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Nick Beaty (70 KP) rated Joker (2019) in Movies
Nov 25, 2019 (Updated Nov 26, 2019)
And the Oscar goes to...
First things first, you can not start a review of Joker without mentioning the lead performance from Joaquin Phoenix as Arthur Fleck. I would say he is probably an evens favourite to take home the best actor Oscar at next years ceremony.
As for the movie itself, Tod Phillips take on Joker almost feels like a tribute to early Martin Scorsese movies, with the most obvious being Taxi Driver & The King of Comedy, both starring Robert De Niro who also appears here. This is certainly not a bad thing as they are brilliant pieces of cinema, that will stand the test of time. As will Joker in my opinion for it's excellent cinematography & gritty authenticity, I think people will still be talking about this movie for many years to come.
There are a few very slight flaws that I could point out. The first being that because it is so Scorsese like, for me it loses the feeling of being set in Gotham city and just feels very much like we are in New York city. Secondly the Wayne's and Alfred are very much portrayed as the bad guys in this movie, in my opinion I felt myself siding with Arthur/Joker a little too much maybe, which makes you lose all sympathy for the reason Batman became the Dark Knight in the first place. Last but not least the very controversial choice of adding a Gary Glitter song at a pivotal point of the movie, is a strange choice to say the least.
Overall Joker is an exceptional character study of a very disturbed individual with many mental health issues, add to that a superb performance by Joaquin Phoenix and I think you have a movie that will only get better with time and become a genre classic. With the huge box office success, I just hope DC keep this grim, very true to life approach for their future Batman projects.
As for the movie itself, Tod Phillips take on Joker almost feels like a tribute to early Martin Scorsese movies, with the most obvious being Taxi Driver & The King of Comedy, both starring Robert De Niro who also appears here. This is certainly not a bad thing as they are brilliant pieces of cinema, that will stand the test of time. As will Joker in my opinion for it's excellent cinematography & gritty authenticity, I think people will still be talking about this movie for many years to come.
There are a few very slight flaws that I could point out. The first being that because it is so Scorsese like, for me it loses the feeling of being set in Gotham city and just feels very much like we are in New York city. Secondly the Wayne's and Alfred are very much portrayed as the bad guys in this movie, in my opinion I felt myself siding with Arthur/Joker a little too much maybe, which makes you lose all sympathy for the reason Batman became the Dark Knight in the first place. Last but not least the very controversial choice of adding a Gary Glitter song at a pivotal point of the movie, is a strange choice to say the least.
Overall Joker is an exceptional character study of a very disturbed individual with many mental health issues, add to that a superb performance by Joaquin Phoenix and I think you have a movie that will only get better with time and become a genre classic. With the huge box office success, I just hope DC keep this grim, very true to life approach for their future Batman projects.
Eleanor (1463 KP) rated The Mercies in Books
Jan 23, 2020 (Updated Jan 23, 2020)
A Chilling Tale of Witch Hunting
Throughout this book, I felt cold and kept having to pile on the blankets. The writing so effectively evoked the feelings of being in a remote Norway setting in the 17th Century - burrrrrr. The writing style took a little getting used to but it really added to the atmosphere in terms of the historical and geographical setting making for an engrossing historical fiction.
The book begins with a freak storm killing most (all the able-bodied) men who were fishing from the small village of Vardo. (This is based on a true story - the storm thing really did happen to a village of that time.) It’s a horrific tragedy and the women left behind have to work out how to survive without their husbands and sons. From the village, the tale is told from the perspective of Maren who loses her father, brother and betrothed.
With news of the circumstances of the village spreading a commissioner is appointed and travels from Scotland to oversee the village (because God only knows what could happen if you left women to sort stuff out themselves!!) It being the 17th Century, travel takes a long time and he stops off to get himself a wife on the way (must-have travel accessory) so the village gets by for many a year without oversight. With the arrival of the commissioner and his wife (Ursa) life again gets turned on its head as it turns out the new Commissioner has a knack for witch-hunting.
Although I found the pace a bit too slow for my liking it had a great feel and really evoked the frustration for the world women lived in at the time. With at times graphic descriptions of the way witch hunts were operated it’s at times a hard read. With the slow build, I did find the ending a bit rushed and unsatisfying but was left with plenty to reflect upon.
Many thanks to the author, publisher, and NetGalley for the ARC in exchange for an honest review.
The book begins with a freak storm killing most (all the able-bodied) men who were fishing from the small village of Vardo. (This is based on a true story - the storm thing really did happen to a village of that time.) It’s a horrific tragedy and the women left behind have to work out how to survive without their husbands and sons. From the village, the tale is told from the perspective of Maren who loses her father, brother and betrothed.
With news of the circumstances of the village spreading a commissioner is appointed and travels from Scotland to oversee the village (because God only knows what could happen if you left women to sort stuff out themselves!!) It being the 17th Century, travel takes a long time and he stops off to get himself a wife on the way (must-have travel accessory) so the village gets by for many a year without oversight. With the arrival of the commissioner and his wife (Ursa) life again gets turned on its head as it turns out the new Commissioner has a knack for witch-hunting.
Although I found the pace a bit too slow for my liking it had a great feel and really evoked the frustration for the world women lived in at the time. With at times graphic descriptions of the way witch hunts were operated it’s at times a hard read. With the slow build, I did find the ending a bit rushed and unsatisfying but was left with plenty to reflect upon.
Many thanks to the author, publisher, and NetGalley for the ARC in exchange for an honest review.
Gareth von Kallenbach (977 KP) rated Project X (2012) in Movies
Aug 7, 2019
Project X is a wild ride fueled by drugs, booze, nudity, strong language, and a mob mentality. It starts off very slow, like every other day at high school (for most of us), and then quickly escalates into a series of events that seem inevitable, like watching dominoes fall.
The story follows three teens: Thomas, Costa, and JB. Costa and JB are on a mission to execute the biggest birthday bash known to man for their best friend Thomas. Their mission? To hopefully change their reputations as high school losers. Of these three, Costa is the only one whose real life name is not the same as his character. Many of the characters in this film used their real names, much to my surprise.
When I first read the film’s synopsis, the following phrase was included: “Project X is a warning to teens, parents and law enforcement.” Naturally, I assumed the film was going to be a documentary laced with lessons for the viewers. While I can’t say more without giving away what happens, I was surprised — and that’s saying something.
Nima Nourizadeh showcases his skills on the silver screen for the first time in a non-documentary capacity, though the film is very documentary-esque. I have to give him two thumbs up for creating a very funny, visually appealing, and emotionally charged film.
The best part for me was the comedy, which I’m sure resonated with younger viewers more, but was hilarious none-the-less. It’s a triumph for true laugh-out-loud film-making.
My only criticism comes from a scene near the end, which seems completely implausible given the realistic nature of the film. This particular scene felt very out of place. At the risk of ruining the moment for you, I will simply say that the drug dealer really lights up the scene, albeit
in a very unlikely manner.
I would call this underdog film an unexpected win.
The story follows three teens: Thomas, Costa, and JB. Costa and JB are on a mission to execute the biggest birthday bash known to man for their best friend Thomas. Their mission? To hopefully change their reputations as high school losers. Of these three, Costa is the only one whose real life name is not the same as his character. Many of the characters in this film used their real names, much to my surprise.
When I first read the film’s synopsis, the following phrase was included: “Project X is a warning to teens, parents and law enforcement.” Naturally, I assumed the film was going to be a documentary laced with lessons for the viewers. While I can’t say more without giving away what happens, I was surprised — and that’s saying something.
Nima Nourizadeh showcases his skills on the silver screen for the first time in a non-documentary capacity, though the film is very documentary-esque. I have to give him two thumbs up for creating a very funny, visually appealing, and emotionally charged film.
The best part for me was the comedy, which I’m sure resonated with younger viewers more, but was hilarious none-the-less. It’s a triumph for true laugh-out-loud film-making.
My only criticism comes from a scene near the end, which seems completely implausible given the realistic nature of the film. This particular scene felt very out of place. At the risk of ruining the moment for you, I will simply say that the drug dealer really lights up the scene, albeit
in a very unlikely manner.
I would call this underdog film an unexpected win.
Gareth von Kallenbach (977 KP) rated Red Riding Hood (2011) in Movies
Aug 7, 2019
In a small village a wolf has been killing villagers who wander out alone. Yet for rule-breaking Valerie the desire to venture out and spend time with her true love overpowers all logic. However, drama sets in when Valerie finds she has been betrothed to a wealthy villager around the same time that that the big bad wolf returns.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
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