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Mel Tebbutt-Bushell (31 KP) rated The Raven (1963) in Movies
Jul 21, 2019
Hammer meets Poe!
I saw this about 30 years ago and it's stuck in my mind. Vincent Price plays sorcerer, and if that isn't enough to get you to watch it, then I can't help you.... Some good effects in its day. This film actually made me want to read the poem, which for me, I'm sorry to say, wasn't as good as the film.
Awix (3310 KP) rated The Haunted Palace (1963) in Movies
Apr 19, 2020
Brooding Gothic horror from Roger Corman and Vincent Price. A notorious warlock is killed by an angry mob, but a century later his great-grandson moves into his old mansion and is possessed by his ancestor's spirit. One of the stronger and darker Corman-Price movies, but disingenuously billed as part of their Poe series: the story's fixation with the influence of the past on the present and the horrors of miscegenation would mark it out as an H.P. Lovecraft adaptation even if they hadn't retained the original character names and references to HPL's wider mythology.
Memorable more for an unsettling atmosphere than for being actually scary, though there are some very creepy moments concerning the deformed mutant villagers Price's experiments have produced. Terrific performance from Price, as you'd expect, also from Lon Chaney Jr as his sidekick, which you perhaps wouldn't. A seminal movie for Lovecraft followers and a pretty good one for anyone who likes old-style horror films.
Memorable more for an unsettling atmosphere than for being actually scary, though there are some very creepy moments concerning the deformed mutant villagers Price's experiments have produced. Terrific performance from Price, as you'd expect, also from Lon Chaney Jr as his sidekick, which you perhaps wouldn't. A seminal movie for Lovecraft followers and a pretty good one for anyone who likes old-style horror films.
Matthew Krueger (10051 KP) rated House on Haunted Hill (1959) in Movies
Oct 4, 2019
The Hill House
House on Haunted Hill- is one of the best horror movies of all time. Its terrorfying, horrorfying, scary, spooky, terrorfying and more.
The Introduction by Vincent Price is perfect, he introduces the movie and tells us the viewer what were going to witness. Vincent Price's spooky and creepy introduction is terrorfying.
The Plot: Rich oddball Frederick Loren (Vincent Price) has a proposal for five guests at a possibly haunted mansion: Show up, survive a night filled with scares and receive $10,000 each. The guest of honor is Loren's estranged wife, Annabelle (Carol Ohmart), who, with her secret lover, Dr. Trent (Alan Marshal), has concocted her own scheme to scare Loren's associate, Nora Manning (Carolyn Craig), into shooting the potentially crazy millionaire. But more spooks and shocks throw a wrench into the plan.
The film is in the public domain.
The film was remade as the 1999 film House on Haunted Hill, which had a 2007 sequel titled Return to House on Haunted Hill. The 1999 film was released to middling reviews but was a box office success, while the 2007 sequel was direct-to-video and widely panned. Dont watch those films.
In 2017, another remake is in development and a prequel to the original film, which the latter will be written by Castle's daughter Terry Castle. That will be intresting if it happens.
I would highly reccordmend this movie.
The Introduction by Vincent Price is perfect, he introduces the movie and tells us the viewer what were going to witness. Vincent Price's spooky and creepy introduction is terrorfying.
The Plot: Rich oddball Frederick Loren (Vincent Price) has a proposal for five guests at a possibly haunted mansion: Show up, survive a night filled with scares and receive $10,000 each. The guest of honor is Loren's estranged wife, Annabelle (Carol Ohmart), who, with her secret lover, Dr. Trent (Alan Marshal), has concocted her own scheme to scare Loren's associate, Nora Manning (Carolyn Craig), into shooting the potentially crazy millionaire. But more spooks and shocks throw a wrench into the plan.
The film is in the public domain.
The film was remade as the 1999 film House on Haunted Hill, which had a 2007 sequel titled Return to House on Haunted Hill. The 1999 film was released to middling reviews but was a box office success, while the 2007 sequel was direct-to-video and widely panned. Dont watch those films.
In 2017, another remake is in development and a prequel to the original film, which the latter will be written by Castle's daughter Terry Castle. That will be intresting if it happens.
I would highly reccordmend this movie.
Awix (3310 KP) rated Witchfinder General (1968) in Movies
May 10, 2018
Famously nasty cult horror movie looks a bit like another Poe-Corman-Price adaptation (and was marketed as such in the States) but is really the work of a much darker sensibility. No actual supernatural elements, just people being sadistic to each other in the middle of a vicious civil war.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.
Matthew Krueger (10051 KP) rated Fright Night (1985) in Movies
Oct 30, 2020
You Can't Murder a Vampire
Fright Night- is a excellent vampire movie. Directed by Tom Holland. It has comedy, horror, lots of gory and Peter Vincent.
The plot: Teenage Charley Brewster (William Ragsdale) is a horror-film junkie, so it's no surprise that, when a reclusive new neighbor named Jerry Dandridge (Chris Sarandon) moves next-door, Brewster becomes convinced he is a vampire. It's also no surprise when nobody believes him. However, after strange events begin to occur, Charlie has no choice but to turn to the only person who could possibly help: washed-up television vampire killer Peter Vincent (Roddy McDowall).
While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next-door neighbor was a vampire, but he did not initially think this premise was enough to sustain a story. "What's he gonna do", Holland asked, "because everybody's gonna think he's mad!"
The Peter Vincent character was named after horror icons Peter Cushing and Vincent Price, and Holland specifically wrote the part for Price, but at this point in his career, Price had been so badly typecast that he had stopped accepting roles in horror movies.
Holland and McDowall built a lasting friendship, and McDowall eventually invited Holland to a dinner party where he introduced him to Vincent Price, who was flattered that the part was an homage to him and commented that the film "was wonderful and he thought Roddy did a wonderful job."
Once his cast was in place, Holland got input from each of the actors and made numerous revisions to the script. Some were slight and others were major – such as the ending, which originally featured Peter Vincent transforming into a vampire as he returned to host Fright Night.
The cast could only wear them for a maximum of 20 minutes because they were virtually blind in them, and they were thick and painful, and dried out their eyes. A set was made for Stark to wear when he was in his final pursuit of Peter and Charley, but he kept tripping on the stairs. Holland told him to take one out, and he was then able to perform the scene.
Three sets were made for Amanda Bearse, but one of them caused her agonizing pain, which she initially tried to endure. When it finally became too much to bear, she took the contacts out and the crew realized they had forgotten to buff them. For the scene in Mrs. Brewster's bedroom, Geoffreys kept his contacts in for nearly 40 minutes, resulting in scratches on his eyeballs for months afterward.
For the transformation sequences, up to 8 hours were needed to prepare Sarandon's makeup.
The makeup for Evil Ed's wolf transformation took 18 hours.
On Christmas Eve, during the shooting of a scene where he is running down a staircase, Ragsdale accidentally tripped and broke his ankle, resulting in the film being temporarily put on a hold until he could recover. "
Many scenes were shot with his foot in a cast, including the scene in which Jerry comes to Charley's room to attack him. For shots in which Charley's feet were visible, the costumers slit Ragsdale's shoes in several places, slipped them on and then covered the portions of white cast that peeked through the slits with black cloth. For the scene in which Jerry is carrying Charley by the throat with one hand, Sarandon was simultaneously pushing Ragsdale along on a furniture dolly.
The shot of Jerry pulling the pencil out of his hand was achieved by having a spring-loaded, collapsible pencil glued to his palm and an eraser-tip loosely attached to the back of his hand. When he turns his hand and pulls the spring-loaded piece from his palm, out of shot a |monofilament wire jerked away the tip, so when he turns it back, it appears as though he hss pulled it straight through his hand.
Filming of the sequence with the bat was difficult for effects veteran Randall Cook, who kept winding up on film while puppeteering the creature.
Its a excellent movie.
The plot: Teenage Charley Brewster (William Ragsdale) is a horror-film junkie, so it's no surprise that, when a reclusive new neighbor named Jerry Dandridge (Chris Sarandon) moves next-door, Brewster becomes convinced he is a vampire. It's also no surprise when nobody believes him. However, after strange events begin to occur, Charlie has no choice but to turn to the only person who could possibly help: washed-up television vampire killer Peter Vincent (Roddy McDowall).
While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next-door neighbor was a vampire, but he did not initially think this premise was enough to sustain a story. "What's he gonna do", Holland asked, "because everybody's gonna think he's mad!"
The Peter Vincent character was named after horror icons Peter Cushing and Vincent Price, and Holland specifically wrote the part for Price, but at this point in his career, Price had been so badly typecast that he had stopped accepting roles in horror movies.
Holland and McDowall built a lasting friendship, and McDowall eventually invited Holland to a dinner party where he introduced him to Vincent Price, who was flattered that the part was an homage to him and commented that the film "was wonderful and he thought Roddy did a wonderful job."
Once his cast was in place, Holland got input from each of the actors and made numerous revisions to the script. Some were slight and others were major – such as the ending, which originally featured Peter Vincent transforming into a vampire as he returned to host Fright Night.
The cast could only wear them for a maximum of 20 minutes because they were virtually blind in them, and they were thick and painful, and dried out their eyes. A set was made for Stark to wear when he was in his final pursuit of Peter and Charley, but he kept tripping on the stairs. Holland told him to take one out, and he was then able to perform the scene.
Three sets were made for Amanda Bearse, but one of them caused her agonizing pain, which she initially tried to endure. When it finally became too much to bear, she took the contacts out and the crew realized they had forgotten to buff them. For the scene in Mrs. Brewster's bedroom, Geoffreys kept his contacts in for nearly 40 minutes, resulting in scratches on his eyeballs for months afterward.
For the transformation sequences, up to 8 hours were needed to prepare Sarandon's makeup.
The makeup for Evil Ed's wolf transformation took 18 hours.
On Christmas Eve, during the shooting of a scene where he is running down a staircase, Ragsdale accidentally tripped and broke his ankle, resulting in the film being temporarily put on a hold until he could recover. "
Many scenes were shot with his foot in a cast, including the scene in which Jerry comes to Charley's room to attack him. For shots in which Charley's feet were visible, the costumers slit Ragsdale's shoes in several places, slipped them on and then covered the portions of white cast that peeked through the slits with black cloth. For the scene in which Jerry is carrying Charley by the throat with one hand, Sarandon was simultaneously pushing Ragsdale along on a furniture dolly.
The shot of Jerry pulling the pencil out of his hand was achieved by having a spring-loaded, collapsible pencil glued to his palm and an eraser-tip loosely attached to the back of his hand. When he turns his hand and pulls the spring-loaded piece from his palm, out of shot a |monofilament wire jerked away the tip, so when he turns it back, it appears as though he hss pulled it straight through his hand.
Filming of the sequence with the bat was difficult for effects veteran Randall Cook, who kept winding up on film while puppeteering the creature.
Its a excellent movie.
Awix (3310 KP) rated The Big Sick (2017) in Movies
Mar 13, 2018
Somewhat unorthodox rom-com with comedian Kumail Nanjiani playing himself and Zoe Kazan, er, not. Starts off looking like another of those love-across-the-cultural-barricades movies before turning into something quite different (I can't remember if they have The Smiths' 'Girlfriend in a Coma' on the soundtrack, but if they didn't, they should have).
Possibly I am just biased as Nanjiani seems like a man after my own heart (X-Files fan, plus the first thing he does when he takes a woman home is show her an early 70s Vincent Price horror movie - did I mention I'm single?), but this manages to be both touching and funny. Good support from Ray Romano and Holly Hunter as Kazan's parents; manages to deal with some fairly serious issues with a light touch. Works hard to earn its happy ending; an immensely likeable film.
Possibly I am just biased as Nanjiani seems like a man after my own heart (X-Files fan, plus the first thing he does when he takes a woman home is show her an early 70s Vincent Price horror movie - did I mention I'm single?), but this manages to be both touching and funny. Good support from Ray Romano and Holly Hunter as Kazan's parents; manages to deal with some fairly serious issues with a light touch. Works hard to earn its happy ending; an immensely likeable film.
Sarah (7798 KP) rated House on Haunted Hill (1999) in Movies
Oct 25, 2018
Spoilt by the ending
I absolutely loved this film when it first came out, probably because I was far too young to be watching it. But watching it back now, it’s a bit of a disappointment.
Plot wise it’s fairly straight forward and probably not entirely original, but you can’t really go wrong setting a horror film in an old asylum. That alone gives you the creeps. It’s quite funny and also very bloody and gory, and Geoffrey Rush does fairly well channeling his inner Vincent Price. Sadly Jeffrey Combs is a very underused though. My main issue with this film is that the ending really lets it down. It goes a bit bonkers and strays a little too far away from the asylum/mad doctor premise, and whilst I understand the ending and what they were trying to get at, for me they should’ve gone down a different route.
Plot wise it’s fairly straight forward and probably not entirely original, but you can’t really go wrong setting a horror film in an old asylum. That alone gives you the creeps. It’s quite funny and also very bloody and gory, and Geoffrey Rush does fairly well channeling his inner Vincent Price. Sadly Jeffrey Combs is a very underused though. My main issue with this film is that the ending really lets it down. It goes a bit bonkers and strays a little too far away from the asylum/mad doctor premise, and whilst I understand the ending and what they were trying to get at, for me they should’ve gone down a different route.
Matthew Krueger (10051 KP) rated House on Haunted Hill (1999) in Movies
Jul 17, 2019 (Updated Jul 17, 2019)
Sweet Dreams
So this movie excist, house on haunted hill should of never been remade or touching in the first place, the oringal is a classic with vincent price introducing the movie and also starring in it.
Who stars in this one ohh fanke janssen, geoffrey rush who is a good actor but wasted in this movie, Taye diggs i never heard of him since the early 2000's, and ali larter who was only good in heroes. So not a good start.
The plot: A millionaire with theatrical tendencies, Stephen Price (Geoffrey Rush) invites a number of people to stay in a vast creepy building that used to be an insane asylum. Stephen, accompanied by his bitter wife, Evelyn (Famke Janssen), offers a million dollars to anyone who can stay the whole night without leaving out of fear. When Stephen and Evelyn become trapped with their guests, they quickly realize that the house really is haunted -- and the spirits dwelling within are very angry.
This movie is not scary, not oringal, not celver, not haunted, its not good.
Also for no pair of reason sweams by marlyon manson plays for no pair of reason, not once but twice. Once when the guess are driving to hill house and once at the end cridits.
Dont watch this movie it is a waste of your time, just watch the oringal movie.
Who stars in this one ohh fanke janssen, geoffrey rush who is a good actor but wasted in this movie, Taye diggs i never heard of him since the early 2000's, and ali larter who was only good in heroes. So not a good start.
The plot: A millionaire with theatrical tendencies, Stephen Price (Geoffrey Rush) invites a number of people to stay in a vast creepy building that used to be an insane asylum. Stephen, accompanied by his bitter wife, Evelyn (Famke Janssen), offers a million dollars to anyone who can stay the whole night without leaving out of fear. When Stephen and Evelyn become trapped with their guests, they quickly realize that the house really is haunted -- and the spirits dwelling within are very angry.
This movie is not scary, not oringal, not celver, not haunted, its not good.
Also for no pair of reason sweams by marlyon manson plays for no pair of reason, not once but twice. Once when the guess are driving to hill house and once at the end cridits.
Dont watch this movie it is a waste of your time, just watch the oringal movie.
Matthew Krueger (10051 KP) rated Abbott and Costello Meet Frankenstein (1948) in Movies
Mar 6, 2020
The House of Horrors
Abbott and Costello Meet Frankenstein- is such a classic horror movie mixed with humor, comedy, sci-fi and is in the universal monster universe. Plus this has Lon Chaney Jr. as The Wolfman, Bela Lugosi as Dracula, Glenn Strange as Frankenstein and Vincent Price as the voice of the Invisible Man. OMG so many horror icons/legends within one movie. Love it.
The Plot: In the first of Bud Abbott and Lou Costello's horror vehicles for Universal Pictures, the inimitable comic duo star as railway baggage handlers in northern Florida. When a pair of crates belonging to a house of horrors museum are mishandled by Wilbur (Lou Costello), the museum's director, Mr. MacDougal (Frank Ferguson), demands that they deliver them personally so that they can be inspected for insurance purposes, but Lou's friend Chick (Bud Abbott) has grave suspicions.
Its funny, entertaining, thrilling, and overall excellent. If you havent seen it, than go and watch it.
The Plot: In the first of Bud Abbott and Lou Costello's horror vehicles for Universal Pictures, the inimitable comic duo star as railway baggage handlers in northern Florida. When a pair of crates belonging to a house of horrors museum are mishandled by Wilbur (Lou Costello), the museum's director, Mr. MacDougal (Frank Ferguson), demands that they deliver them personally so that they can be inspected for insurance purposes, but Lou's friend Chick (Bud Abbott) has grave suspicions.
Its funny, entertaining, thrilling, and overall excellent. If you havent seen it, than go and watch it.
