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Contains spoilers, click to show
3.5
This was definitely new level of apocalypse! I've read a few Dystopians (The Hunger Games and Divergent, for example) but none were quite like this. The idea is intriguing - something is causing people to turn into violent maniacs who usually murder those surrounding them before bringing themselves to death. I'm many, many ways, the fact these characters cannot see - are not allowed to look - at what's causing so much chaos is the suspense, leaving you with questions such as: what are they, why do they exist and how do they exist, what is their purpose, what do they want? I never would have thought of it without Tom's insight, but I suppose he had a point - are these creatures consciously evil of the destruction they are causing? Either way, it makes for an interesting, albeit frustrating, concept. I chose to read this before watching the movie and I can understand how this could play out better on the big screen, but I feel like Josh did an excellent job at using the absence of sight with his words. I read Bird Box in one sitting, was curious about the nature of these creatures, interested in the possibility of a relationship between Tom and Malorie. The ending felt like it could have been final: Malorie and the kids and up at their destination and live happily ever after; but I'm fully aware there is at least one more novel, which I look forward to reading so I can hopefully get more answers about these deadly creatures.
This was definitely new level of apocalypse! I've read a few Dystopians (The Hunger Games and Divergent, for example) but none were quite like this. The idea is intriguing - something is causing people to turn into violent maniacs who usually murder those surrounding them before bringing themselves to death. I'm many, many ways, the fact these characters cannot see - are not allowed to look - at what's causing so much chaos is the suspense, leaving you with questions such as: what are they, why do they exist and how do they exist, what is their purpose, what do they want? I never would have thought of it without Tom's insight, but I suppose he had a point - are these creatures consciously evil of the destruction they are causing? Either way, it makes for an interesting, albeit frustrating, concept. I chose to read this before watching the movie and I can understand how this could play out better on the big screen, but I feel like Josh did an excellent job at using the absence of sight with his words. I read Bird Box in one sitting, was curious about the nature of these creatures, interested in the possibility of a relationship between Tom and Malorie. The ending felt like it could have been final: Malorie and the kids and up at their destination and live happily ever after; but I'm fully aware there is at least one more novel, which I look forward to reading so I can hopefully get more answers about these deadly creatures.
LeftSideCut (3778 KP) rated Logan (2017) in Movies
Sep 20, 2019 (Updated Sep 20, 2019)
The crown jewel in Fox's X-Men saga
Logan is easily one of the best comic book movies out there.
This is the third solo outing for Wolverine (following one garbage pile attempt, and one annoyingly average attempt), James Mangold really pulled it out of the bag for this one.
The characters are great - Hugh Jackman at the top of his game for his final performance as Logan. He's a grizzled and pain ridden man, in this bleak, mutantless future.
Patrick Stewart is also at his best here as Charles Xavier. The two of them are the beating heart of this movie.
We're introduced to Dafne Keen (playing a young X-23) who rounds out the small cast nicely.
As Logan fights a shadowy organization to keep her safe, the stakes have never been higher, and no one feels safe at any point - something that has never really been explored in the X-Men franchise.
Logan is a hard film to watch, it's bleak, its gritty, it's not particularly colourful (especially if you opt for the brilliant Noir version), and it's brutally violent in parts.
The set pieces are nasty in places, and sometimes pretty shocking, but it all aids the narrative here - the narrative that Wolverine is an ailing old man, who is struggling against all odds to do one last good deed, and protect the few people that still mean something to him.
It's an emotional and powerful film, that deserves all the praise bestowed upon it - amazing work from everyone involved .
This is the third solo outing for Wolverine (following one garbage pile attempt, and one annoyingly average attempt), James Mangold really pulled it out of the bag for this one.
The characters are great - Hugh Jackman at the top of his game for his final performance as Logan. He's a grizzled and pain ridden man, in this bleak, mutantless future.
Patrick Stewart is also at his best here as Charles Xavier. The two of them are the beating heart of this movie.
We're introduced to Dafne Keen (playing a young X-23) who rounds out the small cast nicely.
As Logan fights a shadowy organization to keep her safe, the stakes have never been higher, and no one feels safe at any point - something that has never really been explored in the X-Men franchise.
Logan is a hard film to watch, it's bleak, its gritty, it's not particularly colourful (especially if you opt for the brilliant Noir version), and it's brutally violent in parts.
The set pieces are nasty in places, and sometimes pretty shocking, but it all aids the narrative here - the narrative that Wolverine is an ailing old man, who is struggling against all odds to do one last good deed, and protect the few people that still mean something to him.
It's an emotional and powerful film, that deserves all the praise bestowed upon it - amazing work from everyone involved .
Eleanor (1463 KP) rated Elevator Pitch in Books
Sep 22, 2019 (Updated Sep 22, 2019)
Not for those living the high rise life......
Well I made the mistake of reading this while on holiday in Vegas and having to deal with a lot of elevators!!! When an elevator accident in Manhattan is followed by more on following day it soon becomes clear there's more going on than a simple malfunction and the incidents are terrifyingly portrayed.
Along with the elevator incidents a number of other violent crimes are occurring and Elevator Pitch sets out to take you on a twisty tale to see how these things are all connected or not. Unfortunately the path was a bit too twisty for my liking; constant and numerous POV changes made it hard to really get much of a feel for the characters leaving them all feeling a bit flat.
I did love the core idea and story line of elevators being used as a way to terrorise a city and the little stories around the hapless victims and the incidents themselves were very vivid and tense. However the numerous side threads / red-herrings that added so little to the story made it a bit of a drag in places. No real surprise on the bad guy but I do read a lot of crime books so it takes a lot to throw me. Very interesting concept just didn’t quite hit the high I hoped for.
My thanks to the author, publisher and NetGalley for the ARC of this book in exchange for an honest review.
Along with the elevator incidents a number of other violent crimes are occurring and Elevator Pitch sets out to take you on a twisty tale to see how these things are all connected or not. Unfortunately the path was a bit too twisty for my liking; constant and numerous POV changes made it hard to really get much of a feel for the characters leaving them all feeling a bit flat.
I did love the core idea and story line of elevators being used as a way to terrorise a city and the little stories around the hapless victims and the incidents themselves were very vivid and tense. However the numerous side threads / red-herrings that added so little to the story made it a bit of a drag in places. No real surprise on the bad guy but I do read a lot of crime books so it takes a lot to throw me. Very interesting concept just didn’t quite hit the high I hoped for.
My thanks to the author, publisher and NetGalley for the ARC of this book in exchange for an honest review.
We Shall Not All Sleep
6.0
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Seven Island has two houses. One for Hillsingers and one for Quicks. 1964. The Hillsingers and...
Jesters_folly (230 KP) rated Unhinged (2020) in Movies
Jul 31, 2020
Contains spoilers, click to show
After a confrontation at a set of traffic lights, Rachel finds herself in a race for the survival of her family, friends and herself.
Russell Crowe plays a man who has had enough, imagine if a film like 'Falling Down' had continued (or had a sequel) where the main character had gone completely off the rails and you'd have Crowe's character. After being honked by Rachel at a set of traffic lights the Man decides to teach her what a bad day is really like. After terrorising Rachel as she drives around the Man moves on to attacking and killing her friends and family, blaming Rachel for her actions.
There is a lot driving in Unhinged, Rachel spends most of the time in her car either avoiding the man or trying to plan what to next and the man switches between chasing Rachel or terrorising her family.
The moral of the film is that road rage is everywhere, be polite to people because you don't know who you're talking to and that you can use 'Fortnight' tactics in real life.
Once it gets going, Unhinged doesn't give up, there's violence, torture and threat interspersed with car chases that also contain threat.
Unhinged also tries to comment on society, as the man kills one of Rachel's friends, people look on, film the event or walk away but no one tries to help, some people do call the police but no one tries to stop the man.
Unhinged is fast paced, and violent, I found it a bit predictable but still enjoyable.
Russell Crowe plays a man who has had enough, imagine if a film like 'Falling Down' had continued (or had a sequel) where the main character had gone completely off the rails and you'd have Crowe's character. After being honked by Rachel at a set of traffic lights the Man decides to teach her what a bad day is really like. After terrorising Rachel as she drives around the Man moves on to attacking and killing her friends and family, blaming Rachel for her actions.
There is a lot driving in Unhinged, Rachel spends most of the time in her car either avoiding the man or trying to plan what to next and the man switches between chasing Rachel or terrorising her family.
The moral of the film is that road rage is everywhere, be polite to people because you don't know who you're talking to and that you can use 'Fortnight' tactics in real life.
Once it gets going, Unhinged doesn't give up, there's violence, torture and threat interspersed with car chases that also contain threat.
Unhinged also tries to comment on society, as the man kills one of Rachel's friends, people look on, film the event or walk away but no one tries to help, some people do call the police but no one tries to stop the man.
Unhinged is fast paced, and violent, I found it a bit predictable but still enjoyable.
Jesters_folly (230 KP) rated Pontypool (2009) in Movies
Jun 7, 2020
Shock Jock Grant Mazzy starts a new job as the morning DJ for the small-town radio station of Pontypool in Ontario, Canada. Struggling with the change of pace Grant and the rest of the stations staff are unprepared for the reports of rioting that start to flood into the show.
Pontypool takes ‘Outbreak’ and ‘Zombie’ movies and adds a nice little twist. The majority of the movie is set in the confines of a small radio station and the three leads are fed information via phone calls and police broadcasts which means that they and therefore the viewer doesn’t see what is happening in the town. The film handles this restricted setting well, slowly building up the atmosphere and tension felt by the three main cast members and playing on Grant’s lack of ‘Small town experience’.
Unlike a lot of zombie movies, Pontypool doesn’t have a lot of visible blood and gore, having most of the violence described instead of shown. This makes the one or two violent scenes even more meaningful as they aren’t just there for the sake of the gore but do actually add something to the atmosphere and story, this is also helped by the fact that we don’t knowingly see a zombie until past the half way point.
Pontypool is an interesting, atmospheric film that relies on story over the need for effect, not only due to any budget restrictions but also because that is what the type of story it is trying to tell.
Pontypool takes ‘Outbreak’ and ‘Zombie’ movies and adds a nice little twist. The majority of the movie is set in the confines of a small radio station and the three leads are fed information via phone calls and police broadcasts which means that they and therefore the viewer doesn’t see what is happening in the town. The film handles this restricted setting well, slowly building up the atmosphere and tension felt by the three main cast members and playing on Grant’s lack of ‘Small town experience’.
Unlike a lot of zombie movies, Pontypool doesn’t have a lot of visible blood and gore, having most of the violence described instead of shown. This makes the one or two violent scenes even more meaningful as they aren’t just there for the sake of the gore but do actually add something to the atmosphere and story, this is also helped by the fact that we don’t knowingly see a zombie until past the half way point.
Pontypool is an interesting, atmospheric film that relies on story over the need for effect, not only due to any budget restrictions but also because that is what the type of story it is trying to tell.
Enigma (FBI Thriller, #21)
6.7
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The highly anticipated twenty-first FBI thriller by #1 New York Times bestselling author Catherine...
crime thriller
Once Upon A (The Stained Duet #1)
7.5
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Alana Williams is three published authors. She has been for years, but now she wants to add another...
anti-hero bdsm contemporary dark erotic romance
Somebody’s Daughter (Detective Natalie Ward #7) by Carol Wyer
7.0
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One by one the girls disappeared… When the frail body of a teenage girl is discovered strangled...
Mystery Police Procedural Book series Crime Drama
The London Monster
8.0
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In 1788, exactly one hundred years before Jack the Ripper terrorizes the people of London, a sexual...
Historical Fiction