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Natacha (374 KP) rated Red Rising in Books
Jan 23, 2020
More reviews on my blog: https://natachainreviewland.wordpress.com/
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Red Rising is another book that I struggle to rate. I did enjoy the book but it didn't blow my mind. I think it's just an "It's not you, it's me" kind of situation. For the best part of the story, I felt like I was reading a retelling of the Hunger Games (and it was a movie I felt it was just ok, haven't read the books) and mixed with The Punisher (guys loses his wife and needs to get his revenge). I had fun but that's all.
Things I liked:
-The writing was very good. Simple, clear, just the right amount of information and exposition to make us understand the world and characters.
-We have a cast of charters with different and distinct personalities and well fleshed out.
-I really enjoyed the fourth part of the book. At this point, I felt like it lost the Hunger Game vibe. We don't have just one person that needs to take down the system but a whole army that marches against corruption.
-Towards the end, we had two nice twists. One of them had been foreshadowed for a while and the second one I personally saw it coming. Although to be honest when you have 20 pages left you can guess that things will go in a different direction what the author is making you believe. Despite that, I really liked those twists.
-I really like Darrow and Mustang dynamic and relationship. I thought it was well done and it felt natural.
-Now that the Huger Game part of the story is done I'm curious to see what Darrow will do outside in the world and how his plan will unfold.
Things I didn't like
I don't have many negatives. There was nothing wrong with the story but I'll try to point some aspect that bothered me.
-As I mention I didn't care about Hunger Game and throughout a large part of the story I couldn't help but thinking of the similarities.
-I'm a little tired of the "They kill my wife and I need to get revenge and keep her dream alive" trope.
-The story is written in first-person POV and present tense and this is really my least favourite way to tell a story.
-I feel like Darrow is a little bit of a Gary Stu. On so many occasion we have Darrow say things like "I'm stronger, I'm taller, I'm faster than he/she, I know better than them" etc. This is why I don't like first-person POV. When it's the author or another person telling us that the main character is stronger or taller or whatever it feels like an observation. When we have the main character telling us about the fact that they are better than everyone else, for me, they become across as obnoxious and annoying. And because of that, I struggle to really connect with Darrow.
-Rape is used a couple of times to move the plot forward. I don't mind when it's used once but when it's used again and again it feels like the author didn't know what else to do to get the plot going.
So here you have it. It wasn't a bad book there was nothing wrong with it and I understand why so many people rave about it. But personally, I couldn't get into the "this is a great book" place. I'm curious about the rest of the series, I don't feel the need to start right away like with other series, but I will get to the second book eventually.
Kirk Bage (1775 KP) rated No Time To Die by Billie Eilish in Music
Mar 3, 2020 (Updated Aug 6, 2020)
Congratulations to The Wasteland’s favourite new artist for sweeping 5 awards at yesterday’s Grammy’s. I hate to say I told you so, but I kinda did, a long way out. It just makes sense to me, that if you have a musical ear, this is the best pop music that has been made for 20 years.
Best new artist, best song (Bad Guy), record of the year, best pop vocal album of the year, and the cherry, best album of the year, for the extraordinary When We All Fall Asleep Where Do We Go. Oh, and her brother won one for best producer… so, not a terrible night out!
Not only is she now the youngest person ever to win a Grammy, beating Taylor Swift to that, mostly meaningless, accolade, but more significantly she is the the first artist to sweep the big 4 awards since Christopher Cross in 1981. That is 39 years ago!
From the few acceptance clips I have seen, you can see how genuinely stunned and thrilled she is to win, which is refreshing after a generation of too cool for school egos that were more persona than person, often holding their emotions in check for the sake of image.
I think there is a long, long way to go before talking about Billie Eilish as a great artist – she has to keep it up! But, for sure the music industry wants to make a point that this is the real deal, and have paved the path for an unlimited potential. What these awards do, is create the stamp on her being a superstar. What she and Finneas do with that now is up to them. I have a feeling they are not going to blow it; it just doesn’t feel like this story ends badly.
Billie’s Bond Theme
In the interest of this blog not turning into the Billie Eilish appreciation society, I am adding on my thoughts about the new release of her theme tune for the new 007 movie, No Time To Die. We all have a favourite Bond song from the years past, so how does this one size up?
Working in conjunction with Oscar winning composer, Hans Zimmer can’t be all bad when you just turned 18, and it certainly helps with this sombre, slow building song, utilising full orchestra and a bundle of small motifs that make it seem 100% Bond. Make no mistake, it is a Billie Eilish song, her moody vibe is all over it, but I love how faithful to the brand she has been, avoiding the temptation to do something too weird with the gig.
The first time I heard it was enough for me to be able to say “cast-iron hit!” And I haven’t changed my mind 20 listens later. It is just mind-blowing how the ball of success keeps rolling for her and Finneas. Having the honour of singing the in memoriam song at the Academy awards, with an emotional rendition of the Beatles’ Yesterday would be enough attention for one week for any ordinary superstar, but no, here’s the best Bond theme for 20 years for you too! Astonishing.
It even has folk that were a bit cautious at first saying, actually that is a great tune. Just yesterday I was listening to a radio interview where Billie talked about how she gets fan mail from all demographics, including 80 year old grandfathers! I find that not only reassuring, but apt. This is an artist of universal appeal wrapped up in the media hype of a teenage pop-idol, but doing a great job of denying that narrow image and idea.
What can I say? Just carry on, Billie. It’s going quite well!
Best new artist, best song (Bad Guy), record of the year, best pop vocal album of the year, and the cherry, best album of the year, for the extraordinary When We All Fall Asleep Where Do We Go. Oh, and her brother won one for best producer… so, not a terrible night out!
Not only is she now the youngest person ever to win a Grammy, beating Taylor Swift to that, mostly meaningless, accolade, but more significantly she is the the first artist to sweep the big 4 awards since Christopher Cross in 1981. That is 39 years ago!
From the few acceptance clips I have seen, you can see how genuinely stunned and thrilled she is to win, which is refreshing after a generation of too cool for school egos that were more persona than person, often holding their emotions in check for the sake of image.
I think there is a long, long way to go before talking about Billie Eilish as a great artist – she has to keep it up! But, for sure the music industry wants to make a point that this is the real deal, and have paved the path for an unlimited potential. What these awards do, is create the stamp on her being a superstar. What she and Finneas do with that now is up to them. I have a feeling they are not going to blow it; it just doesn’t feel like this story ends badly.
Billie’s Bond Theme
In the interest of this blog not turning into the Billie Eilish appreciation society, I am adding on my thoughts about the new release of her theme tune for the new 007 movie, No Time To Die. We all have a favourite Bond song from the years past, so how does this one size up?
Working in conjunction with Oscar winning composer, Hans Zimmer can’t be all bad when you just turned 18, and it certainly helps with this sombre, slow building song, utilising full orchestra and a bundle of small motifs that make it seem 100% Bond. Make no mistake, it is a Billie Eilish song, her moody vibe is all over it, but I love how faithful to the brand she has been, avoiding the temptation to do something too weird with the gig.
The first time I heard it was enough for me to be able to say “cast-iron hit!” And I haven’t changed my mind 20 listens later. It is just mind-blowing how the ball of success keeps rolling for her and Finneas. Having the honour of singing the in memoriam song at the Academy awards, with an emotional rendition of the Beatles’ Yesterday would be enough attention for one week for any ordinary superstar, but no, here’s the best Bond theme for 20 years for you too! Astonishing.
It even has folk that were a bit cautious at first saying, actually that is a great tune. Just yesterday I was listening to a radio interview where Billie talked about how she gets fan mail from all demographics, including 80 year old grandfathers! I find that not only reassuring, but apt. This is an artist of universal appeal wrapped up in the media hype of a teenage pop-idol, but doing a great job of denying that narrow image and idea.
What can I say? Just carry on, Billie. It’s going quite well!
Lee (2222 KP) rated Daddy's Home 2 (2017) in Movies
Dec 8, 2017
Starts off great but soon veers off into not so great territory.
This year hasn't been good for the comedy movie genre. Will Ferrell in particular managed to star in one of the worst 'comedy' movies I've seen in a long time with 'The House' and even the anticipated sequel to one of the better comedies in recent years, Bad Moms, turned out to be a complete dud. So when a similar, Christmas themed sequel to what was essentially one of the more average movies in recent years came along, my hopes weren't exactly high. The original Daddys Home coasted along on the likeable pairing of Will Ferrell and Mark Wahlberg but did feature a handful of funny elements, obviously enough to greenlight a sequel.
As mentioned previously, Daddys Home 2 is set at Christmas time. Brad and Dusty (Ferrell and Wahlberg) have worked out their differences from the first movie and are getting along just fine as 'co-dads' to the kids. When their own dads (Mel Gibson and John Lithgow) pay a visit, they decide to have a 'together' family Christmas, and Kurt (Gibson) even manages to book a luxury cabin in the snow for them to enjoy it all in. It's a bit of a whirlwind setup, but for a while it all works surprisingly well. I found myself really laughing at some scenes, it was like watching a classic Christmas family disaster along the lines of National Lampoons Christmas Vacation.
But sadly, the momentum soon drops. Scene after scene fails to hit home, and some scenes even leave you wondering what the hell they were thinking by including them in the movie in the first place. Mel Gibsons character becomes increasingly annoying and it's all just a bit of a shame really. Things manage to get back on track towards the end of the movie but it's disappointing that it doesn't retain the high level of laughs and entertainment that kicked off the first third or so.
As mentioned previously, Daddys Home 2 is set at Christmas time. Brad and Dusty (Ferrell and Wahlberg) have worked out their differences from the first movie and are getting along just fine as 'co-dads' to the kids. When their own dads (Mel Gibson and John Lithgow) pay a visit, they decide to have a 'together' family Christmas, and Kurt (Gibson) even manages to book a luxury cabin in the snow for them to enjoy it all in. It's a bit of a whirlwind setup, but for a while it all works surprisingly well. I found myself really laughing at some scenes, it was like watching a classic Christmas family disaster along the lines of National Lampoons Christmas Vacation.
But sadly, the momentum soon drops. Scene after scene fails to hit home, and some scenes even leave you wondering what the hell they were thinking by including them in the movie in the first place. Mel Gibsons character becomes increasingly annoying and it's all just a bit of a shame really. Things manage to get back on track towards the end of the movie but it's disappointing that it doesn't retain the high level of laughs and entertainment that kicked off the first third or so.
graveyardgremlin (7194 KP) rated Night Pleasures (Dark-Hunter, #1) in Books
Feb 15, 2019
Okay, before I start my review, I have a little pet peeve about Sherrilyn Kenyon's writing: She'll switch from one character to another without warning. There I am, happily reading along from Amanda's viewpoint, when all of a sudden it's Kyrian. Ugh! I know I've read other authors who do the same thing, but somehow it flows better and isn't like - what just happened?! Okay, end rant.
Overall, I enjoyed this book, but I did like Fantasy Lover more than this one. While I don't always think Ms. Kenyon is the best writer (it sometimes feels disjointed to me) her world is very imaginative and interesting. The creatures/characters are intriguing, and the story was just plain fun to read. Hey, there's a tortured hero, what more do you need? I was really into it close to 200 pages in, then I had to put it down. The next day I picked it up and it didn't grab me as much as the day before. Though towards the end it started to pick up for me, and of course I'm a big sap for happy endings. That's why I read romances more than anything else. I don't know about other romance readers, but I've had a hard life and I need a little lightness in it. That's where romances help. Now that I've bared my soul (no pun intended - hopefully you'll get it if you've read the book), I think I'll get back to the review. Now where was I? I know that Talon will be in the next book in the series, but I can't wait to read about Acheron. If he doesn't have a book out now, Ms. Kenyon needs to start writing his story. Well, as I said before (I think), it was a fast and fun read!
Please excuse me if my review is a little disjointed (haha), I can't quite put into words how to explain how I felt about the book. Ah, oh well; can't win them all!
Overall, I enjoyed this book, but I did like Fantasy Lover more than this one. While I don't always think Ms. Kenyon is the best writer (it sometimes feels disjointed to me) her world is very imaginative and interesting. The creatures/characters are intriguing, and the story was just plain fun to read. Hey, there's a tortured hero, what more do you need? I was really into it close to 200 pages in, then I had to put it down. The next day I picked it up and it didn't grab me as much as the day before. Though towards the end it started to pick up for me, and of course I'm a big sap for happy endings. That's why I read romances more than anything else. I don't know about other romance readers, but I've had a hard life and I need a little lightness in it. That's where romances help. Now that I've bared my soul (no pun intended - hopefully you'll get it if you've read the book), I think I'll get back to the review. Now where was I? I know that Talon will be in the next book in the series, but I can't wait to read about Acheron. If he doesn't have a book out now, Ms. Kenyon needs to start writing his story. Well, as I said before (I think), it was a fast and fun read!
Please excuse me if my review is a little disjointed (haha), I can't quite put into words how to explain how I felt about the book. Ah, oh well; can't win them all!
Kristy H (1252 KP) rated The Lost Man in Books
Apr 4, 2019
I love Jane Harper and this book was certainly no exception. This is her first standalone novel (no Aaron Falk this time), and it is another beautifully written, captivating book that leaves you guessing until the very end. The characters are as scant as the landscape: the three brothers; their mother; Cameron's wife, Isle; Nathan's teenage son, Xander; a few workers from Cameron's property; and a couple of townsfolk. Yet somehow Harper weaves an excellent story that casts doubt from the beginning on what happened to Cameron. Did he purposely wander into the outback to his death? Or was something more nefarious going on?
While we're trying to figure out what happened, we're learning that something happened with Nathan in this isolated community, leaving him angry and alone. Bub seems bitter himself. Harper inserts tales of the family's past along with the present, giving us more details about our characters. And, at the same time, we start to see how no one's stories really add up. There's no real detective in this one, per se--at least no Aaron Falk, even if there is someone investigating Cameron's death--so things unravel mainly from Nathan's perspective.
And, of course, the unforgiving outback landscape is its own character: vast, stark, and dividing the brothers in more ways than one. Harper describes it so beautifully, just as she has done in her previous works. She so expertly captures the complicated family drama occurring as well as the small town dynamics happening in this often dangerous, isolated environment. The result, especially with these tense, well-drawn characters is a taunt, dramatic story that kept me reading and wondering until the very end.
I will easily read anything Jane Harper writes; her books simply do not disappoint. This one was different, in many ways, than the first two Aaron Falk novels, yet had many similarities, including her beautiful writing, nuanced plot, and wonderful characters. 4+ stars.
While we're trying to figure out what happened, we're learning that something happened with Nathan in this isolated community, leaving him angry and alone. Bub seems bitter himself. Harper inserts tales of the family's past along with the present, giving us more details about our characters. And, at the same time, we start to see how no one's stories really add up. There's no real detective in this one, per se--at least no Aaron Falk, even if there is someone investigating Cameron's death--so things unravel mainly from Nathan's perspective.
And, of course, the unforgiving outback landscape is its own character: vast, stark, and dividing the brothers in more ways than one. Harper describes it so beautifully, just as she has done in her previous works. She so expertly captures the complicated family drama occurring as well as the small town dynamics happening in this often dangerous, isolated environment. The result, especially with these tense, well-drawn characters is a taunt, dramatic story that kept me reading and wondering until the very end.
I will easily read anything Jane Harper writes; her books simply do not disappoint. This one was different, in many ways, than the first two Aaron Falk novels, yet had many similarities, including her beautiful writing, nuanced plot, and wonderful characters. 4+ stars.
ArecRain (8 KP) rated Servant: The Acceptance (Servant, #2) in Books
Jan 18, 2018
The second of the series and much better than the first though I can't bring myself to give it a higher rate. The book is filled with repetitive themes such as Gaby's inner dialogue and thoughts as well as her interaction with Luther.
What I like about this book is the character development that is extended past the last chapter of the <i>Servant: The Awakening</i>. Though Mort barely makes a few appearances in this novel, it is clear that he is a completely different person. We also see Gaby and Luther change in their behavior with each other. Some of the dialogue can get old and predictable, but I still loved the couple and wanted them to get together. Since the beginning, Foster has teased us with the sexual tension between the two but in this novel, she gives a little scene that keeps the weary holding out for when they finally will get together. It's short, it's spicy yet predictable, and it keeps you frustrated.
What I don't like is that there was a sheer drop off of paranormalcy from the first novel. In the first novel, we are given grotesque images of twisted evil beings. <i>The Awakening</i> didn't touch on that. Instead, we get a psychotic woman trying to be a boy, her deranged uncle and aunt who take pleasure in torture people, and men who like to abuse prostitutes. Honestly, I would have kept the twisted beings that morph into monsters only Gaby could see to keep with the theme of the first novel. However, Foster did put a lot more about auras, which I greatly enjoyed. I also loved how she gave another character besides Gaby any form of superhuman abilities.
Again, not a great book and not one to take as a series fantasy novel, but I liked it all the same and I will be reading the next in the series which is also the last.
What I like about this book is the character development that is extended past the last chapter of the <i>Servant: The Awakening</i>. Though Mort barely makes a few appearances in this novel, it is clear that he is a completely different person. We also see Gaby and Luther change in their behavior with each other. Some of the dialogue can get old and predictable, but I still loved the couple and wanted them to get together. Since the beginning, Foster has teased us with the sexual tension between the two but in this novel, she gives a little scene that keeps the weary holding out for when they finally will get together. It's short, it's spicy yet predictable, and it keeps you frustrated.
What I don't like is that there was a sheer drop off of paranormalcy from the first novel. In the first novel, we are given grotesque images of twisted evil beings. <i>The Awakening</i> didn't touch on that. Instead, we get a psychotic woman trying to be a boy, her deranged uncle and aunt who take pleasure in torture people, and men who like to abuse prostitutes. Honestly, I would have kept the twisted beings that morph into monsters only Gaby could see to keep with the theme of the first novel. However, Foster did put a lot more about auras, which I greatly enjoyed. I also loved how she gave another character besides Gaby any form of superhuman abilities.
Again, not a great book and not one to take as a series fantasy novel, but I liked it all the same and I will be reading the next in the series which is also the last.
Zuky the BookBum (15 KP) rated A Stranger in the House in Books
Mar 15, 2018
I really wish I had loved this book more! I have heard so many good things about her debut (which I still need to read!) so I was expecting great things from this one too. Dont get me wrong, this wasnt awful but I guessed the different twists straight away and I wasnt so keen on the writing style, although more on that later because Im conflicted!
I thought the characters in this one were quite well developed. You definitely got a feel for them and their lives, but none of them were particularly enthralling characters to read about. I didnt find myself rushing to get back to the book to know what Tom was going to do next, or how Brigid felt in the next part. They were fine, but not great. Nor, were any particularly likeable, in my opinion.
When it comes to the writing, Im a little conflicted. I said earlier I wasnt so keen on it, but it did add some suspense to the novel, which is always good. I guess what I didnt like so much was the repetition of my wife / my husband or using someones name about 3 times in a sentence.
I cant think of much more to say about this one I enjoyed it enough to continue reading it, and reasonably quickly. It only took me a few days to get through (which may seen like a lot for a short book, but I was in the middle of leaving and starting a new job)!
Even though this hasnt been my favourite book of the year, I still want to read Lapenas debut, and depending on if I like that, I will read her next book too. I always find second books slip in quality, ever so slightly? Not all the time, but thats how I find it a lot of the time.
I thought the characters in this one were quite well developed. You definitely got a feel for them and their lives, but none of them were particularly enthralling characters to read about. I didnt find myself rushing to get back to the book to know what Tom was going to do next, or how Brigid felt in the next part. They were fine, but not great. Nor, were any particularly likeable, in my opinion.
When it comes to the writing, Im a little conflicted. I said earlier I wasnt so keen on it, but it did add some suspense to the novel, which is always good. I guess what I didnt like so much was the repetition of my wife / my husband or using someones name about 3 times in a sentence.
I cant think of much more to say about this one I enjoyed it enough to continue reading it, and reasonably quickly. It only took me a few days to get through (which may seen like a lot for a short book, but I was in the middle of leaving and starting a new job)!
Even though this hasnt been my favourite book of the year, I still want to read Lapenas debut, and depending on if I like that, I will read her next book too. I always find second books slip in quality, ever so slightly? Not all the time, but thats how I find it a lot of the time.
Debbiereadsbook (1617 KP) rated Worth The |Risk (Infinity #1) in Books
Mar 12, 2018
solid four star read
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Tyler and Jax meet in the club that Tyler works in, Infinity. Their reaction to each is is instant and powerful. Then Tyler finds out just who Jax is, and he fights the attraction. And just when they get back on an even keel, something else pushes Tyler to question whether he is really worth the risk to Jax.
For the most part, I enjoyed this. There were a couple a lines, and phrases that kept popping up that kept it from getting the full five stars, though. Not listing them here, either cos they is wude, and some site are a little prudish in what you are allowed to say!
I loved that Jax goes all in, right from the start, making his feelings known, that Ty is really worth his time and effort, and he says those magic words early, with I don't usually like. HOWEVER, Jax makes it clear that while HE said them, Tyler can say them when he is ready, even if Jax knew how Tyler really felt at that point. Cos Jax can read Ty like the books he writes!
Ty takes some time, to word how he feels, though. He isn't sure when Jax will dump him, that's what he expects to happen. It takes time for Ty to really see that maybe, just maybe, Jax will stick around.
I did expect a couple of certain character to make trouble, but they don't. Someone else does that! Loved that Jax' family take on Tyler as a second son.
Apart from the repetitive phrases, it's very well written, from both guys plus another's point of view. These guys are at it like bunnies, and it's very explicit. Very much to my liking after several not so explicit books ?
A solid 4 star read.
**same worded review will appear elsewhere**
Tyler and Jax meet in the club that Tyler works in, Infinity. Their reaction to each is is instant and powerful. Then Tyler finds out just who Jax is, and he fights the attraction. And just when they get back on an even keel, something else pushes Tyler to question whether he is really worth the risk to Jax.
For the most part, I enjoyed this. There were a couple a lines, and phrases that kept popping up that kept it from getting the full five stars, though. Not listing them here, either cos they is wude, and some site are a little prudish in what you are allowed to say!
I loved that Jax goes all in, right from the start, making his feelings known, that Ty is really worth his time and effort, and he says those magic words early, with I don't usually like. HOWEVER, Jax makes it clear that while HE said them, Tyler can say them when he is ready, even if Jax knew how Tyler really felt at that point. Cos Jax can read Ty like the books he writes!
Ty takes some time, to word how he feels, though. He isn't sure when Jax will dump him, that's what he expects to happen. It takes time for Ty to really see that maybe, just maybe, Jax will stick around.
I did expect a couple of certain character to make trouble, but they don't. Someone else does that! Loved that Jax' family take on Tyler as a second son.
Apart from the repetitive phrases, it's very well written, from both guys plus another's point of view. These guys are at it like bunnies, and it's very explicit. Very much to my liking after several not so explicit books ?
A solid 4 star read.
**same worded review will appear elsewhere**
Isabel Smith (34 KP) rated Our Kind of Cruelty: A Novel in Books
Jun 22, 2018
Our Kind of Cruelty is an engrossing, in-depth case study of the weirdly obsessive and detrimental love story between Mike Hayes and Verity Walton. Author Araminta Hall only provides readers with Mike’s point of view, so there are some limitations into what we can glean about Verity’s thoughts, motivations, and behaviors. Nevertheless, seeds of doubt are sown from the beginning of the story about both characters’ integrity and reliability.
Mike and Verity have been inseparable since meeting at university and starting up their one-of-a-kind relationship. During their early years they established a disturbing game which they referred to as the Crave, in which they always benefited at the expense of others. It is unclear who started the game, as Verity will say Mike did and vice versa. Similarly, a number of other relevant events in their tumultuous relationship are clouded with duplicity, right down to the moment when one of their so-called Crave victims ends up dead. What ensues is a riveting trial in which a jury (and readers) must navigate through the he-said/she-said testimonies and decide who the guilty party is.
In the ever-growing mound of psychological thrillers that have skyrocketed since the release of Gillian Flynn’s Gone Girl, Araminta Hall’s latest work really stands out due to the fact that she’s changed up the ever popular unreliable narrator trope. In Our Kind of Cruelty, the central unreliable narrator is a male; typically readers have been treated to unpredictable and untrustworthy females. Needless to say, I really enjoyed this twist. I also really enjoyed the court procedural part of the book; reading the conflicting accounts between Mike and Verity was like watching a riveting tennis match where the ball is whacked mercilessly back and forth between both parties. Check this book out today if you’re in the mood for something dark yet intriguing, something that will leave you thinking and wondering long after you’ve finished the book.
Mike and Verity have been inseparable since meeting at university and starting up their one-of-a-kind relationship. During their early years they established a disturbing game which they referred to as the Crave, in which they always benefited at the expense of others. It is unclear who started the game, as Verity will say Mike did and vice versa. Similarly, a number of other relevant events in their tumultuous relationship are clouded with duplicity, right down to the moment when one of their so-called Crave victims ends up dead. What ensues is a riveting trial in which a jury (and readers) must navigate through the he-said/she-said testimonies and decide who the guilty party is.
In the ever-growing mound of psychological thrillers that have skyrocketed since the release of Gillian Flynn’s Gone Girl, Araminta Hall’s latest work really stands out due to the fact that she’s changed up the ever popular unreliable narrator trope. In Our Kind of Cruelty, the central unreliable narrator is a male; typically readers have been treated to unpredictable and untrustworthy females. Needless to say, I really enjoyed this twist. I also really enjoyed the court procedural part of the book; reading the conflicting accounts between Mike and Verity was like watching a riveting tennis match where the ball is whacked mercilessly back and forth between both parties. Check this book out today if you’re in the mood for something dark yet intriguing, something that will leave you thinking and wondering long after you’ve finished the book.
"That's impossible! How will the Emperor maintain control without the bureaucracy?"
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.
"The Regional governors now have direct control over their territories. Fear will keep the local systems in line. Fear of this battle station."
That exchange, from the original Star Wars film, pretty much sums up what would become known as the Tarkin Doctrine: that of rule by fear.
While there have been other Star Wars novels based on the other 'bad guys' (Vader, Boba Fett, etc), this is also the first - to the best of my knowledge - based on Grand Moff Wilhuff Tarkin, as portrayed by Peter Cushing in the films, and the first Grand Moff of the Galactic Empire.
"Evacuate? In our moment of triumph? I think you overestimate their chances ..."
While it may not be apparent in the film - particulary when he utters that line seconds before the Death Star is blown up - this also makes him out ot be a strategic mastermind - it is he who oversaw the construction of the Death Star, and he who (in this) works out the identites of those who have stolen his starship that is now cayying out strikes agaisnt Imperial installations, the pursuit of which is the main driving force of the plot behind this novel.
This also goes to show how Vader came to work with Tarkin on board the Death Star, and the defining events of Tarkins earlier life that would go to shape the character he would become.
With all that said, however, the writing style did - at times - put me off, with the novel never really getting me hooked into just what would ahppen next - we all know, for example, that he would survive and not only survive, but prosper by the end of it! It's also not the worst Star Wars book, nor even the worst of the 'New Canon' such books I've read, but nor was it the best - a solid middle-of-the-road entry for me.