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The Ninth Child
10.0
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A spellbinding novel combining Scottish folklore with hidden history, by the Sunday Times...
Victorian Scotland Scottish Folklore Social reforms
City of Betrayal
3.0
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Elizabeth Bates's latest con just might change the course of history in an all-new Counterfeit Lady...
ClareR (6062 KP) rated Our Hideous Progeny in Books
Aug 15, 2023
Our Hideous Progeny by C E McGill picks up the history of the Frankenstein’s where Mary Shelleys novel left off, give or take a generation. Except Mary in this story doesn’t know anything about her Great Uncle Victor. She does know that he went missing in the Artic in mysterious circumstances, but it’s not until she finds some letters that she learns the extent of his work.
Mary is a keen scientist, helping her husband Henry in his geological work. Without wealth and connections though, there is little they can do to really make their names in the field. So when she discovers Victor’s papers, she and her husband decide that there is only one thing to do. So they take themselves off to Henry’s old family home in Scotland to try and create a monster of their own.
Henry is a bit of an idiot though, and has managed to make himself some enemies, and one such turns up on the doorstep demanding money. When they explain to him what they’re doing, he demands to take part - and then things start to go wrong.
I really liked the female characters in this: Mary, and Henry’s reclusive and sickly sister, Maisie. They are determined (even in Maisie’s illness she isn’t a walkover) and intelligent. It was quite frustrating to see Mary treated so badly, whilst at the same time the men relied on her to do a lot of the work. It is her moral compass that grounds the endeavour, but to be fair, they don’t seem to listen to her much (of course, they know better!).
There’s a real sense of time and place in this - from the attitudes of the men towards the women, to the attitudes of the upper classes towards the lower. Horse and carriages, steam trains and bathing houses all entrenched the novel firmly in the Victorian age.
This really is a phenomenal read, and I loved it. There’s nothing like a strong female character or two having a go at the patriarchy to make my day!!
Mary is a keen scientist, helping her husband Henry in his geological work. Without wealth and connections though, there is little they can do to really make their names in the field. So when she discovers Victor’s papers, she and her husband decide that there is only one thing to do. So they take themselves off to Henry’s old family home in Scotland to try and create a monster of their own.
Henry is a bit of an idiot though, and has managed to make himself some enemies, and one such turns up on the doorstep demanding money. When they explain to him what they’re doing, he demands to take part - and then things start to go wrong.
I really liked the female characters in this: Mary, and Henry’s reclusive and sickly sister, Maisie. They are determined (even in Maisie’s illness she isn’t a walkover) and intelligent. It was quite frustrating to see Mary treated so badly, whilst at the same time the men relied on her to do a lot of the work. It is her moral compass that grounds the endeavour, but to be fair, they don’t seem to listen to her much (of course, they know better!).
There’s a real sense of time and place in this - from the attitudes of the men towards the women, to the attitudes of the upper classes towards the lower. Horse and carriages, steam trains and bathing houses all entrenched the novel firmly in the Victorian age.
This really is a phenomenal read, and I loved it. There’s nothing like a strong female character or two having a go at the patriarchy to make my day!!
Let Me Off at the Top!: My Classy Life and Other Musings
8.0
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The autobiography everyone has been waiting for: a shockingly candid and raw confessional from an...
Great Scottish Heroes: Fifty Scots Who Shaped the World
Book
Which Scottish anti-slavery campaigner lost a son in a Confederate prisoner-of-war camp during the...
The Golden Hour
Book
The Bahamas, 1941. Newly-widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the...
Nadya R (9 KP) rated The Nightingale in Books
Jul 2, 2018
I am speechless. I finished the book 15 minutes ago, but I am still staring in the wall and tears are falling down my cheeks. It’s been a while since I’ve been that touched by a book. This story and this two sisters turn upside down the idea of the women’s role in WWII.
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Ravilious & Co: The Pattern of Friendship
Book
In recent years Eric Ravilious has become recognized as one of the most important British artists of...
Neon's Nerd Nexus (360 KP) rated Little Women (2019) in Movies
Jan 18, 2020 (Updated Jan 18, 2020)
Coffee and Compliments
Little Women feels like a breath of fresh air in a time chock full of superhero movies and action sequels. Simply overflowing with such kindness, warmth and an enormous sense of love and heart little women is pure escapism into a tale so beautify simple yet so sophisticated and intricate that its simply a pure delight to behold for any age to enjoy. Being unfamiliar with the source material myself I was concerned that I wouldnt enjoy this movie but as the film began I found myself so absorbed by its beauty and overwhelmed with its ability to transport me back and embed me into a period in time like it was but a memory of my own. Production design is staggering and constantly breathtaking from clothing, set design, lighting and props everything just screams quality and class making homes feel lived in/cosy, parties feel exciting/grand and the outdoor scenes to feel magical and fable esque. Whats truly stunning here however is how the feeling of belonging has been masterfully created and as we spend time with this family the bond and love depicted here is so flawless, real and full of love its hard to remember these are actresses we are watching and not real people going about thier lives. Perfomances are splendind but its Florence Pugh that really shows she deserves her nomene for this for sure with a performance so believable full of innocence, emotion and energy that its trully entrancing to watch. With accurate depictions of love, courtship, acceptance, passion, drive, perseverance, innocence, maturity, family life, bonding and grief we almost see these girls fight thier own personal battles along side the real war going on as they struggle to make something of themselves and live freely in a world where men are considered to have all the dominance and rights. Although taking place in the past it all just feels so very current and timeless not affraid to tackle a variety of important and complex themes/issues while exploring the very characteristics and traits that make us human. A wonderful delight and a simply magnifict and heart warming piece of film making history. Such a joyous experiance for anyone and everyone alike.
Getting Out of the Mud: The Alabama Good Roads Movement and Highway Administration, 1898-1928
Martin T. Olliff and David O. Whitten
Book
Martin T. Olliff recounts the history of the Good Roads Movement that arose in progressive-era...