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Uncut Gems (2019)
Uncut Gems (2019)
2019 | Comedy, Crime, Drama
Erm..... nothing? (0 more)
Everything! (0 more)
Loud but D-U-L-L
Slightly bemused by the high ratings this films seems to have attracted.

Unlikable, unsympathetic jeweller is a complete ar*e to pretty much everyone (screwing over business associates, cheating on his wife, completely self-absorbed). Do I care if he is assaulted by some unhappy 'business associates', well not really. There's nothing to make me feel anything towards any of the characters - they are flatter than pancakes. So much for plot and characterisation.

They have also saved enormously on the budget without bothering to have anyone write dialogue. What do you need with proper dialogue when the cardboard characters can spend the whole film shouting "f*ck you" at top volume at each other all the way through? I like to think I'm not particularly prudish about swearing, but when that's all there seems to be and it's delivered at top volume it all gets a little tedious. Well, quite a lot tedious actually.

Maybe this film has a fantastic ending and I completely missed the point, but I will never know and frankly I don't much care! I got bored to tears pretty early on and luckily my husband had had more than enough about an hour in. Since we'd already seen at least one other party leave, we decided to follow suit.... and then met someone else leaving in the cinema foyer. I don't think I've ever had to walk out of a film before. I wasn't interested at all and the volume and inanity just did my head in.

There are some great films out at the moment. This isn't one of them. Avoid like the Coronavirus.
  
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Austin Garrick recommended Repo Man (1984) in Movies (curated)

 
Repo Man (1984)
Repo Man (1984)
1984 | Comedy, Sci-Fi
7.0 (6 Ratings)
Movie Favorite

"Sometimes my biggest reasons for connecting to a film are simple, primitive, just about a feeling. Videodrome and Repo Man are two that fit into that category. In addition to the fact that it costars Debbie Harry in my favorite roll of hers, I love Videodrome for its particular use of my hometown, Toronto. Sure, Toronto is used in films all the time, but usually disguised as New York, or Chicago or Detroit. No filmmaker has used Toronto better and more consistently over the years than our hometown hero Cronenberg, though, and Videodrome he shot and set in the downtown Toronto of my childhood, complete with a central part of the story revolving around our local cable station CityTV (as “Civic TV,” the station James Woods’s character, Max Renn, works for), which really did play soft-core porn if you stayed up late enough. To this day, my dad lives on the street Max Renn lives on, and Barry Convex’s Spectacular Optical is a bakery on the same street as the Electric Youth studio downtown, just a minute away, making the connection both past and present. Repo Man has my favorite Criterion release cover art; it’s amazing and designed by movie poster artist Jay Shaw, who also designed the artwork for singles from our album Innerworld. With Repo Man you get Harry Dean Stanton in his first big-screen lead role, Emilio Estevez as his partner, and the streets of Reagan-era Los Angeles set to a classic punk soundtrack. What more would I need to love this film? Nothing. But like with all great Criterion selections, there’s always something new to take from it with every watch."

Source
  
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Austin Garrick recommended Videodrome (1983) in Movies (curated)

 
Videodrome (1983)
Videodrome (1983)
1983 | Horror, Sci-Fi

"Sometimes my biggest reasons for connecting to a film are simple, primitive, just about a feeling. Videodrome and Repo Man are two that fit into that category. In addition to the fact that it costars Debbie Harry in my favorite roll of hers, I love Videodrome for its particular use of my hometown, Toronto. Sure, Toronto is used in films all the time, but usually disguised as New York, or Chicago or Detroit. No filmmaker has used Toronto better and more consistently over the years than our hometown hero Cronenberg, though, and Videodrome he shot and set in the downtown Toronto of my childhood, complete with a central part of the story revolving around our local cable station CityTV (as “Civic TV,” the station James Woods’s character, Max Renn, works for), which really did play soft-core porn if you stayed up late enough. To this day, my dad lives on the street Max Renn lives on, and Barry Convex’s Spectacular Optical is a bakery on the same street as the Electric Youth studio downtown, just a minute away, making the connection both past and present. Repo Man has my favorite Criterion release cover art; it’s amazing and designed by movie poster artist Jay Shaw, who also designed the artwork for singles from our album Innerworld. With Repo Man you get Harry Dean Stanton in his first big-screen lead role, Emilio Estevez as his partner, and the streets of Reagan-era Los Angeles set to a classic punk soundtrack. What more would I need to love this film? Nothing. But like with all great Criterion selections, there’s always something new to take from it with every watch."

Source
  
Collection by Electric Light Orchestra
Collection by Electric Light Orchestra
1995 | Rock
(0 Ratings)
Album Favorite

"I grew up in London, but I spent my teens in the countryside, and I’d come to London on the weekends. It was the early stages of the band where we were meeting new people, getting drunk and stoned - all of those really formative experiences of exploring the decadent debauchery that London has to offer. Then at the end of the weekend I’d have to hop on a train and go back to the sanity of school life. “Whenever I hear this song it evokes that feeling, the sense of the early days of the band and discovering my gang. Your early twenties are about finding your tribe, which is what I did during that time by travelling to London and having those formative experiences with them. “Last Train to London” evokes that sense of finding where you belong, and it happens to contextually fit in with my experience at the time. “It’s a stark contrast to the previously mentioned songs, which are a little darker and heavier. It’s a feel-good tune to me, although it’s a song which has a kind of sad, bittersweet mood in the lyrics, like “I really want tonight to last forever / I really want to be with you.” I felt that bittersweet feeling at the time. “It’s also just a great disco banger! It’s mixed so loud and so relentlessly; and sonically it’s an incredible song. I’m uplifted whenever I hear it, it makes me feel elated. I always drop it when I DJ, it bulldozes the songs on either side of it when I play it."

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Mark Arm recommended Stooges by The Stooges in Music (curated)

 
Stooges by The Stooges
Stooges by The Stooges
1969 | Rock
9.4 (5 Ratings)
Album Favorite

"It's hard for me to choose between The Stooges and Fun House even though they're very different. I probably bought them within weeks of each other in 1980 when I was at college and I loved them both equally, you know? The first record has some of Ron Asheton's greatest guitar leads. The guitar sound is fantastic. It's occasionally got tribal drums which Fun House doesn't have. There's a whole different feel and Iggy's vocals are sort of detached. The Stooges opens up with '1969' and 'I Wanna Be Your Dog', but then there's this mellow thing that lasts nine minutes or something... Oh man! I kind of love 'We Will Fall' for its weirdness We did the Big Day Out in Australia in 1993 and that had us, Iggy, Nick Cave & The Bad Seeds, The Beasts Of Bourbon and a few other people on that bill, and we all got on stage to do 'I Wanna Be Your Dog' and had a ball. There's something primal about all of the Stooges. Fun House almost feels like a live set. It's got the show opener 'Down On The Street', it builds up a bit more with another couple of songs and then you flip it over and all of a sudden the saxophone kicks in. The song 'Fun House' in particular is kind of what jazz rock fusion should have been instead of Al Di Meola and shit like that. There's a jazz element but with a totally rocking rhythm section. I suppose I have chosen a lot of records with the sax on, I'm not opposed to the saxophone!"

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Dial M for Murder (1954)
Dial M for Murder (1954)
1954 | Crime, Mystery
A mid-tier episode of "Law & Order" from the 50s that's as mildly rousing as it is boring in a nearly 1:1 ratio. Yes the writing is impressively airtight, and always leaves you looking for some sort of holes to no avail - one of those films where you play a fun little guessing game in your head every time a character says or does something. Could they have slipped up? Do the other characters know that? But here's my main problem with this: it's so DRY holy shit. Yes the story is rigorously optimized for this sort of deal, but that's all there is to chew on here - nothing else. The characters in this movie exist only to explain and inform each other about the story as it happens - outside of the first couple scenes there are no little moments of interpersonal interaction between characters that involves anything else besides telling people what just happened, no moments of humor outside of a bad gay joke and a couple telegraphed duds, no personality building beyond how they react in relation to - again - the singular crime narrative. That's virtually every single scene, so it quickly feels like you're just watching the same thing over and over again. This goes straight past staunchly formal and almost into rudimentary, but Grace Kelly and Ray Milland are wonderful enough to carry this very talky one-trick pony along with the sheer attention to detail of the plot. Still definitely fair but way too straightforward, I can't act like dozens of better ones have been done even if this did potentially pave the way for a lot of them.
  
Buttercream Betrayal
Buttercream Betrayal
Kim Davis | 2022
8
8.0 (1 Ratings)
Book Rating
Murder Goes to the Dogs
In an attempt to train her woefully misbehaving dogs, Emory Martinez has signed them up for a dog obedience class run by Shawn Parker. The class has gotten rave reviews online, but Emory finds that it has done little for her two dogs, as evidenced by their misbehavior at the graduation potluck. It’s also at this potluck that Emory begins to hear gripes and grumblings not only about Shawn but his mother, Eloise, who is President of the condo association where most of Emory’s fellow students live. A few hours later, Emory stumbles over the dead body of Eloise in the condo’s community center. With the rumors that Emory has heard, can she sort out who killed Eloise?

I enjoy this series, so it was wonderful to see what Emory and the rest of the cast is up to. Once again, they were a delight to spend time with. The suspects could have been a little stronger, but they worked for their role in the story. The pacing of the plot could have been a little better as well, but it did keep me engaged as I was reading. I also enjoy the Southern California setting of the stories. The book uses its September setting to introduce lots of apple themed treats, and the recipes at the end made me drool. By necessity, this book spoils some past events, so if you want to read them unspoiled, I recommend you go back to the beginning. As a fan of the series, that would be my recommendation anyway. Fans will be anxious to dive into this book, and they’ll be well rewarded.