Search
Search results
Dana (24 KP) rated Blood and Salt (Blood and Salt, #1) in Books
Mar 23, 2018
Once again, I am giving the old spoiler alert right at the beginning, so you have been warned.
I am actually giving this book a 3.5 stars instead of a three star review.
Okay, so now onto the actual review. I found this book very interesting. Though I was expecting something more like a thriller and/or horror novel, this was more like a non-scary cult novel. But it was not as creepy as I had hoped. I wanted to be terrified, but instead I was left without much of an emotional response at all.
This book reminded me, in a lot of ways, of that movie Children of the Corn. I don't really know why because the plot is not the same, but I think because it was set in the middle of a corn field that ate people with a cult in the middle of it. (Side note: I am not a fan of that movie, but my friends made me watch it with them. I found the movie quite boring, to be honest.)
Ash was an okay main character. I mean, she was strong, in a way, but she wasn't particularly striking in many ways. She, like many other young adult heroines, falls in love with the wrong guy, then gets betrayed by him, but unlike some of those other heroines, she doesn't really do much about it. Yes, she gets angry, but it almost feels like she is about to forgive him immediately. That didn't particularly make sense to me because if she was really pissed at him, I doubt she would forgive him that quickly.
Rhys was kinda annoying, to me. Yes, he is the twin brother so he is going to feel protective of his sister, but he refused to listen to anyone but himself. There is also the fact that, even though he sees all this magic stuff around him, he doesn't believe in it. Plus, to top it all off, he thinks his sister and his mother are crazy just because he thinks differently. I was not a fan of any of this. He is discounting the women in his family because he does not know how to deal with what he cannot see.
I wasn't a fan of Dane either, to be honest. He didn't help Ash as much as he said he was and when she would come to him for help, he would brush it off as if it didn't matter. He was kind of an ass.
The whole Katia plot was a bit weak. I saw it coming from a mile away, but I did enjoy the bits with Marie (her daughter). Whenever Marie was in a scene, even though she hardly talked, the scene, to me, got a whole lot more interesting. I loved seeing Ash try to figure out what the hell was going on with her.
I am not sure where I stand with the whole "light and dark" blood with Ash and Rhys. It seems a bit strange, but I think I can be okay with it if it is explained more in the next book.
Also, the magic as a whole has not been fully fleshed out and I hope to see more of it in the next book. I feel like there was a lot briefly touched on, but not fully explained.
All in all, I am looking forward to the next book, if only to see what the hell is going to happen next. The characters, while not my favorite, have the potential to grow into who they are and be developed more. I did not hate this book, but going with that, it wasn't my favorite book either. I am giving it the extra half-star because it has the potential to become something really cool in the next book.
Speaking of: The Last Harvest comes out 7 February 2017.
I am actually giving this book a 3.5 stars instead of a three star review.
Okay, so now onto the actual review. I found this book very interesting. Though I was expecting something more like a thriller and/or horror novel, this was more like a non-scary cult novel. But it was not as creepy as I had hoped. I wanted to be terrified, but instead I was left without much of an emotional response at all.
This book reminded me, in a lot of ways, of that movie Children of the Corn. I don't really know why because the plot is not the same, but I think because it was set in the middle of a corn field that ate people with a cult in the middle of it. (Side note: I am not a fan of that movie, but my friends made me watch it with them. I found the movie quite boring, to be honest.)
Ash was an okay main character. I mean, she was strong, in a way, but she wasn't particularly striking in many ways. She, like many other young adult heroines, falls in love with the wrong guy, then gets betrayed by him, but unlike some of those other heroines, she doesn't really do much about it. Yes, she gets angry, but it almost feels like she is about to forgive him immediately. That didn't particularly make sense to me because if she was really pissed at him, I doubt she would forgive him that quickly.
Rhys was kinda annoying, to me. Yes, he is the twin brother so he is going to feel protective of his sister, but he refused to listen to anyone but himself. There is also the fact that, even though he sees all this magic stuff around him, he doesn't believe in it. Plus, to top it all off, he thinks his sister and his mother are crazy just because he thinks differently. I was not a fan of any of this. He is discounting the women in his family because he does not know how to deal with what he cannot see.
I wasn't a fan of Dane either, to be honest. He didn't help Ash as much as he said he was and when she would come to him for help, he would brush it off as if it didn't matter. He was kind of an ass.
The whole Katia plot was a bit weak. I saw it coming from a mile away, but I did enjoy the bits with Marie (her daughter). Whenever Marie was in a scene, even though she hardly talked, the scene, to me, got a whole lot more interesting. I loved seeing Ash try to figure out what the hell was going on with her.
I am not sure where I stand with the whole "light and dark" blood with Ash and Rhys. It seems a bit strange, but I think I can be okay with it if it is explained more in the next book.
Also, the magic as a whole has not been fully fleshed out and I hope to see more of it in the next book. I feel like there was a lot briefly touched on, but not fully explained.
All in all, I am looking forward to the next book, if only to see what the hell is going to happen next. The characters, while not my favorite, have the potential to grow into who they are and be developed more. I did not hate this book, but going with that, it wasn't my favorite book either. I am giving it the extra half-star because it has the potential to become something really cool in the next book.
Speaking of: The Last Harvest comes out 7 February 2017.
Emma @ The Movies (1786 KP) rated Wolf (2019) in Movies
Sep 26, 2019
A lot of the acting in Wolf feels like it was from TV, and several of the parts wouldn't have been far off comedic roles in things made for network shows. The acting isn't the only thing that smacked of TV. The music is also not something you'd expect in this sort of thing, it would be much more suited to a crime drama. Occasionally I felt like it might have been perfect for this sort of historic piece but then it would quickly slip back to crime drama and I was almost completely distracted from the film.
As an idea it's an intriguing one. The outline of the story would make a good movie, it's simple and has lots of opportunities to be really effective on screen, unfortunately I don't think this delivered on that potential.
There's quite a spread of characters but some do get overlooked. Ima has a backstory that you can glean through context and Liviana has an implied story but both are only hinted at and nothing is used. Sometimes this is forgivable but with what happens with them both at the end of the film I think it's appalling that we don't get more from them.
This was yet another film that suffers from a black hole of time. There are a couple of points where they play fast and loose ad in one particular place it looks like they filmed at different times of day not accounting for the scenes timeline.
The location itself is stunning and you can see that repeatedly in the panning shots of forest... lots of forest, oh, and a mountain range. The first time it was nice, the second time it was a little cliche, and after that I started writing abuse in my notes.
The other thing that seems to be popular in Wolf is the blurry camera work. For the most part it looks intentional as it's part of the reveal but it's not isolated to that. Some of the fight scenes look like they might have been put together quite well but in one of the biggest of those you can't tell because the action is accompanied by camerawork that looks like it was done by someone hiccuping on a pogo stick.
My other major quibble is the ending. It seems very late in the game to be adding information to the story. There was even an opportunity to introduce the point earlier in the film but that was where we ignored Ima's backstory, looks like a lot of things could have been solved by changing that scene, it seems like a huge misstep.
It's not the worst film, but it's also not the best. There were some big opportunities for improvements but none of them were taken and ultimately this feels like a waste of a good story.
Check out my full review here: http://emmaatthemovies.blogspot.com/2019/09/wolf-movie-review.html
As an idea it's an intriguing one. The outline of the story would make a good movie, it's simple and has lots of opportunities to be really effective on screen, unfortunately I don't think this delivered on that potential.
There's quite a spread of characters but some do get overlooked. Ima has a backstory that you can glean through context and Liviana has an implied story but both are only hinted at and nothing is used. Sometimes this is forgivable but with what happens with them both at the end of the film I think it's appalling that we don't get more from them.
This was yet another film that suffers from a black hole of time. There are a couple of points where they play fast and loose ad in one particular place it looks like they filmed at different times of day not accounting for the scenes timeline.
The location itself is stunning and you can see that repeatedly in the panning shots of forest... lots of forest, oh, and a mountain range. The first time it was nice, the second time it was a little cliche, and after that I started writing abuse in my notes.
The other thing that seems to be popular in Wolf is the blurry camera work. For the most part it looks intentional as it's part of the reveal but it's not isolated to that. Some of the fight scenes look like they might have been put together quite well but in one of the biggest of those you can't tell because the action is accompanied by camerawork that looks like it was done by someone hiccuping on a pogo stick.
My other major quibble is the ending. It seems very late in the game to be adding information to the story. There was even an opportunity to introduce the point earlier in the film but that was where we ignored Ima's backstory, looks like a lot of things could have been solved by changing that scene, it seems like a huge misstep.
It's not the worst film, but it's also not the best. There were some big opportunities for improvements but none of them were taken and ultimately this feels like a waste of a good story.
Check out my full review here: http://emmaatthemovies.blogspot.com/2019/09/wolf-movie-review.html
Movie Metropolis (309 KP) rated Pixels (2015) in Movies
Jun 11, 2019
Where's the off switch
When was the last time you went to the cinema to see something original? It’s probably a question a lot of film fans ask themselves and in the last few years, perhaps proved rather difficult to answer.
However, with 2015 being the year of the reboot and the sequel, it’s nice to see a film like Pixels showcasing something completely different. But is it worth a go?
Directed by Chris Columbus of Mrs. Doubtfire and Harry Potter fame, Pixels stars Adam Sandler, Josh Gad, Peter Dinklage and a woefully miscast Kevin James in a film that doesn’t do enough with its fascinating premise, descending into painfully unfunny slapstick instead.
Sandler stars as Sam Brenner, a video game lover who, after a brief scene showing his history, is tasked with saving the world as aliens infiltrate Earth and begin to attack using some of our most-loved classic arcade games.
Alongside him for the ride are fellow video-game champs Josh Gad (Frozen), Peter Dinklage (X:Men – Days of Future Past) and Kevin James (Paul Blart: Mall Cop). The latter also happens to play the US President.
Unfortunately, none of the cast are particularly likeable with the usually on-point James playing one of the worst Presidential roles ever put to film. He is simply unbelievable as the leader of the United States and provides Pixels with some of its more cringe-worthy moments.
Once the film gets going, there are a few standout moments including a Pac-Man rampage through New York City but this has been so heavily marketed in the trailers that there is practically no suspense or joy in watching it unfold.
The finale is also very good, with a Donkey Kong showdown rendered in some stunning CGI and ridiculously clever set building and it’s great fun seeing so many classic arcade games being brought to life on the big screen.
Pac-Man, Q*Bert , Centipede and Donkey Kong are just a few to appear and look glorious with their 21st Century upgrades. Q*Bert in particular is a little cutie and is a major character throughout the last third of the film.
It’s unfortunate then that Chris Columbus’ usually reliable direction takes such a knock here. There’s none of the clever generation-bending humour of Mrs. Doubtfire or the laugh-out-loud slapstick of Home Alone, and the visual style he brought to Harry Potter is nowhere to be seen. In the end, Pixels just comes across as a brilliant concept that seems wasted.
Perhaps this can be blamed somewhat on poor casting choices. Adam Sandler hasn’t been hot property for a while after numerous box-office bombs and Peter Dinklage is still establishing himself as a major movie star. With Kevin James also proving a disappointment, it’s only Josh Gad who comes out on top – just.
Ultimately, Pixels is fun while it lasts and has some absolutely brilliant set pieces but once the credits roll, it’s apparent that it won’t be memorable like the wonderful arcade games it parodies.
https://moviemetropolis.net/2015/08/16/wheres-the-start-button-pixels-review/
However, with 2015 being the year of the reboot and the sequel, it’s nice to see a film like Pixels showcasing something completely different. But is it worth a go?
Directed by Chris Columbus of Mrs. Doubtfire and Harry Potter fame, Pixels stars Adam Sandler, Josh Gad, Peter Dinklage and a woefully miscast Kevin James in a film that doesn’t do enough with its fascinating premise, descending into painfully unfunny slapstick instead.
Sandler stars as Sam Brenner, a video game lover who, after a brief scene showing his history, is tasked with saving the world as aliens infiltrate Earth and begin to attack using some of our most-loved classic arcade games.
Alongside him for the ride are fellow video-game champs Josh Gad (Frozen), Peter Dinklage (X:Men – Days of Future Past) and Kevin James (Paul Blart: Mall Cop). The latter also happens to play the US President.
Unfortunately, none of the cast are particularly likeable with the usually on-point James playing one of the worst Presidential roles ever put to film. He is simply unbelievable as the leader of the United States and provides Pixels with some of its more cringe-worthy moments.
Once the film gets going, there are a few standout moments including a Pac-Man rampage through New York City but this has been so heavily marketed in the trailers that there is practically no suspense or joy in watching it unfold.
The finale is also very good, with a Donkey Kong showdown rendered in some stunning CGI and ridiculously clever set building and it’s great fun seeing so many classic arcade games being brought to life on the big screen.
Pac-Man, Q*Bert , Centipede and Donkey Kong are just a few to appear and look glorious with their 21st Century upgrades. Q*Bert in particular is a little cutie and is a major character throughout the last third of the film.
It’s unfortunate then that Chris Columbus’ usually reliable direction takes such a knock here. There’s none of the clever generation-bending humour of Mrs. Doubtfire or the laugh-out-loud slapstick of Home Alone, and the visual style he brought to Harry Potter is nowhere to be seen. In the end, Pixels just comes across as a brilliant concept that seems wasted.
Perhaps this can be blamed somewhat on poor casting choices. Adam Sandler hasn’t been hot property for a while after numerous box-office bombs and Peter Dinklage is still establishing himself as a major movie star. With Kevin James also proving a disappointment, it’s only Josh Gad who comes out on top – just.
Ultimately, Pixels is fun while it lasts and has some absolutely brilliant set pieces but once the credits roll, it’s apparent that it won’t be memorable like the wonderful arcade games it parodies.
https://moviemetropolis.net/2015/08/16/wheres-the-start-button-pixels-review/
BankofMarquis (1832 KP) rated Gemini Man (2019) in Movies
Oct 17, 2019
The Effects Just Aren't Good Enough
Ang Lee is a visionary Director that loves to push the envelope of advances in movie-making technology, so the plot contrivance of GEMINI MAN (a Government Assassin is being chased by his much younger clone) was right up his alley - and he makes good (enough) work of the technology that "de-ages" Will Smith and puts the older and younger version of himself on screen at the same time. This was also his 2nd film (after BILLY FLYNN'S LONG HALFTIME WALK) that Lee shot in 4K 3D at 120 frames per second (the "normal" shooting speed is 24 FPS).
He should have spent more of his time on the script..
Based on a long gestating screenplay written in the 1990's by David Lemke (and re-written in the 2010's by Billy Ray - THE HUNGER GAMES - and Mr. GAME OF THRONES himself, David Benioff), GEMINI MAN follows a Government Contract Killer, Henry Brogan (Will Smtih) who does "one last job" and is looking forward to retirement. His agency (under the leadership of Clive Owen) decides to "take him out" and sends "Gemini" after him. Brogan tries to escape but his every move is anticipated by the Gemini - a younger clone of himself (this is not a spoiler, it's in the trailer and ON THE POSTER). He is joined by a pair of "buddies" (Mary Elizabeth Winsted and Benedict Wong) in plotting how to outsmart himself.
This film had all the markings of a bad "B" film, but under the watchful eye of Lee and the charismatic performances of Winsted, Wong - and most especially - Smith, this film is actually quite watchable.
What doesn't work - the plot. To say it is contrived is to do a disservice to the word "contrived". It really doesn't give us anything new, it just gives us a bridge from action scene to action. Also, the reasoning of the Government to get rid of Brogan doesn't really work and Clive Owen - as the head of the Gemini program - and the main "suit" that is chasing Smith looks like he is sleepwalking his way through this film.
What works - the interplay and "fun" of Smith, Winsted and Wong as the 3 "professionals" on the run - and outsmarting - "the Agency". These 3 work really well off each other and I would love to have seen a "Mission Impossible" style film of these 3 doing some sort of impossible mission. Special note needs to be made of Smith's performance - as the older Brogan. He is world weary and heavy, but still has the twinkle in his eye and the physical acumen to be a top assassin. This is the type of role that Smith - especially at his age and experience - is ideal for. His charisma shines and he holds his own in the physical/fight scenes. Also, Ang Lee knows how to shoot an action sequence. True, there is nothing "new", revolutionary or evolutionary in any of the fight/chase scenes, but they are put together in a competent, professional manner and did a good enough job.
And then there is the younger Brogan - "Junior" - played by a CGI "de-aged" Will Smith.
We've seen the CGI "de-aging" effect before - most notably in some Marvel Movies like CAPTAIN MARVEL - and while it works well enough, I just don't think it is quite there yet. You can tell that something is just a little off - not enough for it to really bother you, but enough to know that something isn't quite right - especially when Junior spends most of this film on screen with his older self. You see the "real" Will Smith up against the "copy" and the "copy" looks like...a copy. Also, the "de-aging" of the voice didn't really work for me. It sounded "off" and at times it sounded like bad ADR.
I was able to shrug off these slight technical anomalies and enjoy this film for what it is - a breezy action-er that certainly entertains for 2 hours. But it is no masterpiece and no "major" technological breakthrough. That will have to wait for another movie.
Letter Grade: B (mostly for the fun interplay between older Smith, Winsted and Wong)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
He should have spent more of his time on the script..
Based on a long gestating screenplay written in the 1990's by David Lemke (and re-written in the 2010's by Billy Ray - THE HUNGER GAMES - and Mr. GAME OF THRONES himself, David Benioff), GEMINI MAN follows a Government Contract Killer, Henry Brogan (Will Smtih) who does "one last job" and is looking forward to retirement. His agency (under the leadership of Clive Owen) decides to "take him out" and sends "Gemini" after him. Brogan tries to escape but his every move is anticipated by the Gemini - a younger clone of himself (this is not a spoiler, it's in the trailer and ON THE POSTER). He is joined by a pair of "buddies" (Mary Elizabeth Winsted and Benedict Wong) in plotting how to outsmart himself.
This film had all the markings of a bad "B" film, but under the watchful eye of Lee and the charismatic performances of Winsted, Wong - and most especially - Smith, this film is actually quite watchable.
What doesn't work - the plot. To say it is contrived is to do a disservice to the word "contrived". It really doesn't give us anything new, it just gives us a bridge from action scene to action. Also, the reasoning of the Government to get rid of Brogan doesn't really work and Clive Owen - as the head of the Gemini program - and the main "suit" that is chasing Smith looks like he is sleepwalking his way through this film.
What works - the interplay and "fun" of Smith, Winsted and Wong as the 3 "professionals" on the run - and outsmarting - "the Agency". These 3 work really well off each other and I would love to have seen a "Mission Impossible" style film of these 3 doing some sort of impossible mission. Special note needs to be made of Smith's performance - as the older Brogan. He is world weary and heavy, but still has the twinkle in his eye and the physical acumen to be a top assassin. This is the type of role that Smith - especially at his age and experience - is ideal for. His charisma shines and he holds his own in the physical/fight scenes. Also, Ang Lee knows how to shoot an action sequence. True, there is nothing "new", revolutionary or evolutionary in any of the fight/chase scenes, but they are put together in a competent, professional manner and did a good enough job.
And then there is the younger Brogan - "Junior" - played by a CGI "de-aged" Will Smith.
We've seen the CGI "de-aging" effect before - most notably in some Marvel Movies like CAPTAIN MARVEL - and while it works well enough, I just don't think it is quite there yet. You can tell that something is just a little off - not enough for it to really bother you, but enough to know that something isn't quite right - especially when Junior spends most of this film on screen with his older self. You see the "real" Will Smith up against the "copy" and the "copy" looks like...a copy. Also, the "de-aging" of the voice didn't really work for me. It sounded "off" and at times it sounded like bad ADR.
I was able to shrug off these slight technical anomalies and enjoy this film for what it is - a breezy action-er that certainly entertains for 2 hours. But it is no masterpiece and no "major" technological breakthrough. That will have to wait for another movie.
Letter Grade: B (mostly for the fun interplay between older Smith, Winsted and Wong)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Matthew Krueger (10051 KP) rated Lethal Weapon 3 (1992) in Movies
Jul 10, 2020 (Updated Jul 10, 2020)
The Perfect Trio : Mel, Danny and Joe
Lethal Weapon 3- i love the chemistry between Mel, Danny and Joe. Its the perfect trio, their bounce off of each other. The comedy is excellent. The one liners are good. The action is good, the plot is good.
The plot: Veteran police detective Roger Murtaugh (Danny Glover) is only days away from retiring when he and his tough partner, Martin Riggs (Mel Gibson), are roped into an important internal affairs case. Working with the beautiful, no-nonsense Sergeant Lorna Cole (Rene Russo) and aided by the shifty informant Leo Getz (Joe Pesci), Murtaugh and Riggs begin to close in on a black-market weapons operation involving corrupt cop and arms dealer Jack Travis (Stuart Wilson).
Director Richard Donner is an animal-rights and pro-choice activist, and placed many posters and stickers for these causes in the film. Of note are the T-shirt worn by one of Murtaugh's daughters (the actress's idea), an 18-wheeler with an anti-fur slogan on the side, and a sticker on a locker in the police station.
Director Richard Donner demanded some big changes on the script which included changing the original character of Lorna (who had a different name in earlier drafts) into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards. In the original script Leo had left L.A. for New York. Boam had some disagreements with changes that Donner made but he was not against them. Boam was fired after he wrote his first two drafts of the script. One of the reasons for this was because Donner wasn't interested in the script and he disagreed with some parts of Boam's original draft.
Carrie Fisher was an uncredited script doctor on the film.
Several versions of a Lethal Weapon video game were released in conjunction with this sequel's release, appearing on the NES, SNES, Game Boy, Amiga, Atari ST, and Commodore 64 platforms. Also released was a Lethal Weapon 3 pinball game.
Its a funny entertaining movie, on to the last one in the franchise. I've loved the franchise so far and hopefully the 4th one is good.
The plot: Veteran police detective Roger Murtaugh (Danny Glover) is only days away from retiring when he and his tough partner, Martin Riggs (Mel Gibson), are roped into an important internal affairs case. Working with the beautiful, no-nonsense Sergeant Lorna Cole (Rene Russo) and aided by the shifty informant Leo Getz (Joe Pesci), Murtaugh and Riggs begin to close in on a black-market weapons operation involving corrupt cop and arms dealer Jack Travis (Stuart Wilson).
Director Richard Donner is an animal-rights and pro-choice activist, and placed many posters and stickers for these causes in the film. Of note are the T-shirt worn by one of Murtaugh's daughters (the actress's idea), an 18-wheeler with an anti-fur slogan on the side, and a sticker on a locker in the police station.
Director Richard Donner demanded some big changes on the script which included changing the original character of Lorna (who had a different name in earlier drafts) into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards. In the original script Leo had left L.A. for New York. Boam had some disagreements with changes that Donner made but he was not against them. Boam was fired after he wrote his first two drafts of the script. One of the reasons for this was because Donner wasn't interested in the script and he disagreed with some parts of Boam's original draft.
Carrie Fisher was an uncredited script doctor on the film.
Several versions of a Lethal Weapon video game were released in conjunction with this sequel's release, appearing on the NES, SNES, Game Boy, Amiga, Atari ST, and Commodore 64 platforms. Also released was a Lethal Weapon 3 pinball game.
Its a funny entertaining movie, on to the last one in the franchise. I've loved the franchise so far and hopefully the 4th one is good.
Matthew Krueger (10051 KP) rated Nosferatu the Vampyre (1979) in Movies
Oct 28, 2020 (Updated Oct 28, 2020)
The Vampire Among Them
Nosferatu The Vampyre- is a very slow movie. Very slow, for 90% of the time nothing happens and when some does happens its only for three minutes max. I always wanted to watch the oringal, never got a chance to, hopefully soon i will. As for this remake its so-so.
The plot: Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Virna, where he lives. But Count Dracula is a vampire, an undead ghoul living off men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Virna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the cross of not being able to get old and die.
There are two different versions of the film, one in which the actors speak English, and one in which they speak German.
Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success.
The film also marks the second of five collaborations between director Herzog and actor Kinski.
While the basic story is derived from Bram Stoker's novel Dracula, director Herzog made the 1979 film primarily as an homage remake of F. W. Murnau's silent film Nosferatu (1922), which differs somewhat from Stoker's original work. The makers of the earlier film could not obtain the rights for a film adaptation of Dracula, so they changed a number of minor details and character names in an unsuccessful attempt to avoid copyright infringement on the intellectual property owned (at the time) by Stoker's widow Florence. A lawsuit was filed, resulting in an order for the destruction of all prints of the film. Some prints survived, and were restored after Florence Stoker had died and the copyright had expired.
By the 1960s and early 1970s the original silent returned to circulation, and was enjoyed by a new generation of moviegoers.
In 1979, by the very day the copyright for Dracula had entered the public domain, Herzog proceeded with his updated version of the classic German film, which could now include the original character names.
Herzog saw his film as a parable about the fragility of order in a staid, bourgeois town. "It is more than a horror film", he says. "Nosferatu is not a monster, but an ambivalent, masterful force of change. When the plague threatens, people throw their property into the streets, they discard their bourgeois trappings. A re‐evaluation
of life and its meaning takes place."
Like i said its a decent movie.
The plot: Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Virna, where he lives. But Count Dracula is a vampire, an undead ghoul living off men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Virna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the cross of not being able to get old and die.
There are two different versions of the film, one in which the actors speak English, and one in which they speak German.
Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success.
The film also marks the second of five collaborations between director Herzog and actor Kinski.
While the basic story is derived from Bram Stoker's novel Dracula, director Herzog made the 1979 film primarily as an homage remake of F. W. Murnau's silent film Nosferatu (1922), which differs somewhat from Stoker's original work. The makers of the earlier film could not obtain the rights for a film adaptation of Dracula, so they changed a number of minor details and character names in an unsuccessful attempt to avoid copyright infringement on the intellectual property owned (at the time) by Stoker's widow Florence. A lawsuit was filed, resulting in an order for the destruction of all prints of the film. Some prints survived, and were restored after Florence Stoker had died and the copyright had expired.
By the 1960s and early 1970s the original silent returned to circulation, and was enjoyed by a new generation of moviegoers.
In 1979, by the very day the copyright for Dracula had entered the public domain, Herzog proceeded with his updated version of the classic German film, which could now include the original character names.
Herzog saw his film as a parable about the fragility of order in a staid, bourgeois town. "It is more than a horror film", he says. "Nosferatu is not a monster, but an ambivalent, masterful force of change. When the plague threatens, people throw their property into the streets, they discard their bourgeois trappings. A re‐evaluation
of life and its meaning takes place."
Like i said its a decent movie.
BankofMarquis (1832 KP) rated Solo: A Star Wars Story (2018) in Movies
May 29, 2018
Surprised by how much I enjoyed this film
I have a confession to make - I was surprised by how much I enjoyed SOLO: A STAR WARS STORY.
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
LeftSideCut (3776 KP) rated Predators (2010) in Movies
May 14, 2019 (Updated Dec 4, 2019)
Another Predator movie, another misfire
Contains spoilers, click to show
In reality, the only truly decent Predator film is the original (although I do have a soft spot for Predator 2 but shhh).
Predators is just a bit of a mess from the get go. We're very swiftly introduced to a cast of bland, cliched, "badass" characters, none of whom are particularly likable, and I can only find myself blaming the script for the most part. This cast includes true talents, including Adrian Brody, Laurence Fishburne, and Mahershala Ali, and none them succeed in making positive impact.
It also stars Topher Grace, who's character goes through some absolute-nonsense-sudden-shift-to-evil-douche plot twist near the end, by which point, you just struggle to care.
As for the actual Predator side of things - it's pretty underwhelming. The trailer promised a big number of the alien hunters, where in reality we get 4, who hardly get any screen time (which wouldn't be a problem if the human characters were actually interesting).
The opportunity to explore an alien world, rather than the usual setting of Earth is a nice idea, but mostly wasted bar a couple of nice looking landscape shots.
The whole thing comes down to a showdown between a lone Predator, and a shirtless Adrian Brody covered in mud, in what I Imagine was supposed to be an ode and call back to the original, but in reality, it just reminds you that you could be spending your time watching that instead.
Final thought - after the lengths that Arnie went through in the original to take down the Predator, I absolutely refuse to accept that one dude with a katana can cut one down with relative ease.
Predators is just a bit of a mess from the get go. We're very swiftly introduced to a cast of bland, cliched, "badass" characters, none of whom are particularly likable, and I can only find myself blaming the script for the most part. This cast includes true talents, including Adrian Brody, Laurence Fishburne, and Mahershala Ali, and none them succeed in making positive impact.
It also stars Topher Grace, who's character goes through some absolute-nonsense-sudden-shift-to-evil-douche plot twist near the end, by which point, you just struggle to care.
As for the actual Predator side of things - it's pretty underwhelming. The trailer promised a big number of the alien hunters, where in reality we get 4, who hardly get any screen time (which wouldn't be a problem if the human characters were actually interesting).
The opportunity to explore an alien world, rather than the usual setting of Earth is a nice idea, but mostly wasted bar a couple of nice looking landscape shots.
The whole thing comes down to a showdown between a lone Predator, and a shirtless Adrian Brody covered in mud, in what I Imagine was supposed to be an ode and call back to the original, but in reality, it just reminds you that you could be spending your time watching that instead.
Final thought - after the lengths that Arnie went through in the original to take down the Predator, I absolutely refuse to accept that one dude with a katana can cut one down with relative ease.
Lee (2222 KP) rated Bombshell (2019) in Movies
Jan 8, 2020 (Updated Jan 8, 2020)
With media currently showing us scenes of disgraced Hollywood mogul Harvey Weinstein as he shuffles into court, expecting sympathy while his victims continue to try and rebuild their lives, along comes the timely release of Bombshell. Based on a high profile #MeToo scandal, Bombshell gives us a look deep inside the heart of Fox News, and tells the explosive story of the women who fought back against the powerful man who created it.
Megyn Kelly (Charlize Theron) begins by giving us a whistle-stop tour of the Fox News building - the floor layout, who is located where, how various news teams operate, who some of the news anchors are. We learn about the second floor, where the man at the centre of the scandal to come, Roger Ailes (John Lithgow), has his office and where Rupert Murdoch and his sons all fit in. It's a lot to take in right off the bat, so don't turn up late for the movie and make sure you're paying attention!
It's 2016, and the presidential campaign is in full swing. Megyn is preparing for the Republican debate hosted by Fox News, where she is planning to fire off a controversial question at Donald Trump regarding his treatment of women. There's a bit of an upset (literally) earlier in the day though, when Megyn develops a nasty stomach bug, presumably from someone tampering with the coffee bought for her on the way to work, and she very nearly doesn't make it to the debate, which we assume was the desired result. She manages to get out her question though, resulting in the kind of rage tweeting from Trump that we've now become so accustomed to, backlash from Trump supporters and paparazzi turning up at the holiday home where Megyn is taking a short break with her family.
Meanwhile, Gretchen Carlson (Nicole Kidman) is meeting with lawyers regarding the sexist comments that she regularly receives both on air from her male co-anchors, and off air from people like Roger Ailes. She also feels that her demotion to a less popular daytime show is the result of her reluctance to 'play ball' with Ailes. We see the uncomfortable story of Rudi Bakhitar, fired for politely declining the sexual advances of her employer, and the lawyers advise that Gretchen will need to gain further evidence from other women before they can file a harassment suit against Ailes.
The harassment and treatment of women and what they have to endure at Fox News, just to try and come close to the same level as their male counterparts, becomes increasingly apparent as the movie progresses. Short dresses, wide angle shots and transparent news desks in order to see their legs and hold viewer attention - it's the kind of thing you might only casually notice while watching a show, but eye opening and shocking when you see the orders being given in the control room to switch to a certain camera, and the women being told off screen how they should look and dress. Even though you know it's only a matter of time before Carlson gets the support she needs in order to get justice, there's obviously a lot of tension and drama that needs to play out before we get there.
In order to highlight and demonstrate the treatment off camera, particularly from Roger Ailes, we are introduced to up-and-coming journalist and new employee Kayla Pospisil (Margot Robbie), who is a fictional character. Kayla beings by working for Gretchen Carlson, but is keen to progress to bigger things and, despite warnings from Gretchen that she should stay close to her, takes a job on Fox's number one program, The O'Reilly Factor. Along the way, Kayla forms a relationship with her co-worker Jess Carr (Kate McKinnon) and manages to find her way into the office of Ailes, where we get to see him at work in a very creepy and uncomfortable scene. As news of Gretchen's lawsuit breaks, a slow trickle of former victims begins to come forward, while Megyn remains noticeably tight-lipped about an encounter she had with Ailes 10 years ago. It's clear that somebody like Megyn has enough power to make the lawsuit a lot more viable.
For me, Bombshell is all about the performances. Charlize Theron wears simple prosthetics, and underwent voice coaching in order to play the role of Megyn Kelly convincingly, and she is outstanding, as is Nicole Kidman. We get to live the trauma and the ups and downs of Margot Robbie's character along with her in the movie, earning her a supporting actress BAFTA nomination this week (against herself, for Once Upon A Time In Hollywood!). John Lithgow, who I found to be brilliant as Winston Churchill in The Crown, has once again bulked up in order to portray Roger Ailes, and succeeds in making him seem human, and at times humorous, while still portraying his darker, weaker and more creepier side.
Outside of the performances, I found Bombshell to be a fairly average movie. What happened in the space of just a few days in real life, seems to occur over weeks in the movie and I felt the trailer covered off the majority of the story in a pretty tight and more intense few minutes, with the movie just a more stretched out version of that. Still, Bombshell is definitely a good movie and, as I mentioned right at the start, more important and relevant now than ever before, so it deserves to be seen by all.
Megyn Kelly (Charlize Theron) begins by giving us a whistle-stop tour of the Fox News building - the floor layout, who is located where, how various news teams operate, who some of the news anchors are. We learn about the second floor, where the man at the centre of the scandal to come, Roger Ailes (John Lithgow), has his office and where Rupert Murdoch and his sons all fit in. It's a lot to take in right off the bat, so don't turn up late for the movie and make sure you're paying attention!
It's 2016, and the presidential campaign is in full swing. Megyn is preparing for the Republican debate hosted by Fox News, where she is planning to fire off a controversial question at Donald Trump regarding his treatment of women. There's a bit of an upset (literally) earlier in the day though, when Megyn develops a nasty stomach bug, presumably from someone tampering with the coffee bought for her on the way to work, and she very nearly doesn't make it to the debate, which we assume was the desired result. She manages to get out her question though, resulting in the kind of rage tweeting from Trump that we've now become so accustomed to, backlash from Trump supporters and paparazzi turning up at the holiday home where Megyn is taking a short break with her family.
Meanwhile, Gretchen Carlson (Nicole Kidman) is meeting with lawyers regarding the sexist comments that she regularly receives both on air from her male co-anchors, and off air from people like Roger Ailes. She also feels that her demotion to a less popular daytime show is the result of her reluctance to 'play ball' with Ailes. We see the uncomfortable story of Rudi Bakhitar, fired for politely declining the sexual advances of her employer, and the lawyers advise that Gretchen will need to gain further evidence from other women before they can file a harassment suit against Ailes.
The harassment and treatment of women and what they have to endure at Fox News, just to try and come close to the same level as their male counterparts, becomes increasingly apparent as the movie progresses. Short dresses, wide angle shots and transparent news desks in order to see their legs and hold viewer attention - it's the kind of thing you might only casually notice while watching a show, but eye opening and shocking when you see the orders being given in the control room to switch to a certain camera, and the women being told off screen how they should look and dress. Even though you know it's only a matter of time before Carlson gets the support she needs in order to get justice, there's obviously a lot of tension and drama that needs to play out before we get there.
In order to highlight and demonstrate the treatment off camera, particularly from Roger Ailes, we are introduced to up-and-coming journalist and new employee Kayla Pospisil (Margot Robbie), who is a fictional character. Kayla beings by working for Gretchen Carlson, but is keen to progress to bigger things and, despite warnings from Gretchen that she should stay close to her, takes a job on Fox's number one program, The O'Reilly Factor. Along the way, Kayla forms a relationship with her co-worker Jess Carr (Kate McKinnon) and manages to find her way into the office of Ailes, where we get to see him at work in a very creepy and uncomfortable scene. As news of Gretchen's lawsuit breaks, a slow trickle of former victims begins to come forward, while Megyn remains noticeably tight-lipped about an encounter she had with Ailes 10 years ago. It's clear that somebody like Megyn has enough power to make the lawsuit a lot more viable.
For me, Bombshell is all about the performances. Charlize Theron wears simple prosthetics, and underwent voice coaching in order to play the role of Megyn Kelly convincingly, and she is outstanding, as is Nicole Kidman. We get to live the trauma and the ups and downs of Margot Robbie's character along with her in the movie, earning her a supporting actress BAFTA nomination this week (against herself, for Once Upon A Time In Hollywood!). John Lithgow, who I found to be brilliant as Winston Churchill in The Crown, has once again bulked up in order to portray Roger Ailes, and succeeds in making him seem human, and at times humorous, while still portraying his darker, weaker and more creepier side.
Outside of the performances, I found Bombshell to be a fairly average movie. What happened in the space of just a few days in real life, seems to occur over weeks in the movie and I felt the trailer covered off the majority of the story in a pretty tight and more intense few minutes, with the movie just a more stretched out version of that. Still, Bombshell is definitely a good movie and, as I mentioned right at the start, more important and relevant now than ever before, so it deserves to be seen by all.
John Roope (4 KP) rated Alita: Battle Angel (2019) in Movies
Feb 12, 2019
Great Design (1 more)
Good Action
Cheesy Dialogue (3 more)
Paper thin characters
Poor Performances
Distracting CGI main character
A cluttered poorly written movie with engaging action keeping it afloat
Alita battle angel is full of great action and a potentially interesting story that's let down by a substandard script. It follows Alita a cyborg rebuilt by Dr Dyson Igo ( a substandard performance from Cristoph Waltz) who has amnesia and must rediscover her past while on a quest to reach the mysterious floating city of Salem.
The first act of the movie is probably the strongest from a character perspective as we see Alita exploring this new world and building relationships with our central characters however on a dime that all changes. After observing Dr Igos mysterious nocturnal activities she unlocks some of her past discovering that she has unmatched fighting capabilities and suddenly becomes a wise cracking badass instead of this innocent girl and suddenly the action is centre stage.
Alita becomes a hunter warrior and participates in motor ball in order to reach Salem and defeat the baddies that want to capture her at all costs for the enigmatic nova up in the floating city. The action is well choreographed and while it does sometimes creep into the transformers/man of steel realm of headache inducing loud cluttered cgi infused battles for the most part they are exciting and tense as she battles larger and more experienced opponents. However after seeing Alita best even the strongest the tension in these fights wane as it becomes clearer and clearer she is in a league of of her own and her heartless ruthlessness disconnected me somewhat from sympathising with her as a character.
Fallen by the wayside in this deluge of action is the development of side characters and their relationships with Alita as well as the back story for the world. The father daughter dynamic is left shallow as is her relationship with Hugo who has a rather troubling occupation and Igo's ex wife who's collaborating with Salems spokesperson Vektor in order to get to Salem. None of these characters have enough time to develop their characters in order to give the audience much of an emotional connection that just leaves the movie feeling very stretched out and thin especially as the emotional connection with our heroine wanes.
The effects for the most part were good for the most part but Alita's CGI face didn't work for me at all at times it was over expressive and other times looked blank. It left me cringing at times when she spoke as the uncanny valley territory creeps ever closer. It just struck me as unnecessary and down right creepy feeling like a twisted sexual fantasy of a ultra innocent doe eyed girl who was also a killing machine. It was endlessly distracting and feel like it would be easier to connect with her as a character if she didn't loom so fake while everyone else felt completely real.
Going into this for some fun balls to the wall action you probably won't be too disappointed but looking for much depth here will be in vain as this never reaches the levels the ambitiously vast story aspires to get to
The first act of the movie is probably the strongest from a character perspective as we see Alita exploring this new world and building relationships with our central characters however on a dime that all changes. After observing Dr Igos mysterious nocturnal activities she unlocks some of her past discovering that she has unmatched fighting capabilities and suddenly becomes a wise cracking badass instead of this innocent girl and suddenly the action is centre stage.
Alita becomes a hunter warrior and participates in motor ball in order to reach Salem and defeat the baddies that want to capture her at all costs for the enigmatic nova up in the floating city. The action is well choreographed and while it does sometimes creep into the transformers/man of steel realm of headache inducing loud cluttered cgi infused battles for the most part they are exciting and tense as she battles larger and more experienced opponents. However after seeing Alita best even the strongest the tension in these fights wane as it becomes clearer and clearer she is in a league of of her own and her heartless ruthlessness disconnected me somewhat from sympathising with her as a character.
Fallen by the wayside in this deluge of action is the development of side characters and their relationships with Alita as well as the back story for the world. The father daughter dynamic is left shallow as is her relationship with Hugo who has a rather troubling occupation and Igo's ex wife who's collaborating with Salems spokesperson Vektor in order to get to Salem. None of these characters have enough time to develop their characters in order to give the audience much of an emotional connection that just leaves the movie feeling very stretched out and thin especially as the emotional connection with our heroine wanes.
The effects for the most part were good for the most part but Alita's CGI face didn't work for me at all at times it was over expressive and other times looked blank. It left me cringing at times when she spoke as the uncanny valley territory creeps ever closer. It just struck me as unnecessary and down right creepy feeling like a twisted sexual fantasy of a ultra innocent doe eyed girl who was also a killing machine. It was endlessly distracting and feel like it would be easier to connect with her as a character if she didn't loom so fake while everyone else felt completely real.
Going into this for some fun balls to the wall action you probably won't be too disappointed but looking for much depth here will be in vain as this never reaches the levels the ambitiously vast story aspires to get to