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Kelly Knows (95 KP) rated Elf (2003) in Movies
Jul 4, 2019
Veronica Pena (690 KP) rated Yes Man (2008) in Movies
May 13, 2020
I love Jim Carrey and I don't think there's a single one of his films that I don't like. This one is no different. I also really loved Zooey Deschanel! I thought she did a really great job and it's fun to see her play a more intense character than that of Jess from New Girl. I think the plot of this film is really interesting and I think they did a really good job of running with it and really milking it.
I could watch this movie again at some point so that's a good enough reason for me to like it.
I could watch this movie again at some point so that's a good enough reason for me to like it.
Gareth von Kallenbach (962 KP) rated 500 Days of Summer (2009) in Movies
Aug 9, 2019
The ever-quirky Zooey Deschanel stars alongside Joseph Gordon-Levitt reemerging from “10 Things I Hate About You” in the odd tale “(500) Days of Summer”.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
Gareth von Kallenbach (962 KP) rated Your Highness (2011) in Movies
Aug 7, 2019
For all you minotaur lovers out there, the movie Your Highness is the film for you. Not that the movie is about them but it has the most unique minotaur I have ever seen in a movie. Your Highness takes place long ago in a land far away in a kingdom that has two princes. The oldest and heir-to-the-throne is Prince Fabious (the fabulous James Franco). He is a prince’s prince, a knight’s knight, he enjoys protecting the innocent, he slays evil cyclops and other evil things that should be slayed.
The youngest is Prince Thadeous (film co-writer Danny McBride), he is a slacker’s slacker, a player’s player, he enjoys booze and other mind-altering stuff, he lays with easy maidens and…well, you get the point. Even though the two brothers are so very different they still love each other, even if Thadeous won’t admit it. So when Prince Fabious was to be married to the beautiful yet naive Belladonna (the enchanting Zooey Deschanel) he wanted none other than his younger brother to be his best man.
But fate had other plans and what should have been the happiest of wedding days was ruined when the evil wizard Leezar (Justin Theroux) kidnaps Belladonna so he can produce an evil dragon offspring that he would use to rule the world. The two brothers vow to save her and kill Leezar. Ok, technically Thadeous is told by their father the King (Charles Dance) that either he goes with his older brother or he will be kicked out of the kingdom and it is Fabious who does the vowing. So they ride out with their most trusted knights and along the way they meet the Great Wize (not a typo) Wizard (voiced by Mario Torres. Jr.), the highly skilled fighter Isabel (played by a pretty intimidating Natalie Portman), the Minotaur (Brian Steele, a surprisingly fitting name), forest people (I loved the forest people!). Epic adventure and treachery ensue – dun dun dunn! Will they save Belladonna and the world? Will Thadeous become a respectable prince? Will the minotaur live happily ever after?
The movie is funny but the humor is on par with middle-school-aged male humor so approximately 80% of all adult males will probably find the movie funny and a lot of wives will be wondering why they married them. It also had some decent fight scenes sprinkled throughout the movie. I’ll be honest, there were a couple of scenes in the film that I wish I could un-see… the kind of stuff that never happened in any dice role-playing game that I have ever played.
Now I am sure we have all seen movies where one person’s performance was so well done that it made the other people’s performances seem lacking (whether they truly were or not). To me this movie fell victim to that problem. After all with people like Charles Dance, Natalie Portman, James Franco, Zooey Deschanel and Damian Lewis, who plays Boremont, one of the trusted Knights, it was bound to happen. Overall, a very entertaining and funny movie.
The youngest is Prince Thadeous (film co-writer Danny McBride), he is a slacker’s slacker, a player’s player, he enjoys booze and other mind-altering stuff, he lays with easy maidens and…well, you get the point. Even though the two brothers are so very different they still love each other, even if Thadeous won’t admit it. So when Prince Fabious was to be married to the beautiful yet naive Belladonna (the enchanting Zooey Deschanel) he wanted none other than his younger brother to be his best man.
But fate had other plans and what should have been the happiest of wedding days was ruined when the evil wizard Leezar (Justin Theroux) kidnaps Belladonna so he can produce an evil dragon offspring that he would use to rule the world. The two brothers vow to save her and kill Leezar. Ok, technically Thadeous is told by their father the King (Charles Dance) that either he goes with his older brother or he will be kicked out of the kingdom and it is Fabious who does the vowing. So they ride out with their most trusted knights and along the way they meet the Great Wize (not a typo) Wizard (voiced by Mario Torres. Jr.), the highly skilled fighter Isabel (played by a pretty intimidating Natalie Portman), the Minotaur (Brian Steele, a surprisingly fitting name), forest people (I loved the forest people!). Epic adventure and treachery ensue – dun dun dunn! Will they save Belladonna and the world? Will Thadeous become a respectable prince? Will the minotaur live happily ever after?
The movie is funny but the humor is on par with middle-school-aged male humor so approximately 80% of all adult males will probably find the movie funny and a lot of wives will be wondering why they married them. It also had some decent fight scenes sprinkled throughout the movie. I’ll be honest, there were a couple of scenes in the film that I wish I could un-see… the kind of stuff that never happened in any dice role-playing game that I have ever played.
Now I am sure we have all seen movies where one person’s performance was so well done that it made the other people’s performances seem lacking (whether they truly were or not). To me this movie fell victim to that problem. After all with people like Charles Dance, Natalie Portman, James Franco, Zooey Deschanel and Damian Lewis, who plays Boremont, one of the trusted Knights, it was bound to happen. Overall, a very entertaining and funny movie.
Gareth von Kallenbach (962 KP) rated Yes Man (2008) in Movies
Aug 14, 2019
Carl Allen (Jim Carrey) is a man that has shut himself away from life following a divorce. Despite the best efforts of his friends Peter (Bradley Cooper), and Rooney (Danny Masterson), Carl is content to keep his life to toiling away in a dead end banking job and limiting his social activity to renting DVDs and watching them at home alone.
Following another disappoint day at work where he learned that he is once again being overlooked for a promotion, Carl runs into an old friend who tells him about a seminar that changed his life and has freed him up to do and be what he wants.
With his curiosity peaked, Carl attends the seminar that is conducted by the charismatic Terrance Bundley (Terrance Stamp), who decides to make Carl his project, and tells him that he must agree to say yes to things that are offered to him. Although reluctant, Carl takes the advice and says yes to the first thing he is asked, which is to give a ride to a stranger.
The chance ride and resulting situations that follow lead Carl to meet a quirky and attractive lady named Allison (Zooey Deschanel), who intrigues Carl. The next day, Carl learns that he is getting the promotion and despite getting into some outrageous and at times, scary situations, he continues to say Yes to everything that is offered to him, as he fears the consequences of breaking the covenant of yes.
Carl eventually meets up with Allison again and learns that she spends her evenings singing in a unique band, and the two begin a relationship soon after. What follows is a very funny and amusing story that tracks the crazy events that follow Carl as he begins to open himself not only to Allison but to the possibilities that life presents to him every day when one makes themselves open to new possibilities.
The film is based on the book by Danny Wallace which covers his exploits when he decided to yes to everything thing presented to him for one year. While the film has little in common with the book aside from the title and saying yes premise.
“Yes Man” is Carrey’s best film in years and is a triumphant return to the comedy films that made him such a huge success. He plays Carl with a very likeable and easygoing manner that makes him easy to root for and his energetic performance once again proves beyond a shadow of a doubt that he is one of the most gifted comedians of our generation.
Despite the differences in their ages, Carrey and Deschanel make a winning combination and the strong supporting cast anchored by Stamp, Cooper, and Rhys Darby make this a very funny and enjoyable comedy.
Following another disappoint day at work where he learned that he is once again being overlooked for a promotion, Carl runs into an old friend who tells him about a seminar that changed his life and has freed him up to do and be what he wants.
With his curiosity peaked, Carl attends the seminar that is conducted by the charismatic Terrance Bundley (Terrance Stamp), who decides to make Carl his project, and tells him that he must agree to say yes to things that are offered to him. Although reluctant, Carl takes the advice and says yes to the first thing he is asked, which is to give a ride to a stranger.
The chance ride and resulting situations that follow lead Carl to meet a quirky and attractive lady named Allison (Zooey Deschanel), who intrigues Carl. The next day, Carl learns that he is getting the promotion and despite getting into some outrageous and at times, scary situations, he continues to say Yes to everything that is offered to him, as he fears the consequences of breaking the covenant of yes.
Carl eventually meets up with Allison again and learns that she spends her evenings singing in a unique band, and the two begin a relationship soon after. What follows is a very funny and amusing story that tracks the crazy events that follow Carl as he begins to open himself not only to Allison but to the possibilities that life presents to him every day when one makes themselves open to new possibilities.
The film is based on the book by Danny Wallace which covers his exploits when he decided to yes to everything thing presented to him for one year. While the film has little in common with the book aside from the title and saying yes premise.
“Yes Man” is Carrey’s best film in years and is a triumphant return to the comedy films that made him such a huge success. He plays Carl with a very likeable and easygoing manner that makes him easy to root for and his energetic performance once again proves beyond a shadow of a doubt that he is one of the most gifted comedians of our generation.
Despite the differences in their ages, Carrey and Deschanel make a winning combination and the strong supporting cast anchored by Stamp, Cooper, and Rhys Darby make this a very funny and enjoyable comedy.
RəX Regent (349 KP) rated The Happening (2008) in Movies
Mar 7, 2019
Back in 2009, when I first saw this, I wrote a review on Flixter which read "Simple question: What the hell was Happening???? More to the point
What was the point???? This movie was so diabolically pointless, self-serving and self-indulgent that words could never do it justice. Such a fall from grace from the man who brought us The Sixth Sense and Unbreakable
"
In many ways, that sums this film up perfectly. On a second viewing, an almost three years later, I feel that I have just a little more to say, but none of which is particularly good, except for the fact that I have increased my original one star/candle review to three out the maximum of ten! Shyamalan was a rising talent and now he has fallen far from grace, especially after the flop that was The Last Airbender. In this film he managed, whether by some misguided design or just by poor direction, to get some of the most amateurish performances out his cast imaginable.
I mean, I know that I'm hardly Mark Wahlberg's greatest advocate but he's still miles better than this, as is his counterpart, Zooey Deschanel, who both put in embarrassingly poor performances, but not just bad, but something that I would expect to see in a church hall! This was amateur all the way, with the only saving grace being the otherwise precise Shyamalan direction. But that's not to say that it wasn't boring or that he was directing a pointless narrative. The concept was slightly interesting but handled in such a ridiculously cack-handed and misjudged manner that I doubt anyone would dare suggest this idea again, let alone finance of film it.
I won't give away the "Twist", if you would call it that, but it is original, I grant you that, but interesting enough to support a movie? No way. Nor was anything else about this film.
In many ways, that sums this film up perfectly. On a second viewing, an almost three years later, I feel that I have just a little more to say, but none of which is particularly good, except for the fact that I have increased my original one star/candle review to three out the maximum of ten! Shyamalan was a rising talent and now he has fallen far from grace, especially after the flop that was The Last Airbender. In this film he managed, whether by some misguided design or just by poor direction, to get some of the most amateurish performances out his cast imaginable.
I mean, I know that I'm hardly Mark Wahlberg's greatest advocate but he's still miles better than this, as is his counterpart, Zooey Deschanel, who both put in embarrassingly poor performances, but not just bad, but something that I would expect to see in a church hall! This was amateur all the way, with the only saving grace being the otherwise precise Shyamalan direction. But that's not to say that it wasn't boring or that he was directing a pointless narrative. The concept was slightly interesting but handled in such a ridiculously cack-handed and misjudged manner that I doubt anyone would dare suggest this idea again, let alone finance of film it.
I won't give away the "Twist", if you would call it that, but it is original, I grant you that, but interesting enough to support a movie? No way. Nor was anything else about this film.
Gareth von Kallenbach (962 KP) rated Rock the Kasbah (2016) in Movies
Aug 6, 2019
Music is a language that transcends race, gender, age, and nationality. It is timeless. It is transformative. Music has the power to shape and redefine culture. In Rock the Kasbah, Bill Murray plays Richie Lanz, a washed up Rock manager who seeks to bring one of his acts to Afghanistan as part of the USO tour. Within the first day of arrival, his plans are unraveled as his singer (Zooey Deschanel) panics and runs off with his money and passport in order to return back to America.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
After meeting a myriad of characters (Bruce Willis, Kate Hudson. Danny McBride) in Kabul, he is presented with a new opportunity to introduce the world to a true talent. He discovers a young Pashtun girl with an amazing voice who dreams of being able to compete on “Afghan Star,” a musical competition show similar to “American Idol.” Cultural norms forbid her from singing and participating in the competition which demonstrate the complexity of Afghan culture, history, and politics. Understanding the threat to himself and Salima (Leem Lubany), Richie arranges for her to appear on the show, defying traditions and customs.
The film itself is a decent adaptation of the real story captured in the documentary Afghan Star which examines the life of Setara who must go into hiding because of her appearance in the competition. Rock the Kasbah has moments of genuine humor which fully utilizes Bill Murray’s true talents. Unfortunately, there are points where the plot and the storyline does not seem to fit together seamlessly. One great aspect of the film is its use of music to demonstrate the reach that it has across cultural lines. The love of music and artistic expression which had been severely restricted during the years of Taliban rule and Mujahedeen influence survived and is emblematic of how the people and the culture is much more complex and relatable than many would assume. This film goes beyond a story of a young singer trying to express herself and a manager trying to reclaim the glory of years ago. It is about the culture, history, and political framework of Afghanistan and the Afghan people.
It promotes them in a more positive light without relegating them to being a monolithic culture and people. It provides more insight into the circumstances that many of the people both in the cities and the tribal regions deal with. Audiences will be satisfied Rock the Kasbah as it is a musical and comedic showcase. They may even find themselves singing “Wild World” long after the credits roll.
Gareth von Kallenbach (962 KP) rated The Hitchhiker's Guide to the Galaxy (2005) in Movies
Aug 14, 2019
Making films from books has always been a tricky proposition. For every film adaptation that hits it big such as Jaws, Lord of the Rings and The Silence of the Lambs, there are several that fail to work or are downright disasters such as The Bonfire of the Vanities.
In the film The Hitchhiker’s Guide to the Galaxy, the late Douglas Adams first book in his classic series has finally arrived on the big screen after many delays getting started and a successful version on PBS.
The film stars Martin Freeman as Arthur Dent, a simple, easy going fellow whose entire goal in life is to stop the demolition of his beloved home from those who want to put a new highway in its current location.
As Arthur attempts to block the demolition, his good friend Ford Prefect (Mos Def), arrives and stalls the demolition with free beer for the work crew. Thinking he has been saved, Arthur is puzzled when Ford takes him to a local pub and buys rounds for the entire pub, saying the world is ending in a few minutes.
Ford in reality is an alien visiting the Earth and learns that the Earth is about to be destroyed to make way for a new galactic expressway. Before he knows what has happened, Arthur is whisked away seconds before the destruction of the Earth by Ford as they end up on a ship of the demolition fleet.
After a series of bizarre events and a narrow escape, Ford and Arthur end up on a passing ship that has been stolen by galactic president Zaphod Beeblebrox (Sam Rockwell), and Trillian (Zooey Deschanel), who just happens to be the lady of Arthur’s dreams and who is also unaware that the Earth has been destroyed in the short amount of time since she left Earth to explore with Zaphod.
As if this was not enough, the ship also has a depressed android named Marvin (Warwick Davis and voiced by Allan Rickman).
It is at this point that the film goes horribly wrong as the amusing and interesting setup quickly goes nowhere. While the crew is sent on a series of quests, each becomes less interesting than the one before it, and the very bland production values of the film are exposed. The sets are very basic and look as if they were borrowed from many of the budget driven British Sci-Fi that frequents PBS. Somehow the idea of an alien room being nothing but a rusty wall and a slapped up sign just does not cut it for me. At times I thought I was watching a home video production done by fans or another late night B movie rather than a major studio summer release.
As bad as the sets were what is even more amazing was the at times laughable attempts at visual effects where it was obvious that the actors were standing in front of screens as the matting lines were visible.
I tried to put a lot of this off to the idea that the film was trying to be quirky in keeping with the book, but quirky is not an excuse for underwhelming effects, basic sets, and lousy costuming and make up effects as I half expected to see zippers on the costumes of many aliens that looked like they were cobbled from parts at a hardware store.
So now that I have covered my issues with the look of the film, let’s look at the story itself. In a word: boring. I could not believe how dull and lazy the film became, and how the staff seemed to be going through the motions. The cast has zero chemistry and Rockwell is so frantic that his character is annoying to watch. After five minutes of his rock star in the spotlight style shtick, I wanted to strangle the character or at least get him on some serious medication.
Director Garth Jennings also has many scenes that simply go nowhere or drag on only to cut at odd times resulting in a complete and utter lack of pacing.
I am a big fan of the book series and I had very high hopes for this film. Sadly the disaster that resulted may very well have Douglas Adams spinning in his grave as his classic work was destroyed. I have to wonder how much of his original draft for the script that was used as the basis for the film survived.
While extreme die hard fans may enjoy the film, even they are likely to be disappointed and I can only hope that if they try to make the next book in the series, “The Restaurant at the End of the Universe”, they do a much better job then this effort, as this is one awful film adaptation.
In the film The Hitchhiker’s Guide to the Galaxy, the late Douglas Adams first book in his classic series has finally arrived on the big screen after many delays getting started and a successful version on PBS.
The film stars Martin Freeman as Arthur Dent, a simple, easy going fellow whose entire goal in life is to stop the demolition of his beloved home from those who want to put a new highway in its current location.
As Arthur attempts to block the demolition, his good friend Ford Prefect (Mos Def), arrives and stalls the demolition with free beer for the work crew. Thinking he has been saved, Arthur is puzzled when Ford takes him to a local pub and buys rounds for the entire pub, saying the world is ending in a few minutes.
Ford in reality is an alien visiting the Earth and learns that the Earth is about to be destroyed to make way for a new galactic expressway. Before he knows what has happened, Arthur is whisked away seconds before the destruction of the Earth by Ford as they end up on a ship of the demolition fleet.
After a series of bizarre events and a narrow escape, Ford and Arthur end up on a passing ship that has been stolen by galactic president Zaphod Beeblebrox (Sam Rockwell), and Trillian (Zooey Deschanel), who just happens to be the lady of Arthur’s dreams and who is also unaware that the Earth has been destroyed in the short amount of time since she left Earth to explore with Zaphod.
As if this was not enough, the ship also has a depressed android named Marvin (Warwick Davis and voiced by Allan Rickman).
It is at this point that the film goes horribly wrong as the amusing and interesting setup quickly goes nowhere. While the crew is sent on a series of quests, each becomes less interesting than the one before it, and the very bland production values of the film are exposed. The sets are very basic and look as if they were borrowed from many of the budget driven British Sci-Fi that frequents PBS. Somehow the idea of an alien room being nothing but a rusty wall and a slapped up sign just does not cut it for me. At times I thought I was watching a home video production done by fans or another late night B movie rather than a major studio summer release.
As bad as the sets were what is even more amazing was the at times laughable attempts at visual effects where it was obvious that the actors were standing in front of screens as the matting lines were visible.
I tried to put a lot of this off to the idea that the film was trying to be quirky in keeping with the book, but quirky is not an excuse for underwhelming effects, basic sets, and lousy costuming and make up effects as I half expected to see zippers on the costumes of many aliens that looked like they were cobbled from parts at a hardware store.
So now that I have covered my issues with the look of the film, let’s look at the story itself. In a word: boring. I could not believe how dull and lazy the film became, and how the staff seemed to be going through the motions. The cast has zero chemistry and Rockwell is so frantic that his character is annoying to watch. After five minutes of his rock star in the spotlight style shtick, I wanted to strangle the character or at least get him on some serious medication.
Director Garth Jennings also has many scenes that simply go nowhere or drag on only to cut at odd times resulting in a complete and utter lack of pacing.
I am a big fan of the book series and I had very high hopes for this film. Sadly the disaster that resulted may very well have Douglas Adams spinning in his grave as his classic work was destroyed. I have to wonder how much of his original draft for the script that was used as the basis for the film survived.
While extreme die hard fans may enjoy the film, even they are likely to be disappointed and I can only hope that if they try to make the next book in the series, “The Restaurant at the End of the Universe”, they do a much better job then this effort, as this is one awful film adaptation.