that sounds so ridiculously awesome that i rush out to find it wherever I can immediately. The description when I first heard of the book had a question in it like "What would you do if you met your younger self?" I want to read THAT book. That's what I thought I was reading and where it was going, but it turned into this whole other story that went somewhere else entirely. There was so much promise and potential and I'm pretty bummed. It wasn't worth all the hype I've been hearing.
Shelley is like one of those Steve Jobs-esque corporate tech CEO robots who is basically all work and zero play. Her company is called Conch, and is sort of like a Siri for everyday life that clips onto your ear. Even Steve jobs seems like a wuss compared to Shelley. She's stiff, and brusque and her marriage and friendships are more of business arrangements it seems, as well as having children (Nova and Blazer?!? ummm what?), she has ZERO social life - and she likes it all this way. In fact she thrives on it.
The story starts out with Nova going missing on the beach and her and her husband CASUALLY STROLL around on the beach looking for her while they are both ON THE PHONE taking conference calls. I cannot even believe people like this might exist. Then a "glitch" happens with the Conch product and weirdness ensues. I'm all for weird books. I don't base a books review on unlikeable characters. In fact Shelley is written PERFECTLY. Elisabeth Cohen is apparently a technical writer by trade and she shines at developing Shelley as a character. Her writing is SO smart, and sharp and I LOVE the way she writes. I'm giving a slight pass since it's her first novel because the words are there - and they are exquisite! They just need some finesse in arranging the story better. But the themes here all ALL over the place. Kidnapping? Corporate espionage? Time travel? Lightning? Weird romantic feeling for coworkers and nannies? Women's empowerment? Technology? Work/Life/Mom balance? I had enough trouble with being in Shelley's head with her ramblings and descriptions - thoroughly written, and passionately descriptive - but the story itself just fell flat.
And the ending, just really unsatisfying. And a bit unbelievable knowing how hardcore Shelley was about most things - It was like she just conceded and gave up? Which seemed so out of character.. There were several times I was like "No WAY this type A personality would let this chick in her house!" and "Why isn't she calling the cops!" It was like you knew so precisely who Shelley was by the incredible character development of how robotic and precise her actions would be and then - what? Huh? What just happened? I'm still just really confused.
I hate when this happens. I find out about a book that sounds so ridiculously awesome that i rush out to find it wherever I can immediately. The description when I first heard of the book had a question in it like "What would you do if you met your younger self?" I want to read THAT book. That's what I thought I was reading and where it was going, but it turned into this whole other story that went somewhere else entirely. There was so much promise and potential and I'm pretty bummed. It wasn't worth all the hype I've been hearing.
Gareth von Kallenbach (968 KP) rated Call of Duty: Infinite Warfare - Sabotage in Video Games
Jun 19, 2019
Call of Duty: Infinite Warfare has released their first of four planned DLC Packs; Sabotage for the Xbox One and PC systems after being previously released for the PS4 platform.
Like previous DLC packs in the series; the set contains four new maps and a new Zombie/Alien gameplay mode.
The first map is Noir: which is a futuristic Brooklyn setting teaming with open streets and an open courtyard which makes for some really close quarters combat. The map is great for those who like a run and gun approach but there are plenty of windows and areas for snipers and surprise attacks.
The next map is Renaissance which is a beautiful recreation of a pastoral Venetian setting. Players will battle in courtyards, a church, and along canals which create many choke points for enemy forces to mount attacks.
The third map is Neon which is a Tron like map set in a computer simulation. Players and vehicles as well as parts of the map de-rez when destroyed. The map has long lines and balconies which make for great points for snipers and those looking to mount and ambush, but I really liked mounting counter attacks in the night club which allows players a way to cover large parts of the map without having to travel the dangerous streets.
The final map is Dominion which is a futuristic remake of the classic Modern Warfare 2 map Afghan. Players will battle in a map with a downed vehicle at the center. The map has plenty of ridges, observation areas, and halls to allow players to battle one another in multiple game styles.
For me the highlight of the pack is the second installment of the Zombie mode called Rave in the Redwoods. The game continues the story of the four actors pulled into horror movies to battle legions of undead. The previous map was set in an 80s theme park and this time out we get a 90s themed camping horror film as the setting. Players get to use weapons such as a golf club, a spiked baseball bat, a machete, and other melee weapons before they pick up some heavier firepower to go with their grenades. Like in previous versions, players will have to buy access to various areas, new weapons, ammunition and such. There are also puzzles to solve to unlock new and special weapons and traps as well as to make the game progress to a conclusion point. Should players not solve the needed puzzles, then they will face wave after wave of enemies. Writer/Director Kevin Smith is on hand and can be a playable character and those looking for a change of pace can bring on a neon lightshow at various points. For fun players can also battle Bigfoot, a psycho killer, and other threats but trust me, there is plenty of challenge to go around. The Afterlife arcade returns so players who die are given a chance to play various games to make their way back into the game. With four player co-op, you will want to take advantage of the Zip Lines to get around.
While the new maps are fun, they really do not offer anything radically different but do extend the life of the game. For me, the Zombie mode is what makes this a must own as it continues to be the best overall Zombie experience in any of the COD games.
http://sknr.net/2017/03/15/call-duty-infinite-warfare-sabotage-dlc/
Like previous DLC packs in the series; the set contains four new maps and a new Zombie/Alien gameplay mode.
The first map is Noir: which is a futuristic Brooklyn setting teaming with open streets and an open courtyard which makes for some really close quarters combat. The map is great for those who like a run and gun approach but there are plenty of windows and areas for snipers and surprise attacks.
The next map is Renaissance which is a beautiful recreation of a pastoral Venetian setting. Players will battle in courtyards, a church, and along canals which create many choke points for enemy forces to mount attacks.
The third map is Neon which is a Tron like map set in a computer simulation. Players and vehicles as well as parts of the map de-rez when destroyed. The map has long lines and balconies which make for great points for snipers and those looking to mount and ambush, but I really liked mounting counter attacks in the night club which allows players a way to cover large parts of the map without having to travel the dangerous streets.
The final map is Dominion which is a futuristic remake of the classic Modern Warfare 2 map Afghan. Players will battle in a map with a downed vehicle at the center. The map has plenty of ridges, observation areas, and halls to allow players to battle one another in multiple game styles.
For me the highlight of the pack is the second installment of the Zombie mode called Rave in the Redwoods. The game continues the story of the four actors pulled into horror movies to battle legions of undead. The previous map was set in an 80s theme park and this time out we get a 90s themed camping horror film as the setting. Players get to use weapons such as a golf club, a spiked baseball bat, a machete, and other melee weapons before they pick up some heavier firepower to go with their grenades. Like in previous versions, players will have to buy access to various areas, new weapons, ammunition and such. There are also puzzles to solve to unlock new and special weapons and traps as well as to make the game progress to a conclusion point. Should players not solve the needed puzzles, then they will face wave after wave of enemies. Writer/Director Kevin Smith is on hand and can be a playable character and those looking for a change of pace can bring on a neon lightshow at various points. For fun players can also battle Bigfoot, a psycho killer, and other threats but trust me, there is plenty of challenge to go around. The Afterlife arcade returns so players who die are given a chance to play various games to make their way back into the game. With four player co-op, you will want to take advantage of the Zip Lines to get around.
While the new maps are fun, they really do not offer anything radically different but do extend the life of the game. For me, the Zombie mode is what makes this a must own as it continues to be the best overall Zombie experience in any of the COD games.
http://sknr.net/2017/03/15/call-duty-infinite-warfare-sabotage-dlc/
Gareth von Kallenbach (968 KP) rated Long Shot (2019) in Movies
Jul 2, 2019
When his small paper is bought out but a large media conglomerate the free-spirited journalist Fred Flarsky (Seth Rogen) quits rather write for a company he believes has a low moral compass. His best friend Lance (O’Shea Jackson Jr.) takes him out on the town to drown his sorrows. They decide to go to a charity function to get free drinks and watch Boyz II Men. As chance would have it Fred’s babysitter from high school, Charlotte Field (Charlize Theron), is also there. Charlotte happens to be one of the most powerful women in the world. She is currently the Secretary of State and has her eyes set on the on the White House. But she recognizes Fred and they connect for a few moments. This chance meeting seems fortuitous for both. Fred needs a job and Charlotte is in need of a writer to help punch up her speeches. Fred also gets the chance to travel the world with his high school crush. Even though Fred isn’t your normal member of a government official’s entourage, dresses like a child, has a scraggly beard and looks high even when not, he can write. So he gets the chance to write entire speeches. As his role increases he needs to get to know this version of Charlotte a little better, rather than the girl he know in high school. They begin to spend more and more time together getting to know each other. Then a near death experience in Manilla leads to a wild night between the odd couple. But rather than a onetime thing the two begin sneaking away together. But as Charlotte heads toward a Presidential Campaign it seem inevitable that this secret relationship needs to end or go public.
This Jonathan Levine (The Night Before, Snatched) directed romantic comedy is predictable with flares of originality. The cast is great. Rogen and Theron have good chemistry and do well. The supporting cast, O’Shea (Straight Outta Compton) as well as June Diane Raphael (Blockers, The Disaster Artist), Ravi Patel (T.V. series Wrecked, Grandfathered), Andy Serkis (Black Panther, The Lord of the Rings Trilogy) and others, all have fun moments. Bob Odenkirk (T.V.’s Better Call Saul) is very funny in his role as President Chambers. The comedy is fun, but raunchy at times. There were definitely laugh out loud moments. But some of the jokes were predictable and other good jokes were spoiled by the trailers, so avoid if possible. The story was also pretty predictable with the outcome never really in doubt but the ride was fun and had both really good moments and some that fell flat. It blended what could be believable politics with some things you know would not be, or you really hope couldn’t be, done by someone in a powerful government position.
I thought the film was good but it did run a little long, 125 minutes. I think it would be a good date movie but definitely leave the kids at home due to prevalent drug use and raunchy moments. I went in with low expectations and that could also help. But if you need a laugh or non-super hero movie to see this is worth the ticket price.
This Jonathan Levine (The Night Before, Snatched) directed romantic comedy is predictable with flares of originality. The cast is great. Rogen and Theron have good chemistry and do well. The supporting cast, O’Shea (Straight Outta Compton) as well as June Diane Raphael (Blockers, The Disaster Artist), Ravi Patel (T.V. series Wrecked, Grandfathered), Andy Serkis (Black Panther, The Lord of the Rings Trilogy) and others, all have fun moments. Bob Odenkirk (T.V.’s Better Call Saul) is very funny in his role as President Chambers. The comedy is fun, but raunchy at times. There were definitely laugh out loud moments. But some of the jokes were predictable and other good jokes were spoiled by the trailers, so avoid if possible. The story was also pretty predictable with the outcome never really in doubt but the ride was fun and had both really good moments and some that fell flat. It blended what could be believable politics with some things you know would not be, or you really hope couldn’t be, done by someone in a powerful government position.
I thought the film was good but it did run a little long, 125 minutes. I think it would be a good date movie but definitely leave the kids at home due to prevalent drug use and raunchy moments. I went in with low expectations and that could also help. But if you need a laugh or non-super hero movie to see this is worth the ticket price.
Gareth von Kallenbach (968 KP) rated Christopher Robin (2018) in Movies
Jul 8, 2019
Winnie the Pooh, the much love bear created by A.A. Milne and E.H. Shepard, has been brought by Disney in enchantingly live action in Christopher Robin. The story begins in the hundred acre woods where little Christopher Robin is spending his last day having a picnic with his dear friends: Eeyore(Brad Garrett), Owl(Toby Jones), Rabbit(Peter Capaldi), Kanga(Sophie Okonedo) and Roo(Sara Sheen), Piglet(Nick Mohammed) Tigger and Pooh(Both beautifully voiced by Jim Cummings). The voice actor cast was rather surprising, but quite spot on for each character. I was absolutely drawn into Christopher Robin’s world.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
Phil Leader (619 KP) rated Aware (The Corporeal Pull #2) in Books
Nov 8, 2019
Aware is the second book in the Corporeal Pull series. It concerns Terra, an entity known as a guide who looks after a number of charges in the mortal world. In the first book she realises that one of these, Liam, is her soul mate and despite it being against everything that is taught, travels from the Tweens, where the entities live, to Earth to be with him. Here she discovers that not all is as it appears from the Tweens and that evil entities known as the Scourge are corrupting souls and taking over bodies in an attempt to get to the Tweens.
In this second book Terra continues her fight on Earth against the Scourge, intending to find and confront their master. She also sends a message to the Tweens for help. But as everyone from her former existence believes she is dead (as doctrine states that guides cannot travel to Earth) will the message be believed? Will she be able to protect Liam from the Scourge?
I'd not read the first book for the series so it took a while to get to grips with what was going on as the first scene is a battle between Terra and the Scourge over Liam. But it is soon clear what is going on.
Terra makes a good protagonist; she is determined but at the same time has a lot of doubts and is reluctant to put others in danger despite the disadvantage this often puts her at. Her feelings for Liam are both a strength, giving her a will to carry on the fight almost single handed, and a weakness as she tries to protect him.
The plot moves at a rapid pace, as the book goes on alternating between events on Earth and those in the Tweens where the blissful and rather blinkered existence for the guides and other entities is not willing to accept the reality of the Scourge. As the story progresses there is real sense of Terra's desperation at facing the Scourge alone. The inertia at reacting in the Tweens is well worked out and really helps to build the tension, and it was good to see that what were supposed to be omniscient and powerful beings could be as prejudiced and indecisive as us mortals.
For my taste I felt Terra went over a lot of the same ground in her thoughts again, and although this was in keeping with her character as a reader I already recognised the points being made and didn't need to read them again. But this is minor in the scheme of things.
The writing is good and fluid and the ideas here, although not new, are used in interesting ways. I suspect that the framework of the story doesn't bear too close an examination but this is about being along for the ride with Terra, not an actual representation of what may exist on the other side of mortality.
Overall I enjoyed reading this immensely. Would I recommend this to others looking for something a bit different? Yes, definitely. Would I buy the next book? I would definitely like to find out what happens to Terra and Liam and how the Scourge is defeated.
In this second book Terra continues her fight on Earth against the Scourge, intending to find and confront their master. She also sends a message to the Tweens for help. But as everyone from her former existence believes she is dead (as doctrine states that guides cannot travel to Earth) will the message be believed? Will she be able to protect Liam from the Scourge?
I'd not read the first book for the series so it took a while to get to grips with what was going on as the first scene is a battle between Terra and the Scourge over Liam. But it is soon clear what is going on.
Terra makes a good protagonist; she is determined but at the same time has a lot of doubts and is reluctant to put others in danger despite the disadvantage this often puts her at. Her feelings for Liam are both a strength, giving her a will to carry on the fight almost single handed, and a weakness as she tries to protect him.
The plot moves at a rapid pace, as the book goes on alternating between events on Earth and those in the Tweens where the blissful and rather blinkered existence for the guides and other entities is not willing to accept the reality of the Scourge. As the story progresses there is real sense of Terra's desperation at facing the Scourge alone. The inertia at reacting in the Tweens is well worked out and really helps to build the tension, and it was good to see that what were supposed to be omniscient and powerful beings could be as prejudiced and indecisive as us mortals.
For my taste I felt Terra went over a lot of the same ground in her thoughts again, and although this was in keeping with her character as a reader I already recognised the points being made and didn't need to read them again. But this is minor in the scheme of things.
The writing is good and fluid and the ideas here, although not new, are used in interesting ways. I suspect that the framework of the story doesn't bear too close an examination but this is about being along for the ride with Terra, not an actual representation of what may exist on the other side of mortality.
Overall I enjoyed reading this immensely. Would I recommend this to others looking for something a bit different? Yes, definitely. Would I buy the next book? I would definitely like to find out what happens to Terra and Liam and how the Scourge is defeated.
Night Reader Reviews (683 KP) rated The Suicide Tree in Books
Jan 9, 2020
Honest Review for Free Copy of Book
The Suicide Tree by Shayla Raquel was a surprisingly good book. It was not quite what I expected but after reading it I am honestly not sure what I was expecting. Early on it talks about the Suicide Tree being a real tree and I could not help but look it up. What I found is that the Suicide Tree is actually a tree called Cerbera Odollam and is found in Asia and India. I find it interesting Knox uses this tree’s nickname for his tag because of the specific properties this tree has. I will leave it up to the interested reader to look up those properties for themselves. The story was so good that I am afraid to say too much without the risk of spoilers.
Trigger Warning: Although I don’t usually feel like I need to add these to my reviews I feel this may be an exception. The death of Knox’s parents is a tragedy and a large part of the story and is brought up very frequently.
Knox Kevel’s parents died in an explosion three years before the story begins. Knox, being almost a computer genius becomes a hacker known as The Suicide Tree while his parents are still alive. After their death, he works for people on the black market and attracts the attention of the FBI. The FBI gets ahold of him twice and he is facing prison time when Arlo Jenson pops in. Arlo wants Knox to work for him and if Knox agrees Arlo will call in a favor with the DA and have Knox’s charges dropped.
Knox ends up flying to Italy with Arlo, in hopes of finding the person who hurt Arlo as a child. Knox and Arlo stay with Norah, Arlo’s sister, and her daughter Jessa. The four of them team up and travel to many well-known cities in Italy trying to discover the truth. The truth about what? Well, you will just have to read The Suicide Tree to find out for yourself.
What I liked most about this book was the interwoven stories of Knox, Arlo, and the mysterious person who harmed Arlo. It was actually hard to find something that I didn’t really like about this book. After thinking about it I would say that the reasoning behind Arlo’s childhood assault (for lack of a better term) was a bit on the anti-climatic side. I was hoping for something a little more in-depth than what was offered.
In all honesty, I believe just about anyone could read this book. There is little in the lines on inappropriate material in this book. The book is also relatively short and does not require a lot of dedication making it perfect for the occasional reader. I would rate this book 4 out of 5 because the plot line was well thought out and there was very little that I questioned after finishing the book. The story was strong and extremely entertaining. I would recommend it to anyone who wants a quick read.
Trigger Warning: Although I don’t usually feel like I need to add these to my reviews I feel this may be an exception. The death of Knox’s parents is a tragedy and a large part of the story and is brought up very frequently.
Knox Kevel’s parents died in an explosion three years before the story begins. Knox, being almost a computer genius becomes a hacker known as The Suicide Tree while his parents are still alive. After their death, he works for people on the black market and attracts the attention of the FBI. The FBI gets ahold of him twice and he is facing prison time when Arlo Jenson pops in. Arlo wants Knox to work for him and if Knox agrees Arlo will call in a favor with the DA and have Knox’s charges dropped.
Knox ends up flying to Italy with Arlo, in hopes of finding the person who hurt Arlo as a child. Knox and Arlo stay with Norah, Arlo’s sister, and her daughter Jessa. The four of them team up and travel to many well-known cities in Italy trying to discover the truth. The truth about what? Well, you will just have to read The Suicide Tree to find out for yourself.
What I liked most about this book was the interwoven stories of Knox, Arlo, and the mysterious person who harmed Arlo. It was actually hard to find something that I didn’t really like about this book. After thinking about it I would say that the reasoning behind Arlo’s childhood assault (for lack of a better term) was a bit on the anti-climatic side. I was hoping for something a little more in-depth than what was offered.
In all honesty, I believe just about anyone could read this book. There is little in the lines on inappropriate material in this book. The book is also relatively short and does not require a lot of dedication making it perfect for the occasional reader. I would rate this book 4 out of 5 because the plot line was well thought out and there was very little that I questioned after finishing the book. The story was strong and extremely entertaining. I would recommend it to anyone who wants a quick read.