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LeftSideCut (3778 KP) rated Men in Black International (2019) in Movies
Dec 4, 2019 (Updated Jan 9, 2020)
A safe and predictable MIB sequel
MIB International is one of those films that isn't balls out awful, but definitely isn't good. It's a passable and relatively entertaining way to spend a couple of hours.
Tessa Thompson and Chris Hemsworth star as Agents M and H, and are a fun enough leading duo. The chemistry between them is ok, but does lack something that was more abundant in Thor: Ragnarok.
Liam Neeson is fine as well, but he's not really doing anything outside of just being Liam Neeson.
I guess the issue here is that although the cast are all good, it feels like the character could have been played by anyone else, and nothing would have been lost - certainly not the case with Will Smith and Tommy Lee Jones in the original.
Either way, in the case of MIB International, I just got the general feeling that no one involved seem to really care all that much, both in front of and behind camera.
The plot is exactly what you would expect from a MIB sequel. Aliens, a powerful weapon, saving the world...it's all been done before.
Although the over arching plot is absolutely riddled with plot holes if you think about it too much.
Some of the alien designs are pretty good and the rampant CGI is ok...ish...
I'm not convinced that the original MIB ever needed follow up movies, and I'm still not, but as far they go, International isn't the worst sequel like I'd heard...has everyone just straight up forgotten how bad the second one is!?
Tessa Thompson and Chris Hemsworth star as Agents M and H, and are a fun enough leading duo. The chemistry between them is ok, but does lack something that was more abundant in Thor: Ragnarok.
Liam Neeson is fine as well, but he's not really doing anything outside of just being Liam Neeson.
I guess the issue here is that although the cast are all good, it feels like the character could have been played by anyone else, and nothing would have been lost - certainly not the case with Will Smith and Tommy Lee Jones in the original.
Either way, in the case of MIB International, I just got the general feeling that no one involved seem to really care all that much, both in front of and behind camera.
The plot is exactly what you would expect from a MIB sequel. Aliens, a powerful weapon, saving the world...it's all been done before.
Although the over arching plot is absolutely riddled with plot holes if you think about it too much.
Some of the alien designs are pretty good and the rampant CGI is ok...ish...
I'm not convinced that the original MIB ever needed follow up movies, and I'm still not, but as far they go, International isn't the worst sequel like I'd heard...has everyone just straight up forgotten how bad the second one is!?
Tim McGuire (301 KP) rated Doom: Annihilation (2019) in Movies
Mar 3, 2020
B Movie Fun!!
390. Doom: Annihilation. I put it on, the sole intention being to see if it was animated, roughly an hour and forty minutes later the movie ended. And I liked it a helluva lot better than the 2005 Urban/Johnson shitfest. This one obvi has the lower budget of the two, but in my opinion, they made it work. The CGI was minimal, and the creatures looked great for practical effects. I only recognized one of the actors, but again, for what this is, I thought the acting was pretty sweet. It has an Aliens meets Starship Troopers vibe to me, in a low budget way... On Earth scientists are working on a teleportation device to send people on up to the Martian moon of Phobos. But wouldn't you know it, something went wrong. It seems the quick trip through hyper space, the passengers may take a quick trip through a place that looks a lot like hell, or Mustafar, and may have picked up an extra passenger or two, oops. They are not friendly by the way, matter of fact they kind of just tear through everyone like toilet paper, but luckily there's a squad of Space Marines to help, or just become more food for the monsters from Hell. Is there a mad scientist involved? Um yea. So if you can handle the low budget-ness of it, it's a pretty cool sci fi flick. Screw the critics... Still staring at the cover photo, wondering if that's Frank still wearing his stupid bunny suit. Filmbufftim on FB
Tap Galaxy – Deep Space Mine
Games, Entertainment and Stickers
App
TAP GALAXY is a space mining incremental clicker game where you mine exotic planets, moons,...
The Making of Zombie Wars
Book
'A raucous, hilarious book ...deadly funny.' Chicago Magazine Script idea #142: Aliens undercover as...
Terry Crews recommended The Thing (1982) in Movies (curated)
Cybermancy: Virtual Arena
7.0
Rate It
Tabletop Game
Cybermancy is a future-themed card battling game, in which combat takes place in the Virtual Arena,...
Hers, Unbroken (Hers #2)
9.0
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Book
Chase Decker wants to be enslaved. Holly Danek wants to set him free. Is it possible for both of...
Adult Science_Fiction Romance
Mark @ Carstairs Considers (2204 KP) rated Racing the Light in Books
Jun 17, 2023
Elvis Cole is in a Race to Find a Missing Man
PI Elvis Cole’s latest client is a mother who insists that her son, Josh, is missing. She sounds like a conspiracy nut, and it doesn’t help that Josh hosts a podcast about aliens and other out there topics. But Elvis gives himself a day to figure out what he thinks of the case, and in that time he realizes that someone dangerous is very interested in where Josh is. Can Elvis find him in time?
As usual, this book was a mixed bag for me. The case was interesting, although some of the events were entirely predictable to anyone who has read this series on a regular basis. While I do like Elvis and his partner, Joe Pike, I still find Joe to be a rather thin character. The new characters are also definitely on the thin side, and many of them are annoying. In fact, at times the plot seemed to be based on the characters doing the absolutely stupidest things they could do and Elvis trying to save them. There’s also quite a bit of adult content in this book, more so than I really thought it needed. There are lots of point of view changes, but I never had a hard time with them since they were clearly labeled and happened at chapter breaks. Fans will be interested in the sub-plot here. There are things I enjoyed, but once again, this is an average entry in an average series.
As usual, this book was a mixed bag for me. The case was interesting, although some of the events were entirely predictable to anyone who has read this series on a regular basis. While I do like Elvis and his partner, Joe Pike, I still find Joe to be a rather thin character. The new characters are also definitely on the thin side, and many of them are annoying. In fact, at times the plot seemed to be based on the characters doing the absolutely stupidest things they could do and Elvis trying to save them. There’s also quite a bit of adult content in this book, more so than I really thought it needed. There are lots of point of view changes, but I never had a hard time with them since they were clearly labeled and happened at chapter breaks. Fans will be interested in the sub-plot here. There are things I enjoyed, but once again, this is an average entry in an average series.
Eilidh G Clark (177 KP) rated Optograms in Books
May 13, 2017
Great Collection
Stephen Watt is a poet and spoken word artist from Dumbarton. I stumbled upon his work by accident, and was drawn by his likeness in style to a favourite poet of mine, Raymond Carver. Delighted by what I had read, I preceded to watch some of his spoken word performances on You Tube. I was not disappointed. Watt’s poetry and indeed his spoken word delivery, is smart, punchy, intelligent and contemporary. I was delighted to be offered the opportunity to review his new poetry pamphlet Optograms, published by Wild Word press in 2016. Optograms is a wonderful representation of Watt’s finest work, and is a fresh new approach to Scottish poetry. The poet tackles some controversial topics such as prostitution, homelessness, and gender as well as delving into the more intimate topics such as miscarriage and Alzheimer’s. The imagery is his work is striking and each word and line carefully crafted, but it is the way in which the poems radiate emotion that make this work unique. The readers need look no further than the opening poem to get an understanding of the poet’s compassion and understanding of contemporary society. ‘Lipstick’ explores gender representation and discrimination,
I go to my room, wiping
the admirer’s lipstick clean
with tights beneath jeans
retrieved from a friend’s house,
and with the words
Big Girl’s Blouse
reverberating inside my head
This poem speaks volumes in so little words and the reader is forced to look inwardly at their own behaviour toward people who do not conform to the norm. Similarly, ‘Prayers to Aliens and Satellites’ is a raw and candid view of homelessness which digs deep into the readers conscience,
where bloodless, xylophonic fingers
sink into armpits –
petitioned hands closed to benefits
and the friendships of passersby.
Like the previous poem, ‘Prayers to Aliens and Satellites’ urges the reader to become more aware of the social problems in society. If these poems are not enough to capture the heart of the reader, Watt surprises us with his heart crushing honesty in poems such as ‘Clinics Lip’ – a grief stricken account of miscarriage,
A husband, once the acme of affection,
now lollygagging in the garden;
crossmaker in waiting
for the small plot earmarked for the hill’s crest.
My own personal favourite is ‘Trouble was Someone Else’s Kid’, a short account of childhood memories, like a fragment of memoir condensed into neatly arranged stanza’s. There is something funny yet tragic about this poem that brought to me both nostalgia and a desire to relive my own fading youth.
We moved in shadows, kept the lid
on, as if peanut butter sandwiches
had pasted our lips together.
Other neighbourhoods sizzled
with pyromaniacs and politics,
alcoholics who played tin whistles
when Di and Charles got hitched.
These are only a few of the delights that can be found in this little treasure of a pamphlet and I would urge poetry lovers as well as those who are new to poetry to seek out a copy of this work. With twenty-six wonderful poems Optograms, is undoubtedly one of the best collections of contemporary Scottish poetry that I have read.
To learn more about the Stephen Watt you can visit The Scottish Poetry Library, http://www.scottishpoetrylibrary.org.uk/poetry/poets/stephen-watt or like his Facebook page @StephenWattSpit. Optograms, can be purchased from stephenwattspit299@gmail.com or the publisher Marc Sherland marcsherland@me.com at Wild Word Press.
I go to my room, wiping
the admirer’s lipstick clean
with tights beneath jeans
retrieved from a friend’s house,
and with the words
Big Girl’s Blouse
reverberating inside my head
This poem speaks volumes in so little words and the reader is forced to look inwardly at their own behaviour toward people who do not conform to the norm. Similarly, ‘Prayers to Aliens and Satellites’ is a raw and candid view of homelessness which digs deep into the readers conscience,
where bloodless, xylophonic fingers
sink into armpits –
petitioned hands closed to benefits
and the friendships of passersby.
Like the previous poem, ‘Prayers to Aliens and Satellites’ urges the reader to become more aware of the social problems in society. If these poems are not enough to capture the heart of the reader, Watt surprises us with his heart crushing honesty in poems such as ‘Clinics Lip’ – a grief stricken account of miscarriage,
A husband, once the acme of affection,
now lollygagging in the garden;
crossmaker in waiting
for the small plot earmarked for the hill’s crest.
My own personal favourite is ‘Trouble was Someone Else’s Kid’, a short account of childhood memories, like a fragment of memoir condensed into neatly arranged stanza’s. There is something funny yet tragic about this poem that brought to me both nostalgia and a desire to relive my own fading youth.
We moved in shadows, kept the lid
on, as if peanut butter sandwiches
had pasted our lips together.
Other neighbourhoods sizzled
with pyromaniacs and politics,
alcoholics who played tin whistles
when Di and Charles got hitched.
These are only a few of the delights that can be found in this little treasure of a pamphlet and I would urge poetry lovers as well as those who are new to poetry to seek out a copy of this work. With twenty-six wonderful poems Optograms, is undoubtedly one of the best collections of contemporary Scottish poetry that I have read.
To learn more about the Stephen Watt you can visit The Scottish Poetry Library, http://www.scottishpoetrylibrary.org.uk/poetry/poets/stephen-watt or like his Facebook page @StephenWattSpit. Optograms, can be purchased from stephenwattspit299@gmail.com or the publisher Marc Sherland marcsherland@me.com at Wild Word Press.
Lilyn G - Sci-Fi & Scary (91 KP) rated Battleship (2012) in Movies
Feb 7, 2018
Pure cheesy, gooey fun
Battleship is a guilty pleasure of mine. It’s pure cheesy fun. It’s got a great cast of actors who over-act their butts off in it. Pretty much everything in the movie is delightfully overdone. It might not be the most intellectually stimulating film, but if you need an excuse for popcorn and beer it’s perfect. It has a bit of a Starship Troopers feel to it, what with the bad dialogue and the aliens that look like bugs. Hell, it’s even got the token slightly odd-looking red-headed guy being a mouth-off.
It’s pretty much the perfect B-movie, except we got lucky this time and had decent actors and enough money for good special effects. I loved watching the alien ships moving around and getting ready to fire at things. I’m always able to get completely into the film and nothing about the CGI throws me off at all. The dialogue might be horrible, but the action is perfectly paced. It takes me about 40 minutes longer than the movie actually is to finish watching it. Simply because I go back and re-wind and re-watch my favorite parts constantly. And yes, it does have some proper battleship game scenes that will make you grin with nostalgia if you used to love the game.
Liam Neeson’s role isn’t much, but he gives the appropriate note of seriousness to the film. He really just has a bit role though. Alexander Skarsgård does a good job as Stone Hopper (and what kind of name is that?!). He’s the serious older brother, and the true hero that does everything he can. Rhianna didn’t exactly do a bang up job, but she sold her emotions rather well at a few key parts. Taylor Kitsch certainly does a great job as coming across as an immature punk who needs some sense knocked into him.
It’s interesting to note, whatever your reasoning for it might be, that the aliens don’t really seem to be overly destructive in Battleship. Everything they do seems very tactical and deliberate. They have the firepower to lay waste to everything, but they seem to be more able disabling and containment. At one point, when one of the destroyers put away its weapons, the alien ship lowers its weapons too. People die, but not nearly as many as you would expect. Given other events in the movie, I feel like they were trying to take over with as little damage as possible. Maybe they needed humans for slave labor?
Cool Tidbits: The wounded warriors you see in the rehabilitation center scene in Battleship? Actual wounded warriors. The old vets referenced in regards to the USS Missouri are vets that served on that ship. And Mick – who is completely awesome – is also played by a vet. Props to the producers of this movie for making sure to include so many veterans in it. I totally cheered near the end of the movie when all the veterans do the slow hero walk and it’s clear they’re ready to help.
Overall, Battleship is just a fun popcorn movie that doesn’t deserve the razzing it gets. As long as you don’t go into it expecting something highly intellectual or some ground-breaking work, you’ll enjoy yourself.
It’s pretty much the perfect B-movie, except we got lucky this time and had decent actors and enough money for good special effects. I loved watching the alien ships moving around and getting ready to fire at things. I’m always able to get completely into the film and nothing about the CGI throws me off at all. The dialogue might be horrible, but the action is perfectly paced. It takes me about 40 minutes longer than the movie actually is to finish watching it. Simply because I go back and re-wind and re-watch my favorite parts constantly. And yes, it does have some proper battleship game scenes that will make you grin with nostalgia if you used to love the game.
Liam Neeson’s role isn’t much, but he gives the appropriate note of seriousness to the film. He really just has a bit role though. Alexander Skarsgård does a good job as Stone Hopper (and what kind of name is that?!). He’s the serious older brother, and the true hero that does everything he can. Rhianna didn’t exactly do a bang up job, but she sold her emotions rather well at a few key parts. Taylor Kitsch certainly does a great job as coming across as an immature punk who needs some sense knocked into him.
It’s interesting to note, whatever your reasoning for it might be, that the aliens don’t really seem to be overly destructive in Battleship. Everything they do seems very tactical and deliberate. They have the firepower to lay waste to everything, but they seem to be more able disabling and containment. At one point, when one of the destroyers put away its weapons, the alien ship lowers its weapons too. People die, but not nearly as many as you would expect. Given other events in the movie, I feel like they were trying to take over with as little damage as possible. Maybe they needed humans for slave labor?
Cool Tidbits: The wounded warriors you see in the rehabilitation center scene in Battleship? Actual wounded warriors. The old vets referenced in regards to the USS Missouri are vets that served on that ship. And Mick – who is completely awesome – is also played by a vet. Props to the producers of this movie for making sure to include so many veterans in it. I totally cheered near the end of the movie when all the veterans do the slow hero walk and it’s clear they’re ready to help.
Overall, Battleship is just a fun popcorn movie that doesn’t deserve the razzing it gets. As long as you don’t go into it expecting something highly intellectual or some ground-breaking work, you’ll enjoy yourself.