Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
Natari (73 KP) rated Claimed By Shadow (Cassandra Palmer, #2) in Books
Jul 19, 2019
The relationships that were started in the first book are explored in depth. Not just with love interests, but deeper understanding of Cassie's role and her interaction with those around her. Still mostly alone, her perseverence and devil-may-care-but-let's-not-be-too-hasty-because-living-is-a-nice-idea attitude really warms you to Cassie. If you weren't already won over by her speak-before-you-think and vulnerable-but-determined-to-get-through charm.
Again, we see her misadventues start with Cassie just going straight in through the front door, choosing to hide in plain sight. She is not a silly girl. And while she may let sexy casino manager Casanova take advantage of her - as in free labour - she'll be damned in anybody else gets the chance.
In book 2, Cassie finds out that she is under a powerful love spell that, if completed, will put her under thrall of the ever enigmatic but you son-of-a-b!tch master vampire Mircea. For someone who servitude is a fate worse than death, Cassie is none too pleased, even if the idea of loving and being loved by Mircea has a certain pleasant ring to it...
And in true Cassie style, which isn't her fault but a product of her natural 'luck', she ends up complicating the spell further and oh yeah has to track down a homicidal maniac who is trying to kill her.
Karen's writing is fun and non-stop action. It's an exhilerating ride, with fascinating detail of history and forethought for the plot. Where you read something in book one, expect to have those 'Oh yeah' moments as they are aplenty. Without leaving many plot holes or confusing matters, Karen has weaved a complex tale that speaks with each other back and forth spanning all books. We've only just begun the fun.
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