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Otakugal (92 KP) rated Pokémon Brilliant Diamond in Video Games
Mar 21, 2022
Underground system (2 more)
Nostalgic feel
Contests
No more grinding (1 more)
Game exclusives
Brilliant Diamond is a remake of Diamond. Remakes aren’t always the best. However for Brilliant Diamond, I believe is was better than the orginal. I enjoyed spending hours in the underground catching Pokémon that I was struggling to get. I did find it annoying to have to trade with others for the game exclusives though.
I spent over 100 hours to beat the story in this game. I enjoyed trying to find the perfect team but I can say I hated how easy it was to level up Pokémon. Yes it’s nice to catch things in the underground once you hit like the third or forth city and spent more hours than I can count down there hunting and catching but it made the game a lot easier as you progressed. It seems to be the latest thing they are doing, to make the game easier. And while that is fine and dandy I miss having to grind the level of my Pokémon team.
I spent over 100 hours to beat the story in this game. I enjoyed trying to find the perfect team but I can say I hated how easy it was to level up Pokémon. Yes it’s nice to catch things in the underground once you hit like the third or forth city and spent more hours than I can count down there hunting and catching but it made the game a lot easier as you progressed. It seems to be the latest thing they are doing, to make the game easier. And while that is fine and dandy I miss having to grind the level of my Pokémon team.
Luc Horvathova (60 KP) rated Metro 2033 in Books
Jul 12, 2019
Deep meaningful situations
I find Dmitry one of the best authors I've ever read. His type of writing keeps you in the story terribly. He's way to easy to read do you end up lost in pages for hours not even realising it. There's no hard bits to go through, just one amazing idea of post apocalyptic world and human kind trying to deal with its consequences. Next to the great thought of the system of an underground survivers, there are plenty of moments where the author is focusing on human kind and it's weaknesses, twitches and their behaviour.
LeftSideCut (3778 KP) rated The Descent (2005) in Movies
Nov 23, 2019 (Updated Nov 23, 2019)
I remember first watching The Descent not long after it came out. I was in my late teens and it was smack bang in the middle of a weird time for horror, where there was just a lot of dross being fired out every other week.
The Descent was a breath of fresh air in that respect. The set up hooks you in almost immediately, with an familiar yet effective tragedy strikes Sarah, one of our heroines. A while later, a group of friends manage convince Sarah to join them on a vacation in North Carolina, where they plan to explore an underground cave system.
You know how these things go by now - everything goes wrong and before long, the group are fighting to survive.
The thing is, it takes a while for the Descent to show it's true hand when it comes to anything other worldly. It's effectively scary before any monsters show up, using extreme claustrophobia, and low visibility to throw the viewer into the tense unknown.
The first time you see a monster made me jump out of my seat, and jump scares don't get me very often. From there in out, the movie shifts from subtle horror, to all out terror and panic. It's all pretty thrilling.
The all female cast are great. They feel real and relatable, and sell the situation perfectly.
It's Neil Marshall showing that he does know what he's doing in his otherwise mixed bag of a back catalogue.
Some of the effects used are looking pretty dated by this point, but it's not enough to detract from an otherwise positive horror experience, and of course, that ending... (I believe it was changed for US audiences). It's bleak and ballsy and adds a cherry on top. Definitely worth seeking out the unchanged version if you like horror!
The Descent was a breath of fresh air in that respect. The set up hooks you in almost immediately, with an familiar yet effective tragedy strikes Sarah, one of our heroines. A while later, a group of friends manage convince Sarah to join them on a vacation in North Carolina, where they plan to explore an underground cave system.
You know how these things go by now - everything goes wrong and before long, the group are fighting to survive.
The thing is, it takes a while for the Descent to show it's true hand when it comes to anything other worldly. It's effectively scary before any monsters show up, using extreme claustrophobia, and low visibility to throw the viewer into the tense unknown.
The first time you see a monster made me jump out of my seat, and jump scares don't get me very often. From there in out, the movie shifts from subtle horror, to all out terror and panic. It's all pretty thrilling.
The all female cast are great. They feel real and relatable, and sell the situation perfectly.
It's Neil Marshall showing that he does know what he's doing in his otherwise mixed bag of a back catalogue.
Some of the effects used are looking pretty dated by this point, but it's not enough to detract from an otherwise positive horror experience, and of course, that ending... (I believe it was changed for US audiences). It's bleak and ballsy and adds a cherry on top. Definitely worth seeking out the unchanged version if you like horror!
365Flicks (235 KP) rated V.S. (2019) in Movies
Nov 20, 2019
That is the synopsis for VS. on the IMDB. I am here to tell you that this movie is so so much more than this. This is one of the most powerful, thought provoking, superbly acted, respectfully told and emotionally driven movies I personally have had the pleasure of seeing in quite some time. I will get into the plot and subject matter now in a minute, but up front I would like to admit that this movie spoke to my heart and broke through a wall I didn’t think needed broken through. Yes a low budget independent movie from a debut director about the underground battle rap scene in Britain reduced this 34 year old man to being about 10 again (and not in a Jurassic park seeing dinosaurs on screen for the first time nostalgia kind of way).
Director:
Ed Lilly (debut feature film)
Cast:
Connor Swindells (The Vanishing, Netflixs Sex Education) Adam ‘Shotty Horroh’ Rooney
Fola Evans-Akingbola (Game of Thrones, Death in Paradise) Nicholas Pinnock (Fortitude, Marcella)
Ruth Sheen (Another Year, Vera Drake) Emily Taaffe (War & Peace)
First time Director Ed Lilly has put together an amazing group of young and fresh, up and coming stars and crafted a truly beautiful, gritty and raw tale of one mans use of the lyrical poetry that is Battle rap to simultaneously mask his pain and anger while working through his inner demons, only to discover a true family and camaraderie in the last place he expected. That’s just whats on the surface. Here is the trailer…
Adam has spent a life in the foster care system and it hasn’t been great to him, passed from home to home and never truly settling in wherever he is. His next stop is Southend and this could be the last chance saloon for Adam. Enter Makayla a young idealistic woman trying to make the best of it. Adam instantly takes a liking to Makayla as she introduces him to the underground Rap Battle scene. While Makayla sees this outlet as a way of making a better more tolerable life for herself and the colourful competitors, Adam sees a place he can truly let his hurt, pain and rage flow. While Adam proves to be a rising talent on the scene he is also dealing with the re-introduction to the woman who gave him away aged four… Both of Adams worlds are on a collision course and we are about to find out the type of man he wants to be.
Out Now
VOD 4th Feb. 2019
DVD 11th Feb. 2019
It is very easy to say that this is trying to be the Brit equivalent of 8-Mile (and people have been) but while I love that movie it can only wish to have the heart of Vs. I do love the rap battle sequences and having Shotty Horroh (legend on the UK Rap Battle scene, Youtube him for an education) in the movie really adds to the sense of them trying to portray this life properly. However this movie lives and breathes with the Outstandingly raw and real performances from the core cast.
Connor Swindells as Adam is unbelievable. A true revelation, A 10 out of 10 performance. Now I have to put it out there and be honest, I myself grew up in the system and while I didn’t exactly have the worst time of it I can absolutely relate to the portrayal put in by Connor. This is also a testament to the writing team of Director Ed Lilly and Daniel Hayes, they hit the nail on the head completely, The writing is so visceral that one scene in particular was a gut punch to this reviewer because I had legitimately lived the conversation and Connors performance in that scene is on another level (no spoilers but its the first real conversation he has with his mum). Swindells makes this movie an intense but rewarding journey to be part of.
Fola Evans-Akingbola is wonderful as Makayla and really holds the key to this movie. Most of the choices made by Adam revolve around her actions, while we are more focused on what is happening in his life Akingbola pushes her performance forward to show us she also is struggling through. Nicholas Pinnock, Ruth Sheen and Emily Taaffe round out the care system aspect of the movie as Adams care worker, foster carer and biological mum respectively. These sections of the movie are dealt with a great deal of attention and respect which was refreshing because here in the UK we tend to be very harsh on the system (especially in the media) but this movie shows both sides of the story. Then there is the scene I briefly spoke of earlier… Emily Taaffe, take a bow because damn you are incredible in this scene.
On the Rap Battle side of things we have massively talented Adam “Shotty Horroh” Rooney in his acting debut, I will admit when I first saw him I was dubious but he is essentially playing a version of himself and the moments that he gets to do something other than rap well he holds his own. The same can be said about MC Paige “Paigey Cakes” Meade as Miss Quotes to be fair though this isn’t her first time.
Okay then I guess its no surprise to anyone by now that I would hugely recommend this movie. I went in expecting to see 8-Mile or Bodied set in the UK but what followed was a story I just did not expect, performances that blew me away. Then again though I am a bit of sissy when movies hit me where I live. Is it perfect? Not at all what film is but hey its pretty damn close. See this movie soon as you can.
Director:
Ed Lilly (debut feature film)
Cast:
Connor Swindells (The Vanishing, Netflixs Sex Education) Adam ‘Shotty Horroh’ Rooney
Fola Evans-Akingbola (Game of Thrones, Death in Paradise) Nicholas Pinnock (Fortitude, Marcella)
Ruth Sheen (Another Year, Vera Drake) Emily Taaffe (War & Peace)
First time Director Ed Lilly has put together an amazing group of young and fresh, up and coming stars and crafted a truly beautiful, gritty and raw tale of one mans use of the lyrical poetry that is Battle rap to simultaneously mask his pain and anger while working through his inner demons, only to discover a true family and camaraderie in the last place he expected. That’s just whats on the surface. Here is the trailer…
Adam has spent a life in the foster care system and it hasn’t been great to him, passed from home to home and never truly settling in wherever he is. His next stop is Southend and this could be the last chance saloon for Adam. Enter Makayla a young idealistic woman trying to make the best of it. Adam instantly takes a liking to Makayla as she introduces him to the underground Rap Battle scene. While Makayla sees this outlet as a way of making a better more tolerable life for herself and the colourful competitors, Adam sees a place he can truly let his hurt, pain and rage flow. While Adam proves to be a rising talent on the scene he is also dealing with the re-introduction to the woman who gave him away aged four… Both of Adams worlds are on a collision course and we are about to find out the type of man he wants to be.
Out Now
VOD 4th Feb. 2019
DVD 11th Feb. 2019
It is very easy to say that this is trying to be the Brit equivalent of 8-Mile (and people have been) but while I love that movie it can only wish to have the heart of Vs. I do love the rap battle sequences and having Shotty Horroh (legend on the UK Rap Battle scene, Youtube him for an education) in the movie really adds to the sense of them trying to portray this life properly. However this movie lives and breathes with the Outstandingly raw and real performances from the core cast.
Connor Swindells as Adam is unbelievable. A true revelation, A 10 out of 10 performance. Now I have to put it out there and be honest, I myself grew up in the system and while I didn’t exactly have the worst time of it I can absolutely relate to the portrayal put in by Connor. This is also a testament to the writing team of Director Ed Lilly and Daniel Hayes, they hit the nail on the head completely, The writing is so visceral that one scene in particular was a gut punch to this reviewer because I had legitimately lived the conversation and Connors performance in that scene is on another level (no spoilers but its the first real conversation he has with his mum). Swindells makes this movie an intense but rewarding journey to be part of.
Fola Evans-Akingbola is wonderful as Makayla and really holds the key to this movie. Most of the choices made by Adam revolve around her actions, while we are more focused on what is happening in his life Akingbola pushes her performance forward to show us she also is struggling through. Nicholas Pinnock, Ruth Sheen and Emily Taaffe round out the care system aspect of the movie as Adams care worker, foster carer and biological mum respectively. These sections of the movie are dealt with a great deal of attention and respect which was refreshing because here in the UK we tend to be very harsh on the system (especially in the media) but this movie shows both sides of the story. Then there is the scene I briefly spoke of earlier… Emily Taaffe, take a bow because damn you are incredible in this scene.
On the Rap Battle side of things we have massively talented Adam “Shotty Horroh” Rooney in his acting debut, I will admit when I first saw him I was dubious but he is essentially playing a version of himself and the moments that he gets to do something other than rap well he holds his own. The same can be said about MC Paige “Paigey Cakes” Meade as Miss Quotes to be fair though this isn’t her first time.
Okay then I guess its no surprise to anyone by now that I would hugely recommend this movie. I went in expecting to see 8-Mile or Bodied set in the UK but what followed was a story I just did not expect, performances that blew me away. Then again though I am a bit of sissy when movies hit me where I live. Is it perfect? Not at all what film is but hey its pretty damn close. See this movie soon as you can.
Darren (1599 KP) rated Z For Zachariah (2015) in Movies
Jul 6, 2019
Director: Craig Zobel
Writer: Nissar Modi (Screenplay) Robert C O’Brien (Novel)
Starring: Chiwetel Ejiofor, Margot Robbie, Chris Pine
Plot: In the wake of a disaster that wipes out most of civilization, two men and a young woman find themselves in an emotionally charged love triangle as the last known survivors.
Tagline – What remains after the world ends?..
Runtime: 1 Hour 36 Minutes
There may be spoilers in the rest of the review
Verdict: Starts Promising, Ends Slow
Story: Z for Zachariah starts as Ann (Robbie) goes about her daily routine in a disaster hit world, living on a farm with her dog, she does everything she can just to survive, until she sees a stranger wondering through the mountain range, John (Ejiofor) who was underground during the incident.
Ann and John start trying to put a life together using his knowledge of engineering to help with the work around the farm until another stranger, a miner Caleb (Pine) turns up on the land, which starts to create a new problem, a love triangle.
Thoughts on Z for Zachariah
Characters – Ann is a farm girl that has been with just her dog since the incident that has wiped out most of the population, she is keeps the land together preparing for the harsh winters which she barely made it through before, she does have the lonely feeling until she meet John and Caleb who help show her life after people. John I a scientist who was underground when the incident happened, he decides to come to the surface in search of a life up there, which sees him stumble into Ann’s land, the two might have difference of opinions when it comes to religion and science, but they do try to help make a life together, he uses his skills to help make the farm work easier. Caleb is a miner that ends up on the land, he becomes competition for John in search for attention from Ann, being much more laidback about life and where it will go next.
Performances – The performances are the highlight of this film, Margot Robbie, Chiwetel Ejiofor and Chris Pine all give us wonderful performances, showing the difficult moments they would have been through in this world, we see guilt and hope coming through strong through the performances.
Story – The story follows three people living in a world destroyed by an incident (which we never learn what it is) that has left most of the population dead, with most of land being unliveable and then we get thrown into a love triangle. The side of the story that explores the world that has been through an incident because we start to explore what could have caused it taking science version religion, as soon as we start getting to the love triangle things just get dragged down because we don’t need this, as we do have the complex side to the story already in place.
Sci-Fi – The world that we enter shows us the sci-fi side of the film by seeing just how difficult surviving would be in this world, only it would be nice to have learnt what happened to cause the incident.
Settings – The film does take us to a beautiful location which give us stunning shots, making it a lovely place to live in a world like this.
Scene of the Movie – The water system.
That Moment That Annoyed Me – Not learning what has happened to the world.
Final Thoughts – This is a film that starts so well, only to fall into a bland love triangle which only drags all the potential away from this story.
Overall: Doesn’t live up to potential.
Rating
Writer: Nissar Modi (Screenplay) Robert C O’Brien (Novel)
Starring: Chiwetel Ejiofor, Margot Robbie, Chris Pine
Plot: In the wake of a disaster that wipes out most of civilization, two men and a young woman find themselves in an emotionally charged love triangle as the last known survivors.
Tagline – What remains after the world ends?..
Runtime: 1 Hour 36 Minutes
There may be spoilers in the rest of the review
Verdict: Starts Promising, Ends Slow
Story: Z for Zachariah starts as Ann (Robbie) goes about her daily routine in a disaster hit world, living on a farm with her dog, she does everything she can just to survive, until she sees a stranger wondering through the mountain range, John (Ejiofor) who was underground during the incident.
Ann and John start trying to put a life together using his knowledge of engineering to help with the work around the farm until another stranger, a miner Caleb (Pine) turns up on the land, which starts to create a new problem, a love triangle.
Thoughts on Z for Zachariah
Characters – Ann is a farm girl that has been with just her dog since the incident that has wiped out most of the population, she is keeps the land together preparing for the harsh winters which she barely made it through before, she does have the lonely feeling until she meet John and Caleb who help show her life after people. John I a scientist who was underground when the incident happened, he decides to come to the surface in search of a life up there, which sees him stumble into Ann’s land, the two might have difference of opinions when it comes to religion and science, but they do try to help make a life together, he uses his skills to help make the farm work easier. Caleb is a miner that ends up on the land, he becomes competition for John in search for attention from Ann, being much more laidback about life and where it will go next.
Performances – The performances are the highlight of this film, Margot Robbie, Chiwetel Ejiofor and Chris Pine all give us wonderful performances, showing the difficult moments they would have been through in this world, we see guilt and hope coming through strong through the performances.
Story – The story follows three people living in a world destroyed by an incident (which we never learn what it is) that has left most of the population dead, with most of land being unliveable and then we get thrown into a love triangle. The side of the story that explores the world that has been through an incident because we start to explore what could have caused it taking science version religion, as soon as we start getting to the love triangle things just get dragged down because we don’t need this, as we do have the complex side to the story already in place.
Sci-Fi – The world that we enter shows us the sci-fi side of the film by seeing just how difficult surviving would be in this world, only it would be nice to have learnt what happened to cause the incident.
Settings – The film does take us to a beautiful location which give us stunning shots, making it a lovely place to live in a world like this.
Scene of the Movie – The water system.
That Moment That Annoyed Me – Not learning what has happened to the world.
Final Thoughts – This is a film that starts so well, only to fall into a bland love triangle which only drags all the potential away from this story.
Overall: Doesn’t live up to potential.
Rating
Phil Leader (619 KP) rated Tails and Fixers in Books
Nov 26, 2019
This is an intriguing and interesting story that mixes a few ingredients together into a standard science fiction concept. The result is an engaging and moving story of survival and love.
The main protagonist is Floyd, an ex-military pilot. He is dying from kidney failure until he is given a lifeline - there is a new medical technique that can regenerate his kidneys using his own stem cells, but it will only work if he is put into 'hibernation' for 50 years. And oh, if you accept we will also be sending you on a 50 year trip to another solar system which has been broadcasting radio signals.
The book starts with Floyd waking at his destination and taking a crash course in the language of the alien planet's inhabitants. That is if there is anyone to speak to as 8 years before he arrived an asteroid struck the planet and left the surface desolated. Floyd must find if there any survivors and provide any assistance he can.
From the asteroid impact on, nothing goes to plan and Floyd must use his ingenuity just to survive himself, aided only by the ship's computer and whatever stores Earth thought to provide him with (the lack of beer being his main concern). Fortunately Floyd is very practical and able to improvise solutions to a number of problems as he struggles to survive in the hostile environment.
Once he has established a base he makes contact with the survivors of the asteroid impact, living in an underground bunker. There are humanoids with tails and also a genetically engineered slave race that do all the practical work - the Fixers.
Although they appear to be at least physically like Floyd their society is very alien indeed. Floyd immediately questions how their civilisation works and talks to a number of aliens - some he likes, others he dislikes enormously. Floyd must work out if he fits in and if so how.
The book certainly didn't go as I thought it would. Just as it seems the normal path will be followed in the narrative Kaluza takes a sharp turn and throws everything up in the air and sees how they land. This makes it an interesting read and stops it becoming bogged down in one mode or another. I found the end particularly - and unexpectedly - moving and it made a very suitable ending to what had gone before.
This is the best kind of science fiction. It uses the concept of the alien world to throw sharp relief on our understanding of subjects such as philosophy, genetics, engineering and sociology. There are some clever ideas (I particularly liked the way we got to see the results of Floyd's work beyond the end the novel in a very ingenious flash-forward sequence). The love story is well told and keeps the story balanced between the sometimes heavier going in the more profound themes without being too overworked.
Overall a book I enjoyed and wanted to keep coming back to. I will have to pick up another of the author's books sometime as he clearly has great ideas.
The main protagonist is Floyd, an ex-military pilot. He is dying from kidney failure until he is given a lifeline - there is a new medical technique that can regenerate his kidneys using his own stem cells, but it will only work if he is put into 'hibernation' for 50 years. And oh, if you accept we will also be sending you on a 50 year trip to another solar system which has been broadcasting radio signals.
The book starts with Floyd waking at his destination and taking a crash course in the language of the alien planet's inhabitants. That is if there is anyone to speak to as 8 years before he arrived an asteroid struck the planet and left the surface desolated. Floyd must find if there any survivors and provide any assistance he can.
From the asteroid impact on, nothing goes to plan and Floyd must use his ingenuity just to survive himself, aided only by the ship's computer and whatever stores Earth thought to provide him with (the lack of beer being his main concern). Fortunately Floyd is very practical and able to improvise solutions to a number of problems as he struggles to survive in the hostile environment.
Once he has established a base he makes contact with the survivors of the asteroid impact, living in an underground bunker. There are humanoids with tails and also a genetically engineered slave race that do all the practical work - the Fixers.
Although they appear to be at least physically like Floyd their society is very alien indeed. Floyd immediately questions how their civilisation works and talks to a number of aliens - some he likes, others he dislikes enormously. Floyd must work out if he fits in and if so how.
The book certainly didn't go as I thought it would. Just as it seems the normal path will be followed in the narrative Kaluza takes a sharp turn and throws everything up in the air and sees how they land. This makes it an interesting read and stops it becoming bogged down in one mode or another. I found the end particularly - and unexpectedly - moving and it made a very suitable ending to what had gone before.
This is the best kind of science fiction. It uses the concept of the alien world to throw sharp relief on our understanding of subjects such as philosophy, genetics, engineering and sociology. There are some clever ideas (I particularly liked the way we got to see the results of Floyd's work beyond the end the novel in a very ingenious flash-forward sequence). The love story is well told and keeps the story balanced between the sometimes heavier going in the more profound themes without being too overworked.
Overall a book I enjoyed and wanted to keep coming back to. I will have to pick up another of the author's books sometime as he clearly has great ideas.
Eleanor Luhar (47 KP) rated True Calling in Books
Jun 24, 2019
This was free in the Amazon Kindle store and I thought it looked pretty cool, so I downloaded it a few months ago. Despite being just 369 pages long, it took me a shockingly long time to read...
Ariana is now a citizen of Novo, where only the fittest humans were transported after the near-destruction of planet Earth. From very early on, we are introduced to Zane through Ari's dreams - but she has no idea who he is, or why she can see him in her sleep. We don't discover Zane's identity until much further through the book.
A matchmaking system is set up for all eligible young people, taking the name of "The Calling." Ari realises her feelings for the popular Cal Remus, and is luckily given the opportunity to be matched with him. The whole deal with "The Calling" reminds me very much of books such as The Selection and ?Matched.
Things seem to be going pretty well (despite the fact that Ariana is appalled at the way the government is choosing who can love who) until Ariana's father disappears and leaves behind some vital information. Suddenly, Ari isn't sure whether Cal can really be trusted, and Zane is beginning to contact her directly through her mind.
A small section of this book takes place back on Earth, told from Zane's perspective. He's working for an underground resistance movement, and is still infatuated with Ariana. He gets training to try and help him communicate with her, and Ariana's father has bestowed a dying wish upon him; to keep Ari away from Cal.
Things get pretty complicated, and the love triangle is both predictable and not at the same time. Ari doesn't remember how much she loved Zane, but can sense that there was some emotion there. Cal's father is clearly opposed to his son being associated with Ariana, and is also a despicable man in himself. There are even hints as to Cal being untrustworthy, which was something I didn't actually expect.
It's kind of a typical dystopian YA novel, but it does have some good twists. My main problem was with the lack of time-keeping; I couldn't tell whether things happened over a course of a few days or multiple months. Even if the time-frame was specified in some places, it still didn't feel like it passed in the intended way.
Another thing is that the characters spoke in a rather unnatural language. Extravagant words were unnecessarily used, coupled with overly-simple phrases. It just sounded wrong.
It took me a long time to read a relatively short book, which is always a bad sign. It wasn't painfully hard to read, but I wasn't really begging to read on either. That being said, I read a little into the first chapter of the sequel, Beyond Reach, which is included at the end of this ebook, and I am rather curious as to what's going on. Still, I don't know if I'm willing to spend any money on it.
So this wasn't a great book, but it wasn't bad. Some parts felt as though the author was trying a bit too hard to make the book seem more professional, which always irritates me. I think 2.5 stars is an appropriate rating for this.
Ariana is now a citizen of Novo, where only the fittest humans were transported after the near-destruction of planet Earth. From very early on, we are introduced to Zane through Ari's dreams - but she has no idea who he is, or why she can see him in her sleep. We don't discover Zane's identity until much further through the book.
A matchmaking system is set up for all eligible young people, taking the name of "The Calling." Ari realises her feelings for the popular Cal Remus, and is luckily given the opportunity to be matched with him. The whole deal with "The Calling" reminds me very much of books such as The Selection and ?Matched.
Things seem to be going pretty well (despite the fact that Ariana is appalled at the way the government is choosing who can love who) until Ariana's father disappears and leaves behind some vital information. Suddenly, Ari isn't sure whether Cal can really be trusted, and Zane is beginning to contact her directly through her mind.
A small section of this book takes place back on Earth, told from Zane's perspective. He's working for an underground resistance movement, and is still infatuated with Ariana. He gets training to try and help him communicate with her, and Ariana's father has bestowed a dying wish upon him; to keep Ari away from Cal.
Things get pretty complicated, and the love triangle is both predictable and not at the same time. Ari doesn't remember how much she loved Zane, but can sense that there was some emotion there. Cal's father is clearly opposed to his son being associated with Ariana, and is also a despicable man in himself. There are even hints as to Cal being untrustworthy, which was something I didn't actually expect.
It's kind of a typical dystopian YA novel, but it does have some good twists. My main problem was with the lack of time-keeping; I couldn't tell whether things happened over a course of a few days or multiple months. Even if the time-frame was specified in some places, it still didn't feel like it passed in the intended way.
Another thing is that the characters spoke in a rather unnatural language. Extravagant words were unnecessarily used, coupled with overly-simple phrases. It just sounded wrong.
It took me a long time to read a relatively short book, which is always a bad sign. It wasn't painfully hard to read, but I wasn't really begging to read on either. That being said, I read a little into the first chapter of the sequel, Beyond Reach, which is included at the end of this ebook, and I am rather curious as to what's going on. Still, I don't know if I'm willing to spend any money on it.
So this wasn't a great book, but it wasn't bad. Some parts felt as though the author was trying a bit too hard to make the book seem more professional, which always irritates me. I think 2.5 stars is an appropriate rating for this.
Sarah (7798 KP) rated Silk Road (2021) in Movies
Mar 12, 2021
Squandered a promising story
Silk Road is a 2021 thriller from writer/director Tiller Russell focusing on the true story of Ross Ulbricht who created and operated the darknet marketplace of the same name, selling drugs and other illegal items across the globe. On paper, Silk Road sounds like it should be a fascinating, interesting story and even the trailer makes it appear exciting, but unfortunately it never quite manages to pull off what it promises.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.