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Ivana A. | Diary of Difference (1171 KP) rated Cryptofauna in Books
Aug 3, 2020
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Cryptofauna by Patrick Canning is definitely a read that will certainly stay in your memory, for how unique and random it is.
<b><i>Synopsis</i></b>
Jim is a janitor at an insane asylum and one day, he decides to commit a suicide at his workplace. But before he can do the deed, a mysterious resident at work equips him with a dog and a bag of ash, and throws him into a secret game known as Cryptofauna.
Cryptofauna is played by Operators, people with special abilities, who battle one another to influence important events around the world. To become an Operator, Jim must successfully pass a couple of exams, including surviving the Pacific Ocean, surviving some weird monks, and ultimately, passing the exam that proves his mind and soul are ready as well.
On top of this, there is his enemy as well, another Operator, who is forever his rival until the game ends.
This is how Cryptofauna works, in case you are curious. The image was sent to me by the author:
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2020/05/How-To-Play.jpg?resize=768%2C994&ssl=1"/>;
<b><i>My Thoughts:</i></b>
From the synopsis, I expected this book to be unique. However, I never expected to enter such a creative and random world. The events are all so random, the characters too. It is all very random and chaotic in a very interesting way. I am still struggling to decide whether I love this chaos or not.
This book is amazing in terms of creativity and world building.
The author is quite good at creating something new in a place where everything already exists. Patrick Canning managed to create a whole new reality within our real world. A place where Cryptofauna exists as a game and a way of life, and I was glad I entered that world.
There were times I felt very confused on what is happening. I had to re-read chapters and scenes, which resulted in average reading experience. I liked Jim as a character, and I loved how he slowly develops throughout the book and finds his true purpose in his life. As a person that was about to commit suicide, I felt he learned a valuable lesson to not give up. However I felt that the other characters had more liveliness in them (no pun intended, given the fact he wanted to kill himself). I actually loved the evil guy more. He had a recklessness about him that I found intriguing.
Overall, I did enjoy the creativity and the idea of the game itself. However, I felt very lost and confused at certain times, which made my experience less enjoyable. I still recommend it to you, if the synopsis intrigues you and you enjoy stories about good battling evil.
Thank you to the author, Patrick Canning, for sending me a copy of this book in exchange for an honest review.
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<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-57.png?resize=768%2C432&ssl=1"/>;
Cryptofauna by Patrick Canning is definitely a read that will certainly stay in your memory, for how unique and random it is.
<b><i>Synopsis</i></b>
Jim is a janitor at an insane asylum and one day, he decides to commit a suicide at his workplace. But before he can do the deed, a mysterious resident at work equips him with a dog and a bag of ash, and throws him into a secret game known as Cryptofauna.
Cryptofauna is played by Operators, people with special abilities, who battle one another to influence important events around the world. To become an Operator, Jim must successfully pass a couple of exams, including surviving the Pacific Ocean, surviving some weird monks, and ultimately, passing the exam that proves his mind and soul are ready as well.
On top of this, there is his enemy as well, another Operator, who is forever his rival until the game ends.
This is how Cryptofauna works, in case you are curious. The image was sent to me by the author:
<img src="https://i2.wp.com/diaryofdifference.com/wp-content/uploads/2020/05/How-To-Play.jpg?resize=768%2C994&ssl=1"/>;
<b><i>My Thoughts:</i></b>
From the synopsis, I expected this book to be unique. However, I never expected to enter such a creative and random world. The events are all so random, the characters too. It is all very random and chaotic in a very interesting way. I am still struggling to decide whether I love this chaos or not.
This book is amazing in terms of creativity and world building.
The author is quite good at creating something new in a place where everything already exists. Patrick Canning managed to create a whole new reality within our real world. A place where Cryptofauna exists as a game and a way of life, and I was glad I entered that world.
There were times I felt very confused on what is happening. I had to re-read chapters and scenes, which resulted in average reading experience. I liked Jim as a character, and I loved how he slowly develops throughout the book and finds his true purpose in his life. As a person that was about to commit suicide, I felt he learned a valuable lesson to not give up. However I felt that the other characters had more liveliness in them (no pun intended, given the fact he wanted to kill himself). I actually loved the evil guy more. He had a recklessness about him that I found intriguing.
Overall, I did enjoy the creativity and the idea of the game itself. However, I felt very lost and confused at certain times, which made my experience less enjoyable. I still recommend it to you, if the synopsis intrigues you and you enjoy stories about good battling evil.
Thank you to the author, Patrick Canning, for sending me a copy of this book in exchange for an honest review.
Purple Phoenix Games (2266 KP) rated Fire in the Library in Tabletop Games
Feb 11, 2020
My main job currently is working in an academic library. I have lots of different responsibilities to handle. So when I heard about a game with a title, “Fire in the Library,” I knew we HAD to play it. What employee wouldn’t want to play a game where the game ends once your workplace inevitably burns down? Imagine my giddiness as I learned this game and set it up for the first time.
Fire in the Library is a push-your-luck card game that rewards players for pushing their luck well beyond their comfort zones… but as with all push-your-luck games, defeat is also imminent.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, each player will choose a player color, place their Libreeple (I think it’s Libreeple anyway) near the scoring track, and take the corresponding Player Reference Card. The Library will next be built from sequential Library Cards. The Library is a group of individual decks of cards arranged in a 2×2 pattern, and the card fronts create a lovely picture of the Library. Add all cubes of five different colors to the Library Bag (keeping aside 10 red “fire” cubes). Shuffle the Tool Cards deck, deal each player two Tool Cards, place the top three Tool Cards face-up next to its deck to form the Tool Card Market. Shuffle the Turn Order Cards per the player count rules in the rulebook, deal one to each player, and the game can begin!
Phase One of the game is Choosing Turn Order. Once the turn order has been established (just for the first round – after that, the player who is in last place will choose which Turn Order Card they would like to use for the round) the 1st Player will move onto Phase Two. Yes, Choosing Turn Order is an entire phase by itself. This becomes more important once I explain Tool Cards a little later.
Phase Two is the meat of the game. It is split into two sections, but they flow so nicely into each other. The active player consults their Turn Order Card to understand how many book cubes they would like to pull from the bag, thus “saving” them from the impending fire. The Turn Order Cards will have blank square spaces for “safe” areas, and spaces with fire icons in “risky” spaces. More points can be scored by placing cubes into the risky spaces, but also is more dangerous. You see, a player can pull out a red fire cube from the bag and still choose to continue to pull cubes, assuming the red cube is placed on a safe space on their card. But pull a second fire cube and their turn is immediately over. However, pulling just one red cube and having to place it in a risky space ends the turn immediately. A player can choose to stop pulling cubes at any time and earn the rewards on the Turn Order Card printed directly below the last cube placed as well as the points for each book saved, which are the large numbers printed on the Library Cards (the 2×2 grid with the picture of the Library). These rewards from the Turn Order Card could be merely a Tool Card (under safe spaces), or it could result in points on the scoreboard (under risky spaces). Even if a player busts with the red cubes, they will be able to take a Tool Card as consolation. If the active player did not bust and voluntarily stopped pulling cubes, they add their points for the turn and adjust their Libreeple accordingly. On the other hand, if a player had to end their turn due to pulling red fire cubes, then the fire spreads!
When the Fire Spreads all the books that the active player had thought they saved are burned (returned to the bag). These lost books will also cause the fire to burn down portions of the Library that match the colors of the cubes pulled. Remove the top cards for each of these cubes from the Library. Sometimes this will reveal a printed fire icon on the revealed Library cards. Every time a fire icon is revealed in this way, one of the red cubes that was set aside at setup will be added to the Library Bag – thus increasing the ratio of fire to safe books in the bag.
Phase Three is called “After Scoring.” Every Tool Card in the deck will have an icon printed to show when it can be played during a turn (check the Reference Card). The Tool Cards can be played during Choosing Turn Order, Saving Books, Fire Spreading, and After Scoring.
Once all players have had their turn for the round, a portion of the Library will burn. Remove the appropriate card (according to the rulebook). All players will have a chance to discard one of their Tool Cards and replace it with a Tool Card from the top of the deck. When complete, a new round begins. Play continues in this fashion until a section of the Library is revealed with an icon signifying the end of the game. Players will have one last round to earn as many points as— I mean, save as many books as they can.
Components. There’s a lot going on in this game, and the components are really really good. First, the game box is one of those awesome magnetic boxes (like Biblios) that unfolds and reveals the score tracker. The Libreeples are normal meeple fare, the cubes are normal cube fare, and the Library Bag is one that is loved by Guy Fieri (probably). The cards are great quality and feature really amazing artwork by Katie Khau and Beth Sobel. Overall, the components are wonderful and we really enjoyed playing with them.
As you can tell from our score, we genuinely enjoyed this game. The push-your-luck mechanic is so central to the game and the Tool Cards help to mitigate frustrating pulls, or help to manipulate other areas of the game, and we love both of those aspects. All in all, Fire in the Library is a truly enjoyable experience, and one that I find myself thinking about outside of game night. I cannot wait to play again, and hopefully save more books. I would suggest adding this to my workplace library’s board game collection, but I don’t want any students getting any great ideas… Purple Phoenix Games gives this one a hot hot hot 15 / 18. Check it out for a different take on push-your-luck, where you actually care about what you’re doing. Oh, and of course I won – I work in a college library.
Fire in the Library is a push-your-luck card game that rewards players for pushing their luck well beyond their comfort zones… but as with all push-your-luck games, defeat is also imminent.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, each player will choose a player color, place their Libreeple (I think it’s Libreeple anyway) near the scoring track, and take the corresponding Player Reference Card. The Library will next be built from sequential Library Cards. The Library is a group of individual decks of cards arranged in a 2×2 pattern, and the card fronts create a lovely picture of the Library. Add all cubes of five different colors to the Library Bag (keeping aside 10 red “fire” cubes). Shuffle the Tool Cards deck, deal each player two Tool Cards, place the top three Tool Cards face-up next to its deck to form the Tool Card Market. Shuffle the Turn Order Cards per the player count rules in the rulebook, deal one to each player, and the game can begin!
Phase One of the game is Choosing Turn Order. Once the turn order has been established (just for the first round – after that, the player who is in last place will choose which Turn Order Card they would like to use for the round) the 1st Player will move onto Phase Two. Yes, Choosing Turn Order is an entire phase by itself. This becomes more important once I explain Tool Cards a little later.
Phase Two is the meat of the game. It is split into two sections, but they flow so nicely into each other. The active player consults their Turn Order Card to understand how many book cubes they would like to pull from the bag, thus “saving” them from the impending fire. The Turn Order Cards will have blank square spaces for “safe” areas, and spaces with fire icons in “risky” spaces. More points can be scored by placing cubes into the risky spaces, but also is more dangerous. You see, a player can pull out a red fire cube from the bag and still choose to continue to pull cubes, assuming the red cube is placed on a safe space on their card. But pull a second fire cube and their turn is immediately over. However, pulling just one red cube and having to place it in a risky space ends the turn immediately. A player can choose to stop pulling cubes at any time and earn the rewards on the Turn Order Card printed directly below the last cube placed as well as the points for each book saved, which are the large numbers printed on the Library Cards (the 2×2 grid with the picture of the Library). These rewards from the Turn Order Card could be merely a Tool Card (under safe spaces), or it could result in points on the scoreboard (under risky spaces). Even if a player busts with the red cubes, they will be able to take a Tool Card as consolation. If the active player did not bust and voluntarily stopped pulling cubes, they add their points for the turn and adjust their Libreeple accordingly. On the other hand, if a player had to end their turn due to pulling red fire cubes, then the fire spreads!
When the Fire Spreads all the books that the active player had thought they saved are burned (returned to the bag). These lost books will also cause the fire to burn down portions of the Library that match the colors of the cubes pulled. Remove the top cards for each of these cubes from the Library. Sometimes this will reveal a printed fire icon on the revealed Library cards. Every time a fire icon is revealed in this way, one of the red cubes that was set aside at setup will be added to the Library Bag – thus increasing the ratio of fire to safe books in the bag.
Phase Three is called “After Scoring.” Every Tool Card in the deck will have an icon printed to show when it can be played during a turn (check the Reference Card). The Tool Cards can be played during Choosing Turn Order, Saving Books, Fire Spreading, and After Scoring.
Once all players have had their turn for the round, a portion of the Library will burn. Remove the appropriate card (according to the rulebook). All players will have a chance to discard one of their Tool Cards and replace it with a Tool Card from the top of the deck. When complete, a new round begins. Play continues in this fashion until a section of the Library is revealed with an icon signifying the end of the game. Players will have one last round to earn as many points as— I mean, save as many books as they can.
Components. There’s a lot going on in this game, and the components are really really good. First, the game box is one of those awesome magnetic boxes (like Biblios) that unfolds and reveals the score tracker. The Libreeples are normal meeple fare, the cubes are normal cube fare, and the Library Bag is one that is loved by Guy Fieri (probably). The cards are great quality and feature really amazing artwork by Katie Khau and Beth Sobel. Overall, the components are wonderful and we really enjoyed playing with them.
As you can tell from our score, we genuinely enjoyed this game. The push-your-luck mechanic is so central to the game and the Tool Cards help to mitigate frustrating pulls, or help to manipulate other areas of the game, and we love both of those aspects. All in all, Fire in the Library is a truly enjoyable experience, and one that I find myself thinking about outside of game night. I cannot wait to play again, and hopefully save more books. I would suggest adding this to my workplace library’s board game collection, but I don’t want any students getting any great ideas… Purple Phoenix Games gives this one a hot hot hot 15 / 18. Check it out for a different take on push-your-luck, where you actually care about what you’re doing. Oh, and of course I won – I work in a college library.
Gareth von Kallenbach (980 KP) rated In Good Company (2004) in Movies
Aug 14, 2019
Carter Duryea (Topher Grace) is a man with goals. At 26, he is heading his mega-companies cell phone sales, and is being groomed for bigger and better things. A golden opportunity is handed to Carter when his company acquires another mega company resulting in his placement in the recently acquired Sports magazine division.
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
The Sports publication is seen as the jewel of the newly acquired company, and even though he has zero experience with selling magazine advertisement, Carter is sure he can meet the lofty goals he boss has set.
At what should be his greatest moment, carter is troubled as his 7-month marriage to Kimberly (Selma Blair), is falling apart largely due to his workaholic nature and his inability ever to stop thinking or talking about work even when he is on vacation.
On the other side of the spectrum from Carter is Dan Foreman (Dennis Quaid), a father of two daughters and devoted family man, who has been a salesperson at the magazine for twenty years and until the arrival of Carter, head of the department. At 51, Dan is feeling his years as the younger and ambitious Carter seems to be his polar opposite as well as a reminder that his best years may be behind him. Further complicating matters is that Dan’s wife Ann (Marg Helgenberger), is pregnant with their third child at a time when they both thought children were past them.
Despite their differences, Dan and Carter work with one another, despite conflicts over issues ranging the future of the company to planned layoffs of staff personally picked years ago by Dan. One day after inviting himself to dinner at Dan’s home, Carter meets Dan’s college aged daughter Alex (Scarlett Johansson), who although only 21 catches the eye of Carter.
Months later a chance meeting between Alex and the recently divorced Carter gives rise to a friendship/romance between the two that causes Carter to question his life and envy the family life Dan has been able to create and maintain over the years.
Naturally Dan would not approve of the relationship between carter and Alex so they must keep this a secret as there is enough tension in the workplace due to the ever changing business dynamics.
What follows is a touching, funny, and at times bittersweet look at life, love, business, and friendship that does a remarkable job of making the characters not only real, but sympathetic as for the most part, there are no bad people in this story, only those who are confused and unsure about life.
The strength in the film is mixed well between a good script, solid direction by Paul Weitz, and solid performances by all the leads. The pacing of the film is perfect as it never seems rushed and does not drag in parts. Even when two characters are having a simple discussion over how to best approach a client, the film always holds your interest. It was refreshing to see a movie that did not take the easy way out and try to wrap everything in a pretty bow at the films end, but rather like life, left new opportunities and directions as possibilities as after all, that is what life is.
There is also a very good message to the film about what is really important in life and the need to have priorities rather than title and position as the real measure of success is happiness, security and love rather than position and material goods.
Easily the best film of 2005 and one of the better films in recent memory..
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Bob Mann (459 KP) rated The Light Between Oceans (2016) in Movies
Sep 29, 2021
“You only have to forgive once. To resent, you have to do it all day, every day”.
In my review of “The Two Faces of January” I described it as a film that “will be particularly enjoyed by older viewers who remember when story and location were put far ahead of CGI-based special effects”. In watching this film I was again linking in my mind to that earlier film… and that was before the lead character suddenly brought up the two faces of Janus!
For this is a good old-fashioned weepy melodrama: leisurely, character based and guaranteed to give the tear ducts a good old cleaning out.
It’s 1918 and Michael Fassbender plays Tom Sherbourne, a damaged man seeking solitude and reflection after four years of hell in the trenches. As a short-term job he takes the post of lighthouse keeper on the isolated slab of rock called Janus – sat between two oceans (presumably as this is Western Australia, the Indian and the Southern Oceans). The isolation of the job previously sent his predecessor off his trolley.
En route to his workplace he is immediately attracted to headmaster’s daughter Isabel (Alicia Vikander) who practically THROWS herself at Tom (the hussy), given that they only have snatches of a day at a time to be together during shore leave. Tom falls for her (as a hot blooded man, and with Vikander’s performance, this is entirely believable!) and the two marry to retire to their ‘fortress of solitude’ together to raise a family and live happily ever after…. or not… For the path of true motherhood runs not smoothly for poor Isabel, and a baby in a drifting boat spells both joy and despair for the couple as the story unwinds.
(I’ll stop my synopsis there, since I think the trailer – and other reviews I’ve read – give too much away).
While Fassbender again demonstrates what a mesmerising actor he is, the acting kudos in this one really goes again to Vikander, who pulls out all the stops in a role that demands fragility, naivety, resentment, anger and despair across its course. While I don’t think the film in general will trouble the Oscars, this is a leading actress performance that I could well see nominated. In a supporting role, with less screen-time, is Rachel Weisz who again needs to demonstrate her acting stripes in a demanding role. (Also a shout-out to young Florence Clery who is wonderfully naturalistic as the 4 year old Lucy-Grace.)
So this is a film with a stellar class, but it doesn’t really all gel together satisfyingly into a stellar – or at least particularly memorable – movie. After a slow start, director Derek Cianfrance (“The Place Beyond the Pines”) ladles on the melodrama interminably, and over a two hour running time the word overwrought comes to mind.
The script (also by Cianfrance, from the novel by M.L.Stedman) could have been tightened up, particularly in the first reel, and the audience given a bit more time to reflect and absorb in the second half.
The film is also curiously ‘place-less’. I assumed this was somewhere off Ireland until someone suddenly starting singing “Waltzing Matilda” (badly) and random people started talking in Aussie accents: most strange.
Cinematography by Adam Arkapaw (“Macbeth”) is also frustratingly inconsistent. The landscapes of the island, steam trains, sunsets and the multiple boatings in between is just beautiful (assisted by a delicate score by the great Alexandre Desplat which is well used) but get close up (and the camera does often get VERY close up) and a lack of ‘steadicam’ becomes infuriating, with faces dancing about the screen and – in one particular scene early on – wandering off on either side with the camera apparently unsure which one to follow!
A memorable cinema experience only for Vikander’s outstanding performance. Now where are those tissues…
For this is a good old-fashioned weepy melodrama: leisurely, character based and guaranteed to give the tear ducts a good old cleaning out.
It’s 1918 and Michael Fassbender plays Tom Sherbourne, a damaged man seeking solitude and reflection after four years of hell in the trenches. As a short-term job he takes the post of lighthouse keeper on the isolated slab of rock called Janus – sat between two oceans (presumably as this is Western Australia, the Indian and the Southern Oceans). The isolation of the job previously sent his predecessor off his trolley.
En route to his workplace he is immediately attracted to headmaster’s daughter Isabel (Alicia Vikander) who practically THROWS herself at Tom (the hussy), given that they only have snatches of a day at a time to be together during shore leave. Tom falls for her (as a hot blooded man, and with Vikander’s performance, this is entirely believable!) and the two marry to retire to their ‘fortress of solitude’ together to raise a family and live happily ever after…. or not… For the path of true motherhood runs not smoothly for poor Isabel, and a baby in a drifting boat spells both joy and despair for the couple as the story unwinds.
(I’ll stop my synopsis there, since I think the trailer – and other reviews I’ve read – give too much away).
While Fassbender again demonstrates what a mesmerising actor he is, the acting kudos in this one really goes again to Vikander, who pulls out all the stops in a role that demands fragility, naivety, resentment, anger and despair across its course. While I don’t think the film in general will trouble the Oscars, this is a leading actress performance that I could well see nominated. In a supporting role, with less screen-time, is Rachel Weisz who again needs to demonstrate her acting stripes in a demanding role. (Also a shout-out to young Florence Clery who is wonderfully naturalistic as the 4 year old Lucy-Grace.)
So this is a film with a stellar class, but it doesn’t really all gel together satisfyingly into a stellar – or at least particularly memorable – movie. After a slow start, director Derek Cianfrance (“The Place Beyond the Pines”) ladles on the melodrama interminably, and over a two hour running time the word overwrought comes to mind.
The script (also by Cianfrance, from the novel by M.L.Stedman) could have been tightened up, particularly in the first reel, and the audience given a bit more time to reflect and absorb in the second half.
The film is also curiously ‘place-less’. I assumed this was somewhere off Ireland until someone suddenly starting singing “Waltzing Matilda” (badly) and random people started talking in Aussie accents: most strange.
Cinematography by Adam Arkapaw (“Macbeth”) is also frustratingly inconsistent. The landscapes of the island, steam trains, sunsets and the multiple boatings in between is just beautiful (assisted by a delicate score by the great Alexandre Desplat which is well used) but get close up (and the camera does often get VERY close up) and a lack of ‘steadicam’ becomes infuriating, with faces dancing about the screen and – in one particular scene early on – wandering off on either side with the camera apparently unsure which one to follow!
A memorable cinema experience only for Vikander’s outstanding performance. Now where are those tissues…
Ivana A. | Diary of Difference (1171 KP) rated Precious You in Books
Aug 3, 2020
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I am extremely happy and excited to be part of the blog tour for Precious You by Helen Monks Takhar. Thank you to the team at HQ - for sending me a copy in exchange for an honest review. Check out the other book bloggers that are part of the tour as well:
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<b><i>Synopsis:</i></b>
When Lily is hired as the new intern at Leadership magazine, where Katherine is editor-in-chief, her arrival threatens the very foundations of the self-serving little world that Katherine has built. But before long, she finds herself obsessively drawn to Lily, who seems to be a cruel reminder of the beauty and potential Katherine once had, things she senses Lily plans to use against her.
Is Katherine simply paranoid, jealous of Lily's youth as she struggles with encroaching middle age? Is Lily just trying to get ahead in the cutthroat world of publishing? Or is there a more sinister motivation at play, fueled by the dark secrets they're both hiding? As their rivalry deepens, a disturbing picture emerges of two women pitted against each other across a toxic generational divide--and who are desperate enough to do anything to come out on top.
<b><i>My Thoughts:</i></b>
Wow - what an experience this book was. I haven’t read a book this fucked-up (in the best possible way) since I read Anonymous Girl and The Silent Patient. Just wow.
Okay, now that I have gathered my thoughts, let’s begin this review properly.
Precious You is a very exciting book, looking from a psychological aspect. We witness the battle between a “Snowflake” and a Generation-X. The battle of two women; one trying to conquer the world, the other one trying to stay relevant.
Both Katherine and Lily were very realistic characters. Both with opposing opinions on the world. And both with two completely different goals. Both fighting over power in every possible field that they share in common. But what I love the most is that I was able to understand both points of view. I found myself feeling for both of them, even though sometimes I couldn’t in my right mind understand their choices and their actions.
<b><i>But they both spoke to me.</i></b>
Each in their different way, for a different thing. And this is something I haven’t encountered in a long time. To be able to connect with both the victim and the villain. Despite us not knowing which is which until the very end of the book.
The other aspect I loved was the cat and mouse game they were playing. I haven’t seen a book so upsetting and twisted in a very long time. And I really loved it. Some things those women did are properly twisted. Really fucked-up. But I enjoyed reading it. It took me to another world, another reality where dark and twisted was the new normal.
It was interesting to witness such a vivid battle between two generations. The fear of new young people invading people’s space. The fight to get to the top, because of the people that have been at your workplace longer and have more knowledge. The wicked ways of how HR handled their issues. How your interns and your team can quickly turn on you if you stop delivering. It was interesting to read how the magazine worked as a company. I think the author did a great job at describing how one reality works.
I definitely recommend it - it is fast paced and very dark and twisty. If you love psychological thrillers, this one will be the right book for you!
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I am extremely happy and excited to be part of the blog tour for Precious You by Helen Monks Takhar. Thank you to the team at HQ - for sending me a copy in exchange for an honest review. Check out the other book bloggers that are part of the tour as well:
<img src="https://diaryofdifference.com/wp-content/uploads/2020/07/PreciousYou-btb.jpg"/>;
<b><i>Synopsis:</i></b>
When Lily is hired as the new intern at Leadership magazine, where Katherine is editor-in-chief, her arrival threatens the very foundations of the self-serving little world that Katherine has built. But before long, she finds herself obsessively drawn to Lily, who seems to be a cruel reminder of the beauty and potential Katherine once had, things she senses Lily plans to use against her.
Is Katherine simply paranoid, jealous of Lily's youth as she struggles with encroaching middle age? Is Lily just trying to get ahead in the cutthroat world of publishing? Or is there a more sinister motivation at play, fueled by the dark secrets they're both hiding? As their rivalry deepens, a disturbing picture emerges of two women pitted against each other across a toxic generational divide--and who are desperate enough to do anything to come out on top.
<b><i>My Thoughts:</i></b>
Wow - what an experience this book was. I haven’t read a book this fucked-up (in the best possible way) since I read Anonymous Girl and The Silent Patient. Just wow.
Okay, now that I have gathered my thoughts, let’s begin this review properly.
Precious You is a very exciting book, looking from a psychological aspect. We witness the battle between a “Snowflake” and a Generation-X. The battle of two women; one trying to conquer the world, the other one trying to stay relevant.
Both Katherine and Lily were very realistic characters. Both with opposing opinions on the world. And both with two completely different goals. Both fighting over power in every possible field that they share in common. But what I love the most is that I was able to understand both points of view. I found myself feeling for both of them, even though sometimes I couldn’t in my right mind understand their choices and their actions.
<b><i>But they both spoke to me.</i></b>
Each in their different way, for a different thing. And this is something I haven’t encountered in a long time. To be able to connect with both the victim and the villain. Despite us not knowing which is which until the very end of the book.
The other aspect I loved was the cat and mouse game they were playing. I haven’t seen a book so upsetting and twisted in a very long time. And I really loved it. Some things those women did are properly twisted. Really fucked-up. But I enjoyed reading it. It took me to another world, another reality where dark and twisted was the new normal.
It was interesting to witness such a vivid battle between two generations. The fear of new young people invading people’s space. The fight to get to the top, because of the people that have been at your workplace longer and have more knowledge. The wicked ways of how HR handled their issues. How your interns and your team can quickly turn on you if you stop delivering. It was interesting to read how the magazine worked as a company. I think the author did a great job at describing how one reality works.
I definitely recommend it - it is fast paced and very dark and twisty. If you love psychological thrillers, this one will be the right book for you!
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;