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Help Ben and Rook escape from the clutches of the galaxy’s most dangerous hunter in UNDERTOWN...
Doctor Who - Series 10 (New Season 10)
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The tenth series of the British science fiction television programme Doctor Who premiered on 15...
BankofMarquis (1832 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 7, 2021
Suffers from Sequel-itis
If you ever heard of the term “Sequel-itis” and wondered what a good example of film suffering from this malady would be, look no further than VENOM: LET THERE BE CARNAGE.
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated The Last Duel (2021) in Movies
Oct 30, 2021
Doesn't Really Work
With films such as GLADIATOR, KINGDOM OF HEAVEN, ROBIN HOOD, EXODUS: GODS AND MONSTERS and the current THE LAST DUEL, Director Ridley Scott is single-handedly trying to keep alive the “Sword and Sandals” genre that was so much en vogue in the Golden Age of Hollywood.
However, he’ll have to do better than THE LAST DUEL to keep the genre going.
Starring Matt Damon, Ben Affleck, Adam Driver and Jodi Comer, THE LAST DUEL tells the tale of the…well…Last Duel in France in the 1300’s. The story tells the tale of 2 noblemen, their ups & downs and the accusation of the wife of one of them that the other raped her. The only way to solve the dispute is a duel to the death.
Following the format of such films as RASHOMON (1950) and, more recently, WRATH OF MAN (2021), THE LAST DUEL is told in 4 parts - telling the same story from different perspectives. But, unlike RASHOMON and (surprisingly) WRATH OF MAN which peeled the onion back during each different telling, adding a deeper and richer layer to the story each time, THE LAST DUEL pretty much tells the same story over and over, not really telling it differently and not really adding any layers to the story. You pretty much know before THE LAST DUEL who is innocent, who is guilty and how the duel is going to play out.
So, Director Scott will need to rely on the performances and the look and feel of the film to get the audience hooked and intrigued during this 2 hour and 32 minute epic, but the script (by Nicole Holofcener, Affleck & Damon just isn’t up to the task.
The acting is…fine. Driver fares the best out of the 4 leads - probably because he is the actor most suited for this type of film than the others. Comer’s part is underwritten and she has surprisingly little to do - which brings us to Affleck and Damon. Affleck has the showier role and provides a spark of interest in his limited time on the screen while Damon is dour and serious and trudges through the film - as does the audience.
Director Scott (ALIEN) brings professionalism to the proceedings and accurately depicts the look and feel of the time and stages the duel (and battle scenes) with a trained eye, but the characters/performances did not leave me with anyone to truly root for (or care about) and by the time we got to THE LAST DUEL, I just wanted it to be over.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
However, he’ll have to do better than THE LAST DUEL to keep the genre going.
Starring Matt Damon, Ben Affleck, Adam Driver and Jodi Comer, THE LAST DUEL tells the tale of the…well…Last Duel in France in the 1300’s. The story tells the tale of 2 noblemen, their ups & downs and the accusation of the wife of one of them that the other raped her. The only way to solve the dispute is a duel to the death.
Following the format of such films as RASHOMON (1950) and, more recently, WRATH OF MAN (2021), THE LAST DUEL is told in 4 parts - telling the same story from different perspectives. But, unlike RASHOMON and (surprisingly) WRATH OF MAN which peeled the onion back during each different telling, adding a deeper and richer layer to the story each time, THE LAST DUEL pretty much tells the same story over and over, not really telling it differently and not really adding any layers to the story. You pretty much know before THE LAST DUEL who is innocent, who is guilty and how the duel is going to play out.
So, Director Scott will need to rely on the performances and the look and feel of the film to get the audience hooked and intrigued during this 2 hour and 32 minute epic, but the script (by Nicole Holofcener, Affleck & Damon just isn’t up to the task.
The acting is…fine. Driver fares the best out of the 4 leads - probably because he is the actor most suited for this type of film than the others. Comer’s part is underwritten and she has surprisingly little to do - which brings us to Affleck and Damon. Affleck has the showier role and provides a spark of interest in his limited time on the screen while Damon is dour and serious and trudges through the film - as does the audience.
Director Scott (ALIEN) brings professionalism to the proceedings and accurately depicts the look and feel of the time and stages the duel (and battle scenes) with a trained eye, but the characters/performances did not leave me with anyone to truly root for (or care about) and by the time we got to THE LAST DUEL, I just wanted it to be over.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Call of Duty: Ghosts - Onslaught in Video Games
Jun 19, 2019
Call of Duty: Ghosts gets a much needed update with the release of Onslaught, the first of four planned DLC packs for the game.
The new content requires the full version of Ghosts to play and offers up a plethora of content including four new maps, a dual mode weapon, and a new episode of the alien invasion game, Extinction.
For me Ghosts was filled with frustration on the multiplay side as I found many maps were too large and encouraged camping, which as anyone who has been spawn killed numerous times in a row will tell you, leads quickly to frustration.
First off the new Maverick Assault rifle offers power and a high rate of fire for up close and personal combat. For those wanting to do their dirty work from afar, there is also a sniper rifle customization that will give fans of sniper action plenty of options.
The new maps are some of the most fun I have had in Ghosts and for me, were more enjoyable than many of the maps that shipped with the game as they allow for multiple styles of gameplay.
Bayview
Is a whimsical and fun map set in a California Coastal town. It is great for close quarters and run and gun gamers like myself, but has plenty of tactical spots for those that like ranged attacks. The great thing about the map is that it is lots of fun to play.
Running through gift shops, restaurants, the aquarium, and other tourists locales made this a very fun and engaging map. The action is intense and you can even take a ride on the trolley car that roams the boardwalk. One inspired gamer but his Sentry Gun on the car and watched as it road up and down the map picking off enemies that dared get near the tram.
I loved seeing the naval units off on the horizon in a pitched battle which made me think of the action in Modern Warfare 3.
Containment
This is a battle in an abandoned Mexican village after a truck has crashed and spilled nuclear material. The combat is on two levels on two sides of the town with a No Man’s Land in the middle in the guise of a partially destroyed bridge.
From a bar, a church, and the streets, the action is intense in both ranged and close-quarter combat and the map offers plenty of charm and diversity.
Some like to snipe from the windows while others like myself like to sneak their way across and battle in the blasted out bars and shops of the town.
Ignition
Set in an abandoned launch facility I had to dodge firing rockets, sniper fire, and all manner of nooks and hiding spaces for enemy units to attack me from. This is a large map that is spread out but there are some great areas for players to get results with a little planning.
The map has long corridors that provide plenty of options to snipers but also numerous options in which to flank and attack. There is even a plane fuselage for players to travel through as well as plenty of multilevel and cover laden office buildings and labs.
The rockets will randomly fire and setting off either of the two engines will result in some great things happening to the enemy units and with careful planning, players can blast away while they run for cover.
Fog
This is a creepy and quirky map that is set in a swamp like area complete with caves, fog, shacks, and uneven terrain. At first I did not like it as although nice to look at, it seemed to encourage camping and sniping. My thoughts on the map changed the next time through thanks to the run and gun style of play that was going on. Suddenly I heard the familiar music from “Halloween”, and Michael Myers himself appeared and dispatched me and several of my team with an axe.
Several shots and grenades did not slow Myers down at all so I learned it is best to stay away from him or simply accept multiple deaths while he is on the map, unless you can get several shots off while he is busy dispatching others.
If a player completes a certain Field Order, they become Myers and the music will let everyone know to prepare.
For fans of Extinction, there is a new episode called Nightfall which introduces two new alien threats as well as a new weapon and challenges for players to survive as it is a highly enjoyable adventure. This content actually builds on the whole experience and to me seemed like a vital and necessary part rather than a simple bonus map.
I can honestly say that this is the most fun I have had with any of the DLC for Call of Duty as while I have enjoyed maps in the past, I have not had a collection where I enjoyed playing all the maps as much as I have this one and what is a bigger surprise to me is how much it has restored the fun and enjoyment that was missing in Ghosts for me as for the first time since Black Ops 2, I am eager to get back to the fight and level up my character.
While hit counts, play balance, and hackers still hamper the game, the review is for the new content and not the game as a whole and as such, Onslaught delivers in a big way.
Activision recently announced that the second DLC pack named Devastation will appear on the Xbox Consoles in April with the PS 3 and PC versions to follow.
http://sknr.net/2014/03/09/call-of-duty-onslaught/
The new content requires the full version of Ghosts to play and offers up a plethora of content including four new maps, a dual mode weapon, and a new episode of the alien invasion game, Extinction.
For me Ghosts was filled with frustration on the multiplay side as I found many maps were too large and encouraged camping, which as anyone who has been spawn killed numerous times in a row will tell you, leads quickly to frustration.
First off the new Maverick Assault rifle offers power and a high rate of fire for up close and personal combat. For those wanting to do their dirty work from afar, there is also a sniper rifle customization that will give fans of sniper action plenty of options.
The new maps are some of the most fun I have had in Ghosts and for me, were more enjoyable than many of the maps that shipped with the game as they allow for multiple styles of gameplay.
Bayview
Is a whimsical and fun map set in a California Coastal town. It is great for close quarters and run and gun gamers like myself, but has plenty of tactical spots for those that like ranged attacks. The great thing about the map is that it is lots of fun to play.
Running through gift shops, restaurants, the aquarium, and other tourists locales made this a very fun and engaging map. The action is intense and you can even take a ride on the trolley car that roams the boardwalk. One inspired gamer but his Sentry Gun on the car and watched as it road up and down the map picking off enemies that dared get near the tram.
I loved seeing the naval units off on the horizon in a pitched battle which made me think of the action in Modern Warfare 3.
Containment
This is a battle in an abandoned Mexican village after a truck has crashed and spilled nuclear material. The combat is on two levels on two sides of the town with a No Man’s Land in the middle in the guise of a partially destroyed bridge.
From a bar, a church, and the streets, the action is intense in both ranged and close-quarter combat and the map offers plenty of charm and diversity.
Some like to snipe from the windows while others like myself like to sneak their way across and battle in the blasted out bars and shops of the town.
Ignition
Set in an abandoned launch facility I had to dodge firing rockets, sniper fire, and all manner of nooks and hiding spaces for enemy units to attack me from. This is a large map that is spread out but there are some great areas for players to get results with a little planning.
The map has long corridors that provide plenty of options to snipers but also numerous options in which to flank and attack. There is even a plane fuselage for players to travel through as well as plenty of multilevel and cover laden office buildings and labs.
The rockets will randomly fire and setting off either of the two engines will result in some great things happening to the enemy units and with careful planning, players can blast away while they run for cover.
Fog
This is a creepy and quirky map that is set in a swamp like area complete with caves, fog, shacks, and uneven terrain. At first I did not like it as although nice to look at, it seemed to encourage camping and sniping. My thoughts on the map changed the next time through thanks to the run and gun style of play that was going on. Suddenly I heard the familiar music from “Halloween”, and Michael Myers himself appeared and dispatched me and several of my team with an axe.
Several shots and grenades did not slow Myers down at all so I learned it is best to stay away from him or simply accept multiple deaths while he is on the map, unless you can get several shots off while he is busy dispatching others.
If a player completes a certain Field Order, they become Myers and the music will let everyone know to prepare.
For fans of Extinction, there is a new episode called Nightfall which introduces two new alien threats as well as a new weapon and challenges for players to survive as it is a highly enjoyable adventure. This content actually builds on the whole experience and to me seemed like a vital and necessary part rather than a simple bonus map.
I can honestly say that this is the most fun I have had with any of the DLC for Call of Duty as while I have enjoyed maps in the past, I have not had a collection where I enjoyed playing all the maps as much as I have this one and what is a bigger surprise to me is how much it has restored the fun and enjoyment that was missing in Ghosts for me as for the first time since Black Ops 2, I am eager to get back to the fight and level up my character.
While hit counts, play balance, and hackers still hamper the game, the review is for the new content and not the game as a whole and as such, Onslaught delivers in a big way.
Activision recently announced that the second DLC pack named Devastation will appear on the Xbox Consoles in April with the PS 3 and PC versions to follow.
http://sknr.net/2014/03/09/call-of-duty-onslaught/
Acanthea Grimscythe (300 KP) rated Honeymoon (2014) in Movies
May 12, 2018
Contains spoilers, click to show
Okay, so I watched Honeymoon a while back (before my hospitalization), but it’s still been lingering at the edges of my mind – more with a what the fuck sort of connotation than anything else. You’ll have to pardon my lack of screenshots, as my Shudder account has lapsed and because of current going-ons (including surgery within the next two weeks), I haven’t had the chance to resubscribe – though I desperately want to.
I don’t really have a huge gripe with the characters in this one. The acting isn’t what bothered me; rather it was the plot. I don’t do so well with WTF moments when they seem to be way out of the ballpark and that appears to be the case here.
Honeymoon is a romantic horror – if such a genre even exists. I mean, you’ve got this newlywed couple set up in a beautiful, rustic cabin in the middle of the woods. (It even has a VCR!) Anyways, wife goes off in middle of the night, claims to be sleepwalking, but oddly enough earlier in the film we meet a childhood friend. From there, things spiral out of control. Paul tries to confront Bea, but she’s all hush-hush about what is going on with her. Turns out, alien things are involved and that, my friends, is where the movie lost me. Well, between that and the marks that show up on Bea’s inner thigh, which makes it all too obvious what really happened to her.
Of course, Paul continues to play dumb for a while. At least, until he finds Bea in the bathroom stabbing herself in the privates over and over. Because apparently this is something a person would do. I mean, I totally would(n’t). This… I honestly don’t know why I was still watching at this point. Normally I’d have turned to something more intriguing, but you know when you simply can’t pull your eyes away? Yeah, that happened here and let me tell you, the next scene in the movie… just no. Nope.
Unrealistic to a fault and messed up beyond measure, Paul shoves his arm up in there, and yanks out what Bea is so desperately trying to pull out. Because… ANATOMY boys and girls. This movie, seriously, crosses into animated porn territory, complete with fisting and pulling worm-like beings out of a woman. I just… no. It’s not even hot.
The conclusion of the film? Stereotypical false happy-ending bullshit that you see in a lot of horror movies. Someone survives, or so it seems, and then of course at the last minute the bad guy goes for the kill. I honestly have not been able to simply let this one out of my mind. It’s just hovered there, like an itch you can’t quite reach, and I’m hoping this little tirade will finally give me the freedom from it I need. Yet somehow, we’ve got semi-decent ratings on Rotten Tomatoes for this film.
I don’t really have a huge gripe with the characters in this one. The acting isn’t what bothered me; rather it was the plot. I don’t do so well with WTF moments when they seem to be way out of the ballpark and that appears to be the case here.
Honeymoon is a romantic horror – if such a genre even exists. I mean, you’ve got this newlywed couple set up in a beautiful, rustic cabin in the middle of the woods. (It even has a VCR!) Anyways, wife goes off in middle of the night, claims to be sleepwalking, but oddly enough earlier in the film we meet a childhood friend. From there, things spiral out of control. Paul tries to confront Bea, but she’s all hush-hush about what is going on with her. Turns out, alien things are involved and that, my friends, is where the movie lost me. Well, between that and the marks that show up on Bea’s inner thigh, which makes it all too obvious what really happened to her.
Of course, Paul continues to play dumb for a while. At least, until he finds Bea in the bathroom stabbing herself in the privates over and over. Because apparently this is something a person would do. I mean, I totally would(n’t). This… I honestly don’t know why I was still watching at this point. Normally I’d have turned to something more intriguing, but you know when you simply can’t pull your eyes away? Yeah, that happened here and let me tell you, the next scene in the movie… just no. Nope.
Unrealistic to a fault and messed up beyond measure, Paul shoves his arm up in there, and yanks out what Bea is so desperately trying to pull out. Because… ANATOMY boys and girls. This movie, seriously, crosses into animated porn territory, complete with fisting and pulling worm-like beings out of a woman. I just… no. It’s not even hot.
The conclusion of the film? Stereotypical false happy-ending bullshit that you see in a lot of horror movies. Someone survives, or so it seems, and then of course at the last minute the bad guy goes for the kill. I honestly have not been able to simply let this one out of my mind. It’s just hovered there, like an itch you can’t quite reach, and I’m hoping this little tirade will finally give me the freedom from it I need. Yet somehow, we’ve got semi-decent ratings on Rotten Tomatoes for this film.
Phillip McSween (751 KP) rated Live Die Repeat: Edge of Tomorrow (2014) in Movies
Jun 5, 2019
Hits You From Jump and Keeps Rolling
Major William Cage (Tom Cruise) finds himself thrust into a war he wanted no part of against an enemy that gains the advantage by rewinding time. After he gains their power, he has to figure out a way to stop them and end their terror for good.
Acting: 10
Beginning: 10
Edge of Tomorrow grabs your attention from the opening credits. The screen starts to crackle and break up as we’re placed right in the middle of a number of news reports describing the current situation. It’s a clever way to get you caught up to speed without starting slow.
Characters: 10
Cinematography/Visuals: 10
Science fiction movies and war movies have some of the greatest cinematic scenes in film history. You combine the two genres and you’re left with pure gold. Edge of Tomorrow has a way of capturing grit, ugliness, and beauty at the same time. As you’re watching the alien creatures tear through things like it’s paper, you’re also marveling at everything director Doug Liman is capturing on the screen at once. It was a pleasure watching the mech suits in action, a mixture of old-school tech and advanced weaponry. The attention to detail throughout is to be applauded. The aliens alone are incredibly creative and intriguing to see on the battlefield.
Conflict: 10
Oftentimes, when I watch a film like this, I wonder how they’re able to still squeeze a story in when there is so much action. The battles are consistent and take you across a number of different landscapes as Cage has to keep reliving the day. It’s seriously badass once Cage has started to perfect the day enough where he’s killing the enemy left and right.
Although the action is amazing, that isn’t the sole thing carrying the conflict as Cage and Rita Vrataski (Emily Blunt) are trying to figure out what exactly they need to do bring the nightmare to an end. They are at ends throughout the movie, even to the point where Cage wants to throw in the towel a number of times. It feels very real.
Genre: 10
Memorability: 10
Pace: 10
Plot: 10
Very solid storyline that manages to stay out of its own way by not overcomplicating things. I appreciated the fact that the screenwriters (and there are multiple) didn’t try and cut any corners, but looked for proper ways to advance the story. And that ending…
Resolution: 10
Just perfect. Ends right were it needs to with you wanting more, but knowing you don’t really need it. The closure is spot on. Well done.
Overall: 10
Chalk one up for the blockbusters, Edge of Tomorrow stands on my Top Ten list all-time as of today. It keeps you guessing, but most importantly, it keeps you entertained. I won’t apologize for the high rating as this film checks all the boxes.
Acting: 10
Beginning: 10
Edge of Tomorrow grabs your attention from the opening credits. The screen starts to crackle and break up as we’re placed right in the middle of a number of news reports describing the current situation. It’s a clever way to get you caught up to speed without starting slow.
Characters: 10
Cinematography/Visuals: 10
Science fiction movies and war movies have some of the greatest cinematic scenes in film history. You combine the two genres and you’re left with pure gold. Edge of Tomorrow has a way of capturing grit, ugliness, and beauty at the same time. As you’re watching the alien creatures tear through things like it’s paper, you’re also marveling at everything director Doug Liman is capturing on the screen at once. It was a pleasure watching the mech suits in action, a mixture of old-school tech and advanced weaponry. The attention to detail throughout is to be applauded. The aliens alone are incredibly creative and intriguing to see on the battlefield.
Conflict: 10
Oftentimes, when I watch a film like this, I wonder how they’re able to still squeeze a story in when there is so much action. The battles are consistent and take you across a number of different landscapes as Cage has to keep reliving the day. It’s seriously badass once Cage has started to perfect the day enough where he’s killing the enemy left and right.
Although the action is amazing, that isn’t the sole thing carrying the conflict as Cage and Rita Vrataski (Emily Blunt) are trying to figure out what exactly they need to do bring the nightmare to an end. They are at ends throughout the movie, even to the point where Cage wants to throw in the towel a number of times. It feels very real.
Genre: 10
Memorability: 10
Pace: 10
Plot: 10
Very solid storyline that manages to stay out of its own way by not overcomplicating things. I appreciated the fact that the screenwriters (and there are multiple) didn’t try and cut any corners, but looked for proper ways to advance the story. And that ending…
Resolution: 10
Just perfect. Ends right were it needs to with you wanting more, but knowing you don’t really need it. The closure is spot on. Well done.
Overall: 10
Chalk one up for the blockbusters, Edge of Tomorrow stands on my Top Ten list all-time as of today. It keeps you guessing, but most importantly, it keeps you entertained. I won’t apologize for the high rating as this film checks all the boxes.
Zuky the BookBum (15 KP) rated Mammoth in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/mammoth-by-douglas-perry
NOW AVAILABLE IN THE UK!
Thank you to Netgalley and Amberjack Publishing for giving me the opportunity to read this in an exchange for a review.
Not quite what I was expecting, which I think is the general feel judging by others reviews. Be warned, this isnt a creepy paranormal, alien type of thing. I dont think thats a spoiler either, I wouldnt want you to pick this up and be greatly disappointed. If you love character focused novels then this will be your kind of book! This gives you some really in depth information about each of the characters, but it can get confusing because there are <i>so</i> many characters! There are <b>eleven</b> main characters, plus more characters that relate to these characters in little sub plots.
<u>Characters: </u>
Tori
Billy & Becky
Jackson & Sam
Hicks & Lloyd
Oscar - King
Melvin & Gordon
Winnie Lloyd
If you find it difficult to keep up with lots of different people in books then this wont be for you. It can get a little confusing at times and I often forgot what was happening to one character by the time we got back to reading about them after having read about 4 characters in between.
I though this novel was superbly written. Possibly one of the best written books Ive read in quite a while! There is some really grotesque imagery in this book, not in a violent way though, so I wouldnt give it any trigger warnings, though rape is implied. My only problem with the writing was that sometimes it was really difficult to understand where the characters were in Mammoth View or Bakersfield or what. That was my one annoyance, I wasnt able to keep a grip on where each character was.
In terms of the plot that there was, which wasnt much, it was an interesting storyline. Lots of things going on a once which could definitely add to the confusion. I feel as though Perry had created seven(ish) separate short stories and then tried to mash them into one which in my opinion worked. I felt let down by the ending in a way but at the same time I thought it was really unique. You do find out why panic ensues in the small town of Mammoth View and I can bet you wont see it coming Though now Ive told you its not paranormal or aliens then maybe you might
If you like to really get to know a character and dont really care about a well developed plot then this book is a definite read for you, but if youre expecting something scary or creepy form this then dont bother as it isnt that kind of thing. I will definitely look out for more of Perrys work!
NOW AVAILABLE IN THE UK!
Thank you to Netgalley and Amberjack Publishing for giving me the opportunity to read this in an exchange for a review.
Not quite what I was expecting, which I think is the general feel judging by others reviews. Be warned, this isnt a creepy paranormal, alien type of thing. I dont think thats a spoiler either, I wouldnt want you to pick this up and be greatly disappointed. If you love character focused novels then this will be your kind of book! This gives you some really in depth information about each of the characters, but it can get confusing because there are <i>so</i> many characters! There are <b>eleven</b> main characters, plus more characters that relate to these characters in little sub plots.
<u>Characters: </u>
Tori
Billy & Becky
Jackson & Sam
Hicks & Lloyd
Oscar - King
Melvin & Gordon
Winnie Lloyd
If you find it difficult to keep up with lots of different people in books then this wont be for you. It can get a little confusing at times and I often forgot what was happening to one character by the time we got back to reading about them after having read about 4 characters in between.
I though this novel was superbly written. Possibly one of the best written books Ive read in quite a while! There is some really grotesque imagery in this book, not in a violent way though, so I wouldnt give it any trigger warnings, though rape is implied. My only problem with the writing was that sometimes it was really difficult to understand where the characters were in Mammoth View or Bakersfield or what. That was my one annoyance, I wasnt able to keep a grip on where each character was.
In terms of the plot that there was, which wasnt much, it was an interesting storyline. Lots of things going on a once which could definitely add to the confusion. I feel as though Perry had created seven(ish) separate short stories and then tried to mash them into one which in my opinion worked. I felt let down by the ending in a way but at the same time I thought it was really unique. You do find out why panic ensues in the small town of Mammoth View and I can bet you wont see it coming Though now Ive told you its not paranormal or aliens then maybe you might
If you like to really get to know a character and dont really care about a well developed plot then this book is a definite read for you, but if youre expecting something scary or creepy form this then dont bother as it isnt that kind of thing. I will definitely look out for more of Perrys work!
Merissa (12061 KP) rated In Pain and Blood (Spellster #1) in Books
Jun 15, 2018
In Pain and Blood (Spellster #1) by Aldrea Alien
In Pain and Blood is the first book in the Spellster series, and has all the hallmarks of everything I enjoy - epic fantasy, m/m, romance, action, and adventure. Dylan has spent his life in 'the Tower' learning how to be a spellster. Magic comes easily to him, but his guardian keeps on telling him to stay safe in the tower, and not to make waves. However, one event shoves him to the forefront, and he sees more of life than he expected. Trying to make his way back to the Tower, he becomes part of a ragtag group and sees life in a completely different way.
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This should have been a good book. I really wanted it to be a good book, but it fell short for me on a number of different levels. First of all, it's long. And I mean REALLY long. Now don't get me wrong, I love epic fantasy, and regularly read books of a thick volume. However, for this book, it felt like it needed some serious editing to get some of the monotonous repetition removed. Also, this land is supposed to be under attack, but they manage to completely miss any and every member of either army on their two month trek across the land - which we hear about in great detail. How this book started actually had me going back to check on the blurb as I thought I was reading a completely different book. It does change and become the story the blurb describes, but only after a long start. It is only the two main characters who we really meet, and I wouldn't say I 'know' them very well. Even their companions, who they spend so much time with, aren't really fleshed out. It didn't help when one of the main characters spoke to everyone as 'my dear hunter/my dear warrior/my dear spellster'. I know this was supposed to be one of his quirks, but I got it after the first dozen times. It really didn't need repeating multiple times on every page. The ending, such as it was, is the only thing in the book that felt rushed. Big events happen, something life-changing happens to a supporting character, opinions change, a lifetime's enduring love is pronounced, and it happens at the speed of light.
I struggled to finish this book. It was only my sheer stubborn nature and optimistic belief that it would get better (and if I finished it before it ended, I would never know) that kept me turning the pages to the very end. I am glad I've read it, but I wouldn't recommend it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Phil Leader (619 KP) rated On the Steel Breeze in Books
Nov 21, 2019
On The Steel Breeze is the second in Reynold's Poseidon's Children trilogy and deals with the relationship between humans and artificial intelligence.
Taking up the story several years after Blue Remembered Earth the main (human) protagonist is Chiku Akinya, daughter of Sunday Akinya from the first book. She has cloned herself and the three Chikus pursue different fates but their stories inevitably interact with each other.even across light years of space.
One is lost in space, presumed dead. Another is on a colony ship heading to a planet that images have shown has a clearly alien structure on the surface. The third remains on Earth, presumably in safety.
As the colony ships near the destination planet they are riven by internal strife and politics just as Chiku finds that things are not as they seem. There are secrets both within the colony ship and with the planet itself, secrets that are bound to cause conflict when they are brought to light. On earth it is clear that some important information has been hidden and Chiku must risk her safe existence to uncover the truth, but at a high cost.
The book starts slowly, maybe a little too keen to establish who Chiku is and reinforce how the world she inhabits is different from ours. However once the story moves to the colony ships it moves along at a good pace with enough twists and surprises to keep the reader's interest. There is plenty of intrigue and it really is hard to tell where the story is going next.
We have the usual 'hard physics' at work as should be expected in a Reynolds book. Except for the hand wavium 'Chibesa physics' that powers the ships, the laws of physics are rigidly adhered to. Again we see how a battle across millions of miles of space could be achieved.
I found the ending to be satisfying (I have read reviews criticising it). It ties up the story of the earth based Chiku. The story for the colonists is clearly only beginning and the third book in the series is set up neatly in the epilogue, while at the same time providing closure on the fate of the colonists.
My only real criticism of the book (and it in no way detracted from it) was the cloning-and-memory-merging gimmick used for the Chiku clones. Although this neatly allowed the story to move between the colony ships and the solar system, I felt that this had been explored better (and with more justification) in Reynold's novel House Of Suns. Here it just seems to be a 'sci-fieqsue' way of allowing the main protagonists to communicate and empathise across the vast tracts of space and otherwise seemed superfluous given the complex set up.
Overall another excellent book from Reynolds, definitely up there with the best 'space opera' novels. I am looking forward to the third book immensely.
Taking up the story several years after Blue Remembered Earth the main (human) protagonist is Chiku Akinya, daughter of Sunday Akinya from the first book. She has cloned herself and the three Chikus pursue different fates but their stories inevitably interact with each other.even across light years of space.
One is lost in space, presumed dead. Another is on a colony ship heading to a planet that images have shown has a clearly alien structure on the surface. The third remains on Earth, presumably in safety.
As the colony ships near the destination planet they are riven by internal strife and politics just as Chiku finds that things are not as they seem. There are secrets both within the colony ship and with the planet itself, secrets that are bound to cause conflict when they are brought to light. On earth it is clear that some important information has been hidden and Chiku must risk her safe existence to uncover the truth, but at a high cost.
The book starts slowly, maybe a little too keen to establish who Chiku is and reinforce how the world she inhabits is different from ours. However once the story moves to the colony ships it moves along at a good pace with enough twists and surprises to keep the reader's interest. There is plenty of intrigue and it really is hard to tell where the story is going next.
We have the usual 'hard physics' at work as should be expected in a Reynolds book. Except for the hand wavium 'Chibesa physics' that powers the ships, the laws of physics are rigidly adhered to. Again we see how a battle across millions of miles of space could be achieved.
I found the ending to be satisfying (I have read reviews criticising it). It ties up the story of the earth based Chiku. The story for the colonists is clearly only beginning and the third book in the series is set up neatly in the epilogue, while at the same time providing closure on the fate of the colonists.
My only real criticism of the book (and it in no way detracted from it) was the cloning-and-memory-merging gimmick used for the Chiku clones. Although this neatly allowed the story to move between the colony ships and the solar system, I felt that this had been explored better (and with more justification) in Reynold's novel House Of Suns. Here it just seems to be a 'sci-fieqsue' way of allowing the main protagonists to communicate and empathise across the vast tracts of space and otherwise seemed superfluous given the complex set up.
Overall another excellent book from Reynolds, definitely up there with the best 'space opera' novels. I am looking forward to the third book immensely.