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The Mermaid, the Witch and the Sea
The Mermaid, the Witch and the Sea
Maggie Tokuda Hall | 2020 | Fiction & Poetry, LGBTQ+, Romance, Science Fiction/Fantasy, Young Adult (YA)
8
7.5 (2 Ratings)
Book Rating
Thank you to Netgalley and Walker books for providing this ARC in exchange for an honest review.

I chose this book simply based on the synopsis and the gorgeous cover art. I expected it to be a standard YA read, perhaps edging on middle grade but wow was I wrong! This novel contains all the gritty bits of a Pirate’s life and is as far from Neverland pirates and mermaids as you can get.

The Mermaid, the Witch and the Sea centres around the relationship between a high-born, queer, Japanese-inspired noblewoman, Evelyn and a pirate named Florian who is secretly a girl named Flora, disguising themself in order to gain the respect of their crew mates.

Evelyn and Florian instantly capture the heart of the reader. They are such an unlikely match and from completely different worlds but the way that Maggie Tokuda-Hall throws these two characters together and alternates chapters between their perspectives is so compelling. The secret attraction and the pining between Evelyn and Florian can literally be felt through the pages. These two are guaranteed to stay with you long after the book is finished.

In fact, the majority of Tokuda-Hall’s cast of characters are so well developed: we have Rake, the first mate who is a very closed character and keeps his own intentions close to his chest for most of the novel. We have a gender-fluid Pirate Supreme, an imperialist noblewoman who can kick ass and Flora’s brother Alfie, a tortured soul whose traumatic past is alluded to often.

The portrayal of mermaids in the novel is nothing short of inspired: hunted and captured for the properties their blood possesses, mermaids are quite ugly when imprisoned by pirates. These mythical creatures that are renowned for their beauty are only conventionally beautiful in the presence of their loving mother: The Sea. The Sea in turn will do whatever she can to protect her children, and will always reward those who help.

The other pirates are, as you would expect, a group of shady characters but they do not fade into the background at all. Tokuda-Hall reveals right from the beginning the true intentions of this crew and it creates an underlying tension throughout the whole voyage upon The Dove. The twists, secrets and revelations onboard that ship are captivating and create a page-turning first half of the book.

I will say that during the middle of the book, mainly during “The Witch” section, the pace slowed dramatically and it just didn’t flow as much.
I almost wanted more treachery and more suspense from the witch, more struggle by Evelyn and, dare I say, more pining from Evelyn and Florian. Their relationship up to this point had been so intense and slow burning that it almost seemed to cool a little.
I also feel that not quite enough was made of Evelyn’s discovery about the real reason behind her voyage. It was almost a convenient way for that side of her story to be resolved. Similarly, with Florian/Flora; their evolution from Pirate to Witch seemed quite acceptable and tame.

These factors, in my opinion, affected the ending of the novel where everything seemed quite rushed in its efforts to tie up all loose ends. Please don’t misunderstand, I LOVED the ending and how Evelyn and Flora/Florian finished their journey. I even shed a few tears. However, it was the lead up to this that just seemed too convenient and too quick.


Overall this is a wonderfully dark pirate novel that instantly creates a world full of magic and wonder whilst tackling the issues of identity, colonialism, homophobia, poverty and rape. A world where gender-fluid and queer characters fight against injustice alongside endangered mermaids and the Sea is to be respected almost as a deity.

I cannot believe that this is merely Maggie Tokuda-Hall’s debut novel! I cannot wait to see where she takes us next!
  
Before you tar and feather me for giving a Julie Klassen book a three star rating, please hear me out. As stated in my rating system post, "This is reserved for books that I look upon with pleasure, but do not produce the feelings of complete adoration." The Innkeeper of Ivy Hill was unique and enjoyable to read, however it did not move my soul.

The first thing that I noticed about this book that is different from any other of Mrs. Klassen's books, is the the point of views are strictly female. Alternating between three women, we get a unique look into life in a small village set in England during 1820. I learned a lot about the inner workings of the inn and got explore the lives of these different women who represent very different personalities and stations in life. Reading through the eyes of these three women also added an extra sense of mystery. Because we don't know what is going on in the minds of the gentlemen in this story.

Julie Klassen does take on some heart wrenching topics in this book. Specifically, difficulties with pregnancies. I will not sugar coat it, descriptions are detailed and quite graphic in my opinion. Please proceed as you feel appropriate. I just know that for myself, it was difficult to read those scenes and I feel it only fair to give my fellow readers a heads up. I never had any complications with pregnancy, but have had a lot of medical trauma with our second son, during and after delivery(everything is OK now). Therefore, I find it hard to read about anything at all happening to children in books.

Overall, I enjoyed Mrs. Klassen's book in her very first series and I will read the next books. The Innkeeper of Ivy Hall was an entertaining book and I look forward to what comes next.

I received a complimentary copy of The Innkeeper of Ivy Hill through NetGalley. I was not required to write a positive review. All opinions expressed are mine alone.
  
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Honest Thief (2020)
Honest Thief (2020)
2020 | Action, Crime, Drama
Chemistry between Neeson and Walsh (1 more)
Great cinematography around a scenic Boston
As discussed in my One Mann's Movies review of "Cold Pursuit", Liam Neeson has had a rather rocky PR road of late. But - unlike Kevin Spacey - he is clearly not being put on the naughty step by Hollywood, since he is filming/announced for five other features at the time of writing. His latest release - "Honest Thief" - has Mark Williams directing and co-writing (with Steve Allrich), and sees Neeson back on VERY familiar territory in an exciting and sometimes violent thriller.

The nice concept behind the story sees Tom (Liam Neeson) as a hugely successful bank robber meeting the love of his life in Annie (Kate Walsh) and committing to jack it all in for love. Furthermore, not wishing to have to live with the deception and guilt of his hidden life, he determines to hand himself over to the FBI, along with the $9 million stolen cash, in return for a lenient sentence.

There's a problem though: he's about the fifteenth person calling the FBI claiming to be the "In and Out burgler", so no-one wants to take him seriously. Boston area chief Sam Baker (Robert Patrick - the "Terminator" cop!) and his deputy Meyers (Jeffrey Donovan) casually put it on the "to-do" pile of agents Nivens (Jai Courtney) and Hall (Anthony Ramos).

The best laid plans run off the rails in a big way though when Nivens and Hall investigate and find that Tom is the real deal.

The concept here works nicely for a thriller, but the rest of the script is so formulaic that it's fairly and squarely a 'park your brain in the foyer' movie. For several of the actions and motives going on here, suspension of disbelief was required . Even given the limited competition in 2020, the script is in no way going to trouble the Academy.

All that being said, Mark Williams has put together a tight and well-executed movie, not outstaying its welcome at only 99 minutes long. Even with the 15 year age difference, Neeson and Walsh make a believable couple (given that Neeson looks pretty good for his 68 years) and the chemistry between them is great. And for a pretty 'small' movie, the supporting cast is pretty impressive.

Another standout for me was the cinematography by Shelly Johnson (whose had a busy year with the latest "Bill and Ted" and "Greyhound" under his belt). Boston - always a great movie location - looks spectacular, and the framing of the car chase action impressed me.

For me, there was only one really dodgy element of the movie: the special effects used in a house explosion/fire. The budget clearly didn't stretch to using practical effects! More work on Adobe "After Effects" (or similar) was required here!

Is Honest Thief worth seeing? - My expectations for this movie were pretty low. But I'm pleased to say that they were exceeded. Is it a masterpiece? No. Will I readily remember much about it in six month's time? No. But in rather a desert of new releases, this one was at least entertaining and I think it's worth the ticket price for a long overdue night out at the flicks. I'm willing to guess that my feelings were partially influenced by the sheer joy of being back in a cinema again... so I will temper my rating perhaps by a star here.

(For the full graphical review, please check out One Mann's Movies here - https://rb.gy/9kcnr5. Thanks.)