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David McK (3676 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 10, 2021
I knew I'd seen the original Zombieland movie.
Probably about 5, 6 years ago or so (roughly 4 years after it was released).
I also don't really remember all that much about it, other than - as the name gives away! - it's a comedy horror, and *that* cameo.
As such, I wondered whether or not I would be able to follow this one, or if it required knowledge of said earlier film.
While that may help, it doesn't really need that knowledge - I'm sure there's a few in-jokes and references (do a 'Bill Murray') that you won't get without it, but all in all you could probably watch this on its own.
This is set roughly 10 years or so after the earlier flick, and starts with Tallahasee, Columbus, Wichita and Little Rock now all settled down in their new home (The White House). However, events soon see them all back on the road again - hence the subtitle I've occasionally seen ('Road trip'), encountering new breeds of Zombies and some very familiar characters.
'tis an OK film: not one I'd be in any hurry to (re)watch, but nor is it the worst I've ever seen.
Probably about 5, 6 years ago or so (roughly 4 years after it was released).
I also don't really remember all that much about it, other than - as the name gives away! - it's a comedy horror, and *that* cameo.
As such, I wondered whether or not I would be able to follow this one, or if it required knowledge of said earlier film.
While that may help, it doesn't really need that knowledge - I'm sure there's a few in-jokes and references (do a 'Bill Murray') that you won't get without it, but all in all you could probably watch this on its own.
This is set roughly 10 years or so after the earlier flick, and starts with Tallahasee, Columbus, Wichita and Little Rock now all settled down in their new home (The White House). However, events soon see them all back on the road again - hence the subtitle I've occasionally seen ('Road trip'), encountering new breeds of Zombies and some very familiar characters.
'tis an OK film: not one I'd be in any hurry to (re)watch, but nor is it the worst I've ever seen.
Emma @ The Movies (1786 KP) rated Hellboy (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Open, black and white apart from Nimue's red dress.
Production notes: Try and make it noir-esque, but we need it done quickly so don't be too bothered by any of the class that goes with it.
As openings go it summed up the backstory quite nicely and Ian McShane's voiceover was good, but despite all of that it wasn't saved from it being quite badly shot.
I didn't want to start this review by moaning, but it's nearly impossible as there's a lot to moan about. I think I'm going to get it all out of the way now and then move on.
That CGI... at one point I wrote down that it was Harry Potter bad, I'm talking Voldemort on the back of the head bad. I'm trying to think of an obvious effect where it was actually good but I'm drawing a blank. Gruagach, our pig-demon-thing, looked like he was wearing a Halloween mask, but had it been real life I suspect it would look better.
Generally the creature effects are terrible, I was briefly hopeful for the giants but then the fight started and things got progressively worse. The blood was a particularly bad offering. I was particularly annoyed with this scene because the bits where Hellboy is thrown around were actually quite good and with a little work it could have been amazing.
Major Ben Daimio, played by Daniel Dae Kim, also got some punishing CGI for his transformation, unfortunately the negativity doesn't stop there. I just couldn't understand what that accent was about... I just... what the... ugh.
He's not the only character that's treated badly. Alice has so much potential in her but it isn't until the end that she discovers what she's really capable of. I can't help but think that they could have used her more to boost the movie.
David Harbour as Hellboy doesn't have me convinced. he's got the laid back attitude and some of the banter that the part needs, but there was a spark missing for me. Perhaps he was slightly more horizontal than laid back.
Quite possibly the best scene in the movie is right at the end when we see the group back together briefly. This scene was so well done that I was a little irritated they didn't manage to replicate that earlier in the film.
Hellboy is probably too long, there are definitely pieces to cut out. As much as I love her, Big Mo has to go, I'd also cut out Baba Yaga. The effects were overly creepy and the scenes added hardly anything apart from what felt like an obvious set up for a sequel.
The story overall isn't that bad, I like the origin of Hellboy, although baby Hellboy felt a lot like they'd taken the Ally McBeal baby and painted it red. I also liked the fact that they didn't let him instantly take the easy route to victory, that really worked in his favour.
I've realised at this point that I haven't really mentioned Nimue. She's one of the main villains, I probably should have talked about her by now but apart from the assembly scene she's not overly memorable, much like most of the other bad guys.
As a last passing note I want to mention the music. I noticed it a lot and it was frequently very good, it certainly helped the transition scenes. I probably would have turned the volume down a bit, but it was a great selection so I don't think it's too much of a problem.
I should probably stop waffling at this point. Despite what has amounted to a lot of moaning and griping Hellboy wasn't a waste of my time. I know lots of you are going to disagree with me on that point. To be entertaining given all of those faults I nitpicked was a great achievement. It delivers on daft action and sometimes that's all I need to have an amusing time at the cinema. We probably just need to keep our fingers crossed for better effects if they come out with a sequel.
What you should do
I would go and see it at the cinema if I were you. If you can get past the fact it isn't Ron Perlman and there's a severe lack of kittens then you're bound to have some fun.
Movie thing you wish you could take home
Some spirit powers would be quite fun, minus the vomiting part.
Production notes: Try and make it noir-esque, but we need it done quickly so don't be too bothered by any of the class that goes with it.
As openings go it summed up the backstory quite nicely and Ian McShane's voiceover was good, but despite all of that it wasn't saved from it being quite badly shot.
I didn't want to start this review by moaning, but it's nearly impossible as there's a lot to moan about. I think I'm going to get it all out of the way now and then move on.
That CGI... at one point I wrote down that it was Harry Potter bad, I'm talking Voldemort on the back of the head bad. I'm trying to think of an obvious effect where it was actually good but I'm drawing a blank. Gruagach, our pig-demon-thing, looked like he was wearing a Halloween mask, but had it been real life I suspect it would look better.
Generally the creature effects are terrible, I was briefly hopeful for the giants but then the fight started and things got progressively worse. The blood was a particularly bad offering. I was particularly annoyed with this scene because the bits where Hellboy is thrown around were actually quite good and with a little work it could have been amazing.
Major Ben Daimio, played by Daniel Dae Kim, also got some punishing CGI for his transformation, unfortunately the negativity doesn't stop there. I just couldn't understand what that accent was about... I just... what the... ugh.
He's not the only character that's treated badly. Alice has so much potential in her but it isn't until the end that she discovers what she's really capable of. I can't help but think that they could have used her more to boost the movie.
David Harbour as Hellboy doesn't have me convinced. he's got the laid back attitude and some of the banter that the part needs, but there was a spark missing for me. Perhaps he was slightly more horizontal than laid back.
Quite possibly the best scene in the movie is right at the end when we see the group back together briefly. This scene was so well done that I was a little irritated they didn't manage to replicate that earlier in the film.
Hellboy is probably too long, there are definitely pieces to cut out. As much as I love her, Big Mo has to go, I'd also cut out Baba Yaga. The effects were overly creepy and the scenes added hardly anything apart from what felt like an obvious set up for a sequel.
The story overall isn't that bad, I like the origin of Hellboy, although baby Hellboy felt a lot like they'd taken the Ally McBeal baby and painted it red. I also liked the fact that they didn't let him instantly take the easy route to victory, that really worked in his favour.
I've realised at this point that I haven't really mentioned Nimue. She's one of the main villains, I probably should have talked about her by now but apart from the assembly scene she's not overly memorable, much like most of the other bad guys.
As a last passing note I want to mention the music. I noticed it a lot and it was frequently very good, it certainly helped the transition scenes. I probably would have turned the volume down a bit, but it was a great selection so I don't think it's too much of a problem.
I should probably stop waffling at this point. Despite what has amounted to a lot of moaning and griping Hellboy wasn't a waste of my time. I know lots of you are going to disagree with me on that point. To be entertaining given all of those faults I nitpicked was a great achievement. It delivers on daft action and sometimes that's all I need to have an amusing time at the cinema. We probably just need to keep our fingers crossed for better effects if they come out with a sequel.
What you should do
I would go and see it at the cinema if I were you. If you can get past the fact it isn't Ron Perlman and there's a severe lack of kittens then you're bound to have some fun.
Movie thing you wish you could take home
Some spirit powers would be quite fun, minus the vomiting part.
Neon's Nerd Nexus (360 KP) rated Creed II (2018) in Movies
May 13, 2019
Fighting fit
#creed2 ups the stakes & hits the viewer hard right in the #feels. I was so pumped for this as the first is probably one of my favourite #boxing movies & yet while the second isnt quite as good it still manages to pack an extremely impressive #punch. The thing about #Creed 2 that was instantly noticeable right from its powerful opening is just how god damn good it is at creating relatable/believable #emotion. This is done by creating such a strong believable bond between all of the main characters be it by #love/ passion or rivalry ensuring we care about everyone & really feel the struggles/#pain they experience (which almost lead to me tearing up at times). I also loved how they showed more from the #Drago perspective this time & how he he maybe an unstoppable force in the ring but in real life he's bullied & pushed around like a nobody, this was so refreshing to see & left me rooting for him just as much as Creed in the final #fight. Drago is a man clearly fuelled by #hate & anger kept under control by discipline & respect for his #father yet Creeds motivations are more cloudy, muddled & reckless fuelled more by #revenge & anger than focus/control & I found this to be by far the most interesting/intricate part of the movie. More of a drama than a #brawling film Creed 2 deals with incredibly depressing, realistic & tuff themes of overcoming mental torture, loss, revenge, neglect, conditioning, humiliation, passion, loyalty & at times I found it extremely heavy going with all of the cast delivering some strong & memorable performances adding to the realism. Sound design was also punchy giving tremendous weight to the fights & the soundtrack is a perfect balance between epic & sombre. Camera work is graceful & never hides any of the action & there's some #beautiful imagery that combine with clever set design make for some brilliantly deep symbolism. Only let down by its predictable & cliched second half/some cheesy scenes every now & then Creed 2 is a must watch, its #inspiring, uplifting yet hard hitting & at times emotionally draining. A second round thats well worth a shot. #limitless #sylvesterstallone #fighting #fightnight #rocky #michaelbjordan #rockybalboa
Mike Wilder (20 KP) rated True Romance (1993) in Movies
May 30, 2018
I know people that hate this film, but I know far more that love it.
Contains spoilers, click to show
The film was written by Quentin Tarantino, and it really shows with the sharp dialogue and crazy plot. The film centres around Clarence (Christian Slater) who meets and marries Alabama (Patricia Arquette). After Clarence goes to get Alabama's belongings, through a series of mishaps, he ends up with suitcase of coke and they decide to sell it. This leads to a wild adventure involving drug dealers, police and movie executives.
The casting in this film is amazing with Hollywood greats turning up and each one adds something special to the film. But by far the best performance is by Brad Pitt as the roommate of Clarence's friend Dick. He is on screen for a total of about 5 minutes but steals every scene he is in. However every one of the characters in the film brings something special. The performances by Hollywood greats, including Dennis Hopper, Christopher Walken and Gary Oldman all come so close to being over the top, but the incredible script and brilliant directing manage to hold back just enough to stop it going too far.
This film is a true masterpiece where everything just falls in to place. The film is not for the faint of heart though. There are very graphic scenes of violence. One particular scene involving a woman getting severely beaten. The perpetrator definitely gets his comeuppance though. While the violence is very graphic, as with most of Tarantino's films, it is very bloody but also portrayed in a realistic manor. This adds to the shock and also to bring you closer to the victims.
I cannot praise this film enough. It is one of the greats that has been overlooked by many including Hollywood. Almost all of the performances are worthy of Oscar nomination, as with the script. But this film was overlooked by all the major awards.
If you are a fan of Tarantino films, or films with a good cast and great story give this film a try. I know people that hate this film, but I know far more that love it.
The casting in this film is amazing with Hollywood greats turning up and each one adds something special to the film. But by far the best performance is by Brad Pitt as the roommate of Clarence's friend Dick. He is on screen for a total of about 5 minutes but steals every scene he is in. However every one of the characters in the film brings something special. The performances by Hollywood greats, including Dennis Hopper, Christopher Walken and Gary Oldman all come so close to being over the top, but the incredible script and brilliant directing manage to hold back just enough to stop it going too far.
This film is a true masterpiece where everything just falls in to place. The film is not for the faint of heart though. There are very graphic scenes of violence. One particular scene involving a woman getting severely beaten. The perpetrator definitely gets his comeuppance though. While the violence is very graphic, as with most of Tarantino's films, it is very bloody but also portrayed in a realistic manor. This adds to the shock and also to bring you closer to the victims.
I cannot praise this film enough. It is one of the greats that has been overlooked by many including Hollywood. Almost all of the performances are worthy of Oscar nomination, as with the script. But this film was overlooked by all the major awards.
If you are a fan of Tarantino films, or films with a good cast and great story give this film a try. I know people that hate this film, but I know far more that love it.
Reggie Watts recommended Slacker (1991) in Movies (curated)
Bill Nighy recommended Bringing Up Baby (1938) in Movies (curated)
Daniel Boyd (1066 KP) rated Marvel's Daredevil - Season 2 in TV
Jul 21, 2017
Brilliant writing (1 more)
Fantastic performances
Down and Dirty Crimefighting
These shows are fantastic. The Netflix/Marvel TV universe that has been built off of the back of these shows is awesome. If you are a fan of the Marvel Max comic books, then these shows have been made for you. Marvel reintroduces Daredevil (and Punisher in Daredevil Season 2,) in epic fashion. This is a world where the events of the Avengers movies have taken place, but these are gritty, street level stories that tell tales of a more personal, visceral kind of battle. If you like your Marvel superheroes, but find the Avengers too tame, then wade right in. These heroes are foul mouthed, real people who happen to have some amazing abilities. Charlie Cox is a fantastic Matt Murdock and Krysten Ritter is a brilliant Jessica Jones, the supporting characters are also well implemented, such as Elektra, Stick, Foggy Nelson, Karen Paige, Night Nurse, Nuke, Luke Cage and Trish. The villains in each show are also some of the best the Marvel have had so far, Vincent D’Onofrio plays a tragic, but still scheming and suitably evil version of Kingpin, which gives the character a depth that hasn’t yet been explored. I really hope that they use the character in the solo Spiderman movie. David Tennant plays Killgrave or The Purple Man in Jessica Jones and he also kills it, you can tell he really had fun with the role too, which makes him even more entertaining whenever he is onscreen. Season 2 of Daredevil just recently finished up and during it we were introduced to the new Punisher, played by Jon Bernthal, who again gives us the chance to explore the character and his psyche to a level that we haven’t seen before. He is still the hardcore badass that you would expect, but his mentality in this universe goes deeper than that and that is something that is very cool to see. Overall I have loved every episode of these shows to date and as long as they carry on the tone and the overall production standard that they have set themselves so far, I can’t wait to see what else this universe has to offer. There is also exciting rumours stating that they could appear in the Avengers Infinity War films. I can’t wait to see all of this and I really feel that all of these characters show great potential. Keep doing what you are doing Marvel, because it is truly awesome. Doing these character’s origin stories in an R rated TV show setting was a great idea and the writing and performances on Netflix stand up to any show on HBO or AMC. If you haven’t seen the entirety of these shows yet, stop what you are doing and go marathon them right now, you will not regret it.
Gareth von Kallenbach (980 KP) rated Triple 9 (2016) in Movies
Aug 6, 2019
A crew of bank robbers is strong-armed by the Russian mob to pull off a near impossible heist due the response time of the police. In order to create a larger window, the dirty cops of this crew suggest creating a 999 (police code for “officer down.”) on the other side of town. That is the basic plot of Triple 9. Yet, the tagline for this film is, “The Code on the street is never black and white.” Seems like a different movie which is part of the letdown of Triple 9. It doesn’t know what it wants to be. Is it a heist movie like Heat or The Town? Or is it trying to be a movie about the cops and the rules of the streets like Training Day?
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
Emma @ The Movies (1786 KP) rated Clue (1985) in Movies
Sep 25, 2019
I wish I could remember the first time I saw Clue. It has been one of my favourites for years. Tim Curry as Wadsworth and Lesley Ann Warren as Miss Scarlet will always be the highlight of this for me. Looking at my sense of humour these days I see a lot of things I recognise from these older films that I grew up with.
FUN FACT - CASTING: Jonathan Lynn said that Carrie Fisher was originally cast as Miss Scarlet but went into rehab four days before filming began, so Warren was given the role instead.
Generally all round the cast is great and they all bring something memorable to their characters.
FUN FACT - COLOURS: The character's colourful monikers match with the colour of their playing pieces in the board game and their cars in the movie.
I'm not going to lie, the fact that they didn't wear their colours has always bothered me. Evidently they're all wearing the "opposite" of their colours... I'm not sure I care for that idea if I'm honest.
I can't put my finger on what I love so much about Clue. It's just so easy to watch. From the moment Wadsworth gives that dog a withering look to the triumphant ending it's just brilliant to watch. I can't think of a moment that I dislike, and trying to pick a favourite moment? Forget it. I'd just have to present you with the entire movie with ending C.
FUN FACT - ENDINGS: While there are three endings to the film that you can see on the blu-ray/DVD, there was actually a fourth one filmed where Wadsworth revealed that he had actually poisoned everyone earlier in the evening. It's still in the novelisation but was never shown.
There are so many laughs throughout and while I've seen it so often that I don't laugh out loud as much it still brings a smile to my face. I enjoy the slightly madcap interactions and the overly dramatic reactions.
Tim Curry really is amazing, I think basically all of us would agree with that. (Well apart from one person I found online who has evidently never liked anything he's been in.) This movie could be used as his emotional resume. I don't think there are any he missed!
FUN FACT - CASTING: Lynn was set to cast Leonard Rossiter (Rigsby from Rising Damp) as Wadsworth but he sadly passed away before production started. His second choice was Rowan Atkinson but the studio were worried he was too much of an unknown in the states at the time.
While I can definitely see Rossiter in his role I really can't imagine him having the same impact on screen. Curry's flamboyancy definitely lifted the film to pole position among comedies.
Watching Clue of course makes me want to watch Murder By Death which has a very similar feel, although not quite so manic towards the end.
"It's my defense mechanism!" - Miss Scarlet
Isn't it though!?
What you should do
I know older films aren't for everyone but Clue is amazingly fun and I feel like everyone need to see it, and if you don't love it... just tell me that you did in a text message so I can't tell you're lying to me.
Note: I brought a special edition of Clue from HMV. It was a blu-ray copy in a retro VHS type box. It also came with a small poster, a collectors card, a sticker and a DVD copy. It's fun and it's different, but ultimately that version really isn't worth the money. I would just get the cheapest thing that you can. The quality difference of the blu-ray isn't worth it and the VHS box gimmick is nice in theory but disappointing in reality.
Movie thing you wish you could take home
Secret passageways in a house? Erm, yes please!
FUN FACT - CASTING: Jonathan Lynn said that Carrie Fisher was originally cast as Miss Scarlet but went into rehab four days before filming began, so Warren was given the role instead.
Generally all round the cast is great and they all bring something memorable to their characters.
FUN FACT - COLOURS: The character's colourful monikers match with the colour of their playing pieces in the board game and their cars in the movie.
I'm not going to lie, the fact that they didn't wear their colours has always bothered me. Evidently they're all wearing the "opposite" of their colours... I'm not sure I care for that idea if I'm honest.
I can't put my finger on what I love so much about Clue. It's just so easy to watch. From the moment Wadsworth gives that dog a withering look to the triumphant ending it's just brilliant to watch. I can't think of a moment that I dislike, and trying to pick a favourite moment? Forget it. I'd just have to present you with the entire movie with ending C.
FUN FACT - ENDINGS: While there are three endings to the film that you can see on the blu-ray/DVD, there was actually a fourth one filmed where Wadsworth revealed that he had actually poisoned everyone earlier in the evening. It's still in the novelisation but was never shown.
There are so many laughs throughout and while I've seen it so often that I don't laugh out loud as much it still brings a smile to my face. I enjoy the slightly madcap interactions and the overly dramatic reactions.
Tim Curry really is amazing, I think basically all of us would agree with that. (Well apart from one person I found online who has evidently never liked anything he's been in.) This movie could be used as his emotional resume. I don't think there are any he missed!
FUN FACT - CASTING: Lynn was set to cast Leonard Rossiter (Rigsby from Rising Damp) as Wadsworth but he sadly passed away before production started. His second choice was Rowan Atkinson but the studio were worried he was too much of an unknown in the states at the time.
While I can definitely see Rossiter in his role I really can't imagine him having the same impact on screen. Curry's flamboyancy definitely lifted the film to pole position among comedies.
Watching Clue of course makes me want to watch Murder By Death which has a very similar feel, although not quite so manic towards the end.
"It's my defense mechanism!" - Miss Scarlet
Isn't it though!?
What you should do
I know older films aren't for everyone but Clue is amazingly fun and I feel like everyone need to see it, and if you don't love it... just tell me that you did in a text message so I can't tell you're lying to me.
Note: I brought a special edition of Clue from HMV. It was a blu-ray copy in a retro VHS type box. It also came with a small poster, a collectors card, a sticker and a DVD copy. It's fun and it's different, but ultimately that version really isn't worth the money. I would just get the cheapest thing that you can. The quality difference of the blu-ray isn't worth it and the VHS box gimmick is nice in theory but disappointing in reality.
Movie thing you wish you could take home
Secret passageways in a house? Erm, yes please!
Bob Mann (459 KP) rated Wind River (2017) in Movies
Sep 29, 2021
Survive or Surrender.
Of all of the movie released I missed during 2016 (typically due to work commitments) this one was one near the top of my list. I’m a fan of both Jeremy Renner and Elizabeth Olsen, and the setting and story to this one really appealed.
And now I’ve caught up with it, I am not disappointed… certainly one that would have muscled its way well into my top 20 of last year.
Wind River is an Indian reservation in Wyoming (although its filmed in Utah). Natalie (Kelsey Asbille), a young Indian teen, is found in the snow raped and murdered by local tracker Cory Lambert (Jeremy Renner, “Arrival“, “Mission Impossible: Rogue Nation“). The local police, led by Ben (Graham Greene), are surprised when a passionate but naive young FBI officer – Jane Banner (Elizabeth Olsen, “Avengers: Age of Ultron“) – arrives out of a blizzard without remotely sensible clothing. So begins an investigation into who committed the crime, where local knowledge and skills are more applicable than all the CSI-knowhow in the world.
Banner (Elizabeth Olsen) and Ben (Graham Greene) get to work.
This film is everything “The Snowman” should have been and wasn’t. At its heart, there are some memorable relationships established. Gil Birmingham (so good as Jeff Bridges’ right-hand man in “Hell or High Water“) plays Natalie’s dad, grieving and railing against all outsiders other than Cory, who he has a deep and close relationship with. For Cory has a back-story that goes beyond just him marrying into (and now separated from) Wilma (Julia Jones), a woman from the reservation.
Cowboys and Indians. Cory (Jeremy Renner) and Martin (Gil Birmingham) having a deep and moving discussion.
Cory himself has a role that is deep and multi-layered, and Renner is the perfect choice for it (although many scenes could have been cut and spliced into this from his – I thought really strong – Bourne spin-off “The Bourne Legacy”!). Here he has both action scenes and raw emotional scenes to tackle, and although perhaps he doesn’t quite pull off the latter to perfection, he comes pretty close.
“Do you wanna build a snowman?”. Cory is about to make a grim discovery.
Elizabeth Olsen – who seriously deserves more meaty roles like this – plays a ‘flibbertigibbet’ girl (there’s an old word that needs more airtime!) who turns out to have real internal steel. Yet another admirable female role model. #She-do!
The film also paints a vivid and intolerable picture of the dead-end nature of reservation life for many, with poor decisions as a teen (and we’ve all made those) here not being forgiven for the rest of your life.
Written and directed by Taylor Sheridan, who also wrote “Sicario“, “Hell or High Water” and the soon to appear Sicario sequel, “Soldado”, pens some fine and memorable dialogue. “Shouldn’t we wait for some backup?” asks Banner. Ben replies “This isn’t the land of backup. This is the land of you’re on your own”. It’s a film with useful tips as well, like NEVER, EVER go for a run in seriously sub-zero temperatures! (As I’m penning this review in sub-zero Canada at the moment, this is timely advice. #skiptheruntoday.) Sheridan won a Cannes Film Festival award as director for this, but arguably it’s a shame the script has been largely overlooked for the major awards so far.
And that land is one of the stars of the film as well. Filmed around the town of Park City in Utah, it’s gloriously snowy countryside with impressive mountain scenery.
Bleak but impressive, Utah is one of the stars.
My only quibble with the movie is that there are some elements of the plot that don’t quite gel properly. At various times, the heavens open and it buckets down – and I mean buckets down – with snow that must add inches to the landscape in minutes. And yet Cory can still point out tracks in the snow that were made days before? Huh? Also (without spoilers) some elements of communications are also conveniently unreliable when they need to be.
Will this be for everyone? While I commented that the excellent “Three Billboards Outside Ebbing.Missouri” (which shares similar background subject matter) did NOT have flashback scenes to the rape, this film does go there, and so might be upsetting for some viewers.
Girl in Trouble. Kelsey Asbille plays the victim Natalie.
But it’s a high-class, intelligent crime thriller that takes “Mexican standoff” to a whole new level. Recommended.
And now I’ve caught up with it, I am not disappointed… certainly one that would have muscled its way well into my top 20 of last year.
Wind River is an Indian reservation in Wyoming (although its filmed in Utah). Natalie (Kelsey Asbille), a young Indian teen, is found in the snow raped and murdered by local tracker Cory Lambert (Jeremy Renner, “Arrival“, “Mission Impossible: Rogue Nation“). The local police, led by Ben (Graham Greene), are surprised when a passionate but naive young FBI officer – Jane Banner (Elizabeth Olsen, “Avengers: Age of Ultron“) – arrives out of a blizzard without remotely sensible clothing. So begins an investigation into who committed the crime, where local knowledge and skills are more applicable than all the CSI-knowhow in the world.
Banner (Elizabeth Olsen) and Ben (Graham Greene) get to work.
This film is everything “The Snowman” should have been and wasn’t. At its heart, there are some memorable relationships established. Gil Birmingham (so good as Jeff Bridges’ right-hand man in “Hell or High Water“) plays Natalie’s dad, grieving and railing against all outsiders other than Cory, who he has a deep and close relationship with. For Cory has a back-story that goes beyond just him marrying into (and now separated from) Wilma (Julia Jones), a woman from the reservation.
Cowboys and Indians. Cory (Jeremy Renner) and Martin (Gil Birmingham) having a deep and moving discussion.
Cory himself has a role that is deep and multi-layered, and Renner is the perfect choice for it (although many scenes could have been cut and spliced into this from his – I thought really strong – Bourne spin-off “The Bourne Legacy”!). Here he has both action scenes and raw emotional scenes to tackle, and although perhaps he doesn’t quite pull off the latter to perfection, he comes pretty close.
“Do you wanna build a snowman?”. Cory is about to make a grim discovery.
Elizabeth Olsen – who seriously deserves more meaty roles like this – plays a ‘flibbertigibbet’ girl (there’s an old word that needs more airtime!) who turns out to have real internal steel. Yet another admirable female role model. #She-do!
The film also paints a vivid and intolerable picture of the dead-end nature of reservation life for many, with poor decisions as a teen (and we’ve all made those) here not being forgiven for the rest of your life.
Written and directed by Taylor Sheridan, who also wrote “Sicario“, “Hell or High Water” and the soon to appear Sicario sequel, “Soldado”, pens some fine and memorable dialogue. “Shouldn’t we wait for some backup?” asks Banner. Ben replies “This isn’t the land of backup. This is the land of you’re on your own”. It’s a film with useful tips as well, like NEVER, EVER go for a run in seriously sub-zero temperatures! (As I’m penning this review in sub-zero Canada at the moment, this is timely advice. #skiptheruntoday.) Sheridan won a Cannes Film Festival award as director for this, but arguably it’s a shame the script has been largely overlooked for the major awards so far.
And that land is one of the stars of the film as well. Filmed around the town of Park City in Utah, it’s gloriously snowy countryside with impressive mountain scenery.
Bleak but impressive, Utah is one of the stars.
My only quibble with the movie is that there are some elements of the plot that don’t quite gel properly. At various times, the heavens open and it buckets down – and I mean buckets down – with snow that must add inches to the landscape in minutes. And yet Cory can still point out tracks in the snow that were made days before? Huh? Also (without spoilers) some elements of communications are also conveniently unreliable when they need to be.
Will this be for everyone? While I commented that the excellent “Three Billboards Outside Ebbing.Missouri” (which shares similar background subject matter) did NOT have flashback scenes to the rape, this film does go there, and so might be upsetting for some viewers.
Girl in Trouble. Kelsey Asbille plays the victim Natalie.
But it’s a high-class, intelligent crime thriller that takes “Mexican standoff” to a whole new level. Recommended.