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Gareth von Kallenbach (980 KP) rated Sin City (2005) in Movies
Aug 14, 2019
In a dazzling blend of muted color, violence, and eroticism Frank Millers graphic novel Sin City has burst upon the screen with a visual style that is as diverse as the star studded cast that drives it.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Sarah (7799 KP) rated The Umbrella Academy - Season 1 in TV
Aug 1, 2020
Deserving of the hype
The review is a copy of my review of the main series, as the first season is what I based it on!
I have to admit, I was pretty impressed with this show. It's not every day when you watch something that meets all of the hype surrounding it, and I was quite sceptical to begin with.
The show manages to brilliantly blend action, the supernatural and dark humour to form an intriguing and interesting adult plot, with just enough twists to keep you hooked without going too OTT (Lost style). It also has some brilliant fight scenes (with a decent amount of blood and gore) that are paired with a truly killer soundtrack. And it has fortunately gone down the adult route rather than making this suitable for kids like some of the Marvel type shows/films.
The characters too for the most part are witty, deep and well thought out, from the family members to the villains Hazel and Cha-Cha. My favourites are by far Five and Klaus. Robert Sheehan is a great actor, I've loved him since Misfits and he's really perfect for Klaus. And Aidan Gallagher is brilliant as the old man in a child's body Five, there's something very humorous seeing a thirteen year old outsmarting and killing people. He's a true delight whenever he's on screen. My only real issue with the characters is with Vanya. For me I found her very dull to begin with and I thought her entire storyline was a teeny bit predictable. She does pick up and get more interesting towards the end, it's just a shame she puts a downer on the earlier episodes. Luckily the rest of the show more than makes up for it.
I can't begin to say how devastated I was at the end of the final episode. I could've quite happily watched more, so I really hope they renew this for another season.
I have to admit, I was pretty impressed with this show. It's not every day when you watch something that meets all of the hype surrounding it, and I was quite sceptical to begin with.
The show manages to brilliantly blend action, the supernatural and dark humour to form an intriguing and interesting adult plot, with just enough twists to keep you hooked without going too OTT (Lost style). It also has some brilliant fight scenes (with a decent amount of blood and gore) that are paired with a truly killer soundtrack. And it has fortunately gone down the adult route rather than making this suitable for kids like some of the Marvel type shows/films.
The characters too for the most part are witty, deep and well thought out, from the family members to the villains Hazel and Cha-Cha. My favourites are by far Five and Klaus. Robert Sheehan is a great actor, I've loved him since Misfits and he's really perfect for Klaus. And Aidan Gallagher is brilliant as the old man in a child's body Five, there's something very humorous seeing a thirteen year old outsmarting and killing people. He's a true delight whenever he's on screen. My only real issue with the characters is with Vanya. For me I found her very dull to begin with and I thought her entire storyline was a teeny bit predictable. She does pick up and get more interesting towards the end, it's just a shame she puts a downer on the earlier episodes. Luckily the rest of the show more than makes up for it.
I can't begin to say how devastated I was at the end of the final episode. I could've quite happily watched more, so I really hope they renew this for another season.
Acanthea Grimscythe (300 KP) rated Wolf Blood in Books
Jan 31, 2019
Wolf Blood is a fresh, new take on the apocalypse–free of zombies and nuclear fallout. It’s a welcome breath of fresh air in a market that’s already overly saturated with the same tropes, and for that Steve Morris deserves props. That’s not to say that there aren’t issues with Wolf Blood. There are several, actually. It does, however, mean that this is a title worth taking the time to read if you’re sick of the same washed up material.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.
b.Young (97 KP) rated Apocalypticon in Books
Jun 1, 2018
Witty dialog (1 more)
Humorous take on apocalypse genre
The most humorous apocalypse book I've ever read
I found this book offered for Kindle and decided to read it based on the fact that it was humorous instead of serious.
Apocalypticon is a story of two friends in Chicago that somehow survived M-Day, the day the monkey shaped missiles were launched from Jamaica to destroy most of the inhabitants of Earth, only to pack up 3 years later and make a whirlwind trip to visit Disney World, of all places.
Along the way, Patrick and Ben come across some very colorful survivors like Violet, a woman who runs the only bridge out of town like a restaurant: hostess stand, bus boys, wine and all; an Amtrak Captain who happens to be the only one left in the country, that is obsessed with keeping a schedule he never can seem to keep; a futune teller that warns Patrick of his fate; a couple of religious cults, each morbidly twisted in their own way; zombie-like creatures called Runners that snorted their way into the realm of the semi-undead; a gun-toting chick that thinks that the Runners can be cured; and journalist who is trying to make sense of why certain people survived the decimation of 98% of the world's population.
Now, don't get me wrong, there were plenty of action scenes where people and things got effed up, but not so much of the blood and gore that typically goes along with genre.
I surprised myself by actually laughing out loud while reading this...several times, I might add.
I recommend Apocalypticon to anyone who enjoys a good apocalypse story and can accept the hilarity of the situation at hand.
Apocalypticon is a story of two friends in Chicago that somehow survived M-Day, the day the monkey shaped missiles were launched from Jamaica to destroy most of the inhabitants of Earth, only to pack up 3 years later and make a whirlwind trip to visit Disney World, of all places.
Along the way, Patrick and Ben come across some very colorful survivors like Violet, a woman who runs the only bridge out of town like a restaurant: hostess stand, bus boys, wine and all; an Amtrak Captain who happens to be the only one left in the country, that is obsessed with keeping a schedule he never can seem to keep; a futune teller that warns Patrick of his fate; a couple of religious cults, each morbidly twisted in their own way; zombie-like creatures called Runners that snorted their way into the realm of the semi-undead; a gun-toting chick that thinks that the Runners can be cured; and journalist who is trying to make sense of why certain people survived the decimation of 98% of the world's population.
Now, don't get me wrong, there were plenty of action scenes where people and things got effed up, but not so much of the blood and gore that typically goes along with genre.
I surprised myself by actually laughing out loud while reading this...several times, I might add.
I recommend Apocalypticon to anyone who enjoys a good apocalypse story and can accept the hilarity of the situation at hand.
Sarah (7799 KP) rated Slaughterhouse Rulez (2018) in Movies
Nov 14, 2018
Such a disappointment
I've seen a lot of horrendous reviews for this film and whilst I'd agree that it isn't great, it's not nearly as bad as expected.
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
Gareth von Kallenbach (980 KP) rated Happy Death Day (2017) in Movies
Jul 11, 2019
Using familiar themes can be a risk. What we have seen in previous films that define a style, becomes cliché and bores the audience. Then there are times when movies turn the trope on its head and gives us a clever take on the familiar. Christopher Landon (Scout’s Guide To The Zombie Apocalypse) has directed a fun romp in suspense and horror. Yes, there is the blatant reference to Groundhog Day, but this film is definitely a homage to John Carpenter, the master of the genre.
We know from the trailer that this is a horror/suspense loop and there are expectations set in this type of film. The young, attractive, woman, stalked by an unknown, masked assailant with a penchant for cutlery. As we know, Tree (Jessica Rothe) gets killed repeatedly on her birthday. We know it’s a slasher flick, expecting to see lots of blood and gore. Putting the main character in a time loop is definitely a twist in the storytelling.
Using repetition in film can be a tricky, stalling the momentum of the film. There was a moment during where I wondered when the loop would end, creating the feeling of hopelessness. It is at that time where Tree’s through process shifts and we travel with her in this never ending day. It takes a few times in the loop for Tree’s character to become enlightened She does figure out that each return is a do-over, an opportunity to make different choices.
The film also tips it’s hat to the college/high school, mean girl movies and definitely a nod to John Hughes Sixteen Candles. It had humor, wit and clever character development, I certainly did not expect to enjoy the film as much as I did. I would definitely watch it again to catch all of the references.
We know from the trailer that this is a horror/suspense loop and there are expectations set in this type of film. The young, attractive, woman, stalked by an unknown, masked assailant with a penchant for cutlery. As we know, Tree (Jessica Rothe) gets killed repeatedly on her birthday. We know it’s a slasher flick, expecting to see lots of blood and gore. Putting the main character in a time loop is definitely a twist in the storytelling.
Using repetition in film can be a tricky, stalling the momentum of the film. There was a moment during where I wondered when the loop would end, creating the feeling of hopelessness. It is at that time where Tree’s through process shifts and we travel with her in this never ending day. It takes a few times in the loop for Tree’s character to become enlightened She does figure out that each return is a do-over, an opportunity to make different choices.
The film also tips it’s hat to the college/high school, mean girl movies and definitely a nod to John Hughes Sixteen Candles. It had humor, wit and clever character development, I certainly did not expect to enjoy the film as much as I did. I would definitely watch it again to catch all of the references.
JT (287 KP) rated The Wolfman (2010) in Movies
Mar 10, 2020
As what we would describe as the classic monster horror, this remake of the 1941 black and white picture in some way does itself and the original some justice.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Charlie Cobra Reviews (1840 KP) rated Love, Death & Robots in TV
Jul 7, 2020
Unique And Visceral Experience
Love, Death, & Robots is an adult animated anthology tv series on Netflix. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each of the 18 episodes released on the first season was animated by different crews from a range of countries. It's also a re-imagining of 1981 animated sci-fi film Heavy Metal. Starring Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley, and Stefan Kapicic.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Bookapotamus (289 KP) rated Painless in Books
Jul 2, 2018
Very Cool Book!
Excuse me for a second, while I go barf. OMG this book. Holy heck the gruesome descriptions of blood and gore and guts was SO RAD. I found myself cringing and fidgeting and yes, even feeling a bit nauseous in some spots - but totally in a GOOD WAY! Painless was exactly what I wanted in a super-unique, creepy, shocking horror-thriller.
Greg Owens is in pain. A LOT of pain. He fell off a ladder on a construction job, injuring his back, and his entire life has gone to shit. He lost his wife, his kid, he can't work, he's addicted to pills. He's desperate, and can't find anything that will help him get relief, so he can return to construction, or any job he doesn't need "Pills to pay the Bills" in order to to work. His addiction is keeping him from his little girl and he's resorted to getting pills illegally from dealers, just to make it though the day.
Dr. Dante Menta is running an exclusive clinical trial. He's been working on a pain relief technique for years, and promises a complete cure of all physical pain. Sign me up, right? We meet all the patients involved in the trial who have arrived before Greg. There are even animal patients. Some of them are seeking relief from back pain, or car accident injuries, others from auto-immune things like Lupus - and even chronic migraine headaches.
The patients are taken in one by one to get the procedure and at first, it's exactly as promised and the results are impressive! But soon, shit starts hitting the fan. Patients are starting to act really strange, obsessive, destructive. Things start to go horribly, horribly wrong. And it's incredible awesome to watch!
I thought this story was really different and the premise was immediately intriguing - it was a quick read, but written really well, and explores a dark side of both how people deal with pain management and also Dr. Mentas obsession with his life's work to find a cure. I would love to see this translated to a horror movie, and I'd be first in line to buy a ticket!
Greg Owens is in pain. A LOT of pain. He fell off a ladder on a construction job, injuring his back, and his entire life has gone to shit. He lost his wife, his kid, he can't work, he's addicted to pills. He's desperate, and can't find anything that will help him get relief, so he can return to construction, or any job he doesn't need "Pills to pay the Bills" in order to to work. His addiction is keeping him from his little girl and he's resorted to getting pills illegally from dealers, just to make it though the day.
Dr. Dante Menta is running an exclusive clinical trial. He's been working on a pain relief technique for years, and promises a complete cure of all physical pain. Sign me up, right? We meet all the patients involved in the trial who have arrived before Greg. There are even animal patients. Some of them are seeking relief from back pain, or car accident injuries, others from auto-immune things like Lupus - and even chronic migraine headaches.
The patients are taken in one by one to get the procedure and at first, it's exactly as promised and the results are impressive! But soon, shit starts hitting the fan. Patients are starting to act really strange, obsessive, destructive. Things start to go horribly, horribly wrong. And it's incredible awesome to watch!
I thought this story was really different and the premise was immediately intriguing - it was a quick read, but written really well, and explores a dark side of both how people deal with pain management and also Dr. Mentas obsession with his life's work to find a cure. I would love to see this translated to a horror movie, and I'd be first in line to buy a ticket!
Neon's Nerd Nexus (360 KP) rated Ready or Not (2019) in Movies
Sep 2, 2019 (Updated Sep 2, 2019)
F*cking rich people
Ready Or Not is a delightful mash up of blood soaked horror and devilish comedy that intertwines well making this film an absolute blast. When Ready or not's certificate came up everyone was shocked it was 18 rated (I found kind of sad as to me it symbolised how there is 100% still a big market for the more violent and mature horror film yet these days they sadly seem few and far between. I proud to say this does not disappoint and delivers on gore, grossness and tons of unnecessary yet hilariously fitting cursing. Made by people with clear love for the genre this movie echoes what made 80s horror movies so fun. Its goofy, silly, humorous, cool, violent, over the top, cheesy and stylish with it all working well together as well as being extremely serious and tense when it needs to be too. A great mix of movies like your next, the purge, cabin in the woods and even evil dead this movie doesnt hesitate getting straight to the good stuff moving at a constant brisk pace. Although predictable at times it ride with the horror cliches mixing them up just enough for them to feel modern and refreshingly satisfying. Anti rich themes take front and centre and the film isnt shy of mocking wealthy people constantly questioning their morals, beliefs, way of life, ignorance, naivety, lack of empathy and ability to think they can do as they please. In fact you might say the most horrific parts of the film are just how stupid, desensitized, gullible, careless and void of empathy these people have become which adds a nice real world connection. Theres also some visually impressive/creative scenes that really stand out as they are flawlessly combine with music too. Great tension is also present here and a it has a good eending that keeps you on your toes guessing. Not perfect by any means but go into it with a mind set that you can just sit back and enjoy a well made film that's only interested in you having a good time and you will leave entertained.