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The Purge: Election Year (2016)
The Purge: Election Year (2016)
2016 | Action, Horror, Mystery
Sen Roan (Elizabeth Mitchell) was the only member of her family to survive the Purge as a youth. Years later she runs on the platform of ending the Purge and exposing the various factors and rationale in its implementation and continuance. She and many others see the Purge as nothing more than a way for the powers that be and the wealthy to stay in power at the expense of the poor and people of color. As the Purge approaches, the American people are being torn as to the direction that their nation should take. The New Founding Fathers of America (NFFA) see the threat that Sen. Roan poses and seek out to use the annual purge as a way to rid themselves of her and those that seek to change the system that they have put into place.

Purge: Election Year is not about mindless killing as those who are unfamiliar with the series would assume. The films are a mirror being held back on American Society to make us think about what we would do in similar situations if faced with them. The horror of the film is not in the shocking scenes, violence, or gore. What we can find to be truly scary is that many people only need to be given the option of financial gain or the removal of any repercussions in order to engage in such nefarious activity. The Purge: Election Year allows us to live vicariously through the trauma presented on-screen and the ability to leave at any time that we feel too uncomfortable with what is being presented. The films, especially this third iteration demonstrates to its audience what class warfare looks like and what happens when the populace is truly deceived by its media and politicians. It is a true dystopian reality that some people might welcome for all the wrong reasons.

The action of the film is inventive. The plot is on par with what you would expect for an action-horror film. It is the touch of reality and characters that are not limited to two dimensions that truly allows the film to create a deeper connection with the audience so they find themselves rooting for the “good guys” to not just win, but to survive the night. Viewers and fans of action, horror, political drama, and suspense will all be satisfied with The Purge: Election Year. Fans new and old of this franchise will leave theaters hoping for this to become a lasting franchise that has fresh ideas and storylines each time.
  
Polar (2019)
Polar (2019)
2019 | Action, Crime
Brutal shoot 'em up violence throughout, kinda has that old school "spaghetti western" feel to it, with the silent protagonist, Vanessa Hudgens performance is really good too (0 more)
I hated the villian, but I guess thats the point, right? I mean if they can make you feel something like that you know they've done a good job with creating that villian/badguy (0 more)
The Black Kaiser - 8/10
Polar is a 2019 neo-noir/action movie based on the Dark Horse Comics, webcomic series Polar: Came From The Cold, written by Victor Santos. It is directed by Jonas Akerlund and written by Jayson Rothwell. Starring Mads Mikkelsen, Vanessa Hudgens, Katheryn Winnick, and Matt Lucas.


Duncan Vizla, a.k.a. "the Black Kaiser" (Mads Mikkelsen), is an assassin for the Damocles corporation. It is company policy that all assassins retire at age 50. He checks with a doctor about his health which is good and his accountant about his wealth; which having made the maximum pension fund contributions as possible, has him set for life. In 14 days, on his 50th birthday, he'll be entitled to a payout of $8 million dollars. Mr. Blut (Matt Lucas), has Vivian (Katheryn Winnick), Duncan's handler, contact him for one last mission. Unbeknownst to Duncan this is a plan to have him killed to avoid paying out his pension.


This me was awesome despite what critics say. I read a lot of bad comments talking about it being abhorrent and vulgar. It is rated TV-MA and not for kids and it is very adult. Plus it is a movie about assassins, people who kill for money, so what do you expect. I was surprised how much I liked the Black Kaiser character, since he didn't speak much during the film. Almost felt like a spaghetti-western in some ways, with the silent gunslinger aspect to it. I thought the film was very well done when it came to the acting, the action, and the plot. I'm sure that there are points to what the critics have said but the movie was too awesome for me to care. One thing, the main bad guy i didn't much care for. He did get me to not like him and with acting that's harder than getting people to like you. Also I enjoyed the group of assassins who are employed with the Damocles corporation, for the most part they were pretty interesting and diverse and added something extra to the film. And I was not prepared for Vanessa Hudgen's character but she had a surprising role and did very well too. I give this movie a 8/10.
  
Final Space
Final Space
2018 | Animation, Comedy, Sci-Fi
8
7.2 (26 Ratings)
TV Show Rating
Everything You Could Ask For In A Cool Space Cartoon
Contains spoilers, click to show
At first I thought this show was just going to be a comedy. Kind of like a Futurama type but in space, instead of in the future. I've never been happier to come into a show like Final Space not really knowing what I was getting myself into. I was pretty hyped for the show when I saw the original tv spots and the clip(s) when Olan Rogers came out on the Conan O'Brian show, but that first episode really set the tone. I really like when a show has good story arc and you can tell it's going in a certain direction where the episodes are not meaningless and Final Space does that but doesn't sacrifice on character or become too deeply plot driven. The plot is there and it feels like the characters motivations just naturally move the plot. For instance Gary's backstory of why he's a prisoner, which is hilarious by the way, and how he's been alone for nearly 5 years totally plays into why he has cabin fever and wants to get out/off the ship and be around actual people. KVN, as annoying as he is, actually made sense to me because someone like that, that can drive you crazy, probably would keep you sane if you were by yourself for years. For some people Gary might come off as a little annoying at first but I've dealt with more annoying characters who I totally grew to love like Naruto or Asta from Black Clover. I also enjoyed the character development and introduction of additional characters and how things change on the show from episode to episode and season 1 to season 2. What I wasn't prepared for was the emotional scenes, more than once this show has made my eyes misty. One thing that surprised me was the amount of action in the show and how it depicts violence. The show isn't shy when it comes to blood or guts and Gary even loses his arm in a fight against the Lord Commander who "force" rips it off of his body. There's a part where Gary must wear the skin of a dead alien to go incognito. Even Mooncake goes on a killing spree when he's put in gladiator style animal fight club. Definitely give this show a chance if you haven't already. As I said above I give it 8/10 and my "Must See Seal Of Approval".
  
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Heather Cranmer (2721 KP) rated Penpal in Books

May 12, 2021  
Penpal
Penpal
Dathan Auerbach | 2012 | Horror, Mystery
6
8.0 (3 Ratings)
Book Rating
I love books that keep you guessing throughout the story. When I heard about Penpal by Dathan Auerbach through a Facebook group I'm in, it sounded right up my alley. However, I was left with so many questions after finishing the book.

The premise for the plot of Penpal is an interesting one. I liked how Auerbach uses the narrator's memories to lead us up to big reveal of what the horrible thing is. However, the execution of this is where it falls short. The memories are out of chronological order which makes things confusing. There were times where I had to really think about what I was reading and try to place it before or after another memory I had read about. Putting the memories in chronological order would have really benefitted this book much better. I will say the pacing was great for Penpal though. I did find myself wanting to know what would happen. The suspense throughout was fantastic! However, I felt the ending was a bit anti-climatic considering all that had happened. By the ending, I was left feeling so confused! I can't really say too much, but there were some things that just didn't make sense. Some of my questions were answered by scouring the internet for answers, but many of my questions about the book went unanswered. I also noticed many had the same questions I had. On the plus side, there were no cliff hangers.

While the narrator and his best friend felt fairly fleshed out, I felt that the author missed their voice when they were children. I just felt that that when they were kids, they would not be talking or acting the way they did. I also felt that the parents needed to keep an eye on their children better! The narrator is never named which I think helps with the suspense of this book. I did like the characters and empathized with the narrator, but as I've stated previously, the author really needed to work on the voice of his characters as children to give them a more realistic feel.

Trigger warnings for Penpal include death, attempted murder, some profanity, implied pedophilia, violence, and kidnapping.

Overall, Penpal is a confusing book, but I did enjoy the writing style. With some rewriting, this book could be really good and even have the potential to be a great idea for a film. I'd recommend Penpal by Dathan Auerbach to those 16+ who like to figure things out on their own, but be prepared to be left with many questions after you've finished reading it.
  
Pickup on South Street (1953)
Pickup on South Street (1953)
1953 | Classics, Drama, Mystery
(0 Ratings)
Movie Favorite

"I remember being baffled by the first Sam Fuller film I saw when I was in my late teens or early twenties, a revival at the old St. Mark’s theater on Second Avenue in New York. The audience was guffawing and cheering and I thought it was really stupid: some kind of condescending intellectual slumming, about a movie that looked to me like plain harmless, and pretty much sincere, if inept, cheap melodramatic exposé. It was Shock Corridor. The movie was bad, but the audience was worse. I can’t remember which film turned me around. The Naked Kiss? That’s a great one, as is Shock Corridor. Eventually I also learned how highly Fuller is rated by the most intellectual film analysts. I think what makes Fuller so popular with them is Fuller’s unpretentiousness, not because it’s naive, but because it makes him a purer example of filmmaking talent: since there’s no subtlety, no subtext, no self-consciousness, it means that to enjoy it you’ve got to enjoy it for the pure, abstract methods of film as film. Famously, his roots are in two realms, tabloid journalism and World War II (where he saw a lot of action with the infantry). In a scene at a party in Godard’s Pierrot le fou, when he’s asked what cinema is, he says, “Film is like a battleground: love, hate, action, violence, death. In one word: emotion.” And that’s the way his films feel: like they’re emotion, the way music is. They’re not about ideas except on the most basic level, like a tabloid. They’re “hard-boiled,” and there’s tabloid/sensationalist fury and irony. His fight scenes are thrilling and like no one else’s; you can recognize them in a second. His style altogether is distinctive. Everything is in your face. Lots of close-ups, lots of tracking in for close-ups, long takes with plenty of camera movement. It is like pulp journalism, like a fluid Weegee. Emotion. As corny and cartoony as she is, Thelma Ritter’s last scene in this is really moving. She actually got an Academy Award nomination for supporting actress for the role. The close-up smooching of Richard Widmark and Jean Peters can leave you breathless too, even though the sessions usually end with him mocking or slapping her. In 1974, when I was first singing my song “Love Comes in Spurts” at CBGB, I sometimes used to introduce it with the line that comes when Widmark’s kissed an eager Peters and she’s told him she really likes him and he sneers, “Everybody likes everybody when they’re kissing.”

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