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Donald Robertson recommended Bright Young Things: London in Books (curated)

 
Bright Young Things: London
Bright Young Things: London
Brooke de Ocampo, Jonathan Becker | 2002 | Home & Garden
(0 Ratings)
Book Favorite

"There was something odd about how much I loved this book. Looking back I realize it was the precursor to Instagram. It was social sharing pre iPhone. Pour through it today— it’s like a day’s worth of scrolling. It was the beginning of global voyeurism. I love this book for this reason."

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Ed Helms recommended Rear Window (1954) in Movies (curated)

 
Rear Window (1954)
Rear Window (1954)
1954 | Classics, Drama, Mystery
8.3 (23 Ratings)
Movie Favorite Watch

"Rear Window. A little Hitchcock action. It’s just a hell of a good thriller. It’s so simple. It’s such a simple idea. It’s beautifully constructed as a story, and it’s Hitchcock at his best, where it’s kind of scary and building tension, but then also lots of laughs throughout the whole thing, lots of second guessing — Where are we, who’s right, who’s wrong? — and Jimmy Stewart is at his best. He’s wheelchair-bound with a giant cast on his leg, but it’s still one of his great physical performances. I just love how the tension builds and builds, and it’s a real kind of filmmaker’s film because the themes of voyeurism and projecting your own narrative onto things, I think, are baked into filmmaking as a form, and Hitchcock recognizes that and had a lot of fun with it, and I think we can all see ourselves in that a little bit."

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Jack Reynor recommended Peeping Tom (1960) in Movies (curated)

 
Peeping Tom (1960)
Peeping Tom (1960)
1960 | Horror, Thriller
7.8 (16 Ratings)
Movie Favorite

"When Peeping Tom was released in 1960 it was savaged by critics who’d seen the film at a special press screening. Those British critics must have been outraged with Michael Powell, whom they had trusted as a director who would reinforce their British identity and value system. That trust must have been completely broken by this scathing indictment of voyeurism and extreme violence. There are many similarities between this and Alfred Hitchcock’s Psycho, released the same year, and Hitchcock shrewdly avoided press screening his film after having seen Powell’s fate just a few months before. Powell’s career was over, with the exception of a few obscure projects, but the culture of slasher films was just beginning. And whether people realized it or not, this was ground zero. Critical reappraisal of Peeping Tom has secured the film where it belongs, in the category of crucially important cinema. Personally, I prefer Powell’s film to Hitchcock’s, but both should be regarded as examples of great horror cinema that demands critical thought and analysis."

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