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Joe Goodhart (27 KP) rated New X-Men: Childhood's End, Volume 1 in Books
Nov 30, 2020
In an era where Marvel tries to oversaturate the comics market with event after event, and renumbering, along with the line between heroes and villains blurred so much it is draining (and not just my account!).
..which brings my attention backwards, to 2006's NEW X-MEN: CHILDHOOD'S END.
I skipped out when the series first launched as NEW X-MEN: ACADEMY X. It seemed generic and the stories I flipped through did nothing to grab my attention. It wasn't until the rebranding of the series as NEW X-MEN: CHILDHOOD'S END, with Craig Kyle and Christopher Yost taking over the writing as well providng a new revolving artist lineup.
While this first volume was a bit hard to follow, what with the jumping back forth with flashbacks and time rollbacks, but the second reading made more sense. I don't know that I would have written it out that way, but then again, it wasn't my book.
One of the things that really clicked for me was having Kyle and Yost on board. As the creators of Laura Kinney (X-23), I thought her introduction to the team would be handled well. Let's just say I was left feeling quite good, enough so that I will be reading the remaining volumes in the series.
The way she is written is as a lost girl. Logan wants her on the team, as it will help her to integrate, learn more about non-violent interaction. She is resistant at first mention, but then she comes around. However, despite her joining the New X-Men class, it is not an easy ride as she is withdrawn, though we do see the first sparks of interest on her part in Hellion. Unfortunately, her fellow classmates don't make it that easy for her to want to interaction, opting to go the route that most new students are treated in RL. So yeah, makes sense.
The only thing I didn't really like was Laura was referred to as either X-23 or Laura X, instead of Laura Kinney. I am not sure why that was, but as much I found it disappointing, it did not detract the story any. More often that not, when it came up in a panel, I would just read as "Laura" (minus the "X") or Laura Kinney. Easy fix, eh?
The art chores of the first volume went to Mark Brooks. I usually like his art, but sometimes (like in X-FORCE) he would give Laura a bust line not befitting a character like that. Here, though, everything was perfect, aiding in setting the darker "M-Day" and post-"M-Day" mood. I quite liked it, suited the content 100%.
Last thing I want to add is this: WOW! EMMA FROST IS A MEGA SALTY BITCH! Her treatment of Laura was totally uncalled for and way off base. Heck, she used to be the White Queen, yet she is now an X-Men. Everyone deserves a chance, even a former assassin (well, in fairness, it was how she was raised/trained, she really knew nothing else).
So, and including bitchy Emma, I give X-MEN: CHILDHOOD'S END VOL ! 5 out 5 SNIKTs! Not bad! Now, onto Volume Two...
..which brings my attention backwards, to 2006's NEW X-MEN: CHILDHOOD'S END.
I skipped out when the series first launched as NEW X-MEN: ACADEMY X. It seemed generic and the stories I flipped through did nothing to grab my attention. It wasn't until the rebranding of the series as NEW X-MEN: CHILDHOOD'S END, with Craig Kyle and Christopher Yost taking over the writing as well providng a new revolving artist lineup.
While this first volume was a bit hard to follow, what with the jumping back forth with flashbacks and time rollbacks, but the second reading made more sense. I don't know that I would have written it out that way, but then again, it wasn't my book.
One of the things that really clicked for me was having Kyle and Yost on board. As the creators of Laura Kinney (X-23), I thought her introduction to the team would be handled well. Let's just say I was left feeling quite good, enough so that I will be reading the remaining volumes in the series.
The way she is written is as a lost girl. Logan wants her on the team, as it will help her to integrate, learn more about non-violent interaction. She is resistant at first mention, but then she comes around. However, despite her joining the New X-Men class, it is not an easy ride as she is withdrawn, though we do see the first sparks of interest on her part in Hellion. Unfortunately, her fellow classmates don't make it that easy for her to want to interaction, opting to go the route that most new students are treated in RL. So yeah, makes sense.
The only thing I didn't really like was Laura was referred to as either X-23 or Laura X, instead of Laura Kinney. I am not sure why that was, but as much I found it disappointing, it did not detract the story any. More often that not, when it came up in a panel, I would just read as "Laura" (minus the "X") or Laura Kinney. Easy fix, eh?
The art chores of the first volume went to Mark Brooks. I usually like his art, but sometimes (like in X-FORCE) he would give Laura a bust line not befitting a character like that. Here, though, everything was perfect, aiding in setting the darker "M-Day" and post-"M-Day" mood. I quite liked it, suited the content 100%.
Last thing I want to add is this: WOW! EMMA FROST IS A MEGA SALTY BITCH! Her treatment of Laura was totally uncalled for and way off base. Heck, she used to be the White Queen, yet she is now an X-Men. Everyone deserves a chance, even a former assassin (well, in fairness, it was how she was raised/trained, she really knew nothing else).
So, and including bitchy Emma, I give X-MEN: CHILDHOOD'S END VOL ! 5 out 5 SNIKTs! Not bad! Now, onto Volume Two...
LeftSideCut (3776 KP) rated X-Men (2000) in Movies
Jun 7, 2019 (Updated Jun 8, 2019)
The first X-Men has not aged particularly well, but it's important to recognise it's impact on the movie landscape, especially for comic book films.
Although there has been comic book movies before, X-Men paved the way for everything that has come since, the good and the awful!
At the time it was almost magical, seeing characters I had grown up with flying about the screen (I was 12 when it was released), and the casting was inspired for the most part - Patrick Stewart, Ian McKellen, Hugh Jackman and Anna Paquin in particular.
It also started the trend of lacing the theatrics and seriousness with subtle humour thought, and the balance here is pretty good.
Even now, the CGI isn't terrible (certainly better than the later released Origins)
By the same merit, the costumes look goofy these days, some of the scripting is very 2000s, and why on Earth did they cast Tyler Mane as a weirdly mute Sabretooth will always be beyond me.
All in all, there are much better X-Men films out there, and there are a lot worse, and I'll always have a soft spot for it!
Although there has been comic book movies before, X-Men paved the way for everything that has come since, the good and the awful!
At the time it was almost magical, seeing characters I had grown up with flying about the screen (I was 12 when it was released), and the casting was inspired for the most part - Patrick Stewart, Ian McKellen, Hugh Jackman and Anna Paquin in particular.
It also started the trend of lacing the theatrics and seriousness with subtle humour thought, and the balance here is pretty good.
Even now, the CGI isn't terrible (certainly better than the later released Origins)
By the same merit, the costumes look goofy these days, some of the scripting is very 2000s, and why on Earth did they cast Tyler Mane as a weirdly mute Sabretooth will always be beyond me.
All in all, there are much better X-Men films out there, and there are a lot worse, and I'll always have a soft spot for it!
Pete (121 KP) rated Deadpool (2016) in Movies
Jul 16, 2017
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