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99 Percent Mine
99 Percent Mine
Sally Thorne | 2019 | Romance
10
10.0 (1 Ratings)
Book Rating
Different to The Hating Game but equally as good
99 PERCENT MINE grabbed me in with Darcy love from the off, she's an absolute feisty female with a weakness that makes her strong. I admired her attitude, her unfiltered mouth, her inner 'oh s$$t' and her outer 'don't mess with me'. That said, it really did take 20% in for me to really get fully enmeshed into the story. The 5 star rating comes from everything that overwhelmed me and took over my life from there.

Darcy Barratt is a twin, the weaker runt and her twin Jamie, well let me say, I hated that guy and his influence on the characters in this story (even though I suspect there's a story that could come from him). Darcy and Jamie had another half to them, Tom Valeska, unofficial adoptee into the Barratt clan. Darcy has loved him forever but their life has been missed opportunities and it has always been easier for her to up and leave.

<i>"I inhale his birthday-candle pheromones. I want to know what his goddamn bones smell like. Let me start down in his DNA structure and work my way back up." </i>

Tom Valeska (I can't help saying his names together, forgive me) is solid in the friendship stakes, a support, a protector, a wannabe saviour. He comes to renovate Darcy's grandmother's house and therein starts the literal magnetism between these two. Holy chemistry, I cannot explain the draw between them and I felt right in the middle of it, like iron filings. This was a burn of slow proportions but the absolute furnace it created, blew me away.

<i>"My body is taking over. Everything is boiling up out of me-years of stolen looks and tight T-shirts and that bone-deep certainty that the animal in him wants me too."</i>

I literally shelved my Saturday, locked in my fellow arc-buddy and we read together, across the ocean, exchanging highlights, swooning alongside one another, fearing together and having a mind-blown explosion over the chemistry and banter. I could not put this book down, nor would I want to. It is very unlike me to feel drawn back to a book immediately but I just know I will have to read again on release (when I have my pretty, yellow paperback in my hand) and immerse myself once again.

Sally Thorne has followed up The Hating Game with something totally different and entirely as good. No one writes dialogue like Ms Thorne and she has amply shown her diversity and also her consistency. Sorry for the glow-y-ness but I am still riding high on feelings here and I hope you will be too.

<i>"My stomach falls down an elevator shaft. Those words, spoken aloud in his voice, crackle through my synapses, and right now, I've never been more alive. I am heartbeat and full lungs."</i>

I voluntarily read an early copy of this book.
  
Truth Seekers - Season 1
Truth Seekers - Season 1
2020 | Comedy
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.

The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).

Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.

Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.

Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.

What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.