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Bob Mann (459 KP) rated The Courier (2020) in Movies
Aug 16, 2021
Cumberbatch is brilliant. (1 more)
Great real life history lesson
A peerless Cumberbatch and a miscast Buckley.
It's not to be confused with the Olga Kurylenko / Gary Oldman 2019 movie of the same title. But with a fresh Berlin current-day Russian spy scandal in the news this week, seeing the cold war spy drama "The Courier" is a timely thing to do.
Positives:
- Benedict Cumberbatch is outstandingly good in this. He could have been born to play the slightly bemused English gentlemen of the time. All golf, tweed suits and gentlemen's clubs. No spoilers, but there is a physical transformation as well that's impressive to observe. The film would have been decidedly so-so I think without that core central performance.
- The film is based on a true story. As someone who was born in 1961, it's a good reminder to count our blessings that you, me and everyone else are still around to live our lives at all. The world was on the brink of a precipice and learning the story of Wynne's part in this was insightful history.
- There's a nice catchy Russian-themed score by Abel Korzeniowski.
Negatives:
- I'm a big fan of Jessie Buckley. Really, I am. And to be fair to her, her performance is really good. I particularly liked a scene where she dismissed on the doorstep a local busybody. But I just didn't see her as Wynne's pearl-neckless-wearing wife in this part. Perhaps the problem is that although there's a 13 year age gap between the leads, I always imagine Buckley as being much younger that her 31 years. For whatever reason, the casting didn't work for me.
Summary Thoughts on "The Courier": As a true-life spy story, the movie is interesting and Cumberbatch's performance is brilliant. But I can't say that I was 100% grabbed by it. While having a few moments of high drama and tension - particularly one on a plane - I never felt that to be maintained for enough of the movie. Director Dominic Cooke has a limited filmography (with the Saoirse Ronan movie "On Chesil Beach" being his only other feature) and writer Tom O'Connor is the guy behind the more flippant "Hitman's Bodyguard" films. Perhaps a more experienced writer/director team would have elevated this to a higher level.
So it's eminently watchable but not memorable. Just a marginal hit in my book.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- Benedict Cumberbatch is outstandingly good in this. He could have been born to play the slightly bemused English gentlemen of the time. All golf, tweed suits and gentlemen's clubs. No spoilers, but there is a physical transformation as well that's impressive to observe. The film would have been decidedly so-so I think without that core central performance.
- The film is based on a true story. As someone who was born in 1961, it's a good reminder to count our blessings that you, me and everyone else are still around to live our lives at all. The world was on the brink of a precipice and learning the story of Wynne's part in this was insightful history.
- There's a nice catchy Russian-themed score by Abel Korzeniowski.
Negatives:
- I'm a big fan of Jessie Buckley. Really, I am. And to be fair to her, her performance is really good. I particularly liked a scene where she dismissed on the doorstep a local busybody. But I just didn't see her as Wynne's pearl-neckless-wearing wife in this part. Perhaps the problem is that although there's a 13 year age gap between the leads, I always imagine Buckley as being much younger that her 31 years. For whatever reason, the casting didn't work for me.
Summary Thoughts on "The Courier": As a true-life spy story, the movie is interesting and Cumberbatch's performance is brilliant. But I can't say that I was 100% grabbed by it. While having a few moments of high drama and tension - particularly one on a plane - I never felt that to be maintained for enough of the movie. Director Dominic Cooke has a limited filmography (with the Saoirse Ronan movie "On Chesil Beach" being his only other feature) and writer Tom O'Connor is the guy behind the more flippant "Hitman's Bodyguard" films. Perhaps a more experienced writer/director team would have elevated this to a higher level.
So it's eminently watchable but not memorable. Just a marginal hit in my book.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Rachel King (13 KP) rated Eternal Rider (Lords of Deliverance, #1, Demonica, #6) in Books
Feb 11, 2019
I loved that this book took a concept that I am very familiar with, the Four Horsemen from Revelation, and turned it on its head. For all of the repetitiveness of fantasy fiction using the same species over and over again - from mermaids to vampires - the horsemen are definitely new vehicles for enticing literature.
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
When We Were Innocent
8.0
Rate It
Book
“Dad, you have to tell me the truth. Are you who they say you are? Because I know you can’t be....
ClareR (5950 KP) rated The Pull of the Stars in Books
Nov 8, 2020
This book, and in particular the Audible version that I listened to, really pulled me into the world of 1918 Dublin. This isn’t a story for the faint-hearted. It’s really graphic and gory in a lot of places, and it portrayed just what life was like for women in Ireland at this time. Childbirth was portrayed as a punishment, babies being still born equally so. This was a time where it was normal for women in Ireland to birth baby after baby: on average ten.
Nurse Julia Power is unmarried at 30 and seems to be happy with that, as she sees women whose bodies are worn out from giving birth so many times and so closely together, women who have been abused by their fathers and forced to bear their children, women who have conceived their babies outside of marriage and will be forced to give them up - as well as young women who have been institutionalised from birth and forced to give up their lives to repay the nuns who raised them through free labour (Magdalene laundries). Like I said, this was no time to be a woman. The abuse and poor treatment of the women on the ward is alluded to, but never explicit.
Whilst most of the story takes place on the quarantined labour ward, we do get a glimpse in to the home life of Nurse Power, and it was interesting to see how the war had impacted on and affected her brother.
This is a beautifully told story packed full of heart. It may not have been my best move to read it during a pandemic, but nevertheless, I absolutely loved it.
Nurse Julia Power is unmarried at 30 and seems to be happy with that, as she sees women whose bodies are worn out from giving birth so many times and so closely together, women who have been abused by their fathers and forced to bear their children, women who have conceived their babies outside of marriage and will be forced to give them up - as well as young women who have been institutionalised from birth and forced to give up their lives to repay the nuns who raised them through free labour (Magdalene laundries). Like I said, this was no time to be a woman. The abuse and poor treatment of the women on the ward is alluded to, but never explicit.
Whilst most of the story takes place on the quarantined labour ward, we do get a glimpse in to the home life of Nurse Power, and it was interesting to see how the war had impacted on and affected her brother.
This is a beautifully told story packed full of heart. It may not have been my best move to read it during a pandemic, but nevertheless, I absolutely loved it.
Rikkasaurus (0 KP) rated Mass Effect: Andromeda in Video Games
May 7, 2018
Game play (1 more)
World graphics
Facial graphics (2 more)
Bugs
Incomplete storyline
Andromeda got too much hate
Before the war against the Reapers led by Shepard, The Andromeda Initiative sought to send out colonies to another galaxy. You play as Sarah or Scott Ryder, a soldier in the Initiative to find a new home for your colony. Explore new planets and discover new species.
My thoughts? I played Andromeda when it first came out. It was super buggy. The facial expressions were laughable. But it was in space with all our familiar ME Easter eggs, had great game play, and a vast amount of potential. However due to the backlash of fans (yes, EA should have NOT released such a unrefined game. Yes, it isn't as good as the original trilogy - because it is unfair to compare it to the story arc of a complete trilogy!) EA has stepped away from continuing with this story which is the most frustrating thing ever. EA needs to bring it back and the team needs to break boundaries and be creative to bring this story line further to life and continue it on for a DLC or next game.
My thoughts? I played Andromeda when it first came out. It was super buggy. The facial expressions were laughable. But it was in space with all our familiar ME Easter eggs, had great game play, and a vast amount of potential. However due to the backlash of fans (yes, EA should have NOT released such a unrefined game. Yes, it isn't as good as the original trilogy - because it is unfair to compare it to the story arc of a complete trilogy!) EA has stepped away from continuing with this story which is the most frustrating thing ever. EA needs to bring it back and the team needs to break boundaries and be creative to bring this story line further to life and continue it on for a DLC or next game.
Awix (3310 KP) rated A Hidden Life (2019) in Movies
Jan 22, 2020
Based-on-a-true-story drama set during the Second World War. An Austrian farmer decides he does not agree with the actions of the Nazi government and refuses to swear an oath of loyalty to Hitler, regardless of the risks to himself or the effects this will have on his family's status in their village. Obviously a serious film dealing with an important topic, presented in a measured and very skillful way: this is a Terrence Malick movie, so obviously it's going to look tremendous.
On the other hand, it's a Terrence Malick film, and no-one's ever come out of one of those saying 'Yeah, I liked it, but it could have done with being a bit longer and slower' - this film is knocking on three hours in length, and I'm not really sure it needs it. There are probably several too many scenes of villagers scything the corn or digging up turnips as the wind whistles down the valley. Still, it handles a weighty topic with the proper respect, and stories like these deserve to be remembered. Worth watching, but probably best to take sandwiches.
On the other hand, it's a Terrence Malick film, and no-one's ever come out of one of those saying 'Yeah, I liked it, but it could have done with being a bit longer and slower' - this film is knocking on three hours in length, and I'm not really sure it needs it. There are probably several too many scenes of villagers scything the corn or digging up turnips as the wind whistles down the valley. Still, it handles a weighty topic with the proper respect, and stories like these deserve to be remembered. Worth watching, but probably best to take sandwiches.
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