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Emma @ The Movies (1786 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The heating in the screen for this was broken so I was sitting with my scarf wrapped up tight around my face... which came in very handy to soak up all the tears at that ending.
I can't tell you the last time I watched the original two movies, what I can tell you is that Toothless is a comedic genius and should probably just be allowed in every animated film... live action ones too... I might have to start a campaign for that.
This review has the potential to be a massive contradiction. I loved it, I'd totally see it again, but it isn't great for a couple of reasons. We've got a very bland bad guy who should be menacing but manages to stop somewhere at forgettable, then to top it off the storyline isn't great. I've seen a couple of people on Letterboxd refer to it as Thor: Ragnarok... and they're basically right.
Those things aside though it's still a funny and entertaining film. The animation is beautiful and the different landscapes they had to create came together as one world really well. Everything is also accompanied by a wonderful score, when they first come across the hidden world it's particularly dramatic.
When you look at the characters beyond our villain nothing has really changed. Ruffnut was very amusing and one of her scenes had me laughing and realising I have friends just like her. Everyone else was just there... I can't say any of them did anything you wouldn't have expected them to. The only thing that I did find amusing was Hiccup getting the Captain America treatment at the end of the film.
The dragons are by far the most amusing part of the whole film and Toothless practicing his dance with his shadow was super cute. I personally would have been happy just to have a whole movie of dragon "behind the scenes" pieces or one that focused on everything from the dragons' point of view. Something that was a little more goofing off than trying to be an actual story.
Hidden World has lots of flaws but that doesn't stop it from being a lighthearted and amusing movie. I'm going to miss Toothless, I might have to hit Netflix and binge the series they have on there to get my fill.
What you should do
It's a great family film, definitely see it. It doesn't tax the brain and it'll leave you feeling entertained.
Movie thing you wish you could take home
If I could have a little panda dragon that would be wonderful. They don't get too big, right?
I can't tell you the last time I watched the original two movies, what I can tell you is that Toothless is a comedic genius and should probably just be allowed in every animated film... live action ones too... I might have to start a campaign for that.
This review has the potential to be a massive contradiction. I loved it, I'd totally see it again, but it isn't great for a couple of reasons. We've got a very bland bad guy who should be menacing but manages to stop somewhere at forgettable, then to top it off the storyline isn't great. I've seen a couple of people on Letterboxd refer to it as Thor: Ragnarok... and they're basically right.
Those things aside though it's still a funny and entertaining film. The animation is beautiful and the different landscapes they had to create came together as one world really well. Everything is also accompanied by a wonderful score, when they first come across the hidden world it's particularly dramatic.
When you look at the characters beyond our villain nothing has really changed. Ruffnut was very amusing and one of her scenes had me laughing and realising I have friends just like her. Everyone else was just there... I can't say any of them did anything you wouldn't have expected them to. The only thing that I did find amusing was Hiccup getting the Captain America treatment at the end of the film.
The dragons are by far the most amusing part of the whole film and Toothless practicing his dance with his shadow was super cute. I personally would have been happy just to have a whole movie of dragon "behind the scenes" pieces or one that focused on everything from the dragons' point of view. Something that was a little more goofing off than trying to be an actual story.
Hidden World has lots of flaws but that doesn't stop it from being a lighthearted and amusing movie. I'm going to miss Toothless, I might have to hit Netflix and binge the series they have on there to get my fill.
What you should do
It's a great family film, definitely see it. It doesn't tax the brain and it'll leave you feeling entertained.
Movie thing you wish you could take home
If I could have a little panda dragon that would be wonderful. They don't get too big, right?
Bob Mann (459 KP) rated A Monster Calls (2016) in Movies
Sep 29, 2021
“I’ll. Be. Right. Here.”
The worst thing about this movie is its title. The second worst thing about this movie is its trailer. Both will either a) put people off seeing it (it succeeded in that with my wife for example) or b) make people conclude it is a ‘nice holiday film to take the kids to’, which is also an horrendous mistake!
This is a crying shame because it is a riveting drama and a superb piece of film-making by the Spaniard J. A. Bayona (“The Impossible”) that may well catapult it already into my top 10 films of 2017. But it is not, I would suggest, a film that is remotely suitable for kids under 10 to see, dealing as it does with terminal illness, bullying and impending doom. For this is a dark (read pitch black) but hauntingly beautiful film.
Lewis MacDougall, in only his second film (after last year’s “Peter Pan”) plays Conor – a young but talented and sensitive artist growing up as a 12 year old in the North of England with his single mum (Felicity Jones). She is suffering from an aggressive form of cancer and is forever medically grasping for a new hope (D’ya see what I did there?). Young Conor believes fervently that each new treatment will be ‘the one’ but the building tension, the lack of sleep and his recurrent nightmares are destroying him mentally and physically. As if this wasn’t enough, his distracted nature is leading to him being seriously bullied at school and there is the added stress of having to live in his grandmother’s pristine and teen-unfriendly house when his mother is hospitalised.
Towering over the nearby graveyard on the hill is an ancient yew tree and Conor is visited after midnight by this “monster” (voiced by Liam Neeson). Is he dreaming, or is it real? The tree dispatches wisdom in the form of three ‘tales’, with the proviso that Conor tell the tree the fourth tale which “must be the truth”.
A tale of grief, guilt and a search for closure, this is a harrowing but rewarding journey for the viewer.
The film is technically outstanding on so many levels:
the art design is superb, with the gorgeous ‘tale animations’ being highly reminiscent of the beautiful ones in “Harry Potter and the Deathly Hallows, Part 1”;
the use of sound is brilliant, with sudden silence being used as a weapon with which to assault the senses in one key sequence;
the cinematography by Oscar Faura (“The Imitation Game”) is faultless, capturing both the dreary reality in a Northern winter with the comparative warmth of the strange dream-like sequences;
the music by Fernando Velázquez is used effectively and intelligently to reflect the sombre mood;
the special effects team led by Pau Costa (“The Revenant”, “The Impossible”) shines not just with Neesen’s monster, but with the incorporation of the root and branch effects into the ‘normal’ surroundings.
As the BFG illustrated, having a whole film carried by a young actor is a bit of an ask, but here Lewis MacDougall achieves just that like a seasoned pro. His performance is nothing short of staggering and – although a brave move by the Academy – it would be great to see him nominated for a BAFTA acting award for this.
Confirming her position in the acting top-flight is Felicity Jones, heart-wrenching in her role of the declining mum, and Sigourney Weaver is also excellent as the po-faced but grief-stricken grandmother. Liam Neeson probably didn’t add much by getting dressed up in the mo-cap suit for the tree scenes, but his voice is just perfect as the wise old sage.
The only criticism of what is an absorbing and intelligent script (by Patrick Ness, who also wrote the graphical novel) is the introduction of Conor’s Dad, played by Toby Kebbell (Dr Doom from “The Fantastic 4”), who is literally flown in from LA on a flying visit but whose role is a little superfluous to the plot.
This is exactly what “The BFG” should have been but wasn’t. It draws on a number of potential influences including “Mary Poppins”/”Saving Mr Banks” and “ET”. Wise, clever and a thing of beauty from beginning to end, this is a treat for movie-goers and a highly recommended watch. However, if you have lost someone to “the Big C” be aware that this film could be highly traumatic for you….. or highly cathartic: as I’m not a psychiatrist, I’m really not that sure! Also, if you are of the blubbing kind, take LOTS of tissues: the film features the best use of a digital clock since “Groundhog Day” and if you are not reduced to tears by that scene you are certifiably not human.
This is a crying shame because it is a riveting drama and a superb piece of film-making by the Spaniard J. A. Bayona (“The Impossible”) that may well catapult it already into my top 10 films of 2017. But it is not, I would suggest, a film that is remotely suitable for kids under 10 to see, dealing as it does with terminal illness, bullying and impending doom. For this is a dark (read pitch black) but hauntingly beautiful film.
Lewis MacDougall, in only his second film (after last year’s “Peter Pan”) plays Conor – a young but talented and sensitive artist growing up as a 12 year old in the North of England with his single mum (Felicity Jones). She is suffering from an aggressive form of cancer and is forever medically grasping for a new hope (D’ya see what I did there?). Young Conor believes fervently that each new treatment will be ‘the one’ but the building tension, the lack of sleep and his recurrent nightmares are destroying him mentally and physically. As if this wasn’t enough, his distracted nature is leading to him being seriously bullied at school and there is the added stress of having to live in his grandmother’s pristine and teen-unfriendly house when his mother is hospitalised.
Towering over the nearby graveyard on the hill is an ancient yew tree and Conor is visited after midnight by this “monster” (voiced by Liam Neeson). Is he dreaming, or is it real? The tree dispatches wisdom in the form of three ‘tales’, with the proviso that Conor tell the tree the fourth tale which “must be the truth”.
A tale of grief, guilt and a search for closure, this is a harrowing but rewarding journey for the viewer.
The film is technically outstanding on so many levels:
the art design is superb, with the gorgeous ‘tale animations’ being highly reminiscent of the beautiful ones in “Harry Potter and the Deathly Hallows, Part 1”;
the use of sound is brilliant, with sudden silence being used as a weapon with which to assault the senses in one key sequence;
the cinematography by Oscar Faura (“The Imitation Game”) is faultless, capturing both the dreary reality in a Northern winter with the comparative warmth of the strange dream-like sequences;
the music by Fernando Velázquez is used effectively and intelligently to reflect the sombre mood;
the special effects team led by Pau Costa (“The Revenant”, “The Impossible”) shines not just with Neesen’s monster, but with the incorporation of the root and branch effects into the ‘normal’ surroundings.
As the BFG illustrated, having a whole film carried by a young actor is a bit of an ask, but here Lewis MacDougall achieves just that like a seasoned pro. His performance is nothing short of staggering and – although a brave move by the Academy – it would be great to see him nominated for a BAFTA acting award for this.
Confirming her position in the acting top-flight is Felicity Jones, heart-wrenching in her role of the declining mum, and Sigourney Weaver is also excellent as the po-faced but grief-stricken grandmother. Liam Neeson probably didn’t add much by getting dressed up in the mo-cap suit for the tree scenes, but his voice is just perfect as the wise old sage.
The only criticism of what is an absorbing and intelligent script (by Patrick Ness, who also wrote the graphical novel) is the introduction of Conor’s Dad, played by Toby Kebbell (Dr Doom from “The Fantastic 4”), who is literally flown in from LA on a flying visit but whose role is a little superfluous to the plot.
This is exactly what “The BFG” should have been but wasn’t. It draws on a number of potential influences including “Mary Poppins”/”Saving Mr Banks” and “ET”. Wise, clever and a thing of beauty from beginning to end, this is a treat for movie-goers and a highly recommended watch. However, if you have lost someone to “the Big C” be aware that this film could be highly traumatic for you….. or highly cathartic: as I’m not a psychiatrist, I’m really not that sure! Also, if you are of the blubbing kind, take LOTS of tissues: the film features the best use of a digital clock since “Groundhog Day” and if you are not reduced to tears by that scene you are certifiably not human.
Rachel King (13 KP) rated The Lightning Thief in Books
Feb 11, 2019
I decided to read this partly because I had just seen the movie and partly because I heard that it was a good series for fans of the Harry Potter series. Well, in regards to the movie, it's appalling how much the producers changed the book's plot to make the movie. If they make a second movie, I likely will not be interested, as I much more prefer the book's plot. In regards to the book's similarities to Harry Potter, they are vast, but really, who wouldn't aim to write something as popular and complex as the Harry Potter series? J.K. Rowling owns a castle! So, on to the actual book.
Years ago I thought that writing a fantasy series that uses Greek mythology would be a great idea, so I was excited when I heard of the Percy Jackson series. I love the modernized spin on the various good and bad characters, bringing them to life in both creative and believeable ways, such as Ares on a Harley and "Mr." Charon wearing Italian suits. The "Gods" of mythology at times seemed more like immature teenagers or work-aholic parents, with as much flaws as any normal human, and I really appreciated that they were differentiated from The GOD early on, and their place in the known universe was explained in the context of Percy's world. I especially like the scene of Hephaestus' trap that Percy and Annabeth get caught in. How the "normal" humans explained away the activities of the mythological characters was probably the most creative of the whole text, and at times rather humorous. It actually makes me wonder how much of what I see everyday is only a cover for what is really happening in the spiritual realm.
The only element that really bugged me about the text was how Percy changed from this moody, victimized pre-teen to a rather mature young man with almost no transition - emotional or otherwise. It almost felt like Percy possessed two different personalities that shared the same body. While Percy often says that he did not want to be the son of Poseidon, I found evidence of inner termoil strangely absent throughout the text. I also felt that there were smaller issues that could have been more detailed and developed, such as the characters of Grover and Annabeth. I will be continuing the series with The Sea of Monsters (Percy Jackson and the Olympians, Book 2) in the near future.
Years ago I thought that writing a fantasy series that uses Greek mythology would be a great idea, so I was excited when I heard of the Percy Jackson series. I love the modernized spin on the various good and bad characters, bringing them to life in both creative and believeable ways, such as Ares on a Harley and "Mr." Charon wearing Italian suits. The "Gods" of mythology at times seemed more like immature teenagers or work-aholic parents, with as much flaws as any normal human, and I really appreciated that they were differentiated from The GOD early on, and their place in the known universe was explained in the context of Percy's world. I especially like the scene of Hephaestus' trap that Percy and Annabeth get caught in. How the "normal" humans explained away the activities of the mythological characters was probably the most creative of the whole text, and at times rather humorous. It actually makes me wonder how much of what I see everyday is only a cover for what is really happening in the spiritual realm.
The only element that really bugged me about the text was how Percy changed from this moody, victimized pre-teen to a rather mature young man with almost no transition - emotional or otherwise. It almost felt like Percy possessed two different personalities that shared the same body. While Percy often says that he did not want to be the son of Poseidon, I found evidence of inner termoil strangely absent throughout the text. I also felt that there were smaller issues that could have been more detailed and developed, such as the characters of Grover and Annabeth. I will be continuing the series with The Sea of Monsters (Percy Jackson and the Olympians, Book 2) in the near future.
Miguel Covarrubias (143 KP) rated Doctor Sleep in Books
Apr 30, 2019
It was a very fitting sequel to "The Shining". As King notes, in the Author's note at the end of the book, he is a different man than the one who wrote about Jack Torrance. You can certainly tell. His story is well rounded and a complete character arch for not just the Torrance family but for the Author as well. The redemption of Jack being just a nod was more than enough for me as well. I loved the grace and love that King pours into his stories.
There was one scene that will continue to disturb me. It was Danny's secret, that he shared at the end of the book, and lived through at the beginning. That scene with the toddler just... it really upset me. It will haunt me as it haunted Danny. I think it's because I am a father of a toddler myself, and any harm done to children kills my soul a bit.
The themes of becoming better than your past are beautiful. I love King's take on this as he is also a man that has overcome his past and become better than he was. The idea of purpose is one I would argue with, but that is something that I'm struggling with myself. I do love the imagery that is borrowed from Madeleine L'Engle about collecting ages that Danny references. We are always that age at some level, and will always be. There will always be that part of us that was our past, but we can overcome it and be better than we were. The trauma in Danny's past made him a better person, rather than letting it weigh him down for his entire life. It almost did.
I almost didn't read this one, but I'm very glad that I did.
I'm also a fan of the little dig that King takes at Kubrick in his Author's note about the movie version, the mini-series was a better interpretation.
There was one scene that will continue to disturb me. It was Danny's secret, that he shared at the end of the book, and lived through at the beginning. That scene with the toddler just... it really upset me. It will haunt me as it haunted Danny. I think it's because I am a father of a toddler myself, and any harm done to children kills my soul a bit.
The themes of becoming better than your past are beautiful. I love King's take on this as he is also a man that has overcome his past and become better than he was. The idea of purpose is one I would argue with, but that is something that I'm struggling with myself. I do love the imagery that is borrowed from Madeleine L'Engle about collecting ages that Danny references. We are always that age at some level, and will always be. There will always be that part of us that was our past, but we can overcome it and be better than we were. The trauma in Danny's past made him a better person, rather than letting it weigh him down for his entire life. It almost did.
I almost didn't read this one, but I'm very glad that I did.
I'm also a fan of the little dig that King takes at Kubrick in his Author's note about the movie version, the mini-series was a better interpretation.
Sarah (7800 KP) rated Worms Battlegrounds in Video Games
Mar 6, 2018
Funny and nostalgic... for a short period
Worms for me is a game I loved when I was younger, so when I found out they'd updated it for the PS4, I forced my other half to fork out a grand total of £4 to buy it for us despite protesting he hated it. Neither of us were disappointed.
I can't review the single player mode as it doesn't appeal in the slightest, and let's face it, the only reason you play Worms is to unleash tactical warfare against your nearest and dearest, causing numerous arguments in the process. And on this it doesn't disappoint. The gameplay is exactly how I remember, right down to the available weapons and worm characteristics. The movie trailer voiceover option constantly has me in hysterics.
The main fun of this game comes either from killing your opponents in decidedly wicked ways, or from completely messing up your tactics and killing yourself instead. The problem with this is, it gets old very quickly. This isn't a game you can play all day. This is a game you can play for a few rounds and then come back to in a week or so. It also has a few glitches which do get irritating after a while. The automatic camera panning is terrible; you have to force it to pan back to your character after selecting a target and most of the time you never know how much damage you do to an opponent as the camera has moved off elsewhere instead of staying on them. There's also the fact that it gives you multiple game/weapon options, but you have no clue from the startup screen what weapons this includes until you start the round and realise they're all the rubbish ones...
In short, this is still a really fun game as long as you keep it brief and can ignore some of the glitches.
I can't review the single player mode as it doesn't appeal in the slightest, and let's face it, the only reason you play Worms is to unleash tactical warfare against your nearest and dearest, causing numerous arguments in the process. And on this it doesn't disappoint. The gameplay is exactly how I remember, right down to the available weapons and worm characteristics. The movie trailer voiceover option constantly has me in hysterics.
The main fun of this game comes either from killing your opponents in decidedly wicked ways, or from completely messing up your tactics and killing yourself instead. The problem with this is, it gets old very quickly. This isn't a game you can play all day. This is a game you can play for a few rounds and then come back to in a week or so. It also has a few glitches which do get irritating after a while. The automatic camera panning is terrible; you have to force it to pan back to your character after selecting a target and most of the time you never know how much damage you do to an opponent as the camera has moved off elsewhere instead of staying on them. There's also the fact that it gives you multiple game/weapon options, but you have no clue from the startup screen what weapons this includes until you start the round and realise they're all the rubbish ones...
In short, this is still a really fun game as long as you keep it brief and can ignore some of the glitches.
BookwormLea (3034 KP) rated Toy Story 3 (2010) in Movies
Jul 2, 2019
Contains spoilers, click to show
It's hard to believe this movie came out 9 years ago.... yet I know I've seen it enough to count those years. It's not my favourite Toy Story, mainly because I loved the first one so much, but it's by far the most influential one. It encouraged me to get rid of some of my toys and give them to charity stores for other children to use. Better home for them. I do however have a Strawberry scented Lotso of my own who I'm still not convinced isn't evil but he sure smells good!
Also like to add... Barbie and Ken? Adorable!!!!
And so glad Bonny was given the toys... they will love her! (See Toy Story 4)
Also like to add... Barbie and Ken? Adorable!!!!
And so glad Bonny was given the toys... they will love her! (See Toy Story 4)
Joe Swanberg recommended Bob & Carol & Ted & Alice (1969) in Movies (curated)
Stephen Merchant recommended The Apartment (1960) in Movies (curated)
Ali Abbasi recommended Mulholland Drive (2001) in Movies (curated)
Kevin Phillipson (10072 KP) rated Doctor Who: Paradise Towers in TV
Jul 5, 2021
Syvester McCoy (1 more)
Richard Briers
Watched last night not perfect story owes a lot to the novel high - rise by J G Ballard and it shows with its characters and setting syvester McCoy in only his second story still fining his way but his performance here is better than the previous story and then there's Richard Briers the main guest star who at the time was known the good life really gets to play against type as the villain of the story could have done without the haming it up at the end also could have done without Bonnie Langfords screaming sometimes it can get annoying. The story looks so good in HD as well maybe I will actually watch the movie high rise sometime