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Sticks and Stones
8.0
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How far would you go for revenge on your ex? Imogen’s husband is a bad man. His ex-wife and his...
Crime thriller psychological suspense domestic violence revenge
TW
They Who Fell (They Who Fell #1)
8.0
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Book
They say that long ago, there was a rebellion in Heaven. That an army of angels sought to seize...
Split Second (King & Maxwell #1)
9.0
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Book
Michelle Maxwell has just wrecked her promising career at the Secret Service. Against her instincts,...
Doing the Business: The Final Confession of the Senior Kray Brother
6.0
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The final confessions of the senior Kray brother. Only one man knew everything about Ronnie and...
LeftSideCut (3776 KP) rated The Spine of Night (2021) in Movies
Mar 29, 2022
I don't really know enough about rotoscoping or the much loved Heavy Metal and Fire and Ice to make any comparisons, but what I can stay is that I initially found the animation of The Spine of Night really quite jarring. The wonderful painted-like backgrounds felt at odds with the harsh character designs, a point that was further driven when the hyper violence kicked in. However, by the halfway point I was utterly hypnotised by what was unfolding.
The expressions and emotions of these characters come across quite realistic in an oddly surreal way, wrapped up in an epic fantasy narrative that spans centuries, performed by an impressive voice cast.
The Spine of Night surely isn't for everyone, but if you have even a passing interest in animation and don't mind gore, then you'll probably get a kick out of it.
The expressions and emotions of these characters come across quite realistic in an oddly surreal way, wrapped up in an epic fantasy narrative that spans centuries, performed by an impressive voice cast.
The Spine of Night surely isn't for everyone, but if you have even a passing interest in animation and don't mind gore, then you'll probably get a kick out of it.
Lyndsey Gollogly (2893 KP) rated Dead Shore in Books
May 9, 2023
58 of 235
Kindle
Dead Shore
By Jack Rollins
⭐️⭐️⭐️
They're coming for you and your child. How fast can you run?
When a group of teenagers mess around with a washed-up dolphin carcass, Karen and her toddler Charlie are caught in a wave of chaos and violence as one by one the residents of Ashmouth fall prey to a deadly virus, transforming them into relentless, violent zombies. Allying herself with Dean, one of the teenage boys, Karen must stay strong and alert as the world she knows crumbles around her and there appears to be no way out. Is the village doomed, and will this zombie outbreak remain contained?
A quick burst of zombie action well written but not much different to what we normally read, except these zombies seem to have a plan.
Kindle
Dead Shore
By Jack Rollins
⭐️⭐️⭐️
They're coming for you and your child. How fast can you run?
When a group of teenagers mess around with a washed-up dolphin carcass, Karen and her toddler Charlie are caught in a wave of chaos and violence as one by one the residents of Ashmouth fall prey to a deadly virus, transforming them into relentless, violent zombies. Allying herself with Dean, one of the teenage boys, Karen must stay strong and alert as the world she knows crumbles around her and there appears to be no way out. Is the village doomed, and will this zombie outbreak remain contained?
A quick burst of zombie action well written but not much different to what we normally read, except these zombies seem to have a plan.
Lucy Buglass (45 KP) rated Lion (2017) in Movies
Jun 20, 2019
Upon discovering this short film, I was impressed with how well it had performed. During its first year of distribution, it has won 126 awards at a variety of film festivals which is quite the selling point. Walking in to the film, I didn’t know much about it but the air of mystery made my viewing experience even better. The film is set in an isolated cabin, on a snowy night, which creates the perfect backdrop for a horror tale…
From the very first scene you can tell this cabin is not a happy place to be. Straight away we’re created with sounds of domestic violence, making the viewer feel instantly uncomfortable. The father in the film is repulsive and lives in a squalor, with cigarette butts, leftover pizza and empty cans of beer dotted everywhere. Michael Segal really brought this character to life, showing us that not all villains are supernatural or machete wielding psychopaths. Some evil can be found in the average home, behind closed doors, where violence takes over. Sometimes humans can be more terrifying than anything else.
The way Lion deals with domestic violence, particularly against children, was done incredibly well. It’s not an easy topic to cover but this short makes an impact without going too far and making it gratuitous. Part of what makes this film so good is what you don’t see on screen, and how your imagination runs wild. It has a slow burning narrative that builds up the suspense and finally unleashes the climactic moment with only a few minutes to spare, providing closure and satisfaction for the spectator.
I really liked the use of special effects throughout the film, because they blended in nicely with the rest of the scene and weren’t overdone at any point. Cinematically it hits all the right notes for a horror film through it’s use of low-lighting, tense creeping moments, and an excellent use of music. Jump scares and gore weren’t needed in Lion, because it manages to deliver real horror in a much more subtler, but effective way. The presence of the lion throughout was a good motif to use as well, as they’re synonymous with courage and being a fighter. You’ll see what I mean when you watch it.
Lion is an incredibly important short film that I believe is a must watch, even for those who don’t tend to reach for horrors. The final card at the end reiterates the important message that is present throughout the film, and it really resonated with me. It’s a film with fantasy elements, yet still deep rooted within reality that it makes you want to stand up and take action in any way you can.
https://jumpcutonline.co.uk/lion-short/
From the very first scene you can tell this cabin is not a happy place to be. Straight away we’re created with sounds of domestic violence, making the viewer feel instantly uncomfortable. The father in the film is repulsive and lives in a squalor, with cigarette butts, leftover pizza and empty cans of beer dotted everywhere. Michael Segal really brought this character to life, showing us that not all villains are supernatural or machete wielding psychopaths. Some evil can be found in the average home, behind closed doors, where violence takes over. Sometimes humans can be more terrifying than anything else.
The way Lion deals with domestic violence, particularly against children, was done incredibly well. It’s not an easy topic to cover but this short makes an impact without going too far and making it gratuitous. Part of what makes this film so good is what you don’t see on screen, and how your imagination runs wild. It has a slow burning narrative that builds up the suspense and finally unleashes the climactic moment with only a few minutes to spare, providing closure and satisfaction for the spectator.
I really liked the use of special effects throughout the film, because they blended in nicely with the rest of the scene and weren’t overdone at any point. Cinematically it hits all the right notes for a horror film through it’s use of low-lighting, tense creeping moments, and an excellent use of music. Jump scares and gore weren’t needed in Lion, because it manages to deliver real horror in a much more subtler, but effective way. The presence of the lion throughout was a good motif to use as well, as they’re synonymous with courage and being a fighter. You’ll see what I mean when you watch it.
Lion is an incredibly important short film that I believe is a must watch, even for those who don’t tend to reach for horrors. The final card at the end reiterates the important message that is present throughout the film, and it really resonated with me. It’s a film with fantasy elements, yet still deep rooted within reality that it makes you want to stand up and take action in any way you can.
https://jumpcutonline.co.uk/lion-short/
Emma @ The Movies (1786 KP) rated Upgrade (2018) in Movies
Sep 25, 2019
I'd go classifying Upgrade as sci-fi action... for some reason it also has a genre of horror on IMDb. Sure it's a bit gory, but with everything that happens in it I wouldn't have lumped it in there as well. It briefly gave me pause to ponder where the lines of classification are... but that way madness lies!
This one isn't for the faint hearted. There's quite a lot of violence in it. There was only one bit that I thought "that was a bit much", but even then it was more that I reacted to it with an intake of breath and a slight wince before laughing... because it was a tad ridiculous. The guy in the row behind me did the same, but his girlfriend wasn't overly impressed.
I actually found Grey's reactions to his body doing violent things to be very well done, and a nice touch because you do forget that it's not actually him. Acting so that your face is doing something completely different to how your body is performing must be very challenging, but Marshall-Green did it really well. He had humour, and really brought out the conflict between his head and his body... wow, well there are just some things that you don't expect to say when reviewing films.
The main reason it's missing that last half star is purely personal preference. I like sci-fi, and I like mindless violence. What I don't like are the motion and camera quirks. But like I say, it's personal preference. Those tracking shots that put Grey centre of the frame and follow him round like it's a third person shooter game (third person?) did nothing for me, and made everything seem kind of jumpy. This was so you could get the contrast between him being in control and STEM being in control, and I understand that but it's a shame they couldn't find another way to do it. My only other bug was that when Grey is laying on the floor and STEM gets him up to standing he goes from horizontal to vertical like he's on a hinge. How is that even possible? STEM is still constrained by what the human body can do, right? And last time I checked I can't pivot from laying down to standing just on my heels.
What should you do?
Great lead, interesting story line... if you don't mind mindless violence then you should definitely go and see this.
Movie thing you wish you could take home
I'd quite like to take home STEM and have my body be that coordinated all the time... but that does have the whole killer robot issue. So perhaps I'll just go with the self driving car this time.
This one isn't for the faint hearted. There's quite a lot of violence in it. There was only one bit that I thought "that was a bit much", but even then it was more that I reacted to it with an intake of breath and a slight wince before laughing... because it was a tad ridiculous. The guy in the row behind me did the same, but his girlfriend wasn't overly impressed.
I actually found Grey's reactions to his body doing violent things to be very well done, and a nice touch because you do forget that it's not actually him. Acting so that your face is doing something completely different to how your body is performing must be very challenging, but Marshall-Green did it really well. He had humour, and really brought out the conflict between his head and his body... wow, well there are just some things that you don't expect to say when reviewing films.
The main reason it's missing that last half star is purely personal preference. I like sci-fi, and I like mindless violence. What I don't like are the motion and camera quirks. But like I say, it's personal preference. Those tracking shots that put Grey centre of the frame and follow him round like it's a third person shooter game (third person?) did nothing for me, and made everything seem kind of jumpy. This was so you could get the contrast between him being in control and STEM being in control, and I understand that but it's a shame they couldn't find another way to do it. My only other bug was that when Grey is laying on the floor and STEM gets him up to standing he goes from horizontal to vertical like he's on a hinge. How is that even possible? STEM is still constrained by what the human body can do, right? And last time I checked I can't pivot from laying down to standing just on my heels.
What should you do?
Great lead, interesting story line... if you don't mind mindless violence then you should definitely go and see this.
Movie thing you wish you could take home
I'd quite like to take home STEM and have my body be that coordinated all the time... but that does have the whole killer robot issue. So perhaps I'll just go with the self driving car this time.
Suswatibasu (1703 KP) rated The Inheritance of Loss in Books
Jul 29, 2017
The tragic consequences of colonialism and class
Kiran Desai's vivid writing of the northern mountainous regions of Kalimpong was well captured in this desperate novel of the aftermath of British colonialism and the caste system in India.
The events are quite accurate as my own family who resided there during this time can substantiate. The violence that ensued the nation following independence was one of many tragic consequences of a country attempting to repair itself after massive divisions were sown.
At the same time, the experiences of an immigrant abroad is a good reflection of how imperialism allowed people to make the journey while still being treated as a second class citizen.
The story itself surrounding a small community of elites in the northern regions is interesting as many of them attempt to face their own demons and find an identity. Poignant, quite long, and well written.
The events are quite accurate as my own family who resided there during this time can substantiate. The violence that ensued the nation following independence was one of many tragic consequences of a country attempting to repair itself after massive divisions were sown.
At the same time, the experiences of an immigrant abroad is a good reflection of how imperialism allowed people to make the journey while still being treated as a second class citizen.
The story itself surrounding a small community of elites in the northern regions is interesting as many of them attempt to face their own demons and find an identity. Poignant, quite long, and well written.
SummerLGrant (185 KP) rated The Limehouse Golem (2016) in Movies
Sep 10, 2017
Fantastic Victorian thriller
If you go in wanting to be blindsided about who did it then you're going to be disappointed, it's pretty obvious straight away who the Limehouse Golem is. Other than that this is a gripping film exploring the dregs of society in Victorian London as two cases come together for Scotland Yard's John Kildare (Bill Nighy) and George Flood (Daniel Mays). The story is constantly bubbling beneath the surface and as it rushes towards its conclusion the violence and gore gets more and more graphic, a lot of it doesn't add anything to the story but the dramatics of it does put the state of mind of the murderer into context.
Olivia Cooke, who plays Lizzie Cree a woman on trial for the murder of her husband, is fantastic in the role and has really put on display how good an actress she is.
Olivia Cooke, who plays Lizzie Cree a woman on trial for the murder of her husband, is fantastic in the role and has really put on display how good an actress she is.