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Phil Leader (619 KP) rated The Nightlife: New York (The Nightlife #1) in Books
Nov 21, 2019
When Aaron sees a beautiful woman being shaken down by two corrupt cops on the streets of New York he steps in to try to help her. But Michelle does not need his help and is well able to deal with the police. However in the fracas Aaron is accidentally shot and fatally wounded. Michelle feels guilty and feels she has to save his life the only way she can - by turning him into what she is. A vampire.
Michelle teaches Aaron about his superhuman powers and how he has to live now but there is trouble brewing as Aaron comes to terms with his new life, the control Michelle has over him and letting go his old existence, the two corrupt police officers are determined to track Michelle down and make her pay.
Along the way there is plenty of sex. Vampires have always been sexy and the recent romantic resurgence of vampires has only emphasised this. Luedke takes this one step further. Vampire bites induce sexual arousal in their victims and Michelle teaches Aaron to use this with care, except when they are together when they are able to withstand each other's bites.
It would have been easy for the sex scenes to overwhelm the book but Luedke manages to keep everything as an integral part of the plot which evolves neatly throughout the course of the book as the various plot strands come together.
There are some terrific action scenes too with the vampires' hightened abilities resulting in some sequences that reminded me of The Matrix complete with 'bullet time'.
So if you want your vampires sexy and powerful and your stories thrilling and full of action this is the story for you.
Rated: Scenes of sex and violence. Frequent swearing.
Michelle teaches Aaron about his superhuman powers and how he has to live now but there is trouble brewing as Aaron comes to terms with his new life, the control Michelle has over him and letting go his old existence, the two corrupt police officers are determined to track Michelle down and make her pay.
Along the way there is plenty of sex. Vampires have always been sexy and the recent romantic resurgence of vampires has only emphasised this. Luedke takes this one step further. Vampire bites induce sexual arousal in their victims and Michelle teaches Aaron to use this with care, except when they are together when they are able to withstand each other's bites.
It would have been easy for the sex scenes to overwhelm the book but Luedke manages to keep everything as an integral part of the plot which evolves neatly throughout the course of the book as the various plot strands come together.
There are some terrific action scenes too with the vampires' hightened abilities resulting in some sequences that reminded me of The Matrix complete with 'bullet time'.
So if you want your vampires sexy and powerful and your stories thrilling and full of action this is the story for you.
Rated: Scenes of sex and violence. Frequent swearing.
LeftSideCut (3776 KP) rated Midsommar (2019) in Movies
Dec 16, 2019 (Updated Mar 31, 2020)
Beautiful, disturbing, utterly bizarre
Whether you like Midsommar or not, you have to admit, it's quite a trip.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
Hazel (2934 KP) rated Liar Liar (DS Grace Allendale #3) in Books
Jan 19, 2020
Gritty, realistic and absorbing
Mel Sherratt describes herself as a "meddler of words" and I am not going to argue with her! I would also put her in the category as one of THE best crime writers in the UK that I have had the pleasure to read and one where I have never been disappointed.
Here we have another great story full of mystery and twists and one which I found hard to stop reading way too late into the night. This is book 3 in the series however, I don't think you have to have read the other 2 in order to enjoy this and I certainly feel it works well as a standalone.
Each and every character, both goodies and baddies, are well developed; their circumstances believable and scarily plausible. The setting is perfect and so well described I felt I was there. The pace is fast and engrossing with plenty of action and a fare amount of violence and scenes of peril right from the start however, this shouldn't come as a surprise if you've read the blurb.
The book is written with alternating chapters of the present and the past and rather than this complicating matters, it provided an insight into one of the main characters' motivations and justifications as to why she responds as she does. There are several strands that could all have a bearing on the investigation and rather than cause confusion, added to the mystery and intrigue making this an engrossing book and one which I would recommend to anyone who enjoys gritty, realistic and absorbing reads.
Thanks go to Avon Books UK via NetGalley for my copy in return for an honest and unbiased review.
Here we have another great story full of mystery and twists and one which I found hard to stop reading way too late into the night. This is book 3 in the series however, I don't think you have to have read the other 2 in order to enjoy this and I certainly feel it works well as a standalone.
Each and every character, both goodies and baddies, are well developed; their circumstances believable and scarily plausible. The setting is perfect and so well described I felt I was there. The pace is fast and engrossing with plenty of action and a fare amount of violence and scenes of peril right from the start however, this shouldn't come as a surprise if you've read the blurb.
The book is written with alternating chapters of the present and the past and rather than this complicating matters, it provided an insight into one of the main characters' motivations and justifications as to why she responds as she does. There are several strands that could all have a bearing on the investigation and rather than cause confusion, added to the mystery and intrigue making this an engrossing book and one which I would recommend to anyone who enjoys gritty, realistic and absorbing reads.
Thanks go to Avon Books UK via NetGalley for my copy in return for an honest and unbiased review.
Mark @ Carstairs Considers (2464 KP) rated The Silent Second in Books
Jan 16, 2020
Good, but Not the Tone I Was Expecting
Chuck Restic has spent twenty years in HR, and he’s good at his job – making sure employees get along so they don’t sue each other or, more importantly, the company. That’s how he first meets Ed, who has had a complaint filed against him. Ed seems like a nice guy, and their meeting goes well, but then Ed disappears a couple of days later. A plea from Ed’s family to figure out what happened to him intrigues Chuck. He’s recently separated from his wife, and he wants to do something to fill his time away from work, so he uses his boredom as an excuse to start poking around. The trail quickly leads to real estate around Los Angeles, but how could that have led to Ed’s disappearance?
I’d seen the author speak at a library event a while ago, and I thought this book sounded like fun. While I certainly enjoyed it, I found the book to be darker in tone than I was expecting. There were a few laughs when Chuck was in HR mode, but for the most part, this felt more like a hard-boiled book. But that’s my only complaint with the book. I really did like Chuck – in fact, I could identify with him a bit too much. (Maybe that was part of my problem.) The rest of the cast are just as strong and become well-rounded people as we learn most about them. The plot was great with plenty of twists and an ending I didn’t see coming. The book was light on foul language and didn’t get too graphic with the violence or sex, which I most definitely appreciated. This is a solid debut, but pick it up when you are in the mood for something on the darker side.
I’d seen the author speak at a library event a while ago, and I thought this book sounded like fun. While I certainly enjoyed it, I found the book to be darker in tone than I was expecting. There were a few laughs when Chuck was in HR mode, but for the most part, this felt more like a hard-boiled book. But that’s my only complaint with the book. I really did like Chuck – in fact, I could identify with him a bit too much. (Maybe that was part of my problem.) The rest of the cast are just as strong and become well-rounded people as we learn most about them. The plot was great with plenty of twists and an ending I didn’t see coming. The book was light on foul language and didn’t get too graphic with the violence or sex, which I most definitely appreciated. This is a solid debut, but pick it up when you are in the mood for something on the darker side.
Tim McGuire (301 KP) rated Still (2018) in Movies
Mar 3, 2020
Fun to be immortal for a little while.
394. Still. At first I thought it was titled this because it was so quiet. But no, that wasn't the case. One of those movies that if you have some logic that works in your thinking box, it's not too hard to figure out. The description makes it seem that a hiker is the main character, it's definitely the couple on the farm that hold the spotlight. There's something wrong with Lily, health wise that is, and it seems she has decided to wander out into the wilderness to die. You may recognize Lily, the one eyed handmaid. Anyways at some point she gets sick passes out and wakes up on a farm, run by wife Ella and hubby Adam, and they look after her. Weird because just 10 minutes ago in the opening scene, Adam just straight up shoots up two guys that wander onto the farm, that are even welcomed in by Ella, so yea. Must be cause she's a pretty girl? Kinda, but not really. So Lily hangs out for awhile getting to know them a little earns her keep by chopping wood,doing odd chores around the farm like have a threesome and toward the end of this threesome Ella hangs back watching Lily bounce on her man's pogo and decides, yep, Lily has been sent here to replace me. Ella decides to let Lily in on the secret of the farm and though the threesome was dynomite, it wasn't good enough for Adam to let Ella go, and through an act of violence, all is revealed. It's not all that hard to see what they are pointing to, however it was still a well told tale, with a pretty satisfying ending. Why is it called Still? I won't tell you. Filmbufftim on FB
Mark @ Carstairs Considers (2464 KP) rated Into the Fire in Books
Mar 17, 2020
Evan Heads Into the Fire for His Latest Client
As this book opens, Evan is planning to retire. He is going to take on one last case to help someone in trouble, but then he is out. Now, it’s just a matter of waiting for a phone call from his new client. That phone call comes from Max Merriweather. Max’s cousin Grant was just brutally killed, but he left Max with a mysterious envelop that should only be opened if Grant has died. The problem is, someone else knows that Max has the envelope, and now they are after Max. Evan uses his usual tricks to find out who is after Max, but will his final case be that simple?
Every time I open one of these books I am in awe once again at how well drawn the characters are. Evan and the people who populate his world come vividly to life and continue to grow, which includes Max and the people he brings into this story. But the book never forgets it is a thriller with plenty of action scenes and twists that kept me reading as quickly as I could. Everything comes together for a satisfying climax while setting up Evan’s next adventure. Yes, the book does include more language and violence than I typically read, but I expected that going in. I was surprised at some of the lighter scenes involving Evan’s neighbors. These scenes always break the tension of the story while helping us get to know Evan better, but we got some of the funniest scenes with the neighbors yet. If you aren’t already reading Gregg Hurwitz, you need to fix that. This book is nothing short of superb.
Every time I open one of these books I am in awe once again at how well drawn the characters are. Evan and the people who populate his world come vividly to life and continue to grow, which includes Max and the people he brings into this story. But the book never forgets it is a thriller with plenty of action scenes and twists that kept me reading as quickly as I could. Everything comes together for a satisfying climax while setting up Evan’s next adventure. Yes, the book does include more language and violence than I typically read, but I expected that going in. I was surprised at some of the lighter scenes involving Evan’s neighbors. These scenes always break the tension of the story while helping us get to know Evan better, but we got some of the funniest scenes with the neighbors yet. If you aren’t already reading Gregg Hurwitz, you need to fix that. This book is nothing short of superb.
LeftSideCut (3776 KP) rated Rambo: Last Blood (2019) in Movies
Mar 25, 2020
Honestly, I'm not a massive fan of the Rambo franchise. I don't hate them...the first movie is enjoyable enough, but anything else I can give or take.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
The Refuge: My Journey to the Safe House for Battered Women
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Until 1971, female victims of domestic violence were expected to 'kiss and make up' with their...
Vladimir Jabotinsky's Story of My Life
Brian J. Horowitz and Leonid Katsis
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Vladimir Jabotinsky is well remembered as a militant leader and father of the right-wing Revisionist...
Walden & Civil Disobedience
Henry David Thoreau, Tom Griffith and Henry Claridge
6.0
Rate It
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No nineteenth-century American writer can claim to be as modern as Henry David Thoreau. His central...