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Gareth von Kallenbach (980 KP) rated The Hitchhiker's Guide to the Galaxy (2005) in Movies
Aug 14, 2019
Making films from books has always been a tricky proposition. For every film adaptation that hits it big such as Jaws, Lord of the Rings and The Silence of the Lambs, there are several that fail to work or are downright disasters such as The Bonfire of the Vanities.
In the film The Hitchhiker’s Guide to the Galaxy, the late Douglas Adams first book in his classic series has finally arrived on the big screen after many delays getting started and a successful version on PBS.
The film stars Martin Freeman as Arthur Dent, a simple, easy going fellow whose entire goal in life is to stop the demolition of his beloved home from those who want to put a new highway in its current location.
As Arthur attempts to block the demolition, his good friend Ford Prefect (Mos Def), arrives and stalls the demolition with free beer for the work crew. Thinking he has been saved, Arthur is puzzled when Ford takes him to a local pub and buys rounds for the entire pub, saying the world is ending in a few minutes.
Ford in reality is an alien visiting the Earth and learns that the Earth is about to be destroyed to make way for a new galactic expressway. Before he knows what has happened, Arthur is whisked away seconds before the destruction of the Earth by Ford as they end up on a ship of the demolition fleet.
After a series of bizarre events and a narrow escape, Ford and Arthur end up on a passing ship that has been stolen by galactic president Zaphod Beeblebrox (Sam Rockwell), and Trillian (Zooey Deschanel), who just happens to be the lady of Arthur’s dreams and who is also unaware that the Earth has been destroyed in the short amount of time since she left Earth to explore with Zaphod.
As if this was not enough, the ship also has a depressed android named Marvin (Warwick Davis and voiced by Allan Rickman).
It is at this point that the film goes horribly wrong as the amusing and interesting setup quickly goes nowhere. While the crew is sent on a series of quests, each becomes less interesting than the one before it, and the very bland production values of the film are exposed. The sets are very basic and look as if they were borrowed from many of the budget driven British Sci-Fi that frequents PBS. Somehow the idea of an alien room being nothing but a rusty wall and a slapped up sign just does not cut it for me. At times I thought I was watching a home video production done by fans or another late night B movie rather than a major studio summer release.
As bad as the sets were what is even more amazing was the at times laughable attempts at visual effects where it was obvious that the actors were standing in front of screens as the matting lines were visible.
I tried to put a lot of this off to the idea that the film was trying to be quirky in keeping with the book, but quirky is not an excuse for underwhelming effects, basic sets, and lousy costuming and make up effects as I half expected to see zippers on the costumes of many aliens that looked like they were cobbled from parts at a hardware store.
So now that I have covered my issues with the look of the film, let’s look at the story itself. In a word: boring. I could not believe how dull and lazy the film became, and how the staff seemed to be going through the motions. The cast has zero chemistry and Rockwell is so frantic that his character is annoying to watch. After five minutes of his rock star in the spotlight style shtick, I wanted to strangle the character or at least get him on some serious medication.
Director Garth Jennings also has many scenes that simply go nowhere or drag on only to cut at odd times resulting in a complete and utter lack of pacing.
I am a big fan of the book series and I had very high hopes for this film. Sadly the disaster that resulted may very well have Douglas Adams spinning in his grave as his classic work was destroyed. I have to wonder how much of his original draft for the script that was used as the basis for the film survived.
While extreme die hard fans may enjoy the film, even they are likely to be disappointed and I can only hope that if they try to make the next book in the series, “The Restaurant at the End of the Universe”, they do a much better job then this effort, as this is one awful film adaptation.
In the film The Hitchhiker’s Guide to the Galaxy, the late Douglas Adams first book in his classic series has finally arrived on the big screen after many delays getting started and a successful version on PBS.
The film stars Martin Freeman as Arthur Dent, a simple, easy going fellow whose entire goal in life is to stop the demolition of his beloved home from those who want to put a new highway in its current location.
As Arthur attempts to block the demolition, his good friend Ford Prefect (Mos Def), arrives and stalls the demolition with free beer for the work crew. Thinking he has been saved, Arthur is puzzled when Ford takes him to a local pub and buys rounds for the entire pub, saying the world is ending in a few minutes.
Ford in reality is an alien visiting the Earth and learns that the Earth is about to be destroyed to make way for a new galactic expressway. Before he knows what has happened, Arthur is whisked away seconds before the destruction of the Earth by Ford as they end up on a ship of the demolition fleet.
After a series of bizarre events and a narrow escape, Ford and Arthur end up on a passing ship that has been stolen by galactic president Zaphod Beeblebrox (Sam Rockwell), and Trillian (Zooey Deschanel), who just happens to be the lady of Arthur’s dreams and who is also unaware that the Earth has been destroyed in the short amount of time since she left Earth to explore with Zaphod.
As if this was not enough, the ship also has a depressed android named Marvin (Warwick Davis and voiced by Allan Rickman).
It is at this point that the film goes horribly wrong as the amusing and interesting setup quickly goes nowhere. While the crew is sent on a series of quests, each becomes less interesting than the one before it, and the very bland production values of the film are exposed. The sets are very basic and look as if they were borrowed from many of the budget driven British Sci-Fi that frequents PBS. Somehow the idea of an alien room being nothing but a rusty wall and a slapped up sign just does not cut it for me. At times I thought I was watching a home video production done by fans or another late night B movie rather than a major studio summer release.
As bad as the sets were what is even more amazing was the at times laughable attempts at visual effects where it was obvious that the actors were standing in front of screens as the matting lines were visible.
I tried to put a lot of this off to the idea that the film was trying to be quirky in keeping with the book, but quirky is not an excuse for underwhelming effects, basic sets, and lousy costuming and make up effects as I half expected to see zippers on the costumes of many aliens that looked like they were cobbled from parts at a hardware store.
So now that I have covered my issues with the look of the film, let’s look at the story itself. In a word: boring. I could not believe how dull and lazy the film became, and how the staff seemed to be going through the motions. The cast has zero chemistry and Rockwell is so frantic that his character is annoying to watch. After five minutes of his rock star in the spotlight style shtick, I wanted to strangle the character or at least get him on some serious medication.
Director Garth Jennings also has many scenes that simply go nowhere or drag on only to cut at odd times resulting in a complete and utter lack of pacing.
I am a big fan of the book series and I had very high hopes for this film. Sadly the disaster that resulted may very well have Douglas Adams spinning in his grave as his classic work was destroyed. I have to wonder how much of his original draft for the script that was used as the basis for the film survived.
While extreme die hard fans may enjoy the film, even they are likely to be disappointed and I can only hope that if they try to make the next book in the series, “The Restaurant at the End of the Universe”, they do a much better job then this effort, as this is one awful film adaptation.
Gareth von Kallenbach (980 KP) rated War of the Worlds (2005) in Movies
Aug 14, 2019
In a summer season of grand blockbusters, War of the Worlds” is perhaps the biggest dud in years, and is a failure of epic proportions. The film is a remake of the classic 1953 film of the same name which like the new one is inspired from the H.G. Wells novel of 1898.
The new version is directed by Steven Spielberg, and stars Tom Cruise as Ray Ferrier, a divorced dockworker who is spending some time with his estranged children, Robbie (Justin Chatwin), and Rachael (Dakota Fanning), while his ex-wife and her new husband take a trip.
The children are very cold to Ray as they feel they were dumped on their mother as Ray only cares about himself. When a series of freak electrical storms hits various cities around the world, Ray attempts to comfort his children who are disturbed by the storm as well as the fact that all electronic devices have ceased to function.
Ray leaves the children at home and ventures into the neighborhood and is soon facing a waking nightmare as giant machines burst from the ground laying waste to everything in their paths.
Ray gathers his family and flees in a working vehicle trying to stay one step ahead of the alien machines in an attempt to find safety and reunite the children with their mother in Boston.
As basic as the above plot outline is, it is pretty much the entire plot of the film. There is little else to it aside from a few interruptions such as the family seeking shelter in a couple of houses or facing an angry mob as they attempt to reach a ferry.
While a thin plot can be excused for many action films, what cannot be excused are the painfully bad lack of any excitement in the film and the lack of any compelling action or suspense.
We are supposed to believe that the world is being destroyed by the alien’s but aside from a few blasted bridges, and small buildings, we see a surprising lack of carnage. There are no sequences of classic landmarks being reduced to rubble, there are no scenes of vast armies locked in a desperate struggle against the invaders.
Instead, we get a sequence of helicopters firing, and a line of soldiers firing, but they never show us what they are shooting at, nor do we see the alien retaliation behind a bright explosion and a few vehicles emerging on fire. This is particularly frustrating when you consider that the 1954 version at least showed a few tanks being blasted outright.
Another issue I had with the film was the painfully obvious superimposed backdrops as during the films limited action scenes; the background was clearly inserted into the shot as it was so fuzzy that it did not fit in with the events in the foreground.
While I am willing to dismiss this as stylistic nitpicking what cannot be ignored is that for most of the films running length, the cast does little more than stand around waiting for something to happen.
There are no great segments of character development, no insight into why the aliens waited all this time to attack when they could have done so centuries earlier, why they want the planet, and numerous other plot holes, some of which are so glaring. One of my favorites was the guy who was able to use a video camera to record the opening attacks when it was clearly shown that all electronic devices were rendered useless.
Much has been made of Cruise’s recent off screen actions and I must say that those have been far more interesting and engaging than his performance here. Cruise spends the majority of the film in a wide-eyed gaze or frantically moving and yelling. His character like his annoyingly bratty daughter are so unsympathetic, I found myself hoping that the aliens would take them out and end our suffering.
I hate stated prior that I thought this film may have problems as in light of films such as “ID4”, the story would seem bland to modern audiences unless the action was increased and there was a dynamic story with interesting characters. Sadly all of those are missing from a film that also has one of the worst endings in recent history.
There is no build up, no final confrontation, no moment of high tension to get to the payoff; it just ends with a whimper. One would think that a grand battle or an effects royale is in store instead, it plays out in a very matter of fact fashion with shockingly little action or suspense.
I could go on and on, but suffice it to say that between the weak acting, tired, thin plot, and infrequent and underwhelming action and effects, this is a film that exists only due to the talents of Cruise and Spielberg., That being said, I have to wonder how and why they could not have picked a better product than this stale offering.
The new version is directed by Steven Spielberg, and stars Tom Cruise as Ray Ferrier, a divorced dockworker who is spending some time with his estranged children, Robbie (Justin Chatwin), and Rachael (Dakota Fanning), while his ex-wife and her new husband take a trip.
The children are very cold to Ray as they feel they were dumped on their mother as Ray only cares about himself. When a series of freak electrical storms hits various cities around the world, Ray attempts to comfort his children who are disturbed by the storm as well as the fact that all electronic devices have ceased to function.
Ray leaves the children at home and ventures into the neighborhood and is soon facing a waking nightmare as giant machines burst from the ground laying waste to everything in their paths.
Ray gathers his family and flees in a working vehicle trying to stay one step ahead of the alien machines in an attempt to find safety and reunite the children with their mother in Boston.
As basic as the above plot outline is, it is pretty much the entire plot of the film. There is little else to it aside from a few interruptions such as the family seeking shelter in a couple of houses or facing an angry mob as they attempt to reach a ferry.
While a thin plot can be excused for many action films, what cannot be excused are the painfully bad lack of any excitement in the film and the lack of any compelling action or suspense.
We are supposed to believe that the world is being destroyed by the alien’s but aside from a few blasted bridges, and small buildings, we see a surprising lack of carnage. There are no sequences of classic landmarks being reduced to rubble, there are no scenes of vast armies locked in a desperate struggle against the invaders.
Instead, we get a sequence of helicopters firing, and a line of soldiers firing, but they never show us what they are shooting at, nor do we see the alien retaliation behind a bright explosion and a few vehicles emerging on fire. This is particularly frustrating when you consider that the 1954 version at least showed a few tanks being blasted outright.
Another issue I had with the film was the painfully obvious superimposed backdrops as during the films limited action scenes; the background was clearly inserted into the shot as it was so fuzzy that it did not fit in with the events in the foreground.
While I am willing to dismiss this as stylistic nitpicking what cannot be ignored is that for most of the films running length, the cast does little more than stand around waiting for something to happen.
There are no great segments of character development, no insight into why the aliens waited all this time to attack when they could have done so centuries earlier, why they want the planet, and numerous other plot holes, some of which are so glaring. One of my favorites was the guy who was able to use a video camera to record the opening attacks when it was clearly shown that all electronic devices were rendered useless.
Much has been made of Cruise’s recent off screen actions and I must say that those have been far more interesting and engaging than his performance here. Cruise spends the majority of the film in a wide-eyed gaze or frantically moving and yelling. His character like his annoyingly bratty daughter are so unsympathetic, I found myself hoping that the aliens would take them out and end our suffering.
I hate stated prior that I thought this film may have problems as in light of films such as “ID4”, the story would seem bland to modern audiences unless the action was increased and there was a dynamic story with interesting characters. Sadly all of those are missing from a film that also has one of the worst endings in recent history.
There is no build up, no final confrontation, no moment of high tension to get to the payoff; it just ends with a whimper. One would think that a grand battle or an effects royale is in store instead, it plays out in a very matter of fact fashion with shockingly little action or suspense.
I could go on and on, but suffice it to say that between the weak acting, tired, thin plot, and infrequent and underwhelming action and effects, this is a film that exists only due to the talents of Cruise and Spielberg., That being said, I have to wonder how and why they could not have picked a better product than this stale offering.
Gareth von Kallenbach (980 KP) rated John Carter (2012) in Movies
Aug 7, 2019
Edgar Rice Burroughs is famous for literary creations that have inspired countless generations and given birth to numerous film and television projects. You would be hard-pressed to find anybody not familiar with Tarzan, one of Burrough’s great series. John Carter of Mars is another one, and at long last has finally made it to the big screen.
The film is based on the first book of eleven, a series that began in 1911 and ran through 1964 when the last book was published posthumously. John Carter stars Tylor Kitsch as the title character, a bitter Civil War veteran who, despite an accomplished service record, no longer wants anything to do with the military. Instead he is fixated upon finding a cave of gold.
Despite the fact that he served for the Confederacy, John Carter draws the attention of the U.S. Cavalry whose leader is anxious to recruit an officer of Carter’s skills and experience to aid them in their skirmishes with the Apache tribes. No longer willing to fight or get involved, Carter declines the offer but soon finds himself caught in the middle of an unplanned battle between both sides. As he attempts to find shelter for himself and a wounded officer, Carter accidentally stumbles upon the cave of gold he was seeking.
Carter’s surprise soon turns to shock when he’s attacked by a mysterious individual who presses a glowing amulet in his hand and utters a phrase that transports John Carter instantly to the planet Mars. Of course, Carter at first has no idea where he is but soon realizes that he has incredible leaping abilities due to the lower gravity of the planet.
Shortly after his arrival he gains the attention of Tars Tarkas (Willem Dafoe), the chief of a race of tall, skinny, four armed alien warriors. At first intrigued by Carter, Tarkas and his people become divided over what to do with the new arrival. This becomes further complicated when airships arrive and begin a massive gunbattle. Carter immediately leaps into action with his newfound ability which quickly gains the attention of Dejah Thoris (Lynn Collins), princess of the city of Helium.
It is learned that Princess Dejah is being forced to marry an evil warlord who possesses an awesome destructive ability and is using it to subjugate all those he encounters. Desperate to save their city, the princess is offered up to appease the warlord. Naturally this does not sit well with the free-spirited and feisty princess and before long she and John Carter find themselves united in their quest to save Helium. Despite his reluctance to get involved and fight, Carter realizes the princess may be his only way to get home.
A stranger in a strange land, with danger all around him, John Carter takes his audience on an epic adventure. Despite having little star power, the movie works exceptionally well with amazing special effects. The CGI used to create the various alien characters infuses them with personality and vitality rarely seen in artificially created characters. The film is visually spectacular from the legions of aliens locked in combat, to the stark splendor of the planet and its inhabitants.
Even though the film was presented in converted 3-D which, as many of you will know has long been a very touchy subject with me, the final product was actually better than most conversions. While it was nowhere near the quality of films shot in 3-D, it nonetheless offered an immersive quality to epic battle scenes and did not rely on the gimmicky trick of trying to make things pop out of the screen in order to sell the film.
Kitsch does a great job handling the action of the film and manages to interact with his CGI costars in a believable enough manner to establish as much chemistry with them as he did with the flesh and blood Collins. Although some moments of the film drag, it does have enough action to sustain the nearly two-hour runtime with a touch of humor and romance thrown in for good measure.
I first became aware of the film a year ago at the D23 Expo when Disney showed a few clips and had Kitsch, Collins and Dafoeon hand to promote the pending release. While intriguing, I did not see anything that really made the film stand out as a must-see. I am very happy to say that upon seeing the completed film, the scenes that were shown to us not only had even greater effects in the finished product but were also much more entertaining and dynamic once shown within the full context of the story line.
Director Andrew Stanton, who has made a name for himself with his animated films at Pixar, skillfully blends live-action and CGI to create a very energetic and enjoyable action-adventure film that was a very pleasant surprise.
While the acting, character development, and plot are nothing spectacular in and of themselves, they combined well and set the stage effectively for what should be a series of John Carter films in the future.
The film is based on the first book of eleven, a series that began in 1911 and ran through 1964 when the last book was published posthumously. John Carter stars Tylor Kitsch as the title character, a bitter Civil War veteran who, despite an accomplished service record, no longer wants anything to do with the military. Instead he is fixated upon finding a cave of gold.
Despite the fact that he served for the Confederacy, John Carter draws the attention of the U.S. Cavalry whose leader is anxious to recruit an officer of Carter’s skills and experience to aid them in their skirmishes with the Apache tribes. No longer willing to fight or get involved, Carter declines the offer but soon finds himself caught in the middle of an unplanned battle between both sides. As he attempts to find shelter for himself and a wounded officer, Carter accidentally stumbles upon the cave of gold he was seeking.
Carter’s surprise soon turns to shock when he’s attacked by a mysterious individual who presses a glowing amulet in his hand and utters a phrase that transports John Carter instantly to the planet Mars. Of course, Carter at first has no idea where he is but soon realizes that he has incredible leaping abilities due to the lower gravity of the planet.
Shortly after his arrival he gains the attention of Tars Tarkas (Willem Dafoe), the chief of a race of tall, skinny, four armed alien warriors. At first intrigued by Carter, Tarkas and his people become divided over what to do with the new arrival. This becomes further complicated when airships arrive and begin a massive gunbattle. Carter immediately leaps into action with his newfound ability which quickly gains the attention of Dejah Thoris (Lynn Collins), princess of the city of Helium.
It is learned that Princess Dejah is being forced to marry an evil warlord who possesses an awesome destructive ability and is using it to subjugate all those he encounters. Desperate to save their city, the princess is offered up to appease the warlord. Naturally this does not sit well with the free-spirited and feisty princess and before long she and John Carter find themselves united in their quest to save Helium. Despite his reluctance to get involved and fight, Carter realizes the princess may be his only way to get home.
A stranger in a strange land, with danger all around him, John Carter takes his audience on an epic adventure. Despite having little star power, the movie works exceptionally well with amazing special effects. The CGI used to create the various alien characters infuses them with personality and vitality rarely seen in artificially created characters. The film is visually spectacular from the legions of aliens locked in combat, to the stark splendor of the planet and its inhabitants.
Even though the film was presented in converted 3-D which, as many of you will know has long been a very touchy subject with me, the final product was actually better than most conversions. While it was nowhere near the quality of films shot in 3-D, it nonetheless offered an immersive quality to epic battle scenes and did not rely on the gimmicky trick of trying to make things pop out of the screen in order to sell the film.
Kitsch does a great job handling the action of the film and manages to interact with his CGI costars in a believable enough manner to establish as much chemistry with them as he did with the flesh and blood Collins. Although some moments of the film drag, it does have enough action to sustain the nearly two-hour runtime with a touch of humor and romance thrown in for good measure.
I first became aware of the film a year ago at the D23 Expo when Disney showed a few clips and had Kitsch, Collins and Dafoeon hand to promote the pending release. While intriguing, I did not see anything that really made the film stand out as a must-see. I am very happy to say that upon seeing the completed film, the scenes that were shown to us not only had even greater effects in the finished product but were also much more entertaining and dynamic once shown within the full context of the story line.
Director Andrew Stanton, who has made a name for himself with his animated films at Pixar, skillfully blends live-action and CGI to create a very energetic and enjoyable action-adventure film that was a very pleasant surprise.
While the acting, character development, and plot are nothing spectacular in and of themselves, they combined well and set the stage effectively for what should be a series of John Carter films in the future.
Jamie (131 KP) rated Shimmer and Burn in Books
Jul 30, 2017
Unique magic concept (2 more)
Fast paced and engaging story
Dreamy male lead
Bland main character (1 more)
Details about the world and magic is mildly confusing
Threading blood magic in a dying world
Shimmer and Burn was much much darker than I expected and I LOVED it. A locked away kingdom ruled by a ruthless king, forbidden blood magic that is both beautiful and deadly, a power hungry princess, a dying world infested with diseased cannibals–this book had it all. That is, except for the main character, Faris.
This book was almost perfect for me, but I just wish that Faris wasn’t so bland. The book is carried by an extremely strong plot and well developed side characters but.. well the story just sort of happens to Faris. She is constantly made out to be a fighter but she ends up running or needing to be saved almost every time. She has one central motivation, her sister, and some heartbreak over Thaelan, but that’s really all her character really has going for her.
Thankfully the other characters help drive the plot forward. I’ve never been one to fawn over book boyfriends but that changed with North. I really like North and Faris together, even though their romance sort of shows up out of thin air in a mild case of instalove. I would expect characters to talk and have more interaction before they go falling “in love.” It’s not the worst thing in the world, I still liked the characters and their romance so I was willing to look past that.
My favorite part of the book is the absolutely incredible magic system which is unlike any other I’ve ever read. Magic is described as being beautiful like threads that can just as easily fray and destroy the magic wielder if not handled with care. It is treated as something alien, even for the humans with a natural born ability to wield it. I can’t overstate enough how much I love this concept. The intricate political relationships in this novel is also extremely well done and I’m so excited to read the next book.
A fair warning though, this book is definitely not for the faint of heart. While the romance may be clean, the violence definitely isn’t. This book isn’t the goriest I’ve ever read but it does not shy away from the gruesome details. If you can stomach the gritty content then I highly recommend this book, it’s one of the best YA books I’ve read in a while.
This book was almost perfect for me, but I just wish that Faris wasn’t so bland. The book is carried by an extremely strong plot and well developed side characters but.. well the story just sort of happens to Faris. She is constantly made out to be a fighter but she ends up running or needing to be saved almost every time. She has one central motivation, her sister, and some heartbreak over Thaelan, but that’s really all her character really has going for her.
Thankfully the other characters help drive the plot forward. I’ve never been one to fawn over book boyfriends but that changed with North. I really like North and Faris together, even though their romance sort of shows up out of thin air in a mild case of instalove. I would expect characters to talk and have more interaction before they go falling “in love.” It’s not the worst thing in the world, I still liked the characters and their romance so I was willing to look past that.
My favorite part of the book is the absolutely incredible magic system which is unlike any other I’ve ever read. Magic is described as being beautiful like threads that can just as easily fray and destroy the magic wielder if not handled with care. It is treated as something alien, even for the humans with a natural born ability to wield it. I can’t overstate enough how much I love this concept. The intricate political relationships in this novel is also extremely well done and I’m so excited to read the next book.
A fair warning though, this book is definitely not for the faint of heart. While the romance may be clean, the violence definitely isn’t. This book isn’t the goriest I’ve ever read but it does not shy away from the gruesome details. If you can stomach the gritty content then I highly recommend this book, it’s one of the best YA books I’ve read in a while.
Gareth von Kallenbach (980 KP) rated Geostorm (2017) in Movies
Jun 19, 2019
I have written many times in the past how the Disaster movie has long been a staple of Hollywood. We had the Irwin Allen classics of the 70s that were loaded with stars and in recent years, we had Volcano and Asteroids to contend with along with a new wave of monsters and alien invasions.
In the new movie “Geostorm” we are given a threat lifted directly from the headlines, the weather. It is revealed that a series of natural disasters ranging from flooding, heat waves, and climate change have left humanity in serious peril. As such the leaders of the world agree on a costly and ambitious plan to save humanity.
The resulting program is called “Dutch Boy” and it is the brainchild of Jake Lawson (Gerard Butler), and his team of international scientists and technicians.
The project is a global satellite system that controls the weather, and when a threat is detected, it is able to stop it in its tracks.
All has gone well for years under the program and humanity is now safe from weather related threats and continues on as usual. Jake has run afoul of the politicians overseeing the project and is removed from it by his brother Max (Jim Sturgess), who is tasked as his replacement.
Years later as the U.S. prepares to hand over control of Duty Boy to the international community, a series of odd things happen from unexplained weather incidents to an accident on the space station overseeing the system.
With the clock ticking before the handoff and Election Year politics playing a factor, Jake is tasked with going to the space station and getting to the bottom of the system issues.
The film cleverly switches gears at this point as it soon becomes clear there is a conspiracy at work that wants the system to fail and when it is learned that this may result in a mega-storm called a Geostorm, Jake and Max must put aside their differences and find out who is turning the salvation of humanity into a weapon of ultimate destruction.
The film has some really good effects and the weather disasters bring out some impressive visuals as do the scenes set in space.
The film does take some serious leaps of logic and science that requires the audience to simply follow along for the good of the story, but the strong cast and winning effects make the film more enjoyable than I expected it to be and I was entertained from start to finish.
http://sknr.net/2017/10/20/geostorm/
In the new movie “Geostorm” we are given a threat lifted directly from the headlines, the weather. It is revealed that a series of natural disasters ranging from flooding, heat waves, and climate change have left humanity in serious peril. As such the leaders of the world agree on a costly and ambitious plan to save humanity.
The resulting program is called “Dutch Boy” and it is the brainchild of Jake Lawson (Gerard Butler), and his team of international scientists and technicians.
The project is a global satellite system that controls the weather, and when a threat is detected, it is able to stop it in its tracks.
All has gone well for years under the program and humanity is now safe from weather related threats and continues on as usual. Jake has run afoul of the politicians overseeing the project and is removed from it by his brother Max (Jim Sturgess), who is tasked as his replacement.
Years later as the U.S. prepares to hand over control of Duty Boy to the international community, a series of odd things happen from unexplained weather incidents to an accident on the space station overseeing the system.
With the clock ticking before the handoff and Election Year politics playing a factor, Jake is tasked with going to the space station and getting to the bottom of the system issues.
The film cleverly switches gears at this point as it soon becomes clear there is a conspiracy at work that wants the system to fail and when it is learned that this may result in a mega-storm called a Geostorm, Jake and Max must put aside their differences and find out who is turning the salvation of humanity into a weapon of ultimate destruction.
The film has some really good effects and the weather disasters bring out some impressive visuals as do the scenes set in space.
The film does take some serious leaps of logic and science that requires the audience to simply follow along for the good of the story, but the strong cast and winning effects make the film more enjoyable than I expected it to be and I was entertained from start to finish.
http://sknr.net/2017/10/20/geostorm/
Goddess in the Stacks (553 KP) rated Spinning Silver in Books
Dec 25, 2018
I had previously read Uprooted, and adored it, so I was eager to get my hands on this book as soon as it came out. I was very excited to see it as a Book of the Month choice for July, and quickly made it my pick!
I received the book last weekend while I was at Anthrocon, so I didn't get a chance to sit down with it until yesterday. (It officially came out Tuesday.) I proceeded to read straight through the entire book because it was SO. GOOD. Novik writes absolutely ENTHRALLING fairy tales. And in Spinning Silver, she has written fae as beautiful, alien, capricious, and as absolutely bound by rules as they should be. Doing a thing three times, even by normal means, gives one the power to ACTUALLY do the thing; in Miryem's case, turning the Staryk's silver into gold (by creative buying and selling) means she gains the power to LITERALLY turn silver into gold. Which then gets her into the trouble the rest of the book is built on.
One of my favorite lines was very near the end of the book, about the Staryk palace:
"The Staryk didn't know anything of keeping records: I suppose it was only to be expected from people who didn't take on debts and were used to entire chambers wandering off and having to be called back like cats."
My only real quibble with the book is that it shifts viewpoints between at least five characters, and doesn't start their sections with names or anything, so it takes a few sentences to figure out who's talking. It never takes too long, but it did occasionally make me go "Wait, who is this....ah, okay."
The plotlines weave in and out of each other's way for most of the book before all colliding into each other at the end and showing how everything connects. I was definitely confused on occasion, but it was that enchanting Alice-in-Wonderland kind of confusion more than actual puzzlement. The book is, by turns, a mix of Rumpelstiltskin, Tam-Lin, Winter King vs Summer King, Snow Queen, and a little Hansel and Gretel. I love seeing elements of so many fairy tales woven together and yet still remaining recognizable.
And the ending! Oh, the ending was absolutely, marvelously perfect.
I loved this book, just as much as I loved Uprooted. I can't wait to see what fairy tales Novik spins next!
You can find all my reviews at http://goddessinthestacks.com
I received the book last weekend while I was at Anthrocon, so I didn't get a chance to sit down with it until yesterday. (It officially came out Tuesday.) I proceeded to read straight through the entire book because it was SO. GOOD. Novik writes absolutely ENTHRALLING fairy tales. And in Spinning Silver, she has written fae as beautiful, alien, capricious, and as absolutely bound by rules as they should be. Doing a thing three times, even by normal means, gives one the power to ACTUALLY do the thing; in Miryem's case, turning the Staryk's silver into gold (by creative buying and selling) means she gains the power to LITERALLY turn silver into gold. Which then gets her into the trouble the rest of the book is built on.
One of my favorite lines was very near the end of the book, about the Staryk palace:
"The Staryk didn't know anything of keeping records: I suppose it was only to be expected from people who didn't take on debts and were used to entire chambers wandering off and having to be called back like cats."
My only real quibble with the book is that it shifts viewpoints between at least five characters, and doesn't start their sections with names or anything, so it takes a few sentences to figure out who's talking. It never takes too long, but it did occasionally make me go "Wait, who is this....ah, okay."
The plotlines weave in and out of each other's way for most of the book before all colliding into each other at the end and showing how everything connects. I was definitely confused on occasion, but it was that enchanting Alice-in-Wonderland kind of confusion more than actual puzzlement. The book is, by turns, a mix of Rumpelstiltskin, Tam-Lin, Winter King vs Summer King, Snow Queen, and a little Hansel and Gretel. I love seeing elements of so many fairy tales woven together and yet still remaining recognizable.
And the ending! Oh, the ending was absolutely, marvelously perfect.
I loved this book, just as much as I loved Uprooted. I can't wait to see what fairy tales Novik spins next!
You can find all my reviews at http://goddessinthestacks.com
Lyndsey Gollogly (2893 KP) rated Love and vice A multi-author erotic collection in Books
Jan 22, 2020
Contains spoilers, click to show
So I've done a small comment on each but overall most of the were pretty good! I have several new authors to read and loved a select few! If you are looking for pure naughtiness it's definitely in this book!
12a
Feathers by Petra j knox
Wow this was hot and heavy. Kicks off this collection nicely 😍
12b
All the devils are here by Kendra Moreno
Ok so that made Lucifer even more attractive. Will be reading more of Kendra.
12c
Doctors orders by Golden Angel
Ok do classes like this exist?? I think I'd play doctor with mitch.
12d
Her Alien Renegades by Lucy Carter Anderson
Ok well not sure what to make of this one big blue aliens and a crazy human ready to accept her fate so easy 🙈🤣
12e primal: The first hunt by Kinkaid knight
Apart from almost a page of her describing his dick it wasn't too bad. I will give her her books ago I'm interested enough to want to read more.
12f
Desire In her reflection by Nichole Riley
Well that's not like any ladies nights I've been too 🤣🤣. I'll be looking into Nichole more!
12g
Bow by N.K. Stackhouse
Think I like this one and I'd definitely be the Dom!!
12h
Picture purr- fect by Emma Cole
So far this has to be my favourite! It was brilliantly written for a short and wow!!!
Will definitely be reading more by Emma Cole!
12i
Primal innocence by Caia Daniels
I kinda got bored just a little. It was a rather sweet way to lose her virginity though.
12j
Rebel by Savannah Rose
Well that was a super fast read not sure how much you can get from it
12k
Snatch me by C.F. Rabbiosi
Another good one personally I love the idea of this shirt lol I'll be looking her up!
12L
The good girl by Chloe Jane
Very much shirt and sweet
12m
Voyeur by Bea Paige
Ok so I now have a new favourite!! That was just soooo good!!
12n
What a show by Jennifer Stone
Not one I enjoyed something about it just didn't click with me
12o
When night and day collide by Kandi vale
The best till last!! The whole reason I brought the book and I'm so glad I did! What a birthday present for Kisa! Any excuse to get me some Dolor and I'm there! I'm no patiently waiting for Kandi Vale s next book 😍😍
12a
Feathers by Petra j knox
Wow this was hot and heavy. Kicks off this collection nicely 😍
12b
All the devils are here by Kendra Moreno
Ok so that made Lucifer even more attractive. Will be reading more of Kendra.
12c
Doctors orders by Golden Angel
Ok do classes like this exist?? I think I'd play doctor with mitch.
12d
Her Alien Renegades by Lucy Carter Anderson
Ok well not sure what to make of this one big blue aliens and a crazy human ready to accept her fate so easy 🙈🤣
12e primal: The first hunt by Kinkaid knight
Apart from almost a page of her describing his dick it wasn't too bad. I will give her her books ago I'm interested enough to want to read more.
12f
Desire In her reflection by Nichole Riley
Well that's not like any ladies nights I've been too 🤣🤣. I'll be looking into Nichole more!
12g
Bow by N.K. Stackhouse
Think I like this one and I'd definitely be the Dom!!
12h
Picture purr- fect by Emma Cole
So far this has to be my favourite! It was brilliantly written for a short and wow!!!
Will definitely be reading more by Emma Cole!
12i
Primal innocence by Caia Daniels
I kinda got bored just a little. It was a rather sweet way to lose her virginity though.
12j
Rebel by Savannah Rose
Well that was a super fast read not sure how much you can get from it
12k
Snatch me by C.F. Rabbiosi
Another good one personally I love the idea of this shirt lol I'll be looking her up!
12L
The good girl by Chloe Jane
Very much shirt and sweet
12m
Voyeur by Bea Paige
Ok so I now have a new favourite!! That was just soooo good!!
12n
What a show by Jennifer Stone
Not one I enjoyed something about it just didn't click with me
12o
When night and day collide by Kandi vale
The best till last!! The whole reason I brought the book and I'm so glad I did! What a birthday present for Kisa! Any excuse to get me some Dolor and I'm there! I'm no patiently waiting for Kandi Vale s next book 😍😍
Minitutor: Number Crusher
Education and Games
App
Practice early math skills with a fun learning game for kids. Learn the numbers, how to count and...
The War of the Worlds by H. G. Wells
Podcast
Extraterrestrial invasion, the earth taken over by omniscient intelligences from Mars, the whole of...
Charlie Cobra Reviews (1840 KP) rated Final Space in TV
Jul 7, 2020
Everything You Could Ask For In A Cool Space Cartoon
Contains spoilers, click to show
At first I thought this show was just going to be a comedy. Kind of like a Futurama type but in space, instead of in the future. I've never been happier to come into a show like Final Space not really knowing what I was getting myself into. I was pretty hyped for the show when I saw the original tv spots and the clip(s) when Olan Rogers came out on the Conan O'Brian show, but that first episode really set the tone. I really like when a show has good story arc and you can tell it's going in a certain direction where the episodes are not meaningless and Final Space does that but doesn't sacrifice on character or become too deeply plot driven. The plot is there and it feels like the characters motivations just naturally move the plot. For instance Gary's backstory of why he's a prisoner, which is hilarious by the way, and how he's been alone for nearly 5 years totally plays into why he has cabin fever and wants to get out/off the ship and be around actual people. KVN, as annoying as he is, actually made sense to me because someone like that, that can drive you crazy, probably would keep you sane if you were by yourself for years. For some people Gary might come off as a little annoying at first but I've dealt with more annoying characters who I totally grew to love like Naruto or Asta from Black Clover. I also enjoyed the character development and introduction of additional characters and how things change on the show from episode to episode and season 1 to season 2. What I wasn't prepared for was the emotional scenes, more than once this show has made my eyes misty. One thing that surprised me was the amount of action in the show and how it depicts violence. The show isn't shy when it comes to blood or guts and Gary even loses his arm in a fight against the Lord Commander who "force" rips it off of his body. There's a part where Gary must wear the skin of a dead alien to go incognito. Even Mooncake goes on a killing spree when he's put in gladiator style animal fight club. Definitely give this show a chance if you haven't already. As I said above I give it 8/10 and my "Must See Seal Of Approval".