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Rickey A. Mossow Jr. (689 KP) rated Brightburn (2019) in Movies
Jul 8, 2019
What if Superman was evil?
Being born and raised a diehard Superman fan, this trailer piqued my interest. It's a worn premise: What if Superman was evil instead of good? The answered has intrigued storytellers, comic writers, and moviegoers for years. And I feel that this movie answers it well. The best part of the film is that it doesn't shy away from the gruesome violence and gore that would ensue when one with these powers decided to use them for evil. Each member of the main family plays their role well, their internal conflict over the happenings constantly evident on their faces. Also, a great job of setting up an ending you expect and then delivering a shocking finale. Wouldn't mind seeing more into this alternate universe.
Austin Garrick recommended Fish Tank (2010) in Movies (curated)
David McK (3857 KP) rated Geostorm (2017) in Movies
Dec 23, 2020
Do you remember the Film 'Armageddon'
'The Day After Tomorrow'?
Or even '2012'?
This is more of the same, this time with Gerard Butler taking the lead in a not-so-distant future of 2022 after a network of satellites is sent up into space in 2019 (I must have missed that - I'm reviewing in 2020) to control the weather.
Of course, things then start t go wrong with said satellites (mainly due to sabotage), leading ex-chief engineer Jake Lawson to be recruited by his politician brother (who had previously fired him) to go back up into space to see if he can put things right, in a race against time.
So, Gerard Butler vs The Weather. It's no contest.
(it's also almost completely a cheesy B movie, which can be unintentionally funny if you let it!)
'The Day After Tomorrow'?
Or even '2012'?
This is more of the same, this time with Gerard Butler taking the lead in a not-so-distant future of 2022 after a network of satellites is sent up into space in 2019 (I must have missed that - I'm reviewing in 2020) to control the weather.
Of course, things then start t go wrong with said satellites (mainly due to sabotage), leading ex-chief engineer Jake Lawson to be recruited by his politician brother (who had previously fired him) to go back up into space to see if he can put things right, in a race against time.
So, Gerard Butler vs The Weather. It's no contest.
(it's also almost completely a cheesy B movie, which can be unintentionally funny if you let it!)
Get Shorty - Season 1
TV Season Watch
Inspired by Elmore Leonard’s 1990 New York Times bestselling novel, GET SHORTY is the story of...
comedy drama
David McK (3857 KP) rated Doctor Strange (2016) in Movies
Apr 27, 2019 (Updated May 15, 2022)
<2022 update>
The timestone? Yep, was essential to resolving Infinity War in Endgame
<original review below>
The film that introduced magic (and the Time Stone, which will probably be essential to resolving Infinity War in Endgame), in which Benedict Cumberbatch plays Benedict Cumberbatch as the future Sorcerer Supreme, with Tilda Swinton as the current holder of that title.
As an aside: that was actually a cause of controversy at the time: why not cast an Asian or Eastern actor in that role instead of whitewashing it? went the argument.
The plot may also seem to be a reprise of Iron Man: rich, arrogant, privileged white man suffers personal catastrophe and heads East, returning a changed man. What sets this apart, however, is the somewhat psychedelic effects that often seem to owe more than a bit to Christopher Nolan's movie Inception!
The timestone? Yep, was essential to resolving Infinity War in Endgame
<original review below>
The film that introduced magic (and the Time Stone, which will probably be essential to resolving Infinity War in Endgame), in which Benedict Cumberbatch plays Benedict Cumberbatch as the future Sorcerer Supreme, with Tilda Swinton as the current holder of that title.
As an aside: that was actually a cause of controversy at the time: why not cast an Asian or Eastern actor in that role instead of whitewashing it? went the argument.
The plot may also seem to be a reprise of Iron Man: rich, arrogant, privileged white man suffers personal catastrophe and heads East, returning a changed man. What sets this apart, however, is the somewhat psychedelic effects that often seem to owe more than a bit to Christopher Nolan's movie Inception!
LeftSideCut (3776 KP) rated Mandy (2018) in Movies
Oct 30, 2019 (Updated Oct 30, 2019)
A ride from start to finish
Mandy is an utterly bizarre experience, but it's one that kept me absolutely enthralled from beginning to end.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
The basic plot is pretty simple - Red (Nicolas Cage) and Mandy (Andrea Riseborough) live an idyllic and secluded life until a run in with a cult-like group lead by Jeremiah Sand (Linus Roache).
After a night of terror falls on the couple, Red takes it upon himself to exact bloody vengeance on those who have harmed them.
This straightforward horror-revenge narrative however is washed in a truly striking example of filmaking.
The cinematography throughout is gorgeous, from huge sweeping shots, to grainier settings full of fog and red light. Director Panos Cosmatos lands numerous memorable shots and presents with a surreal visual experience with a continuous 80s vibe under the surface.
This distinct style paired with a beautiful synth heavy score from the late Jóhann Jóhannsson (which constantly reminded me of Twin Peaks) gives the movie a dream-like coating that gives the movie a really unsettling and downright creepy presence.
King Crimson plays over the opening credits also, which is always going to win me over!
The first half is a slow burner (the title card doesn't appear until 70 minutes in!), really taking advantage of everything mentioned above, before taking a pretty crazy, LSD drenched turn.
The gorier moments of Mandy happen here, and they're pretty effective, outlandish, but at the same time realistic. It certainly sticks with you as the movie slips further into a drug fuelled bloody nightmare. (there's a goddamn chainsaw duel!)
The cast are all pretty decent - Linus Roache makes for a menacing villain during his limited screentime, and his followers are suitably weird (the whole thing has a horrible Charles Manson vibe to it), and Nicolas Cage is both unnervingly restrained at times (even when drenched in blood) with the odd moment of full blown Cage that we've come to know and love.
Mandy deals with themes of love, revenge, toxic masculinity, religion, and cultism, all wrapped up in a truly outlandish and violent fever dream.
Some people love it, some people hate it, but it's certainly unlike any horror I've seen before and I though it's was pretty damn good.
LeftSideCut (3776 KP) rated 10 Cloverfield Lane (2016) in Movies
Aug 24, 2019
A fantastic gem of a thriller.
Let it be known, regardless of it's connection to Cloverfield, 10 Cloverfield Lane is a pretty solid thriller in its own right.
After walking away from a relationship, Michelle (Mary Elizabeth Winstead) ends up in a car crash and is knocked unconscious.
She wakes up shortly afterwards, apparently rescued, but chained to the wall in a closed off room.
She has been rescued by Howard (John Goodman) and is being kept in his nuclear bunker.
Whilst she has been unconscious, there has been some kind of attack and Howard claims that the air up on the surface is unbreathable.
As Michelle adjusts to her new life underground, she becomes suspicious to Howard's claims and starts to believe he's hiding something.
10 Cloverfield Lane is absolutely dripping with tension for the majority of the runtime.
John Goodman is absolute fantastic and unpredictable. His character is both caring, and dangerous simultaneously.
Mary EW is also great in her role, and the two of them alongside John Gallagher Jr, make up a pretty solid trio of well fleshed out characters.
As the movie reaches it's climax, you'll be on the edge of your seat.
The connections to Cloverfield become more apparent near the movies finale, and do feel a little tacked on (this movie did start out as a non-Cloverfield related thriller called The Cellar) but it actually works in a neat sci-fi way.
It would be nice though, to see it all tied together a little tighter in future installments.
After walking away from a relationship, Michelle (Mary Elizabeth Winstead) ends up in a car crash and is knocked unconscious.
She wakes up shortly afterwards, apparently rescued, but chained to the wall in a closed off room.
She has been rescued by Howard (John Goodman) and is being kept in his nuclear bunker.
Whilst she has been unconscious, there has been some kind of attack and Howard claims that the air up on the surface is unbreathable.
As Michelle adjusts to her new life underground, she becomes suspicious to Howard's claims and starts to believe he's hiding something.
10 Cloverfield Lane is absolutely dripping with tension for the majority of the runtime.
John Goodman is absolute fantastic and unpredictable. His character is both caring, and dangerous simultaneously.
Mary EW is also great in her role, and the two of them alongside John Gallagher Jr, make up a pretty solid trio of well fleshed out characters.
As the movie reaches it's climax, you'll be on the edge of your seat.
The connections to Cloverfield become more apparent near the movies finale, and do feel a little tacked on (this movie did start out as a non-Cloverfield related thriller called The Cellar) but it actually works in a neat sci-fi way.
It would be nice though, to see it all tied together a little tighter in future installments.
Neon's Nerd Nexus (360 KP) rated Cold Pursuit (2019) in Movies
May 13, 2019
Cold as ice
#coldpursuit tries to hit like an avalanche but ends up being disappointing & forgettable like #snowflakes falling on to wet ground. Cold Pursuit is a remake of the #Norwegian film #inorderofdisappearance which received extremely good reviews across the board begging the question why did it need to be remade? & the straight answer to that is no it didn't. #liamnesson plays #NelsCoxman he's quite an interesting character being the town s #hero forced to seek revenge for the death of his son, problem is Nesson plays him just has he does any character now days making him not only #boring but unlikable & its hard to sympathise with him at all. Overall the film is a huge rip off of the far superior #WindRiver & also #Fargo trying its very hardest to be a #coenbrothers movie but failing at everything especially the #humour. Tone wise its a mess with #Nesson taking everything far to seriously while the film tries its hardest to be quirky & #funny. Humour that would work well in a Norwegian movie simply fails here & at times stops the movie dead or ruins the flow/serious tension its created. #tombateman is probably the best character here but even he feels like his character is an audition for the next #Joker in a #DC #batman movie. Essentially one big statement on #racism, the fight over territory & how the benefits of having & decent upbringing shapes our future Cold Pursuit has a decent message in there somewhere its just poorly handled. I did however like the score & there are sprinklings of nice production & visuals too which helped to hold my attention. All in all Cold Pursuit is simply just 'FINE' nothing more nothing less but when there are better films out there aka Wind River, Fargo or even the original fine just doesn't really cut it. #odeon #odeonlimitless #filmbuff #filmcritic #racist #winter #cold #revenge #weekend #weekendvibes #nordicnoir
Kelly (279 KP) rated Outlaw King (2018) in Movies
Dec 16, 2018
Clear passion to retell the story (1 more)
Excellent battle scene
Watchable
After seeing an advert for the Outlaw King, I was excited to watch the movie. Despite this I found that the film missed my expectations, and I found that it became almost boring in places.
The writers of the outlaw king had a clear passion to retell the story of Robert Bruce and his fight to regain the Scottish crown from the English in the early Plantagenet period. To the best of my knowledge, the story was told as accurately as possible, however this did mean that there were a lot of scenes centred around the politics of Roberts plight. The slower scenes were unbalanced with the battle scenes which meant that the pace of the story dipped many times during the film - I have to confess it took me three attempts to watch it in full as a result of this.
As the writers tried to cram too much into such a short film, I found that the movie had a bit of an identity crisis - was this an action, romance or political film? Had the writers focused on just one area, I believe the movie would have been a lot more watchable, instead the movie felt overloaded.
The acting in general was okay, and reasonably well cast, except for the relationship between Robert Bruce and his wife. I struggled to believe the romance between the two actors. Although this is ultimately my opinion, I struggled to believe that what was ultimately an arranged marriage between the two, could rest in the two characters falling for each other as quickly as the film portrayed.
In general, the film is watchable, although it is not one I would go to as a first choice. There are some good parts of the film, for example the relationship between Robert and his men, and the final battle scene. The film also teaches us about part of Scottish history that tends to be overlooked by many schools during history lessons.
The writers of the outlaw king had a clear passion to retell the story of Robert Bruce and his fight to regain the Scottish crown from the English in the early Plantagenet period. To the best of my knowledge, the story was told as accurately as possible, however this did mean that there were a lot of scenes centred around the politics of Roberts plight. The slower scenes were unbalanced with the battle scenes which meant that the pace of the story dipped many times during the film - I have to confess it took me three attempts to watch it in full as a result of this.
As the writers tried to cram too much into such a short film, I found that the movie had a bit of an identity crisis - was this an action, romance or political film? Had the writers focused on just one area, I believe the movie would have been a lot more watchable, instead the movie felt overloaded.
The acting in general was okay, and reasonably well cast, except for the relationship between Robert Bruce and his wife. I struggled to believe the romance between the two actors. Although this is ultimately my opinion, I struggled to believe that what was ultimately an arranged marriage between the two, could rest in the two characters falling for each other as quickly as the film portrayed.
In general, the film is watchable, although it is not one I would go to as a first choice. There are some good parts of the film, for example the relationship between Robert and his men, and the final battle scene. The film also teaches us about part of Scottish history that tends to be overlooked by many schools during history lessons.