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Charlie Cobra Reviews (1840 KP) rated Deadly Class in TV
Jul 3, 2020
Teenage Angst, Romance & The Deadly Arts - 8/10
Deadly Class is a tv series airing on SYFY based on the graphic novel created by Rick Remander and Wesley Craig and published by Image Comics. Developed by by Miles Orion Feldscott and produced by the Russo brothers, it's set in a much more macabre late 1980's San Francisco. For me this show has been addicting and is easy to get swept up in the chaos of the halls of Kong's Dominion.
Marcus (Benjamin Wadsworth) is a recently homeless orphan who is inducted into a boarding school of elite assassins called King's Dominion. Recruited off the streets by a gang of students, mainly Saya (Lana Condor), on orders by the headmaster Master Lin (Benedict Wong). He must learn the deadly arts while navigating the perilous halls and vicious social cliques in the free-for-all that is King's Dominion. The institution's a place where the world's top mob and crime families send their children to become better killers and it's graduates include serial killers and government assassins.
This show might not be for everyone but I have found it really enjoyable. It's very cliche at times and definitely has it's standard archetypes but the characters pop with personality especially when the show goes into these really awesome motion comic scenes when delving into their personal backgrounds. The action is definitely top class and keeps the show going but it's not able to always keep that tension when not in the halls or classrooms of the school where anything can happen. By the 1st or 2nd episode you'll know if it's for you. I particularly like how the main group is a bunch of misfits who come together and the progression of the main character. Like i said, I give it a 8/10.
Marcus (Benjamin Wadsworth) is a recently homeless orphan who is inducted into a boarding school of elite assassins called King's Dominion. Recruited off the streets by a gang of students, mainly Saya (Lana Condor), on orders by the headmaster Master Lin (Benedict Wong). He must learn the deadly arts while navigating the perilous halls and vicious social cliques in the free-for-all that is King's Dominion. The institution's a place where the world's top mob and crime families send their children to become better killers and it's graduates include serial killers and government assassins.
This show might not be for everyone but I have found it really enjoyable. It's very cliche at times and definitely has it's standard archetypes but the characters pop with personality especially when the show goes into these really awesome motion comic scenes when delving into their personal backgrounds. The action is definitely top class and keeps the show going but it's not able to always keep that tension when not in the halls or classrooms of the school where anything can happen. By the 1st or 2nd episode you'll know if it's for you. I particularly like how the main group is a bunch of misfits who come together and the progression of the main character. Like i said, I give it a 8/10.
Charlie Cobra Reviews (1840 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jul 7, 2020
Prepare For War
John Wick: Chapter 3 - Parabellum is a 2019 neo-noir action film directed by Chad Stahelski and written by Derek Kolstad, Shay Hatten, Chris Collins, and Marc Abrams. The movie is based on a story by Derek Kolstad and produced by Thunder Road Pictures, 87Eleven Productions and distributed by Summit Entertainment. It stars Keanu Reeves, Halle Berry, Laurence Fishburne, Ian McShane and Marc Dacascos.
After an unsanctioned killing at the New York City Continental, John Wick is now a marked man on the run. He is declared "excommunicado" and a $14 million dollar bounty placed on his head. Meanwhile, an adjudicator with the "High Table" meets with both Winston (Ian McShane), manager of the Continental, and the King of the Bowery (Laurence Fishburne), leader of a group of vagrant assassins. The adjudicator gives an ultimatum to both, give up their offices in seven days or face the consequences for aiding John Wick.
This movie does not disappoint. I cannot stress that enough. It's an adrenaline ride from beginning to end. The action scenes are just masterfully choreographed and the special effects make each kill more brutal than the last. It feels like they raised the bar with the violence and gore in this one. The introduction of Halle Berry's character and her dogs were a welcome addition and made this film unique when compared to the previous two. Also the adjudicator was a really good character and i liked the way she played into the plot throughout the whole movie. Marc Dacascos was probably my favorite character in this movie. I liked his character's personality a lot and how his faction had a big part in the film. He was actually pretty funny in certain scenes and i liked it, but I can see how some people would be critical of the lightheartedness in such a grim movie. If it wasn't for some villains giving John a chance when they shouldn't, and the fact that the 3rd act couldn't hold up with the first two, I couldn't find a lot to complain about in this film. It was freaking awesome. I give it a 8/10 and I give it my "must see seal of approval".
After an unsanctioned killing at the New York City Continental, John Wick is now a marked man on the run. He is declared "excommunicado" and a $14 million dollar bounty placed on his head. Meanwhile, an adjudicator with the "High Table" meets with both Winston (Ian McShane), manager of the Continental, and the King of the Bowery (Laurence Fishburne), leader of a group of vagrant assassins. The adjudicator gives an ultimatum to both, give up their offices in seven days or face the consequences for aiding John Wick.
This movie does not disappoint. I cannot stress that enough. It's an adrenaline ride from beginning to end. The action scenes are just masterfully choreographed and the special effects make each kill more brutal than the last. It feels like they raised the bar with the violence and gore in this one. The introduction of Halle Berry's character and her dogs were a welcome addition and made this film unique when compared to the previous two. Also the adjudicator was a really good character and i liked the way she played into the plot throughout the whole movie. Marc Dacascos was probably my favorite character in this movie. I liked his character's personality a lot and how his faction had a big part in the film. He was actually pretty funny in certain scenes and i liked it, but I can see how some people would be critical of the lightheartedness in such a grim movie. If it wasn't for some villains giving John a chance when they shouldn't, and the fact that the 3rd act couldn't hold up with the first two, I couldn't find a lot to complain about in this film. It was freaking awesome. I give it a 8/10 and I give it my "must see seal of approval".
Option B: Facing Adversity, Building Resilience and Finding Joy
Adam Grant and Sheryl Sandberg
Book
From Facebook's COO and Wharton's top-rated professor, the #1 New York Times best-selling authors of...
Merissa (13600 KP) created a post
Mar 3, 2021
LoganCrews (2861 KP) rated Halloween (2007) in Movies
Nov 1, 2020 (Updated Nov 26, 2020)
An interesting experiment, to be sure - but one which only ends up being adequate. A fragmented, weird, messy experience (which certainly isn't always bad) but compared to today's shit throwaway remakes that we see every other week now this seems much more nuanced than we gave it credit for, in retrospect. Still feels like two totally different movies - first you have the sort of scuffed backstory stuff which, yes, I agree does devalue the mystery of this character a bit but it's peppered graciously with Zombie's greasy, raunchy flavor and is the most genuinely brutal part of the film in comparison to the CliffNotes remake portion which seems a lot more confusingly sterile, frustratingly cutting away from most of the stabs and pulling out knives with no blood on them - stuff like that. Perhaps I'm spoiled by the likes of 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘙𝘦𝘫𝘦𝘤𝘵𝘴 but like many I wish this stuck with being a Rob Zombie movie rather than just doing an express retread of the original where all the characters are grating jerkwads who hate each other. Often not a bad emulation and it's sort of interesting seeing these once formal characters now going around saying harmful expletives all the time - it's still suitably grimy after all but the new additions seem senseless while the returning characters/aspects are given nothing to do. The saving grace of this back portion is Tyler Mane's hulking behemoth Myers - just eating bullets, stabs, and blunt trauma one after the other as if someone's flicking spitballs at him while delivering effortless violence in his wake. And come on that revamped mask is so damn cool. In these moments it's clear that nobody roots for the bad guy(s) and revels in the abject misfortune of the innocent quite like Zombie - and that his movies are at their best when they focus acutely on the sort of writhes, convulsions, and pleads the human body does when it's faced with inhuman destruction by the hands of those who live by it. I still have no idea why they gave him this franchise though when his trailer park spectacle aesthetic is practically *gift-wrapped* for the 𝘛𝘦𝘹𝘢𝘴 𝘊𝘩𝘢𝘪𝘯𝘴𝘢𝘸 series.
LeftSideCut (3776 KP) rated Scream 3 (2000) in Movies
Nov 7, 2020 (Updated Nov 7, 2020)
The third entry in the Scream franchise is a mixed bag to say the least. It takes everything that made the first two so enjoyable, and throws more of it at the audience, but unfortunately it just doesn't land as well as one would hope.
Scream is known for being a meta commentary on the general ins and outs of the horror genre, but I would argue that it goes a little overboard this time around. A big part of the plot revolves around a huge retcon, changing the established backstory set up in the first movie. Cue a somewhat forced cameo from fan favourite character Randy to explain the rules of a trilogy to the surviving leads (and poke fun at this plot development) but it fails to distract from the fact that this narrative is a complete mess.
The killers motives and patterns are unclear and constantly change, and the eventual twist and identify reveal of this movies Ghostface is hugely underwhelming, and is just re treading ground that has already been explored in the previous Scream films. Also, that voice changing plot device is just dumb.
In response to the public outcry of media violence following the Columbine shootings, there is a lot less gore this time around which also hurts the overall experience. It loses its shock factor that was particularly prevalent in the original, and gives the film a sort of blunt edge, and instead focuses on the hit and miss comedy aspect.
All this being said, Scream 3 is still enjoyable when it needs to be. The returning trio of Neve Campbell, Courtney Cox, and David Arquette is essential to that particular element. These characters have been fleshed out well over these movies, and seeing them together on screen is always a treat. Everyone else is largely forgettable, but the film manages to shoehorn in cameos from Jay and Silent Bob, and Carrie Fisher, which just adds to surrealism of it all.
Not Wes Craven's finest hour by a long shot, but still an enjoyable enough slasher, and still a part of a hugely important horror series.
Scream is known for being a meta commentary on the general ins and outs of the horror genre, but I would argue that it goes a little overboard this time around. A big part of the plot revolves around a huge retcon, changing the established backstory set up in the first movie. Cue a somewhat forced cameo from fan favourite character Randy to explain the rules of a trilogy to the surviving leads (and poke fun at this plot development) but it fails to distract from the fact that this narrative is a complete mess.
The killers motives and patterns are unclear and constantly change, and the eventual twist and identify reveal of this movies Ghostface is hugely underwhelming, and is just re treading ground that has already been explored in the previous Scream films. Also, that voice changing plot device is just dumb.
In response to the public outcry of media violence following the Columbine shootings, there is a lot less gore this time around which also hurts the overall experience. It loses its shock factor that was particularly prevalent in the original, and gives the film a sort of blunt edge, and instead focuses on the hit and miss comedy aspect.
All this being said, Scream 3 is still enjoyable when it needs to be. The returning trio of Neve Campbell, Courtney Cox, and David Arquette is essential to that particular element. These characters have been fleshed out well over these movies, and seeing them together on screen is always a treat. Everyone else is largely forgettable, but the film manages to shoehorn in cameos from Jay and Silent Bob, and Carrie Fisher, which just adds to surrealism of it all.
Not Wes Craven's finest hour by a long shot, but still an enjoyable enough slasher, and still a part of a hugely important horror series.
Lyndsey Gollogly (2893 KP) rated The Jaguar King (The Wild Rites Saga #1) in Books
Apr 12, 2021
50 of 250
Kindle
The Jaguar King ( The Wild Rites saga book 1)
By Anne Mcilwraith
Once read a review will be written via Smashbomb and link posted in comments
Magic is real? Big deal. Bills still gotta be paid.
Especially when you’re heading into vet med. Emma Chase is nothing special – if anything, with a roomie who turns into a jaguar on a regular basis, she’s the sidekick, not the heroine. Her superpowers have more to do with acing her finals and overworking herself. Knowing her best friend’s secret makes it easier to justify her own inclination to keep people at a distance, but it doesn’t change her life.
Until others like him show up on her doorstep, convinced she’s the fated savior of their race, telling her she’s destined to command the magic of – well, Emma doesn’t quite catch that part, she’s too busy getting her ass the hell out of there.
What she does know? The Jaguar King is after her, his rivals want her dead, and she doesn’t have to believe in prophecy to believe they’ll stop at nothing to catch her.
Violence. Magic. Inappropriate humor. Step into a world of wonder and savagery in a gritty urban fantasy with an unlikely heroine, sizzling heroes, and complicated villains. The Jaguar King is a full-length read and the first in a series, and all the books have satisfying resolutions as well as a series-spanning story arc. Definitely no cliff-hangers – just bad-ass shifters with one goal: claim the prize. Claim the Caller of the Blood.
I so wanted to give this more than 2 stars! The main character is good she can kick ass and has sass but it’s all a bit over complicated. I found it rushed in places and hard to read in others. It’s not all bad though I’ve been dying for a spider shifter for so long and in this area I was not disappointed and I love the link that Emma has with Fern!
The fighting scenes were a bit all over the place too nothing seemed clear.
For me overall it showed promise just didn't deliver.
Hazel (2934 KP) rated The Stolen Child (Hanlon Series #1) in Books
Jan 21, 2021
Well, crikey, that was a tough but exciting read that I wasn't able to put down despite the content.
I haven't read anything by this author before and missed this first time round when it was published under a different name but I'm so glad I didn't let it pass me by this time because what a treat it is, although it should come with a warning as there are some very unsavoury sections regarding child abuse that will upset people so be warned.
What we have here is a hard-hitting, gritty and dark story that starts at a fairly gentle pace whilst introducing the main characters but then, wow, it ramps up and doesn't stop until the end. The characters are exceptional and so well described that I could clearly see them in my mind.
The main character, DI Hanlon, is driven by her own form of justice and won't shy away from any situation even if it goes against the letter of the law - she will do what it takes to bring those responsible for despicable crimes to justice and she doesn't hold back. She is one tough cookie and I doubt any miscreant out there would want to be on her bad side!
The sense of tension Mr Coombs developed was palpable and the emotions this book evoked were so strong that I actually felt my heart-rate climbing and experiencing real anger and hatred towards some of the characters - not many books do that which, to me, shows the ability of the author to really draw you in and develop people and situations that get under your skin.
Due to the subject matter and the level of violence contained, this won't appeal to everyone however I would certainly recommend it to those who enjoy a less than flowery police procedural that is likely to be more realistic than most other books in the genre.
Many thanks to Boldwood Books and NetGalley for my copy in return for an honest, unbiased and unedited review and for introducing me to yet another excellent British author.
I'm off to read the second in the series now - The Innocent Girl.
I haven't read anything by this author before and missed this first time round when it was published under a different name but I'm so glad I didn't let it pass me by this time because what a treat it is, although it should come with a warning as there are some very unsavoury sections regarding child abuse that will upset people so be warned.
What we have here is a hard-hitting, gritty and dark story that starts at a fairly gentle pace whilst introducing the main characters but then, wow, it ramps up and doesn't stop until the end. The characters are exceptional and so well described that I could clearly see them in my mind.
The main character, DI Hanlon, is driven by her own form of justice and won't shy away from any situation even if it goes against the letter of the law - she will do what it takes to bring those responsible for despicable crimes to justice and she doesn't hold back. She is one tough cookie and I doubt any miscreant out there would want to be on her bad side!
The sense of tension Mr Coombs developed was palpable and the emotions this book evoked were so strong that I actually felt my heart-rate climbing and experiencing real anger and hatred towards some of the characters - not many books do that which, to me, shows the ability of the author to really draw you in and develop people and situations that get under your skin.
Due to the subject matter and the level of violence contained, this won't appeal to everyone however I would certainly recommend it to those who enjoy a less than flowery police procedural that is likely to be more realistic than most other books in the genre.
Many thanks to Boldwood Books and NetGalley for my copy in return for an honest, unbiased and unedited review and for introducing me to yet another excellent British author.
I'm off to read the second in the series now - The Innocent Girl.
LeftSideCut (3776 KP) rated Titans - Season 1 in TV
Sep 26, 2019 (Updated Jan 7, 2020)
A silly good surprise
Contains spoilers, click to show
In a world awash with CW shows based on DC comics (don't get me wrong, I have a small space in my heart for the 'Arrowverse'), who would have thought that a live action series based on Teen Titans would absolutely smash it out of the park!?
When the trailers dropped for Titans, I was intrigued, slightly worried that it would be linked to the sub par DCEU - it's not by the way, and it's also seperate from CW universe, allowing Titans to do its own thing, and do it well.
Titans is both gritty and colourful, both humourous and emotional, and hugely enjoyable.
The main cast are introduced slowly, but it doesn't take long for the group to matter to you.
Brenton Thwaites (Robin), Teegan Croft (Raven), Anna Diop (Starfire), and Ryan Potter (Beast Boy) form the core team and are all extremely likable.
Alan Ritchson and Minka Kelly (Hawk and Dove respectively) drop in from time to time to flesh out the team, and provide some of the series more emotional moments. In fact, one episode is dedicated entirely to their origins and how they met, and it's one of the seasons strong points.
Another great episode early on introduced us to the Doom Patrol (who includes bloody Brendan Fraser!) providing the jump off episode for the Doom Patrol spin off show. This episode is probably the funniest episode in the series.
Elsewhere we are introduced to other DC characters such as Jason Todd, Wonder Girl, Trigon, Superboy, and the Nuclear Family, and it shows that Titans has been able to establish a far reaching universe in the space of 11 episodes.
The season finale is a real treat, which is sort of based in Gotham. We are treated to Batman references galore, given glimpses of his rogues gallery, and absolutely crazy climatic action scene involving the Bat himself.
Titans is drenched in bad language, and moments of nasty violence, flexing itself as an adult show from the get go, and it's a huge strength.
I can't wait to see where it goes in the future!
When the trailers dropped for Titans, I was intrigued, slightly worried that it would be linked to the sub par DCEU - it's not by the way, and it's also seperate from CW universe, allowing Titans to do its own thing, and do it well.
Titans is both gritty and colourful, both humourous and emotional, and hugely enjoyable.
The main cast are introduced slowly, but it doesn't take long for the group to matter to you.
Brenton Thwaites (Robin), Teegan Croft (Raven), Anna Diop (Starfire), and Ryan Potter (Beast Boy) form the core team and are all extremely likable.
Alan Ritchson and Minka Kelly (Hawk and Dove respectively) drop in from time to time to flesh out the team, and provide some of the series more emotional moments. In fact, one episode is dedicated entirely to their origins and how they met, and it's one of the seasons strong points.
Another great episode early on introduced us to the Doom Patrol (who includes bloody Brendan Fraser!) providing the jump off episode for the Doom Patrol spin off show. This episode is probably the funniest episode in the series.
Elsewhere we are introduced to other DC characters such as Jason Todd, Wonder Girl, Trigon, Superboy, and the Nuclear Family, and it shows that Titans has been able to establish a far reaching universe in the space of 11 episodes.
The season finale is a real treat, which is sort of based in Gotham. We are treated to Batman references galore, given glimpses of his rogues gallery, and absolutely crazy climatic action scene involving the Bat himself.
Titans is drenched in bad language, and moments of nasty violence, flexing itself as an adult show from the get go, and it's a huge strength.
I can't wait to see where it goes in the future!
Gareth von Kallenbach (980 KP) rated Patriots Day (2016) in Movies
Jul 12, 2019
There are events in history that are burned into our memories. The attack on Pearl Harbor, JFK assassination, Challenger explosion, Oklahoma City bombing, and 9/11 stand out as moments when their respective generations ask “where were you when?” The same can be said with the Boston Marathon bombing of 2013. In Patriot’s Day we bear witness to the various people involved with the events that unfolded during that week. We are reminded of the tension and fear that the nation experienced as law enforcement tried to find those responsible. The film reopens a wound that has just begun to heal so that we are reminded of the vulnerability that everyone, from every walk of life has to terrorism and acts of violence.
Patriot’s Day stars Mark Wahlberg as a police officer and native Bostonian who is placed on duty for the Boston Marathon. The film is not about him or his personal experience. Rather, the film is more about the myriad of individuals who witness or fall victim to the attack that day. Unlike similar films that deal with the topic of terrorism, the film does not focus on the effect the events have on one or two people. The film is complex and demonstrates the circumstances of the attack, the investigation, the apprehension, and the personal experiences through a variety of voices and faces. The film makes the experience personal and does not depend on sensationalism to sell the story.
The film will captivate those that see it in being able to learn more about the individuals involved or who fell victim. It is also remarkable in its ability to weave the storytelling so that each player has a strong development before their portion of the tale is fully realized. It allows for an appreciation of the individuals involved and demonstrates that they are more than just names in a report. Patriot’s Day is a film that will open wounds for those who witnessed and experienced the events first-hand, but allows for those who have little to no memory of that week to delve deeper into the way that the events played out and truly understand the manner in which the city of Boston went from hurting, to healing, to being strong.
Patriot’s Day stars Mark Wahlberg as a police officer and native Bostonian who is placed on duty for the Boston Marathon. The film is not about him or his personal experience. Rather, the film is more about the myriad of individuals who witness or fall victim to the attack that day. Unlike similar films that deal with the topic of terrorism, the film does not focus on the effect the events have on one or two people. The film is complex and demonstrates the circumstances of the attack, the investigation, the apprehension, and the personal experiences through a variety of voices and faces. The film makes the experience personal and does not depend on sensationalism to sell the story.
The film will captivate those that see it in being able to learn more about the individuals involved or who fell victim. It is also remarkable in its ability to weave the storytelling so that each player has a strong development before their portion of the tale is fully realized. It allows for an appreciation of the individuals involved and demonstrates that they are more than just names in a report. Patriot’s Day is a film that will open wounds for those who witnessed and experienced the events first-hand, but allows for those who have little to no memory of that week to delve deeper into the way that the events played out and truly understand the manner in which the city of Boston went from hurting, to healing, to being strong.