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Kevin Phillipson (10022 KP) rated Road Trip (2000) in Movies
Apr 24, 2018
Story (1 more)
Sean willam scott
This one made me laughed so much boy videotapes having sex with girl and then posts it to his girlfriend so he goes on a roadtrip with his friends it so simular to american pie it even stars sean willam scott classic would have given it an 8 but not for tom greene
Edgar Wright recommended Peeping Tom (1960) in Movies (curated)
Matthew Krueger (10051 KP) rated The Exorcism of Emily Rose (2005) in Movies
Aug 17, 2019
Spooky Scary Roses
The Exorcism of Emily Rose- is a really scary, terrorfying, horrorfying underrated horror movie directesd by Scott Derrickson yes thats right he dircted doctor strange.
The plot: The Rev. Moore (Tom Wilkinson) is prosecuted for the wrongful death of a girl thought to be demonically possessed, because he administered the church-sanctioned exorcism that ultimately killed her. Prosecuting attorney Ethan Thomas (Campbell Scott) contends that the young woman, Emily (Jennifer Carpenter), suffered from schizophrenia and should have been medically diagnosed. Meanwhile, defense lawyer Erin Bruner (Laura Linney) argues that Emily's condition cannot be explained by science alone.
Its thrilling, chilling, spooky, and alot more.
I would highly recorddmend this movie.
Sorry this review is a day late.
The plot: The Rev. Moore (Tom Wilkinson) is prosecuted for the wrongful death of a girl thought to be demonically possessed, because he administered the church-sanctioned exorcism that ultimately killed her. Prosecuting attorney Ethan Thomas (Campbell Scott) contends that the young woman, Emily (Jennifer Carpenter), suffered from schizophrenia and should have been medically diagnosed. Meanwhile, defense lawyer Erin Bruner (Laura Linney) argues that Emily's condition cannot be explained by science alone.
Its thrilling, chilling, spooky, and alot more.
I would highly recorddmend this movie.
Sorry this review is a day late.
JT (287 KP) rated Spy Game (2001) in Movies
Mar 10, 2020
As Tony Scott films go this one’s a pretty decent effort. Redford is slick and sophisticated as a retiring CIA agent and Pitt is equally effective as his eager to learn student.
The tight script and shooting make for an entertaining mix of explosions and plot twists. Robert Redford plays Nathan Muir a soon to be retired CIA operative who has spent the past few years training his protege Tom Bishop (Brad Pitt).
When a routine extraction in China goes wrong Bishop is captured behind enemy lines and it is up to Muir to get through all the political red tape to help pull him out.
The film is tense even in the boardroom scenes, and we get a real sense of the relationship between Bishop and Muir with good use of flashbacks. This is first rate and another winning film from the late Tony Scott.
The tight script and shooting make for an entertaining mix of explosions and plot twists. Robert Redford plays Nathan Muir a soon to be retired CIA operative who has spent the past few years training his protege Tom Bishop (Brad Pitt).
When a routine extraction in China goes wrong Bishop is captured behind enemy lines and it is up to Muir to get through all the political red tape to help pull him out.
The film is tense even in the boardroom scenes, and we get a real sense of the relationship between Bishop and Muir with good use of flashbacks. This is first rate and another winning film from the late Tony Scott.
David McK (3453 KP) rated Mission: Impossible 2 (2000) in Movies
Mar 24, 2021 (Updated Jan 22, 2023)
I'm writing this in early 2021.
I don't think I'd seen this film since the early noughties.
If you asked me what I remember of it, I probably would have said
Thandie Newton
Masks
Slow motion. Lot and lots of slow motion.
And that is actually pretty accurate: directed by John Woo, this has an overabundance of Slo-Mo shots and has Tom Cruise and Ving Rhames both reprising their role from the first film.
It's also slightly uncomfortable watching this now (with the world still in the grip of a global pandemic), as the driver for the plot is - guess what - a deadly virus getting loose.
(oh, and in one of cinemas great 'what if' : I believe that Dougray Scott had to turn down the role of Wolverine as he was busy filming this)
I don't think I'd seen this film since the early noughties.
If you asked me what I remember of it, I probably would have said
Thandie Newton
Masks
Slow motion. Lot and lots of slow motion.
And that is actually pretty accurate: directed by John Woo, this has an overabundance of Slo-Mo shots and has Tom Cruise and Ving Rhames both reprising their role from the first film.
It's also slightly uncomfortable watching this now (with the world still in the grip of a global pandemic), as the driver for the plot is - guess what - a deadly virus getting loose.
(oh, and in one of cinemas great 'what if' : I believe that Dougray Scott had to turn down the role of Wolverine as he was busy filming this)
JT (287 KP) rated Someone to Watch over Me (1987) in Movies
Mar 10, 2020
I doubt that many people would realise that this is one of Ridley Scott’s earlier films. From the opening scene you will notice a distinct Ridley Scott feel to it. The sweeping shot of New York’s Chrysler building could mirror a scene from the sci-fi classic Blade Runner.
Someone to Watch Over Me is a thriller in which a woman who witnesses a murder is sent to protective custody, there she falls for her bodyguard detective. It’s a fairly clichéd film in that it takes portions film noir as well as a classic love affair.
Tom Berenger plays the recently promoted detective who must control his desires for the women he is protecting. Claire Gregory played by Mimi Rogers is an innocent, sexy high class aristocrat who wants what she knows she cannot have.
It dips from thriller to love story and has interludes of high tension thrown in as an afterthought. The backdrop of a self obsessed 1980s America works very well and Scott’s direction is astute as it is clinical with great locations and camera shots. An average thriller but enjoyable nonetheless
Someone to Watch Over Me is a thriller in which a woman who witnesses a murder is sent to protective custody, there she falls for her bodyguard detective. It’s a fairly clichéd film in that it takes portions film noir as well as a classic love affair.
Tom Berenger plays the recently promoted detective who must control his desires for the women he is protecting. Claire Gregory played by Mimi Rogers is an innocent, sexy high class aristocrat who wants what she knows she cannot have.
It dips from thriller to love story and has interludes of high tension thrown in as an afterthought. The backdrop of a self obsessed 1980s America works very well and Scott’s direction is astute as it is clinical with great locations and camera shots. An average thriller but enjoyable nonetheless
Bob Mann (459 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 28, 2021
Lots of hens… but turkeys would be more appropriate.
I was not a great fan of the original Venom, although I did find aspects of it to like. Unfortunately, for me, the sequel – “Venom: Let There Be Carnage” – delivered even less. And I found aspects of it positively distasteful.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
Plot Summary:
Eddie Brock (Tom Hardy) is living uncomfortably in San Francisco with his symbiotic friend Venom. Anne (Michelle Williams), his ex-girlfriend, and her new fiancee Dan (Reid Scott) are keeping his secret.
With Venom’s help, Eddie gets the evidence needed to send the psychopathic mass murderer Cletus Kasady (Woody Harrelson) to the electric chair. But with a lost love, Frances (Naomie Harris), to rescue and a burning desire for revenge against Brock and Detective Mulligan (Stephen Graham) who captured him, Kasady is not going to go quietly into the night.
Certification:
US: PG-13. UK: 15.
Talent:
Starring: Tom Hardy, Michelle Williams, Woody Harrelson, Naomie Harris, Reid Scott, Stephen Graham.
Directed by: Andy Serkis.
Written by: Kelly Marcel and Tom Hardy.
“Venom: Let There Be Carnage” Review: Positives:
While most of the cast seem to be doing sequel-paint-by-numbers, I thought Naomie Harris was superb as the shrieking ‘X-woman-style’ villain. (I’m embarrassed to say that it took me until the end titles to realise she WAS Naomie Harris!)
Some of the comedy lines between Brock and Venom made me chuckle.
Negatives:
My main beef was with the script and that came down to two primary issues:
Firstly, virtually nothing happens. It’s not too much of an understatement to say that the whole plot can be summarized as a) a villain is introduced; b) the villain teams with another villain and c) Venom defeats them. It’s just all so bland and linear, without any sort of discernable story arc.
For a movie pitched more at the comedy end of the Marvel spectrum, the script is unpleasantly violent. (And, yes, before Marvel fan-boys attack me with comments, I know that this Sony/Marvel offering is NOT part of the official universe). There are numerous points at which I thought “Ugh!” and a nasty taste entered my mouth: the butchering of a ‘Family man’ prison guard, pleading for his life; the brains of a very polite young grocery store boy being senselessly smashed in; and the massacre of a priest in his own cathedral. (Actually, I have no idea what happened with the priest during the “power-up” scene – – a cut by the censors perhaps?) My issue is that, tonally speaking, there is a horrible mismatch between these unnecessarily violent scenes and the lighthearted and flippant nature of the rest. It’s like putting a vicious gang-bang rape in the middle of “Ant Man“.
Sorry. I know he has a lot of fans, but I’m not a great fan of Tom Hardy’s acting style here. “Legend” proved what class he could deliver. But this performance seems to be streets away from that. An acting colleague last week commented that he was looking forward to the interactions between Hardy and Harrelson. But I found both to be underwhelming.
I found the visual effects for the emerged Venom to be utterly unconvincing. There were times when it looked like nothing more than a puppet on strings.
I’m normally a fan of Marco Beltrami‘s scores. But I found the music in here to be intrusive and distracting. And that’s before some (to my ears) pretty awful rap-based tracks over the closing titles.
Summary Thoughts on “Venom: Let There Be Carnage”
You’ll already judge from my balance of comments that this one just didn’t work for me. Even as a “park your brain at the door” action movie, I thought it felt lazy and lacklustre.
My advice? Save your money and go and watch “The Last Duel” instead.
Whatchareadin (174 KP) rated The Girl on the Train in Books
Apr 9, 2019
Rachel Watson rides the train every day to a job she was fired from months ago. She spend the day in the city until it is time to go home again. As she passes the town of Witney, she always looks at two houses on Blenheim Road. Number 15 and number 23. Rachel used to live at 23 Blenheim Road with her husband Tom. But that was 2 years ago. Now she lives in a flat with her friend Cathy in Ashbury. Number 15 is occupied by Scott and Megan Hipwell who Rachel likes to refer to as Jess and John. Rachel enjoys watching Megan and Scott and their happy life together, so much unlike her own. Until one day, she sees something she knows she shouldn't have and then the next day Megan is reported missing. Could the information she have be the key to the investigation? Will the investigators believe her, or will they think she is just a lonely, drunkard who will try anything to get closer to her ex and his new wife.
I have been waiting to read this book for a very long time. It has been on my hold list at the library for about 4 months. I couldn't put it down. It kept me on the edge of my seat and I had to know what was going to happen next. There were a lot of shocking things about this book that makes you want to know who the culprit was. Who has Megan and what have they done with her? There were times where I was a bit confused about the different dates. The book goes from present to past from chapter to chapter and from person to person. I found myself flipping back to see where I was in the story to keep myself straight.
Overall, this is a good book. One that I will recommend over and over. It's a great thriller that you will not want to put down.
I have been waiting to read this book for a very long time. It has been on my hold list at the library for about 4 months. I couldn't put it down. It kept me on the edge of my seat and I had to know what was going to happen next. There were a lot of shocking things about this book that makes you want to know who the culprit was. Who has Megan and what have they done with her? There were times where I was a bit confused about the different dates. The book goes from present to past from chapter to chapter and from person to person. I found myself flipping back to see where I was in the story to keep myself straight.
Overall, this is a good book. One that I will recommend over and over. It's a great thriller that you will not want to put down.
Joe Goodhart (27 KP) rated Batman: Detective Comics, Volume 7: Batmen Eternal in Books
Nov 30, 2020
Well, boys and girls (and all non-gender folks as well), I have made to the last entry in James Tynion IV's run on DETECTIVE COMICS! Wowwowwoweeewow! What an amazing run it was!!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
BankofMarquis (1832 KP) rated Alien (1979) in Movies
Feb 22, 2020
This classic holds up very, very well more than 40 years later
I convinced my cynical 19 year old to watch an "ancient" film (her phrase) - so I was careful with my choice. I know she likes horror, so thought I would try to see if she could be scared the old fashioned way and pulled the 1979 Sci-Fi/Horror classic ALIEN off the shelves to show her.
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)
It scared the crap outta her.
Directed by Ridley Scott (more on him later) Alien tells the tale of a working-class deep space vehicle, returning home with a full cargo when they intercept a distress call at a distant, non-descript planet, they go to investigate and...
As told by Ridley Scott, based on a script and story by Dan O'Bannon, Alien is a masterwork in suspense and mood. Scott takes his time telling this story, setting up the feel and atmosphere, showing a gritty, working-man's vessel (and not a sleek silver and chrome shiny ship) where the people inside the craft are not heroes, but working class stiff's just trying to make a buck.
What surprised me this time around seeing this film is how deliberate (some would say slow) that the pacing of this film is - but, darn it all, if it doesn't work. The tension slowly builds so when violence/action happens it explodes and seems all the bigger due to the fact that it is coming out of silence.
The cast - a group of relative unknowns at the time - is stellar. In the DVD commentary, Director Scott said he spent quite a bit of time casting this film to ensure he had the right mix - and his work shows on screen. The 7 actors in this film work well together - and each one of them brings a real character to the screen that is interesting to watch.
Tom Skerrit (the film version of M*A*S*H) as laconic, laid back Captain Dallas and Yaphet Kotto (the villain in the James Bond flick LIVE AND LET DIE) as gruff, looking-for-a-buck mechanic Parker were the most well known of the 7 at the time of the release of the film - and they do bring some star power to the proceedings, but are met, evenly, by others like former child star Veronica Cartwright (Alfred Hitchcock's THE BIRDS), veteran character Actor Harry Dean Stanton ( THE ROSE) and John Hurt (THE ELEPHANT MAN). All 3 bring interesting characters - and faces - to the proceedings.
But...for me 2 the standouts in this cast is IAN HOLM (TIME BANDITS) as Science Officer Ash - a character with some "quirks" (to put it mildly) and, of course Sigourney Weaver (GHOSTBUSTERS) in her star making role as 3rd officer Ripley. I don't want to spoil anything in this film, but Weaver's Ripley is the type of strong female character - fighting the typical, chauvinistic male hierarchy - that was heretofore unknown/rarely seen in film and is the prototype of these types of characters to this day. Weaver's performance and the writing and direction of this character is that strong/groundbreaking that it continues to influence writing and filmmaking all these years later.
The 8th character in this film is the look and feel of the ship - the Nostromo - and the look and feel of the titular Alien character as brought to life in an Oscar winning effort in Visual Effects for the team of H.R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling (based on drawings by Giger). This is truly remarkable, bravura and groundbreaking design and filmmaking - one that holds up very well more than 40 years later - made all the more astounding when you realize that these are all practical effects (CGI had not be invented yet) and the filmmakers had to rely on puppetry, editing, performance and what you don't see (but your mind thinks you do) to fill in the gaps.
It all works tremendously well - if you haven't seen this in awhile, do yourself a favor and watch it again. If you have never seen it, well...you are in for a treat.
Letter Grade: A+
10 Stars (out of 10) and you can take that to the Bank(ofMarquis)