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Gareth von Kallenbach (980 KP) rated Horrible Bosses (2011) in Movies
Aug 7, 2019
We have all had them at some point in our life. You may even have one now. That’s right, I am talking about horrible bosses. So I was more than happy to go see Horrible Bosses, mostly to get suggestions on how to treat my subordinates. What? I never said that I was a great boss. But enough about me, the movie is about three friends whose superiors are making their lives unbearable, so they decide to murder their horrible bosses.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
Connor Sheffield (293 KP) rated Teen Titans Go! To the Movies (2018) in Movies
Aug 5, 2018
Hilarious (4 more)
Some great references
Surprise comedic cameo
Nice nods to the tv show
Credits scene
I wasn't sure what was even happening sometimes (1 more)
Seems a little extreme in places.
What did I just watch?
Okay so I haven't reviewed the tv show cos I haven't watched it in a while but I do love 'Teen Titans Go!' and many people ask me why?
Yes I was a fan of the original animated series and I'm a fan of Young Justice and they're both clearly superior animated shows, but it's nice to see something fun and childish starting your favourite characters now and then and the creators of TTG! Are DC fans as well so there's always some insanely great nods to other DC content from comics, to tv shows to Movies and more. So what's not to love?
This movie was hilarious because it's just so insane that you just have to think that the creators were high as hell when making this film. But it's easy to understand for children and has many great references to DC for the adult fans in the audience. A great soundtrack of silly songs and a great voice cast for the characters such as Will Arnett as Deathstroke and Nicholas Cage as Superman (an obvious reference to the Tim Burton Superman film that never got made that would have started Nicholas Cage as the Man of Steel himself). The humour was nothing really new compared to the tv show but they expanded upon it and seemed to drag some of the jokes out longer with some great comedic timing and a sense of "what the hell is going on!?"
Issues I had with the film was that in some parts it seemed to try a little too hard to make you laugh and it didn't always work. They tried to put in some serious messages as they do in the show but this seemed to slow down the pace all of a sudden so it wasn't smooth with the flow of the film and it just felt like it came to a sudden halt on the shenanigans and humour of the film.
The plot was pretty much obvious from the get go, but that's probably just the view as an adult. I'm sure to kids it might seem like a real movie.
But back to the good points. There was some great references to none DC content, such as the Stan Lee cameo, Starfire pointing at the Warner Brothers water tower and stating "That's where the animaniacs live" and even a reference to the Lion King which was brilliant.
Overall this was a really enjoyable movie with some flaws but I think the overall impression outweighs them, and the soundtrack is incredible ?
Yes I was a fan of the original animated series and I'm a fan of Young Justice and they're both clearly superior animated shows, but it's nice to see something fun and childish starting your favourite characters now and then and the creators of TTG! Are DC fans as well so there's always some insanely great nods to other DC content from comics, to tv shows to Movies and more. So what's not to love?
This movie was hilarious because it's just so insane that you just have to think that the creators were high as hell when making this film. But it's easy to understand for children and has many great references to DC for the adult fans in the audience. A great soundtrack of silly songs and a great voice cast for the characters such as Will Arnett as Deathstroke and Nicholas Cage as Superman (an obvious reference to the Tim Burton Superman film that never got made that would have started Nicholas Cage as the Man of Steel himself). The humour was nothing really new compared to the tv show but they expanded upon it and seemed to drag some of the jokes out longer with some great comedic timing and a sense of "what the hell is going on!?"
Issues I had with the film was that in some parts it seemed to try a little too hard to make you laugh and it didn't always work. They tried to put in some serious messages as they do in the show but this seemed to slow down the pace all of a sudden so it wasn't smooth with the flow of the film and it just felt like it came to a sudden halt on the shenanigans and humour of the film.
The plot was pretty much obvious from the get go, but that's probably just the view as an adult. I'm sure to kids it might seem like a real movie.
But back to the good points. There was some great references to none DC content, such as the Stan Lee cameo, Starfire pointing at the Warner Brothers water tower and stating "That's where the animaniacs live" and even a reference to the Lion King which was brilliant.
Overall this was a really enjoyable movie with some flaws but I think the overall impression outweighs them, and the soundtrack is incredible ?
Gareth von Kallenbach (980 KP) rated Morbius (2022) in Movies
Apr 5, 2022
The latest Marvel offering is Morbius. Michael Morbius (Jared Leto) grew up in Greece under the care of Dr.Emil Nikols (Jared Harris). In this universe, Emil is Michael’s Mentor. This story takes
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
Debbiereadsbook (1454 KP) rated Thrill (Pleasure Seekers #1) in Books
May 7, 2024
Danny's reaction to Tyler's words was not what I was expecting!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Tyler starts his new job, in a new town, and promptly finds himself testing lube, of all things, with the most gorgeous man he ever met (in the office, with others!) Danny works in the warehouse at Pleasure Seekers. They embark on a friends with benefits type thing that quickly moves into something. Both men carry some baggage, can they overcome that??
A quick glance tells me I've not read Kristian Parker's work before, and my TBR pile just got a whole lot bigger! Why have I not?? I don't know, I think he just hadn't hit my radar. But I met him, recently at a book signing and now I get to jump into his worlds.
I loved this, I really did.
Tyler and Danny are so suited to each other, they really are.
I loved the polar opposite in each man's family dynamics. While Danny's family are very supportive, and hilarious, Tyler's is not. And this marked difference is part of Tyler's baggage. Danny's is totally different, but you should know there is talk of attempted suicide by one of Danny's family members. Very emotional, reading that, and I cried a bit for Danny and that character.
It's well written from both Tyler and Danny's point of view, and we get it all. Tyler's immediate and powerful reaction to Danny. Danny's attraction to Tyler but his hesitation to start anything. Their joy at coming together, and their pain, when Danny finds out what Tyler said.
And it's THAT bit, that I loved so much about this book. While Danny was very hurt by Tyler's words, his reaction wasn't what you would expect. He stepped BACK from Tyler, but not totally AWAY. And I loved how that happened because I was expecting a massive break-up/make-up thing and while we get the make up bit, the break up doesn't really happen. Am I making sense? Probably not, but I'm trying not to spoil it for anyone!
I loved the supporting cast, Tyler's family notwithstanding. Eddie and Scott, who share with Tyler and also work at Pleasure Seekers, are funny but I think there is a lot they are both hiding, and I look forward to their stories. Eddis is next, so I assume book three will be Scott.
Oh, by the way. Even though all these guys work in a sex toy shop, there is very little about toys. And I loved that too. Danny does play a bit with Tyler though ;-)
5 full and shiny stars
*same worded review will appear elsewhere
Tyler starts his new job, in a new town, and promptly finds himself testing lube, of all things, with the most gorgeous man he ever met (in the office, with others!) Danny works in the warehouse at Pleasure Seekers. They embark on a friends with benefits type thing that quickly moves into something. Both men carry some baggage, can they overcome that??
A quick glance tells me I've not read Kristian Parker's work before, and my TBR pile just got a whole lot bigger! Why have I not?? I don't know, I think he just hadn't hit my radar. But I met him, recently at a book signing and now I get to jump into his worlds.
I loved this, I really did.
Tyler and Danny are so suited to each other, they really are.
I loved the polar opposite in each man's family dynamics. While Danny's family are very supportive, and hilarious, Tyler's is not. And this marked difference is part of Tyler's baggage. Danny's is totally different, but you should know there is talk of attempted suicide by one of Danny's family members. Very emotional, reading that, and I cried a bit for Danny and that character.
It's well written from both Tyler and Danny's point of view, and we get it all. Tyler's immediate and powerful reaction to Danny. Danny's attraction to Tyler but his hesitation to start anything. Their joy at coming together, and their pain, when Danny finds out what Tyler said.
And it's THAT bit, that I loved so much about this book. While Danny was very hurt by Tyler's words, his reaction wasn't what you would expect. He stepped BACK from Tyler, but not totally AWAY. And I loved how that happened because I was expecting a massive break-up/make-up thing and while we get the make up bit, the break up doesn't really happen. Am I making sense? Probably not, but I'm trying not to spoil it for anyone!
I loved the supporting cast, Tyler's family notwithstanding. Eddie and Scott, who share with Tyler and also work at Pleasure Seekers, are funny but I think there is a lot they are both hiding, and I look forward to their stories. Eddis is next, so I assume book three will be Scott.
Oh, by the way. Even though all these guys work in a sex toy shop, there is very little about toys. And I loved that too. Danny does play a bit with Tyler though ;-)
5 full and shiny stars
*same worded review will appear elsewhere
Phillip McSween (751 KP) rated Bad Boys II (2003) in Movies
Apr 2, 2020
Decent but Definitely the Worst of the Trilogy
Narcotics detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) are back getting into a heap of shit as they try and take down an ecstasy ring.
Acting: 9
You have to love the performances of Lawrence and Smith as they know how to carry a movie between the two of them. Their chemistry is amazing and they do a wonderful job of balancing each other out, particularly in this film were Smith is more of a shoot-first type while Lawrence’s role is about finding peace and zen. Joe Pantoliano makes a return as Captain Howard, making me crack up everytime he opens his mouth to yell at Lowrey and Burnett for screwing up yet again.
The one role I just couldn’t let sneak past was Jordi Molla playing Johnny Tapia. Terrible doesn’t even begin to describe his performance. It feels too cliche and way overdone, detracting from important scenes at times. Wasn’t a fan in the slightest.
Beginning: 7
While I did appreciate the action at the beginning of the movie, there was just too much going on for me to really settle in and get into it. It’s hard to really understand up from down in the first ten minutes which carries on as the movie progresses as well. Less can be more sometimes, but it feels like in this instance, director Michael Bay called for more of everything.
Characters: 9
Cinematography/Visuals: 6
Bad Boys II has its moments cinematically. The mortuary scene and the scene in the abandoned house are two that really stand out for me. They were shot in such a way that they are hard to forget. From an overall standpoint, I am not a fan of the overdose of slowmo that Bay loves to do. It becomes tedious to the brain and drags the movie out longer than it needs to be. And this movie already has enough time constraints as it is.
Conflict: 10
Action abounds in this second installment from shootouts to car chases to explosions on top of explosions. If you are an action junky, this movie will not disappoint. As much as I rag on Bay (and, no he’s not my favorite director), he knows how to make a scene pop and make traditional action sets feel extremely original. Even as I’m typing this, I can’t forget the highway scene where the bad guys have hijacked a car-carrying truck and they start to release the cars as they speed down the highway. It’s absolute calamity.
Entertainment Value: 7
Memorability: 8
Pace: 7
Bay does his best to keep things fresh, but it’s hard to hide from the fact that this is all about action then dialogue then right back to action. It gets a bit repetitive at times, but I will also admit that it may have something to do with the fact that I’ve watched a shit ton of movies recently (what else is new?). When Cuba gets mentioned and you realize the movie is only two thirds of the way over when it should be finished, that’s when things really slowed down for me even more. You can absolutely cut thirty minutes from this movie and it would be phenomenal, possibly a classic.
Plot: 6
Decent enough story, but nothing that’s going to win an Oscar. I felt corners were cut in spots as there were times where I was trying to figure out, “Why the hell is this happening now?” I also didn’t appreciate some of the cheats, which is a term I use to refer to spots in the movie that conveniently happen for the sake of it being a good scene. Again, cut a half hour of this movie and I might be feeling differently overall.
Resolution: 4
The end was not only mad corny, but it didn’t feel like a real resolution. Not sure what they were going for here, but it didn’t work. The end didn’t really justify the length of what it took to get there.
Overall: 73
I know I know. You read through this review and it almost sounds like I hated Bad Boys II. Truth is, it wasn’t terrible. Would it be the first action movie I recommend? Absolutely not. On the flipside, I can definitely think of many that were worse. At the risk of losing all credibility (as if I had any to begin with), I actually enjoyed this movie more than I did The French Connection. Fight me.
Acting: 9
You have to love the performances of Lawrence and Smith as they know how to carry a movie between the two of them. Their chemistry is amazing and they do a wonderful job of balancing each other out, particularly in this film were Smith is more of a shoot-first type while Lawrence’s role is about finding peace and zen. Joe Pantoliano makes a return as Captain Howard, making me crack up everytime he opens his mouth to yell at Lowrey and Burnett for screwing up yet again.
The one role I just couldn’t let sneak past was Jordi Molla playing Johnny Tapia. Terrible doesn’t even begin to describe his performance. It feels too cliche and way overdone, detracting from important scenes at times. Wasn’t a fan in the slightest.
Beginning: 7
While I did appreciate the action at the beginning of the movie, there was just too much going on for me to really settle in and get into it. It’s hard to really understand up from down in the first ten minutes which carries on as the movie progresses as well. Less can be more sometimes, but it feels like in this instance, director Michael Bay called for more of everything.
Characters: 9
Cinematography/Visuals: 6
Bad Boys II has its moments cinematically. The mortuary scene and the scene in the abandoned house are two that really stand out for me. They were shot in such a way that they are hard to forget. From an overall standpoint, I am not a fan of the overdose of slowmo that Bay loves to do. It becomes tedious to the brain and drags the movie out longer than it needs to be. And this movie already has enough time constraints as it is.
Conflict: 10
Action abounds in this second installment from shootouts to car chases to explosions on top of explosions. If you are an action junky, this movie will not disappoint. As much as I rag on Bay (and, no he’s not my favorite director), he knows how to make a scene pop and make traditional action sets feel extremely original. Even as I’m typing this, I can’t forget the highway scene where the bad guys have hijacked a car-carrying truck and they start to release the cars as they speed down the highway. It’s absolute calamity.
Entertainment Value: 7
Memorability: 8
Pace: 7
Bay does his best to keep things fresh, but it’s hard to hide from the fact that this is all about action then dialogue then right back to action. It gets a bit repetitive at times, but I will also admit that it may have something to do with the fact that I’ve watched a shit ton of movies recently (what else is new?). When Cuba gets mentioned and you realize the movie is only two thirds of the way over when it should be finished, that’s when things really slowed down for me even more. You can absolutely cut thirty minutes from this movie and it would be phenomenal, possibly a classic.
Plot: 6
Decent enough story, but nothing that’s going to win an Oscar. I felt corners were cut in spots as there were times where I was trying to figure out, “Why the hell is this happening now?” I also didn’t appreciate some of the cheats, which is a term I use to refer to spots in the movie that conveniently happen for the sake of it being a good scene. Again, cut a half hour of this movie and I might be feeling differently overall.
Resolution: 4
The end was not only mad corny, but it didn’t feel like a real resolution. Not sure what they were going for here, but it didn’t work. The end didn’t really justify the length of what it took to get there.
Overall: 73
I know I know. You read through this review and it almost sounds like I hated Bad Boys II. Truth is, it wasn’t terrible. Would it be the first action movie I recommend? Absolutely not. On the flipside, I can definitely think of many that were worse. At the risk of losing all credibility (as if I had any to begin with), I actually enjoyed this movie more than I did The French Connection. Fight me.
Mothergamer (1571 KP) rated Yakuza Kiwami SteelBook Edition in Video Games
Jun 21, 2019
I had never played any of the Yakuza games, but I had always been curious about them so when Yakuza Kiwami was one of the free games offered up with my Playstation Plus I picked it up. The introduction at the beginning of the story is interesting and I really liked Kazuma Kiryu because of his sense of honor and doing his best to protect his friends. I was glad to see that there are a range of difficulty settings in the game options and went with easy so I could get a feel for the game and just enjoy the story.
The story begins with Kiryu taking the fall for a friend and emerging from prison ten years later. This opens up a small tutorial for how the game controls work. Exploration and level grinding are a big part of Yakuza Kiwami as you progress in the main story and there are side quests as well. The night life of Tokyo is vibrant and colorful in the game adding to the atmosphere. I found myself stopping often just to look around at all the different things.
This wouldn't be Yakuza without the brawls of course and there are many. Often gangs roaming the streets will pick fights with Kiryu and this is where the game really shines. The fights are fun and being able to switch between Kiryu's four fighting styles; brawler, rush, and beast give you a feel for the fighting mechanics while feeling that raw criminal underworld vibe. However, there are times where the game fails to give you an idea about which fighting style works best and how they differ from each other. I did a lot of trial and error with many fights because of this. That didn't make the game any less fun for me though and successfully winning a fight felt great.
There is one thing that really bugged me about the game and that is all the fights with the character Majima. While I understood that Kiryu being forced to fight Majima was a way to get him back to his original top tier fighting shape after his long stint in prison, I felt incredibly annoyed at how often Majima turned up demanding a brawl especially when I was trying to get somewhere in the story. I did not want to have a constant detour of fighting him and yet he kept popping up everywhere. Majimi is an interesting character don't get me wrong, but I found these fights tedious. Of course the reward for all these fights is it unlocks Kiryu's dragon fighting form which is great, but the irritation of Majima fights sucked a bit of fun out of the game for me.
I enjoyed the story for Yakuza Kiwami a lot because I liked Kiryu and was invested in his journey. There are a lot of flashbacks explaining what happened to certain characters and shines a light on how they came to be where they are in the present. Sometimes the story feels a little slow in places, but it is well thought out and well done. Where it really stands out is with the intrigue and drama with plot reveals that give amazing cinematic cutscenes that feel like you're watching a movie. Overall the game is great and while it's not necessarily a long game, there is plenty to do with the side quests, mini games, and exploration of the city. Once you finish the game, you can also try new game plus which carries over all your learned abilities, mini games, and side quest stories. Yakuza Kiwami was a lot of fun for me to play and I'm glad I checked it out. Thanks for reading, see you at the next adventure!
The story begins with Kiryu taking the fall for a friend and emerging from prison ten years later. This opens up a small tutorial for how the game controls work. Exploration and level grinding are a big part of Yakuza Kiwami as you progress in the main story and there are side quests as well. The night life of Tokyo is vibrant and colorful in the game adding to the atmosphere. I found myself stopping often just to look around at all the different things.
This wouldn't be Yakuza without the brawls of course and there are many. Often gangs roaming the streets will pick fights with Kiryu and this is where the game really shines. The fights are fun and being able to switch between Kiryu's four fighting styles; brawler, rush, and beast give you a feel for the fighting mechanics while feeling that raw criminal underworld vibe. However, there are times where the game fails to give you an idea about which fighting style works best and how they differ from each other. I did a lot of trial and error with many fights because of this. That didn't make the game any less fun for me though and successfully winning a fight felt great.
There is one thing that really bugged me about the game and that is all the fights with the character Majima. While I understood that Kiryu being forced to fight Majima was a way to get him back to his original top tier fighting shape after his long stint in prison, I felt incredibly annoyed at how often Majima turned up demanding a brawl especially when I was trying to get somewhere in the story. I did not want to have a constant detour of fighting him and yet he kept popping up everywhere. Majimi is an interesting character don't get me wrong, but I found these fights tedious. Of course the reward for all these fights is it unlocks Kiryu's dragon fighting form which is great, but the irritation of Majima fights sucked a bit of fun out of the game for me.
I enjoyed the story for Yakuza Kiwami a lot because I liked Kiryu and was invested in his journey. There are a lot of flashbacks explaining what happened to certain characters and shines a light on how they came to be where they are in the present. Sometimes the story feels a little slow in places, but it is well thought out and well done. Where it really stands out is with the intrigue and drama with plot reveals that give amazing cinematic cutscenes that feel like you're watching a movie. Overall the game is great and while it's not necessarily a long game, there is plenty to do with the side quests, mini games, and exploration of the city. Once you finish the game, you can also try new game plus which carries over all your learned abilities, mini games, and side quest stories. Yakuza Kiwami was a lot of fun for me to play and I'm glad I checked it out. Thanks for reading, see you at the next adventure!
Bob Mann (459 KP) rated People Just Do Nothing: Big in Japan (2021) in Movies
Aug 20, 2021
Good jokes, most of which land (1 more)
Enough David Brent/Partridge moments to make you cringe
As a PJDN virgin, I still laughed a lot!
It’s brave then that such a relatively niche UK TV show should have a go at ‘jumping the shark’ onto the big screen. Would fans like it? And, just as importantly, would newcomers to the characters, like me, be able to enjoy the film as a standalone entity? The answer to the last question is a qualified “yes”.
Positives:
- It well-surpasses the “6 laugh test” for a comedy. There are some scenes that I found extremely funny, with others that rated highly for me on the David Brent / Alan Partridge scale of cringiness.
- I’ve seen comment that the story is "silly" and “unbelievable”. But having experienced the crazy clash between English and Japanese culture first hand, it strikes me as very true to form! The way in which the Japanese music execs try to stylise the ground as a ‘boy band’ (“Bang Boys”!), which Grindah greedily goes along with, is a nice satire on the music industry asserting its brand over musician’s art.
- A subplot of a love story beween the inept Steves and the cute Japanese translator Ishika (Ayumi Itô) is nicely done and strangely touching.
- The good news is that you don’t need any previous experience of the characters to get fun out of the movie: you can jump right in. That being said though, I’m sure fans of the series will get more out of this than I did.
Negatives:
- While the ending was uplifting, I was itching to know what fallout (or success?) there was from the event we witnessed. Perhaps if its a box office success (unlikely I think!) then there will be a sequel.
Summary Thoughts on “People Just Do Nothing: Big in Japan”: IMDB is littered with disastrous reviews of British TV shows that have tried and failed to make the leap from the small screen to the big screen. “On the Buses”; “Are You Being Served?”; “Steptoe and Son”; “Please Sir”; “Love Thy Neighbour” – the list is endless. They are mostly all horribly unfunny. Even the great “Morecambe and Wise”, although showing occasional moments of brilliance, struggled to fully land any of their three big-screen outings.
The ‘go-to’ of many of these efforts was to “go abroad”: take the well-loved characters and put them into a ‘bigger’ and stranger pool. So “People Just Do Nothing: Big in Japan” was following a well-trodden path here. It’s a tribute to the team and their TV-series director Jack Clough, in his feature debut, that they pretty much pull it off.
I’d like to agree with Kevin Maher of “The Times” that the movie is full of “Japanese stereotypes… drunken businessmen, passive giggling women etc”. But having travelled extensively on business in Japan, it seems pretty close to the mark with its observations to me! More importantly, the film never seems to be particularly derogatory or disrespectful of the culture. For example, they take their shoes off too much!
Key to its box office success will be whether or not it can attract an audience outside of its niche TV fan-bases. As a member of that sub-group, I really wasn’t expecting to enjoy this one, but I actually did. It was good fun, and if you want a good laugh at the cinema – a pretty rare thing – then I’d recommend this one, even if – like me – you haven’t seen the original TV show.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks!)
Positives:
- It well-surpasses the “6 laugh test” for a comedy. There are some scenes that I found extremely funny, with others that rated highly for me on the David Brent / Alan Partridge scale of cringiness.
- I’ve seen comment that the story is "silly" and “unbelievable”. But having experienced the crazy clash between English and Japanese culture first hand, it strikes me as very true to form! The way in which the Japanese music execs try to stylise the ground as a ‘boy band’ (“Bang Boys”!), which Grindah greedily goes along with, is a nice satire on the music industry asserting its brand over musician’s art.
- A subplot of a love story beween the inept Steves and the cute Japanese translator Ishika (Ayumi Itô) is nicely done and strangely touching.
- The good news is that you don’t need any previous experience of the characters to get fun out of the movie: you can jump right in. That being said though, I’m sure fans of the series will get more out of this than I did.
Negatives:
- While the ending was uplifting, I was itching to know what fallout (or success?) there was from the event we witnessed. Perhaps if its a box office success (unlikely I think!) then there will be a sequel.
Summary Thoughts on “People Just Do Nothing: Big in Japan”: IMDB is littered with disastrous reviews of British TV shows that have tried and failed to make the leap from the small screen to the big screen. “On the Buses”; “Are You Being Served?”; “Steptoe and Son”; “Please Sir”; “Love Thy Neighbour” – the list is endless. They are mostly all horribly unfunny. Even the great “Morecambe and Wise”, although showing occasional moments of brilliance, struggled to fully land any of their three big-screen outings.
The ‘go-to’ of many of these efforts was to “go abroad”: take the well-loved characters and put them into a ‘bigger’ and stranger pool. So “People Just Do Nothing: Big in Japan” was following a well-trodden path here. It’s a tribute to the team and their TV-series director Jack Clough, in his feature debut, that they pretty much pull it off.
I’d like to agree with Kevin Maher of “The Times” that the movie is full of “Japanese stereotypes… drunken businessmen, passive giggling women etc”. But having travelled extensively on business in Japan, it seems pretty close to the mark with its observations to me! More importantly, the film never seems to be particularly derogatory or disrespectful of the culture. For example, they take their shoes off too much!
Key to its box office success will be whether or not it can attract an audience outside of its niche TV fan-bases. As a member of that sub-group, I really wasn’t expecting to enjoy this one, but I actually did. It was good fun, and if you want a good laugh at the cinema – a pretty rare thing – then I’d recommend this one, even if – like me – you haven’t seen the original TV show.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks!)
Goddess in the Stacks (553 KP) rated Into the Drowning Deep: Rolling in the Deep Book 1 in Books
Mar 29, 2018
WOW. I don't typically read horror, but this was fantasy horror, and WOW. I picked up the novella precursor to this sometime last year - I never reviewed it here, probably because it was barely over 100 pages, but it was fascinating and haunting all the same. Rolling in the Deep told the story of the Atargatis, a ship sent out to the Mariana Trench to stage a mockumentary - supposedly looking for mermaids, but equipped with actors who could swim with mermaid tails. They never planned to find anything. Except they did. And they all died. One by one at first, a few people picked off, then the entire ship swarmed and eaten. The reader sees this happen, but to anyone not on the ship, the only thing they find is some footage on an abandoned ship.
Into the Drowning Deep fast forwards a few years; the production company, Imagine Network, is not doing so well, and they want to prove that the footage wasn't a hoax. So they assemble a new mission, this one with a lot more security. (Though they still picked security with an eye for what would look good on TV, rather than what would be effective, which was a poor choice.) The reader, of course, knows that the mermaids are real, and that they are dangerous, so you spend much of the first part of the book in a state of suspense waiting for them to show up. (I actually thought it took a little too long for them to finally show up, but the time was used for character-building.)
The book is very Lovecraftian, actually - from the strong, building sense of foreboding doom to the creatures that should not exist, to the kind of gibbering insanity near the end. It's probably why I liked the book so much; Lovecraft is about the only kind of horror writing I like, and I get the same feeling from Grant's writing.
So yes, the book is about mermaids. But these aren't mermaids as you've seen them before. They're not cute, they're not seductive, they don't want to live on land, and they're definitely not friendly. These mermaids are predators. Intelligent predators, but predators. And humans, apparently, are delicious.
Most of the characters in the book are scientists trying to prove mermaids exist, so there's a lot of science happening aboard the ship, and Grant doesn't shy away from it happening on the page as well. She also includes a pair of deaf scientist twins, and their interpreter sibling, which is important because the mermaids use a form of sign language as well. Most of the main characters are women, which is also great to see in such a large concentration of fictional scientists.
If you like fantasy horror, i.e. Lovecraft, you should definitely pick this up. Rolling in the Deep is also worth reading first - I think it definitely adds another layer to the sense of foreboding doom.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Into the Drowning Deep fast forwards a few years; the production company, Imagine Network, is not doing so well, and they want to prove that the footage wasn't a hoax. So they assemble a new mission, this one with a lot more security. (Though they still picked security with an eye for what would look good on TV, rather than what would be effective, which was a poor choice.) The reader, of course, knows that the mermaids are real, and that they are dangerous, so you spend much of the first part of the book in a state of suspense waiting for them to show up. (I actually thought it took a little too long for them to finally show up, but the time was used for character-building.)
The book is very Lovecraftian, actually - from the strong, building sense of foreboding doom to the creatures that should not exist, to the kind of gibbering insanity near the end. It's probably why I liked the book so much; Lovecraft is about the only kind of horror writing I like, and I get the same feeling from Grant's writing.
So yes, the book is about mermaids. But these aren't mermaids as you've seen them before. They're not cute, they're not seductive, they don't want to live on land, and they're definitely not friendly. These mermaids are predators. Intelligent predators, but predators. And humans, apparently, are delicious.
Most of the characters in the book are scientists trying to prove mermaids exist, so there's a lot of science happening aboard the ship, and Grant doesn't shy away from it happening on the page as well. She also includes a pair of deaf scientist twins, and their interpreter sibling, which is important because the mermaids use a form of sign language as well. Most of the main characters are women, which is also great to see in such a large concentration of fictional scientists.
If you like fantasy horror, i.e. Lovecraft, you should definitely pick this up. Rolling in the Deep is also worth reading first - I think it definitely adds another layer to the sense of foreboding doom.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Goddess in the Stacks (553 KP) rated What If It's Us in Books
Dec 18, 2018
This was a super cute gay romance that I read for YA_Pride's Twitter Book Club. The authors have separately written some pretty popular YA books; Simon vs. the Homo Sapiens Agenda (Albertalli) and They Both Die at the End (Silvera), neither of which I have read yet, so I had no idea what to expect with this one!
The book alternates viewpoints between Arthur, a Georgia boy in New York for the summer who recently came out as gay but has not yet gone out on a date with anyone, and Ben, who recently broke up with the boy he lost his virginity with. The difference in experience between the two is a plot point, as is the temporary nature of Arthur's visit to New York.
There is SO MUCH in this book. These are complex characters, and the romance between the two is simply the frame that the rest of the book revolves around. Arthur is still coming to terms with what being out means for him; he thinks his friends are being weird about it, his parents are fighting all the time, he's never dated and doesn't really know how to go about doing so. Ben is recovering from heartbreak with his first boyfriend. He's Puerto Rican but can pass for white, so people forget and think he's white, and that upsets him. His break up, and his best friend's, has splintered up their friend group and he misses the group, and his best friend seems to have moved on and doesn't have time for him anymore. He's in summer school, with his ex, and is struggling to pass so he can continue to his senior year of high school, while Arthur is an amazing student who's probably getting into Yale. All of this is set against the glittering backdrop of New York, seen as wondrous and new through Arthur's eyes and boring and old through Ben's. There's just SO MUCH going on.
I did have to double-check a few times who was narrating the chapter I was reading, but Twitter said the audio book actually has separate narrators for Arthur and Ben. So if you like audiobooks, that might be the better way to go for this book.
I loved that this book didn't just explore the romance between the two boys, but the friendships they had with each other and the people around them. More than a romance, I think this is a book about building your own family. People who will be there for you whether you're dating them or not.
Twitter also mentioned that the book could be disappointing if you were reading it for either of the author's signature styles. No one dies, and it's not completely happy fluff. So definitely set aside any expectations based on their previous books. I hadn't read them, so I enjoyed it for itself.
You can find all my reviews at http://goddessinthestacks.com
The book alternates viewpoints between Arthur, a Georgia boy in New York for the summer who recently came out as gay but has not yet gone out on a date with anyone, and Ben, who recently broke up with the boy he lost his virginity with. The difference in experience between the two is a plot point, as is the temporary nature of Arthur's visit to New York.
There is SO MUCH in this book. These are complex characters, and the romance between the two is simply the frame that the rest of the book revolves around. Arthur is still coming to terms with what being out means for him; he thinks his friends are being weird about it, his parents are fighting all the time, he's never dated and doesn't really know how to go about doing so. Ben is recovering from heartbreak with his first boyfriend. He's Puerto Rican but can pass for white, so people forget and think he's white, and that upsets him. His break up, and his best friend's, has splintered up their friend group and he misses the group, and his best friend seems to have moved on and doesn't have time for him anymore. He's in summer school, with his ex, and is struggling to pass so he can continue to his senior year of high school, while Arthur is an amazing student who's probably getting into Yale. All of this is set against the glittering backdrop of New York, seen as wondrous and new through Arthur's eyes and boring and old through Ben's. There's just SO MUCH going on.
I did have to double-check a few times who was narrating the chapter I was reading, but Twitter said the audio book actually has separate narrators for Arthur and Ben. So if you like audiobooks, that might be the better way to go for this book.
I loved that this book didn't just explore the romance between the two boys, but the friendships they had with each other and the people around them. More than a romance, I think this is a book about building your own family. People who will be there for you whether you're dating them or not.
Twitter also mentioned that the book could be disappointing if you were reading it for either of the author's signature styles. No one dies, and it's not completely happy fluff. So definitely set aside any expectations based on their previous books. I hadn't read them, so I enjoyed it for itself.
You can find all my reviews at http://goddessinthestacks.com
BankofMarquis (1832 KP) rated Encanto (2021) in Movies
Dec 28, 2021
Fun Family Friendly Film with GREAT Music
The good thing about travelling by plane over the Holidays is that it is an opportunity to catch up on Movies that were missed. Such is the case with the Disney Animation Film ENCANTO - a film that “came and went” earlier this fall.
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And…I’m glad I saw it, for ENCANTO is the family-friendly, fun and heart warming film that is perfect Holiday viewing for the entire family.
Set in the magical Columbian village of ENCANTO, this film tells the tale of a family that are all given magical powers to use to help their village survive and thrive…all, that is, except for Mirabel who becomes somewhat of an outcast with her family for not having a magical gift bestowed upon her.
At first glance, this Animated Musical might remind people of the PIXAR animated film COCO from a few years ago. But that is like saying THE LITTLE MERMAID reminds you of BEAUTY AND THE BEAST or CINDERELLA reminds your of SLEEPING BEAUTY. While there are some striking similarities to COCO, ENCANTO is it’s own film and serves the story of the importance of family very, very well.
Stephanie Beatriz (TV’s BROOKLYN 99) is terrific as the voice of Mirabel, she has that headstrong, optimistic bent to her that many other Disney Princesses/Heroines (MOANA, Anna from FROZEN and Rapunzel in TANGLED are other examples of this). Mirabel is a solid addition to this group, she is a winning personality to spend time with.
The rest of the voices of the family fill the characters well, with the obvious standout being the great John Leguizamo (to tell you what character he voice is to spoil the film). Suffice it to say he is great.
The Direction by Jared Bush and Byron Howard (the Directors of another under-the-radar Disney Animated film, ZOOTOPIA) keep the events flowing and the many, many family members clear so as not to confuse the audience (this is no small feat), they know what they are doing and it shows. The only real mark I have against the movie is that the ending fell just a bit flat for me, but that is just a quibble in a really fine Animated movie.
And then…there is the music.
I did not realize that this film was a musical and was pleasantly tapping my toes on the airplane to the many musical numbers. I made the mental note to find out who wrote these fine tunes and was not too surprised to find out it was the one and only Lin-Manuel Miranda (Broadway’s HAMILTON). This musical genius has done it again.
ENCANTO is streaming on Disney+ so if you have this service and are looking for a fun, family-friendly way to pass a couple of hours, look no further than ENCANTO.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)