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Kristy H (1252 KP) rated That Summer in Books
May 27, 2021
A touching and insightful look into the power of the past
On the surface, Daisy Shoemaker has the perfect life: a doting lawyer husband, a loving daughter, and her own cooking business. But underneath, she's full of doubts. Her husband is distant, her teenage daughter resentful, and her business--just something to keep her "occupied." Daisy's been receiving emails lately, meant for another woman named Diana, Daisy's given name. This Diana, a business consultant, seems glamorous and wealthy. When Diana invites Daisy to lunch, she impulsively says yes. But as the two form a friendship, Daisy starts to wonder if their connection was purely accidental. What exactly does Diana want from Daisy?
"For the last six months, Daisy had been receiving emails that she realized were intended not for her, but for the other Diana."
This is not a light and airy beach read, but a serious book that focuses in on the recent #MeToo topic. Much of the book doesn't even take place on the promised Cape setting. Does that mean it's not worth a read? Not at all. Weiner's constructed a compelling and heartfelt tale, with characters that pull you into the story. It feels a little reminiscent of some other #MeToo stories I've read recently, but I was still glued to the pages, wondering what had happened in Diana's past and how things would turn out for everyone.
There's a bit of a mystery here, but it's not too hard to figure out how everything pieces together. The real focus is the characters. We have Daisy, insecure and struggling in her marriage to Hal, a wealthy and arrogant man more than a decade older than her. It's clear Hal takes Daisy for granted--and that may be letting him off easy. Their daughter, Beatrice, was a favorite of mine: an original teen, with her own unique way of living her life. Beatrice's scenes stood out; she's a character I won't soon easily forget. We also have Daisy's brother, Danny, and his husband Jesse. And then there's the "other" Diana, who worms her way into Daisy's life. Can we trust her? Diana was a memorable character to me as well, along with someone close to her. (I don't want to say much more for spoilers.)
The book is told mainly from Daisy, Diana, and Beatrice's perspectives. It goes back and forth in time. It's a little confusing in the beginning, getting the timeline straight and how all the characters relate. Once I got that down, it was a fast read. Some of it may be a little predictable, but it's in turns sad, heartwarming, and funny. I loved Beatrice, as mentioned, and the dynamic between Daisy and Diana was well-written. Weiner does a good job of exploring how class and privilege relate to sexual assault (a definite trigger warning for rape in this story) and the repercussions of rape across individuals, families, and friends. She focuses, too, on the importance of accepting those you love for who they are, no strings attached.
Overall, I'm quite glad I picked this one up. Despite some of the vague familiarity to other #MeToo books, for the most part, it felt refreshing and interesting. It certainly held my attention and brought to light the important topic of rape and its aftermath. The characters here are well-drawn, and I'll always have a place in my heart for dear Beatrice. 4 stars.
"For the last six months, Daisy had been receiving emails that she realized were intended not for her, but for the other Diana."
This is not a light and airy beach read, but a serious book that focuses in on the recent #MeToo topic. Much of the book doesn't even take place on the promised Cape setting. Does that mean it's not worth a read? Not at all. Weiner's constructed a compelling and heartfelt tale, with characters that pull you into the story. It feels a little reminiscent of some other #MeToo stories I've read recently, but I was still glued to the pages, wondering what had happened in Diana's past and how things would turn out for everyone.
There's a bit of a mystery here, but it's not too hard to figure out how everything pieces together. The real focus is the characters. We have Daisy, insecure and struggling in her marriage to Hal, a wealthy and arrogant man more than a decade older than her. It's clear Hal takes Daisy for granted--and that may be letting him off easy. Their daughter, Beatrice, was a favorite of mine: an original teen, with her own unique way of living her life. Beatrice's scenes stood out; she's a character I won't soon easily forget. We also have Daisy's brother, Danny, and his husband Jesse. And then there's the "other" Diana, who worms her way into Daisy's life. Can we trust her? Diana was a memorable character to me as well, along with someone close to her. (I don't want to say much more for spoilers.)
The book is told mainly from Daisy, Diana, and Beatrice's perspectives. It goes back and forth in time. It's a little confusing in the beginning, getting the timeline straight and how all the characters relate. Once I got that down, it was a fast read. Some of it may be a little predictable, but it's in turns sad, heartwarming, and funny. I loved Beatrice, as mentioned, and the dynamic between Daisy and Diana was well-written. Weiner does a good job of exploring how class and privilege relate to sexual assault (a definite trigger warning for rape in this story) and the repercussions of rape across individuals, families, and friends. She focuses, too, on the importance of accepting those you love for who they are, no strings attached.
Overall, I'm quite glad I picked this one up. Despite some of the vague familiarity to other #MeToo books, for the most part, it felt refreshing and interesting. It certainly held my attention and brought to light the important topic of rape and its aftermath. The characters here are well-drawn, and I'll always have a place in my heart for dear Beatrice. 4 stars.
Joe Goodhart (27 KP) rated Wonder Woman & Justice League Dark: The Witching Hour in Books
Nov 30, 2020
Marvel continues to push me away, as the comics market is littered with bad editorial decisions and choices. With me, all it has succeeded in doing was alienating me and reminding me of how much I love DC (despite the trainwreck of lateness that is DOOMSDAY CLOCK)... especially the character of Superman!
That said, I have been playing catch-up with a number of titles, as I try to determine which ones I will specifically be subscribed to on Comixology. Besides the Bendis-helmed SUPERMAN books, I am also leaning toward JUSTICE LEAGUE DARK as the next one to add to the list. It was with the conclusion of WW & JLD: THE WITCHING HOUR that the decision to add JLD to my subscription list was cemented!
I knew of Tynion's name prior to undertake the reading of it. Not really familiar to his writing style, just that his name carries a lot of weight in the comic world. Having witnessed his writing here, I can see where that aforementioned "weight" comes from. Seriously, this was a solid read, from beginning to end!
I feel that Zatanna is a character that most people don't seem to get write, which seems odd unto itself. However, here, she was frikkin' brilliant! Strong-willed, with a good heart and moral compass. I wasn't sure how I would like her without her token "top hat, coattails and fishnets", but I did (partly due also to recent mental changes on my part, as I find myself looking at the female characters, in both the DC Universe as well as Marvel, as more than just "fanboy eye candy")! With Tynion's writing, as well as the uber-talents of Jesus Merino, Amanuela Lupachino, Alvaro Martinez Bueno, Fernando Blanco and Miguel Mendonca on art, Zee was truly in good hands!
Swamp Thing was another who I wasn't sure how he would be handled by someone other than Alan Moore (who, whether he's a kook now or not now, was still one of the best ST writers, outside of ST's creator, Len Wein). My fears and initial apprehension were quickly dispelled, as Tynion, along with the aforementioned artists on this story, turned out out one hell of a good Earth Elemental! I even found myself warming to the faux floral dreds that Swampy was sportin'!
Besides my excitement at how well Zee and ST were handled, the rest of the players, including Wonder Woman, were written well, with attention given to have them be more than just comic tropes. All the characters contributed to making this a tense, magic-heavy story, with ramifications carrying over into the JLD regular series.
And one last thing.. Circe. Not really a spoiler, just mentioning her. I always thought her character was kinda meh, especially the garb she had been given over the years. However, here, Tynion did awesome things with her, writing (and dressing) in a manner that would not be out of place in SANDMAN! Soooo COOL!!!
Look, if you like your brain to be crushed by angst and characters who keep getting rebooted what seems like every/every other year, then, by all means, continue to ride the Marvel Trainwreck. If you want a story you can sink your teeth into, then look no further. This truly one I can not recommend enought!
That said, I have been playing catch-up with a number of titles, as I try to determine which ones I will specifically be subscribed to on Comixology. Besides the Bendis-helmed SUPERMAN books, I am also leaning toward JUSTICE LEAGUE DARK as the next one to add to the list. It was with the conclusion of WW & JLD: THE WITCHING HOUR that the decision to add JLD to my subscription list was cemented!
I knew of Tynion's name prior to undertake the reading of it. Not really familiar to his writing style, just that his name carries a lot of weight in the comic world. Having witnessed his writing here, I can see where that aforementioned "weight" comes from. Seriously, this was a solid read, from beginning to end!
I feel that Zatanna is a character that most people don't seem to get write, which seems odd unto itself. However, here, she was frikkin' brilliant! Strong-willed, with a good heart and moral compass. I wasn't sure how I would like her without her token "top hat, coattails and fishnets", but I did (partly due also to recent mental changes on my part, as I find myself looking at the female characters, in both the DC Universe as well as Marvel, as more than just "fanboy eye candy")! With Tynion's writing, as well as the uber-talents of Jesus Merino, Amanuela Lupachino, Alvaro Martinez Bueno, Fernando Blanco and Miguel Mendonca on art, Zee was truly in good hands!
Swamp Thing was another who I wasn't sure how he would be handled by someone other than Alan Moore (who, whether he's a kook now or not now, was still one of the best ST writers, outside of ST's creator, Len Wein). My fears and initial apprehension were quickly dispelled, as Tynion, along with the aforementioned artists on this story, turned out out one hell of a good Earth Elemental! I even found myself warming to the faux floral dreds that Swampy was sportin'!
Besides my excitement at how well Zee and ST were handled, the rest of the players, including Wonder Woman, were written well, with attention given to have them be more than just comic tropes. All the characters contributed to making this a tense, magic-heavy story, with ramifications carrying over into the JLD regular series.
And one last thing.. Circe. Not really a spoiler, just mentioning her. I always thought her character was kinda meh, especially the garb she had been given over the years. However, here, Tynion did awesome things with her, writing (and dressing) in a manner that would not be out of place in SANDMAN! Soooo COOL!!!
Look, if you like your brain to be crushed by angst and characters who keep getting rebooted what seems like every/every other year, then, by all means, continue to ride the Marvel Trainwreck. If you want a story you can sink your teeth into, then look no further. This truly one I can not recommend enought!
Darren (1599 KP) rated Suffragette (2015) in Movies
Jun 25, 2019
Story: Suffragette starts in 1912, woman still don’t have the right to vote, but the battle for equality continues to wage on with Emmeline Pankhurst (Streep) pushes the campaign through. We follow Maud Watts (Mulligan) who finds herself witnessing one of the campaigns with Violet Miller (Duff) bringing her into their movement.
When the latest campaign gets rejected scenes get violent and Maud finds herself in the middle of the fight, facing time in jail, forced to give up campaigning for equal rights. Now the movement is stronger than ever will look to get the equality for women through.
Thoughts on Suffragette
Characters – Maud Watts is a quiet laundry employee, married with a child, she gets caught in the middle of one of the campaigns for equal rights, she ends up joining the movement as a foot soldier knowing what is right for women everywhere. Violet Miller is one of the foot soldiers that recruits Maud, she has been fight for a while now and knows that she wants the best for her daughter. Edith Ellyn offers a cover for the meetings to make things right for women, she has been campaigning for years next to the leader, Emmeline Pankhurst has been in hiding for years as she keeps the movement going strong to make sure women can get the right to vote. Inspector Arthur Steed is trying to stop the movement from taking over, he puts the women to the test to see who the strong ones are.
Performances – Carey Mulligan is great in the leading role, we see her confliction with Maud’s decisions being made. Helena Bonham Carter is great too which puts her in a supportive role. Anne-Marie Duff is the actress I hadn’t heard of before and she goes toe to toe with the bigger names. Meryl Streep does have a small role in this film, but that doesn’t hide her importance to the story. Brendan Gleeson makes for a good law man in any movie, this is no different.
Story – The story shows the struggles British women had to get the chance to vote, just vote something men had been doing for years. It leaves you to wonder just how this took such a long time to change in a world where we are all meant to be equal. The bravery these women showed shines through because they faced being shamed by their families, the main story follows how Maud Watts went into the world and how it affected her life. While I do understand this is looking at the women’s battle, you do feel like there would have been male supporters in this fight too and them speaking up would have been just as taboo to the ones who wouldn’t look down on them.
Biopic/History – This is a moment, a movement in history that should never have had to happen, but the importance to what it achieved is remarkable.
Settings – The settings show how the everyday location were important to make this movement happen, we feel like we are in 1912 London.
Scene of the Movie – The speech.
That Moment That Annoyed Me – You would think men would have supported this too.
Final Thoughts – This is a look at an important moment in time, it shows how women worked, fought and battled to get equality in Britain.
Overall: Important look at history.
https://moviesreview101.com/2019/06/22/meryl-streep-weekend-suffragette-2015/
When the latest campaign gets rejected scenes get violent and Maud finds herself in the middle of the fight, facing time in jail, forced to give up campaigning for equal rights. Now the movement is stronger than ever will look to get the equality for women through.
Thoughts on Suffragette
Characters – Maud Watts is a quiet laundry employee, married with a child, she gets caught in the middle of one of the campaigns for equal rights, she ends up joining the movement as a foot soldier knowing what is right for women everywhere. Violet Miller is one of the foot soldiers that recruits Maud, she has been fight for a while now and knows that she wants the best for her daughter. Edith Ellyn offers a cover for the meetings to make things right for women, she has been campaigning for years next to the leader, Emmeline Pankhurst has been in hiding for years as she keeps the movement going strong to make sure women can get the right to vote. Inspector Arthur Steed is trying to stop the movement from taking over, he puts the women to the test to see who the strong ones are.
Performances – Carey Mulligan is great in the leading role, we see her confliction with Maud’s decisions being made. Helena Bonham Carter is great too which puts her in a supportive role. Anne-Marie Duff is the actress I hadn’t heard of before and she goes toe to toe with the bigger names. Meryl Streep does have a small role in this film, but that doesn’t hide her importance to the story. Brendan Gleeson makes for a good law man in any movie, this is no different.
Story – The story shows the struggles British women had to get the chance to vote, just vote something men had been doing for years. It leaves you to wonder just how this took such a long time to change in a world where we are all meant to be equal. The bravery these women showed shines through because they faced being shamed by their families, the main story follows how Maud Watts went into the world and how it affected her life. While I do understand this is looking at the women’s battle, you do feel like there would have been male supporters in this fight too and them speaking up would have been just as taboo to the ones who wouldn’t look down on them.
Biopic/History – This is a moment, a movement in history that should never have had to happen, but the importance to what it achieved is remarkable.
Settings – The settings show how the everyday location were important to make this movement happen, we feel like we are in 1912 London.
Scene of the Movie – The speech.
That Moment That Annoyed Me – You would think men would have supported this too.
Final Thoughts – This is a look at an important moment in time, it shows how women worked, fought and battled to get equality in Britain.
Overall: Important look at history.
https://moviesreview101.com/2019/06/22/meryl-streep-weekend-suffragette-2015/
Emma @ The Movies (1786 KP) rated Stan & Ollie (2018) in Movies
Sep 25, 2019
I think that almost everyone has some knowledge of Laurel and Hardy. Certainly growing up with a love of black and white comedies meant that I saw a fair few myself. There's certainly a familiarity in what we see from Coogan and Reilly that brings a smile to your face. The main problem is that it's such a hard act to follow. I can't say that I'm left raving about what was presented. It's a charming film... I'm just not sure if that's a compliment or not.
Seeing the BBC Films logo come up at the beginning gave me some hope. Having never really enjoy either of the main actor's work this actually gave me some hope that this would be an amazing sort of production that I've come to love from the BBC. Sadly, again, I wasn't wowed by what I saw.
Coogan and Reilly do both manage to capture their part of the double act well, and seeing those trademark moves briefly gives you that spark of joy. Nostalgia is a very powerful thing and you get a great buzz but I'm not sure it's enough to make up for the overall feeling of the film.
Both Shirley Henderson and Nina Arianda make for a fiery support cast in the roles of Lucille Hardy and Ida Laurel, but I have to say that Ida was the character for me. Self promoting and yet fiercely loyal. Loving and yet tinged with a streak of harsh reality. It was pleasing to see how she evolved to show such heart and unite the pair at the end.
Capturing snippets of a lifetime is always difficult. There are so many things going on that you have to choose whether to feature or not and that inevitably leads to gaps and slight inconsistencies. Hardy's gambling made several appearances but at no point is it really shown as a severe problem , most of it was done in a very lighthearted manner which sort of defeated the point of it being mentioned at all.
The first half of the film is incredibly slow and dare I say dull. So much so that I did wonder whether it was anything like the film that the trailer had promised. While I did silently chuckle to myself it was by no means laugh out loud funny with it's comedy... although the woman across the aisle from me would probably disagree on that point.
Despite my rather bland feelings about the film it did have some excellent moments. The opening sequence of them walking through the studio lot is really well set up, but shots after that were all very traditional. My other stand out moment was right at the end where they're doing their last performance. In that moment I had a stream of tears running down my face. The fact that they managed to convey the end of Laurel and Hardy's career in such a relatively short sequence was amazing.
Ultimately I think some of the greats from history should probably be left in that iconic position. I'm really not sure that this added anything to their story.
What you should do
If you#re one for nostalgia then you should head on out to see this in January.
Movie thing you wish you could take home
I'd have to have just a little piece of Stan Laurel's creativity and dedication.
Seeing the BBC Films logo come up at the beginning gave me some hope. Having never really enjoy either of the main actor's work this actually gave me some hope that this would be an amazing sort of production that I've come to love from the BBC. Sadly, again, I wasn't wowed by what I saw.
Coogan and Reilly do both manage to capture their part of the double act well, and seeing those trademark moves briefly gives you that spark of joy. Nostalgia is a very powerful thing and you get a great buzz but I'm not sure it's enough to make up for the overall feeling of the film.
Both Shirley Henderson and Nina Arianda make for a fiery support cast in the roles of Lucille Hardy and Ida Laurel, but I have to say that Ida was the character for me. Self promoting and yet fiercely loyal. Loving and yet tinged with a streak of harsh reality. It was pleasing to see how she evolved to show such heart and unite the pair at the end.
Capturing snippets of a lifetime is always difficult. There are so many things going on that you have to choose whether to feature or not and that inevitably leads to gaps and slight inconsistencies. Hardy's gambling made several appearances but at no point is it really shown as a severe problem , most of it was done in a very lighthearted manner which sort of defeated the point of it being mentioned at all.
The first half of the film is incredibly slow and dare I say dull. So much so that I did wonder whether it was anything like the film that the trailer had promised. While I did silently chuckle to myself it was by no means laugh out loud funny with it's comedy... although the woman across the aisle from me would probably disagree on that point.
Despite my rather bland feelings about the film it did have some excellent moments. The opening sequence of them walking through the studio lot is really well set up, but shots after that were all very traditional. My other stand out moment was right at the end where they're doing their last performance. In that moment I had a stream of tears running down my face. The fact that they managed to convey the end of Laurel and Hardy's career in such a relatively short sequence was amazing.
Ultimately I think some of the greats from history should probably be left in that iconic position. I'm really not sure that this added anything to their story.
What you should do
If you#re one for nostalgia then you should head on out to see this in January.
Movie thing you wish you could take home
I'd have to have just a little piece of Stan Laurel's creativity and dedication.
Debbiereadsbook (1478 KP) rated Alex (Twilights Falls #1) in Books
Oct 8, 2019
wonderful start to a new series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Alex’s business partner scammed him for the tune of half a million dollars. His friend, Izzy, has the perfect solution. Marry her client, live with said client for 6 months, and get his half million back. Finn’s great aunt is a manipulative woman, but she loves him, she really does. Getting Finn out the house to meet someone new was not going to work while the artist hides himself away following the death of his wife several years ago. Marrying him off seems the perfect idea. When Finn and Alex come face to face at the courthouse, neither is expecting a man, but they go ahead. They can live with each other for 6 months and be done. But what happens when feelings get involved? When things begin to be REAL?
I thoroughly, thoroughly enjoyed this start of a new series by Salinger! I LOVED the Nights series and I can see this new series growing on me too.
There is immediate attraction to Finn from Alex but while Finn acknowledges, to himself at least, that Alex is gorgeous, it takes time for the attraction to Alex to grow. Loved that it wasn’t immediate obvious to Finn, just what he might be feeling for Alex.
It’s not overly explicit, at least to start, but once these guys admit they want each other, and that Finn doesn’t seem to have a problem with that, they are all in! It does get a bit emotional, especially for Finn, when talking about his wife, and then to his great aunt about . . .things . . .and you feel sad for him, that he was never fully honest with himself. That his wife and his aunt saw, though, knocks him.
Glad the business partner gets his comeuppence!
I LOVED the wider group of friends that Alex comes home to! They are funny and I wonder if the series will evolve around them? I know Carter is next, who pops up here.
It didn’t take me long to read the 170 pages its billed as, just over 90 minutes, but it left me feeling that warm and fuzzie feeling I haven’t had from a book in a good long while.
So, thank you, Ms Salinger, for setting me up for a busy day at work, feeling that warm and fuzziness all day! I look forward to catching up with these guys should they pop up again in the series. * I hope they do!*
OH!!! There is a bit at the back of this book that gives the first chapter to One Night, which is the first in the Nights series. If you haven’t read those books, I STRONGLY recommend you do! I made a new shelf for them, and everything! And of course I read that little bit and then had to go back and read Cam and Gabe’s first book again. And NOW I wanna go back and read the whole damn series again! Be warned though, those books are HOT off the charts!
Ah sod it! I wrote 4 stars, then changed it to 5 then back to 4, but here you go!
5 warm and fuzzy, too stinking cute stars!
**same worded review will appear elsewhere**
Alex’s business partner scammed him for the tune of half a million dollars. His friend, Izzy, has the perfect solution. Marry her client, live with said client for 6 months, and get his half million back. Finn’s great aunt is a manipulative woman, but she loves him, she really does. Getting Finn out the house to meet someone new was not going to work while the artist hides himself away following the death of his wife several years ago. Marrying him off seems the perfect idea. When Finn and Alex come face to face at the courthouse, neither is expecting a man, but they go ahead. They can live with each other for 6 months and be done. But what happens when feelings get involved? When things begin to be REAL?
I thoroughly, thoroughly enjoyed this start of a new series by Salinger! I LOVED the Nights series and I can see this new series growing on me too.
There is immediate attraction to Finn from Alex but while Finn acknowledges, to himself at least, that Alex is gorgeous, it takes time for the attraction to Alex to grow. Loved that it wasn’t immediate obvious to Finn, just what he might be feeling for Alex.
It’s not overly explicit, at least to start, but once these guys admit they want each other, and that Finn doesn’t seem to have a problem with that, they are all in! It does get a bit emotional, especially for Finn, when talking about his wife, and then to his great aunt about . . .things . . .and you feel sad for him, that he was never fully honest with himself. That his wife and his aunt saw, though, knocks him.
Glad the business partner gets his comeuppence!
I LOVED the wider group of friends that Alex comes home to! They are funny and I wonder if the series will evolve around them? I know Carter is next, who pops up here.
It didn’t take me long to read the 170 pages its billed as, just over 90 minutes, but it left me feeling that warm and fuzzie feeling I haven’t had from a book in a good long while.
So, thank you, Ms Salinger, for setting me up for a busy day at work, feeling that warm and fuzziness all day! I look forward to catching up with these guys should they pop up again in the series. * I hope they do!*
OH!!! There is a bit at the back of this book that gives the first chapter to One Night, which is the first in the Nights series. If you haven’t read those books, I STRONGLY recommend you do! I made a new shelf for them, and everything! And of course I read that little bit and then had to go back and read Cam and Gabe’s first book again. And NOW I wanna go back and read the whole damn series again! Be warned though, those books are HOT off the charts!
Ah sod it! I wrote 4 stars, then changed it to 5 then back to 4, but here you go!
5 warm and fuzzy, too stinking cute stars!
**same worded review will appear elsewhere**
honingwords (32 KP) rated Alias in Books
Jul 5, 2018
I’ve never read a book by Cari Hunter that I haven't loved and Alias lived up to my high expectations.
I’ve never read a book by Cari Hunter that I haven't loved and Alias lived up to my high expectations. It became available to me soon after I finished the third of her Dark Peaks trilogy so I was able to fangirl-mode right into it.
It is an absolute joy to read Cari Hunter’s books. I’m so thankful I have stumbled across her at the point where there have been a few books to binge on. It is no secret that I think she is one of the finest authors currently, and she has re-awakened my interest in crime thrillers after many years of reading solely romances. It’s a bonus that she is writing novels about regional parts of the UK.
Alias is written in the first person through-out, which is different to her other books and I found this quite refreshing.
The plot starts off with a car crash on a Welsh country road. The woman driver finds herself alive, confused as to who the dead woman beside her is, and then frustrated she doesn’t remember anything about herself, including her name, or why she was driving through Wales.
The opening scene brought tears to my eyes when I realised a great writer was going to be looking after the next few hours of my reading pleasure.
The local Police spend their time trying to work out if she should be prosecuted and she decides to keep tight-lipped about the small pieces of information that start to come back to her through her fugue while she is hospitalised, and then for the short while after she is released.
The rest of the book is about her finding out whether she is a goody or a baddy; whether she should trust Detective Bronwen Pryce, or, in fact, any of the other characters who tell her they are friends and colleagues. Cari makes us wonder about everyone until the very end of the novel.
The details! The details! Cari just loads her pages with perfect details about what is happening to the characters. There is never anything to stutter over. I never have to read a sentence twice because I didn’t understand it, or lose track of the easy-going flow.
I had to note the parts which made me beam during this book so I could re-read them at leisure. That’s it! Cari Hunter makes me beam while reading her books.
Her character’s legs are ‘wobblier than watered-down jelly’, they find ‘novelty of two cooperating lungs’, their ‘fingers poke out’ (from her splint) ‘as fat as unpopped sausages.’
Cari doesn’t simply give her characters goose pimples - they ‘tickle as they rise along her arm.’ They use ‘the painted numbers on the wheelie bins to gauge’ their progress down the street. When they eat they try ‘at first to isolate flavours and then giving up and simply enjoy the mix.’ Their stomach doesn’t just rumble; eating silences their ‘gastric percussion and leaves them with a stitch to walk off.’ The weather isn't cold, it is ‘brittle cold.’
The amnesia aspect had me in tears at points. There are people who possibly may no longer be alive and when she meets her friend for the ‘first time’ I became quite emotional.
As per her other books Cari has humorous moments throughout Alias.
The character is ‘sure that my choice of forget-me-nots wasn’t intended to be ironic.’ And there is a car-buying scene which make me laugh out loud.
There is no CSI Effect in this book. Some blood testing will be ‘four to five weeks at best’ rather than the four to five hours it can sometimes be in fiction.
I’m really sorry to learn there are no plans to take these characters further. Cari writes well-rounded characters with believable back stories and I would have loved to have seen a couple of the ones in this book teased out a little more in at least one sequel.
Don’t be picking this book up if you are looking for bodice-ripping sex. It just isn't there. Part of me cries out for more than Cari usually offers us, the part of me which craves romances. Holy Crap! She can sure write sex when she wants to but, people, this. is. a. crime. novel.
She could have put more sex in, but then it wouldn’t be true to itself, she wouldn’t be true to herself, and the novel would suffer for reader-driven gratuitous sex scenes which aren’t necessary to the plot.
If you would like recommendations for that kind of book let me know and I’ll introduce you to different genres and different authors.
For now, sit back and enjoy good down-to-earth well-written crime fiction.
It is an absolute joy to read Cari Hunter’s books. I’m so thankful I have stumbled across her at the point where there have been a few books to binge on. It is no secret that I think she is one of the finest authors currently, and she has re-awakened my interest in crime thrillers after many years of reading solely romances. It’s a bonus that she is writing novels about regional parts of the UK.
Alias is written in the first person through-out, which is different to her other books and I found this quite refreshing.
The plot starts off with a car crash on a Welsh country road. The woman driver finds herself alive, confused as to who the dead woman beside her is, and then frustrated she doesn’t remember anything about herself, including her name, or why she was driving through Wales.
The opening scene brought tears to my eyes when I realised a great writer was going to be looking after the next few hours of my reading pleasure.
The local Police spend their time trying to work out if she should be prosecuted and she decides to keep tight-lipped about the small pieces of information that start to come back to her through her fugue while she is hospitalised, and then for the short while after she is released.
The rest of the book is about her finding out whether she is a goody or a baddy; whether she should trust Detective Bronwen Pryce, or, in fact, any of the other characters who tell her they are friends and colleagues. Cari makes us wonder about everyone until the very end of the novel.
The details! The details! Cari just loads her pages with perfect details about what is happening to the characters. There is never anything to stutter over. I never have to read a sentence twice because I didn’t understand it, or lose track of the easy-going flow.
I had to note the parts which made me beam during this book so I could re-read them at leisure. That’s it! Cari Hunter makes me beam while reading her books.
Her character’s legs are ‘wobblier than watered-down jelly’, they find ‘novelty of two cooperating lungs’, their ‘fingers poke out’ (from her splint) ‘as fat as unpopped sausages.’
Cari doesn’t simply give her characters goose pimples - they ‘tickle as they rise along her arm.’ They use ‘the painted numbers on the wheelie bins to gauge’ their progress down the street. When they eat they try ‘at first to isolate flavours and then giving up and simply enjoy the mix.’ Their stomach doesn’t just rumble; eating silences their ‘gastric percussion and leaves them with a stitch to walk off.’ The weather isn't cold, it is ‘brittle cold.’
The amnesia aspect had me in tears at points. There are people who possibly may no longer be alive and when she meets her friend for the ‘first time’ I became quite emotional.
As per her other books Cari has humorous moments throughout Alias.
The character is ‘sure that my choice of forget-me-nots wasn’t intended to be ironic.’ And there is a car-buying scene which make me laugh out loud.
There is no CSI Effect in this book. Some blood testing will be ‘four to five weeks at best’ rather than the four to five hours it can sometimes be in fiction.
I’m really sorry to learn there are no plans to take these characters further. Cari writes well-rounded characters with believable back stories and I would have loved to have seen a couple of the ones in this book teased out a little more in at least one sequel.
Don’t be picking this book up if you are looking for bodice-ripping sex. It just isn't there. Part of me cries out for more than Cari usually offers us, the part of me which craves romances. Holy Crap! She can sure write sex when she wants to but, people, this. is. a. crime. novel.
She could have put more sex in, but then it wouldn’t be true to itself, she wouldn’t be true to herself, and the novel would suffer for reader-driven gratuitous sex scenes which aren’t necessary to the plot.
If you would like recommendations for that kind of book let me know and I’ll introduce you to different genres and different authors.
For now, sit back and enjoy good down-to-earth well-written crime fiction.
Naomi Forrest (42 KP) rated The Toy Makers in Books
Jan 2, 2019
The first thing on the very first page that I loved was the narrator setting the scene and talking directly to you:
‘See the woman with the cage of pipe-cleaner birds, the vagrant soldier marvelling at the stuffed dogs lounging in their baskets? Keep a careful eye on them; you will see them again’.
I knew just from this descriptive ‘setting the scene’ chapter this book was going to be amazing, there was so much magic encapsulated in those first five pages. Papa Jack’s Emporium is the most wonderful shop you could imagine, a labyrinth of joy, surprises around every aisle and so much more. If you have ever seen the toy shop on Home Alone 2 that looked so amazing as a child, it has nothing on this! I was pretty sure for at least half of the book that Papa Jack was indeed Father Christmas.
After the initial chapter, the reader is introduced to Cathy, a fifteen year old who, shamefully (the year is 1906), is unmarried and pregnant. Plans are made for her to go to a special home where she will give birth and her child will be adopted. However, Cathy spots an advert looking for staff for the Emporium and runs away and so, the magic begins! The reader is catapulted into the world of the emporium and soon meets Papa Jack’s sons, Emil and Kaspar, who assist their father in the running of the store and the making of the toys, which are so much more than toys as we know them. People flock from far and wide to the emporium for it’s sublime creations and the memories and pleasures that they evoke.
The first half of the novel was like a fairytale, building beautifully to a gorgeous climax, full of wonder, friendship and subtle romance (perfectly done, so as not to detract from more pressing themes). In my head, toy soldiers and paper trees were everywhere and the wendy house is the stuff that dreams are made of. I loved observing (as I stood in the corner of the emporium, I’m sure, so convincing is Dinsdale) the relationships the built between Cathy and Emil and Cathy and Kaspar, though at times I felt sorry for Emil, never quite catching up to Kaspar as he wishes. If only the story had ended at page 187. And yet, that would not have been satisfying, not enough, so really, I’m glad it didn’t.
The second part of the novel, that is where Dinsdale really takes us on a journey. A couple of darker themes are touched upon in part one, where we learn of Jekab’s history (Papa Jack) but it ramps up in the second part, which ties in with World War I and beyond. You would think going from such wonderment and happiness to a bleak world of misery and reality would make you want to stop reading but I could not put this book down. I read 3/4 of it in one go! It is in the second part that Dinsdale brings in themes of shell shock, betrayal, sibling jealousy, bitterness and true, deep, familial love. Without spoilers, some characters truly lose everything and I cried during and after the book as it moved me so greatly (I mean, I am a crier anyway but not usually with books!). The entire novel is shaped around the ‘war’ between the brothers with some shocking twists along the way. Though part two draws in more realities, more brutalities and some heartbreaking moments, magic still punctuates and carries the reader through to the end. The ending is bitter sweet and my emotions were cloudy here, anger, joy, sadness and warmth all merging into a big teary mess.
I won’t say too much about specifics because some kinds of magic need to be discovered for yourself. The most beautiful sentiment in this novel though is that toys can’t save a life but they can save a soul, because toys transport many of us back to times of happiness, of wonder and of innocence, when things were simpler and problems remedied more easily. Times change but the joy of toys doesn’t. I can recall going through toy exhibits at both the castle museum in York and a toy museum in Edinburgh and it was so thrilling not only to see toys from my childhood but toys from before. Toys have the power to make magic we never knew existed, even if it is only in our head. The Toy Makers has yielded many comparisons with Erin Morgensten’s The Night Circus but for me, this novel surpassed anything I have read before in a similar vein. I have truly been blown away into a world that I honestly believe I will carry with me forever more. If, like me, you are a Harry Potter fan, you will know what I mean when I say that this book matches up to that first trip to Diagon Alley, to Hogwarts and to Honeydukes or that journey up Enid Blyton’s faraway tree as a child but it is even more exciting as an adult. It isn’t only the description that is first rate though; Dinsdale’s narrative style and use of language pulls you in and flows so smoothly, you are carried away from the first page whether you are prepared for it or not. Some reviews have said it is too fantastical but I cannot rate this book highly enough. It isn’t always easy reading – prepare to have your heart broken in several places- but go in looking for magic. You won’t be disappointed!
‘See the woman with the cage of pipe-cleaner birds, the vagrant soldier marvelling at the stuffed dogs lounging in their baskets? Keep a careful eye on them; you will see them again’.
I knew just from this descriptive ‘setting the scene’ chapter this book was going to be amazing, there was so much magic encapsulated in those first five pages. Papa Jack’s Emporium is the most wonderful shop you could imagine, a labyrinth of joy, surprises around every aisle and so much more. If you have ever seen the toy shop on Home Alone 2 that looked so amazing as a child, it has nothing on this! I was pretty sure for at least half of the book that Papa Jack was indeed Father Christmas.
After the initial chapter, the reader is introduced to Cathy, a fifteen year old who, shamefully (the year is 1906), is unmarried and pregnant. Plans are made for her to go to a special home where she will give birth and her child will be adopted. However, Cathy spots an advert looking for staff for the Emporium and runs away and so, the magic begins! The reader is catapulted into the world of the emporium and soon meets Papa Jack’s sons, Emil and Kaspar, who assist their father in the running of the store and the making of the toys, which are so much more than toys as we know them. People flock from far and wide to the emporium for it’s sublime creations and the memories and pleasures that they evoke.
The first half of the novel was like a fairytale, building beautifully to a gorgeous climax, full of wonder, friendship and subtle romance (perfectly done, so as not to detract from more pressing themes). In my head, toy soldiers and paper trees were everywhere and the wendy house is the stuff that dreams are made of. I loved observing (as I stood in the corner of the emporium, I’m sure, so convincing is Dinsdale) the relationships the built between Cathy and Emil and Cathy and Kaspar, though at times I felt sorry for Emil, never quite catching up to Kaspar as he wishes. If only the story had ended at page 187. And yet, that would not have been satisfying, not enough, so really, I’m glad it didn’t.
The second part of the novel, that is where Dinsdale really takes us on a journey. A couple of darker themes are touched upon in part one, where we learn of Jekab’s history (Papa Jack) but it ramps up in the second part, which ties in with World War I and beyond. You would think going from such wonderment and happiness to a bleak world of misery and reality would make you want to stop reading but I could not put this book down. I read 3/4 of it in one go! It is in the second part that Dinsdale brings in themes of shell shock, betrayal, sibling jealousy, bitterness and true, deep, familial love. Without spoilers, some characters truly lose everything and I cried during and after the book as it moved me so greatly (I mean, I am a crier anyway but not usually with books!). The entire novel is shaped around the ‘war’ between the brothers with some shocking twists along the way. Though part two draws in more realities, more brutalities and some heartbreaking moments, magic still punctuates and carries the reader through to the end. The ending is bitter sweet and my emotions were cloudy here, anger, joy, sadness and warmth all merging into a big teary mess.
I won’t say too much about specifics because some kinds of magic need to be discovered for yourself. The most beautiful sentiment in this novel though is that toys can’t save a life but they can save a soul, because toys transport many of us back to times of happiness, of wonder and of innocence, when things were simpler and problems remedied more easily. Times change but the joy of toys doesn’t. I can recall going through toy exhibits at both the castle museum in York and a toy museum in Edinburgh and it was so thrilling not only to see toys from my childhood but toys from before. Toys have the power to make magic we never knew existed, even if it is only in our head. The Toy Makers has yielded many comparisons with Erin Morgensten’s The Night Circus but for me, this novel surpassed anything I have read before in a similar vein. I have truly been blown away into a world that I honestly believe I will carry with me forever more. If, like me, you are a Harry Potter fan, you will know what I mean when I say that this book matches up to that first trip to Diagon Alley, to Hogwarts and to Honeydukes or that journey up Enid Blyton’s faraway tree as a child but it is even more exciting as an adult. It isn’t only the description that is first rate though; Dinsdale’s narrative style and use of language pulls you in and flows so smoothly, you are carried away from the first page whether you are prepared for it or not. Some reviews have said it is too fantastical but I cannot rate this book highly enough. It isn’t always easy reading – prepare to have your heart broken in several places- but go in looking for magic. You won’t be disappointed!
Chris Sawin (602 KP) rated Werewolves Within (2021) in Movies
Dec 14, 2021
An incredible ensemble cast. (2 more)
Plot stays true to the classic 'whodunit' formula.
Milana Vayntrub.
Not enough horror. (2 more)
Not enough werewolves.
The burning desire for a hard R-rating.
A Sleepover with Guns
A horror comedy film based on the 2016 Red Storm Entertainment developed, Ubisoft published multiplayer VR video game of the same name, Werewolves Within keeps the same mystery/whodunit element of the game by introducing audiences to a small town under attack from a werewolf and leaving them to wonder which of the townsfolk could be the actual lycanthrope.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
Jamie (131 KP) rated What To Do With A Duke in Books
Jul 22, 2017
Mild humor (1 more)
Some good discussion about marriage and women
Unstable plot (2 more)
Frustrating characters
Vulgar male lead
A misguided curse
When it comes to historical romance, I look for one of two things: one, a compelling love story with some scenes that make me blush and fan myself; or two, a light and fluffy clean romance, sometimes with a touch of humor. What I demand from all historical romances is for both the romance and the setting to be believable. I’ve started to wonder if my standards are too high. When I went into this book, with the cute cover and hints at a curse, I figured this one might fall on the fluffy side of the spectrum (the cat on the cover may have influenced this assumption). I was sadly mistaken.
The characters seem so non-committal, not just with each other, but with upholding any of the values they claim to have. Catherine was constantly complaining about how she needed peace and solitude to write, but in the first half of the novel whenever she had it she didn’t do it. She blames family for her difficulties with not being able to be the next great novelist, but the problem was really with the fact that she was not all that committed to doing it. Just like she apparently was not all that committed to being a spinster, despite preaching about it constantly. I found Catherine’s character to be frustrating at every turn and had a hard time rooting for her.
Unfortunately, the other half of this love story was hardly any better. Marcus is dreamy for all of a few minutes, until he started talking about his manhood… Which he proceeded to do all the time. Every time the narration would switch to him, inevitably a thought would end with some note about what his cock wants. I suppose Marcus’ raw desire was supposed to be tantalizing, but I honestly just found it vulgar. It didn’t help that everything about Marcus and Catherine’s romance was a lust at first sight sort of scenario. I didn’t feel any real chemistry between them, even by the end when they are apparently in love with each other I still wasn’t feeling it. Literally everything always boiled back down to sex. The rest of the story and dialogue was not even all that funny, clever, or witty, it was just two stubborn people wanting to get in each other’s pants the entire book while being really over dramatic about, well, everything.
Then there is the curse plot line, which I could suspend my belief and go with it for a while, but even that felt like it was poorly thought out. Marcus has to control his desires and avoid marriage because he’s fearful of accidentally impregnating a woman, thus ending his life. Though somehow, he has no problem with brothel women and the risk of impregnating any of them? Because bastard children can’t be heirs? Sure, at that time period they certainly had a harder go of it, but it wasn’t unheard of. And even if that was the case, didn’t the curse start with an illegitimate child born to a woman jilted by her lover? The number of plot holes was staggering and it wouldn’t have been such a big deal if it wasn’t the central focus of the story.
I also didn’t buy the mildly magical ending with the cat. No I don’t hate the cat, on the contrary the cat was perhaps the best character in the entire book. It just seemed too convenient, too hastily put together. I was also bothered by the fact that, in order to I guess create some tension, Marcus had absolutely no interest in finding out the truth about the curse. That alone basically undid all of the effort, all of the worry, all of the focus this character had on this family curse that has weighed so heavily on him for his entire life. It made absolutely no sense for his character. I don’t even want to go into how his character contradicts himself again once the mystery is solved. I hated Marcus.
I almost put this book down after the first couple of chapters, but things picked up around the half way mark. After one scene that actually made me chuckle with the eye brow waggling old ladies, I had hope that maybe the story would redeem itself with the added bit of comedy. I was disappointed that things started to go downhill again once the book attempted to flesh out the curse and develop the romance between Catherine and Marcus. Which, while I’m on that subject – I absolutely hated how that turned out. Catherine spends the entire novel preaching about never wanting to get trapped in a marriage and to never have children, then finds herself trapped. It wasn’t romantic, it was just frustrating.
On a slightly random note, I also noticed at one point an expletive is used that I was fairly certain did not exist in the context that it was used during that time period. After looking it up my assumption was correct – while the word had existed in the more vulgar sense that it is commonly used, as a curse or slang word it didn’t come about until the 1920’s. I know it’s being overly nit picky, but things like that really ruin the immersion in the time period for me.
The characters seem so non-committal, not just with each other, but with upholding any of the values they claim to have. Catherine was constantly complaining about how she needed peace and solitude to write, but in the first half of the novel whenever she had it she didn’t do it. She blames family for her difficulties with not being able to be the next great novelist, but the problem was really with the fact that she was not all that committed to doing it. Just like she apparently was not all that committed to being a spinster, despite preaching about it constantly. I found Catherine’s character to be frustrating at every turn and had a hard time rooting for her.
Unfortunately, the other half of this love story was hardly any better. Marcus is dreamy for all of a few minutes, until he started talking about his manhood… Which he proceeded to do all the time. Every time the narration would switch to him, inevitably a thought would end with some note about what his cock wants. I suppose Marcus’ raw desire was supposed to be tantalizing, but I honestly just found it vulgar. It didn’t help that everything about Marcus and Catherine’s romance was a lust at first sight sort of scenario. I didn’t feel any real chemistry between them, even by the end when they are apparently in love with each other I still wasn’t feeling it. Literally everything always boiled back down to sex. The rest of the story and dialogue was not even all that funny, clever, or witty, it was just two stubborn people wanting to get in each other’s pants the entire book while being really over dramatic about, well, everything.
Then there is the curse plot line, which I could suspend my belief and go with it for a while, but even that felt like it was poorly thought out. Marcus has to control his desires and avoid marriage because he’s fearful of accidentally impregnating a woman, thus ending his life. Though somehow, he has no problem with brothel women and the risk of impregnating any of them? Because bastard children can’t be heirs? Sure, at that time period they certainly had a harder go of it, but it wasn’t unheard of. And even if that was the case, didn’t the curse start with an illegitimate child born to a woman jilted by her lover? The number of plot holes was staggering and it wouldn’t have been such a big deal if it wasn’t the central focus of the story.
I also didn’t buy the mildly magical ending with the cat. No I don’t hate the cat, on the contrary the cat was perhaps the best character in the entire book. It just seemed too convenient, too hastily put together. I was also bothered by the fact that, in order to I guess create some tension, Marcus had absolutely no interest in finding out the truth about the curse. That alone basically undid all of the effort, all of the worry, all of the focus this character had on this family curse that has weighed so heavily on him for his entire life. It made absolutely no sense for his character. I don’t even want to go into how his character contradicts himself again once the mystery is solved. I hated Marcus.
I almost put this book down after the first couple of chapters, but things picked up around the half way mark. After one scene that actually made me chuckle with the eye brow waggling old ladies, I had hope that maybe the story would redeem itself with the added bit of comedy. I was disappointed that things started to go downhill again once the book attempted to flesh out the curse and develop the romance between Catherine and Marcus. Which, while I’m on that subject – I absolutely hated how that turned out. Catherine spends the entire novel preaching about never wanting to get trapped in a marriage and to never have children, then finds herself trapped. It wasn’t romantic, it was just frustrating.
On a slightly random note, I also noticed at one point an expletive is used that I was fairly certain did not exist in the context that it was used during that time period. After looking it up my assumption was correct – while the word had existed in the more vulgar sense that it is commonly used, as a curse or slang word it didn’t come about until the 1920’s. I know it’s being overly nit picky, but things like that really ruin the immersion in the time period for me.
Zuky the BookBum (15 KP) rated The Lake House in Books
Mar 15, 2018
<b>All spoilers hidden.</b>
The Lake House sounded really interesting to me because of its weave of three stories that make the one mystifying disappearance of young baby Theo. Our first of the three stories comes from the perspective of young Alice during the earlier years of the 1900s, the second comes from current day, now serial author, Alice in the early 2000s and the last from troubled police detective Sadie. But wait there are more stories given to us in this book? But I thought it claimed there were only three? Well no there are at least 4 as we also get a very in depth tale from Alices mother's perspective too.
To begin with I really enjoyed this book and I looked forward to my travels everyday to give me a bit of down time with the opportunity for a good read too however when we got to about half way through I started to get a bit bored. I definitely feel that the story could have been cut down by quite a lot, it seemed in places that Morton was just rambling away, trying to add substance to the story that it could have easily done without. By the time the mystery was being solved I was actually quite fed up of all of the characters and just wanted to know what had happened to Theo so I could get on with my life. I wasnt even surprised by the time we got to the resolution of the mystery as Id already guessed it, so it was a little anticlimactic.
Lets talk about the characters for a minute shall we?
OK, so Alice. I understand that she lost her brother, <spoiler> and believed for most of her life that she was the reason he had gone missing,</spoiler> but I dont understand why that made her so cold and harsh? <spoiler> She made the choice to keep her secret to herself so it was her own fault she felt so guilty all the time, but there was no need for her to turn that bitterness onto everyone else.</spoiler> She changed so much from the young, spritely young girl she once was, to a boring old woman who ate bloody boiled eggs <i>everyday.</i>
Sadie was such a cliche. A police detective with such a strong connection with a previous case that she was asked to take some leave? A police detective with some underlying issue that makes it difficult for her to focus on her tasks without stepping back into the past each time? A police detective who just couldnt let go of the case in front of her and would do everything she possibly could to solve something that had been unsolvable for 70 years? <i>Well my god, Ive never seen such a character in a book before!</i> <spoiler> Can someone explain to me how this woman can come along and solve a 70 year old cold case just like that? And whats the fucking betting her grandad is the missing baby Theo! What an amazing and unpredictable end to the novel!</spoiler>
Eleanor was the only character in the book I couldnt decide if I liked or not. She was such a lovely young girl but had to turn into the strict Mother for her young children while Daddy was away which almost made her dislikable. But then we find out all that shes going through so much to keep her family afloat that we can forgive her for her stony personality. <i>But then,</i> we find out shes doing something morally questionable, <spoiler> her stupid affair,</spoiler> behind her family's back purely for her own pleasure with almost no regard for how it might make her children and husband feel. Now I have to say I didnt feel any sympathy for Eleanor once her actions were made known to the reader, and as soon as they were I knew what the end of the novel was going to be.
Can we also quickly talk about Ben Munro please he was such a hippy idiot.
<img src="https://media.giphy.com/media/CK3smvJ4EJlug/giphy.gif"; width="442" height="249" alt="hippie"/>
<spoiler> There was nothing appealing about his character in the slightest and it makes me wonder why Eleanor fell for him so hard. There was nothing spectacular about his choice to live as a gypsy. He was a deluded, drippy loser who was terrified commitment, even to a fucking kettle. Why couldnt he have taken his son? Why did he choose to live his life in his caravan rather than looking after his son that he so apparently adored and treasured? Selfish, selfish, selfish!</spoiler>
Apart from all my annoyances with the characters and the lack of excitement I felt by the end of the novel, it wasnt the worst thing Ive ever read and I even thought I enjoyed it. But as its been over a week since Ive finished this and Ive had time to think about it, the more Ive realised how bloody annoyed it made me.
The Lake House sounded really interesting to me because of its weave of three stories that make the one mystifying disappearance of young baby Theo. Our first of the three stories comes from the perspective of young Alice during the earlier years of the 1900s, the second comes from current day, now serial author, Alice in the early 2000s and the last from troubled police detective Sadie. But wait there are more stories given to us in this book? But I thought it claimed there were only three? Well no there are at least 4 as we also get a very in depth tale from Alices mother's perspective too.
To begin with I really enjoyed this book and I looked forward to my travels everyday to give me a bit of down time with the opportunity for a good read too however when we got to about half way through I started to get a bit bored. I definitely feel that the story could have been cut down by quite a lot, it seemed in places that Morton was just rambling away, trying to add substance to the story that it could have easily done without. By the time the mystery was being solved I was actually quite fed up of all of the characters and just wanted to know what had happened to Theo so I could get on with my life. I wasnt even surprised by the time we got to the resolution of the mystery as Id already guessed it, so it was a little anticlimactic.
Lets talk about the characters for a minute shall we?
OK, so Alice. I understand that she lost her brother, <spoiler> and believed for most of her life that she was the reason he had gone missing,</spoiler> but I dont understand why that made her so cold and harsh? <spoiler> She made the choice to keep her secret to herself so it was her own fault she felt so guilty all the time, but there was no need for her to turn that bitterness onto everyone else.</spoiler> She changed so much from the young, spritely young girl she once was, to a boring old woman who ate bloody boiled eggs <i>everyday.</i>
Sadie was such a cliche. A police detective with such a strong connection with a previous case that she was asked to take some leave? A police detective with some underlying issue that makes it difficult for her to focus on her tasks without stepping back into the past each time? A police detective who just couldnt let go of the case in front of her and would do everything she possibly could to solve something that had been unsolvable for 70 years? <i>Well my god, Ive never seen such a character in a book before!</i> <spoiler> Can someone explain to me how this woman can come along and solve a 70 year old cold case just like that? And whats the fucking betting her grandad is the missing baby Theo! What an amazing and unpredictable end to the novel!</spoiler>
Eleanor was the only character in the book I couldnt decide if I liked or not. She was such a lovely young girl but had to turn into the strict Mother for her young children while Daddy was away which almost made her dislikable. But then we find out all that shes going through so much to keep her family afloat that we can forgive her for her stony personality. <i>But then,</i> we find out shes doing something morally questionable, <spoiler> her stupid affair,</spoiler> behind her family's back purely for her own pleasure with almost no regard for how it might make her children and husband feel. Now I have to say I didnt feel any sympathy for Eleanor once her actions were made known to the reader, and as soon as they were I knew what the end of the novel was going to be.
Can we also quickly talk about Ben Munro please he was such a hippy idiot.
<img src="https://media.giphy.com/media/CK3smvJ4EJlug/giphy.gif"; width="442" height="249" alt="hippie"/>
<spoiler> There was nothing appealing about his character in the slightest and it makes me wonder why Eleanor fell for him so hard. There was nothing spectacular about his choice to live as a gypsy. He was a deluded, drippy loser who was terrified commitment, even to a fucking kettle. Why couldnt he have taken his son? Why did he choose to live his life in his caravan rather than looking after his son that he so apparently adored and treasured? Selfish, selfish, selfish!</spoiler>
Apart from all my annoyances with the characters and the lack of excitement I felt by the end of the novel, it wasnt the worst thing Ive ever read and I even thought I enjoyed it. But as its been over a week since Ive finished this and Ive had time to think about it, the more Ive realised how bloody annoyed it made me.