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Chris Sawin (602 KP) rated The Ice Age Adventures of Buck Wild (2022) in Movies
Jan 30, 2022
The mimicking raptor (1 more)
The, "power of our spleens," line of dialogue.
Horrendously ugly animation. (2 more)
A terribly boring screenplay.
Humor that is so painfully unfunny.
The Ice Age Adventures of Buck Wild is the first Disney produced film of the franchise and the first Ice Age film to go directly to streaming. None of the original cast members return other than Simon Pegg as Buck Wild. Scrat is nowhere to be found and the animation is a noticeable downgrade. This project began with the intention of being a new Ice Age TV series, but was then repurposed into an 81-minute feature-length film.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
Tamsin Clark (15 KP) rated The Ancient Magus' Bride (2017) in Movies
Jan 20, 2018
Beautiful Animation (5 more)
Beautiful soundtrack
Well chosen cast
Emotional storyline
Fantasy/horror/action/comedy/drama
Excellent adaptation from the manga
What makes us....us?
I've never been a religious follower of anime in the past. I've delved into it, mostly Studio Ghibli's work and a few others but I never really found a reason to regularly want to tune in and watch an Anime every week. Until Magus' Bride.
From the time of writing this, there have been 14 episodes and every single one has retained consistent high quality of voice acting, storyline and musical score. Not once can I ever say I have been bored or impatient with an episode. Each one will have you questioning your own humanity as you question theirs. You can't help but become attached emotionally to all the characters as they each progress through their own heartbreaking lifelines and each episode brings new and riveting challenges. All the while you're accompanied by amazing scores and haunting singing which strays from the usual cringe-worthy singing in a lot of anime, and stunningly drawn animation.
I could not recommend this any higher. It deserves a 10 and I have no shame giving it that.
From the time of writing this, there have been 14 episodes and every single one has retained consistent high quality of voice acting, storyline and musical score. Not once can I ever say I have been bored or impatient with an episode. Each one will have you questioning your own humanity as you question theirs. You can't help but become attached emotionally to all the characters as they each progress through their own heartbreaking lifelines and each episode brings new and riveting challenges. All the while you're accompanied by amazing scores and haunting singing which strays from the usual cringe-worthy singing in a lot of anime, and stunningly drawn animation.
I could not recommend this any higher. It deserves a 10 and I have no shame giving it that.
TacomaSquall (3 KP) rated Mass Effect: Andromeda in Video Games
Aug 11, 2018
A flawed launch...
When I started playing this fourth installment in the Mass Effect franchise, I was struck by some of the daring departures from the original trilogy's gameplay. The ability to choose your hero(ine)'s role based on situation. The hub system for worlds that was more reminiscent of Dragon Age: Inquisition than ME. The departure from the truly galactic scale of Commander Shepard's battle against the Reapers to focus on a seemingly weaker adversary.
I was fortunate to avoid most of the initial bugs in the animation, but was disappointed in the limited exploration available. While I liked the Angara, they couldn't get me to care about them as much as the original games caused me to care about the Quarians and Krogan.
I was tickled by the interactions between the members of the cast, which were dynamic and as detailed as the crew of the Normandy's had been. In the end, it was the team supporting the Pathfinder that sold me on the game, and kept me going to the madcap pell-mell race to the ending.
Yes, it was rushed. Yes, it felt incomplete. But a mediocre installment in the Mass Effect universe still is better than the majority of RPGs out there.
I was fortunate to avoid most of the initial bugs in the animation, but was disappointed in the limited exploration available. While I liked the Angara, they couldn't get me to care about them as much as the original games caused me to care about the Quarians and Krogan.
I was tickled by the interactions between the members of the cast, which were dynamic and as detailed as the crew of the Normandy's had been. In the end, it was the team supporting the Pathfinder that sold me on the game, and kept me going to the madcap pell-mell race to the ending.
Yes, it was rushed. Yes, it felt incomplete. But a mediocre installment in the Mass Effect universe still is better than the majority of RPGs out there.
Jordan Binkerd (567 KP) rated The Mummy Returns (2001) in Movies
Aug 13, 2019
Brendan Fraser (6 more)
Rachel Weiss
John Hannah
Oded Fehr
Arnold Vosloo
Continuity of cast
Not as good as the first one, but still better than the next....
Introduction of concepts and elements that weren't present in the first - reincarnation, Rick's tattoo and it's significance, etc (1 more)
The Scorpion King's introduction looks like a PS2 cutscene.
A solid sequel
This is a solid sequel, even if it falls short of the mark set by it's predecessor. The entire (surviving) cast returns, which I appreciate in a franchise, and the story mostly delivers. There are a few frustrating elements, such as all of a sudden adding concepts such as reincarnation (especially given that the concurring reveal would have been relevant to the story of the first film) or Rick's tattoo that he's had since his childhood, except that he didn't have it in the first movie. Where this film really falls short, though, is a couple bad animation moments. Mostly the film is a lot like the first in terms of effects - decent animation for 2002, if occasionally dated, but a couple of sequences are jarringly bad, especially the Rock's entrance as the Scorpion King. Is it enough to keep me from watching? No. But I still cringe at that point every time.
Movie Metropolis (309 KP) rated Toy Story 4 (2019) in Movies
Jun 23, 2019
Animation (1 more)
Voicework
Fun for kids and adults alike
The animation is absolutely exquisite and probably the best to have ever graced the big screen. With this and How to Train Your Dragon: The Hidden World, animated films have never looked better and the bar has been set very high indeed. Everything from the glisten in Woody’s eyes to the rope-like fabric of Jessie’s hair is astounding and needs to be seen on the biggest screen possible. There are shots here that wouldn’t look out of place on your living room wall, they are breath-taking.
Of course, the main test of a good Pixar movie is how it makes you feel. And Toy Story 4 delivers heart and humour in spades with a witty script and beautiful send-off to these beloved characters. If Disney makes good on its promise that this IS the final part of a quadrilogy, then they’ve created something very special indeed. We may have lost two animated series’ in 2019, but boy did they go out with a bang.
Now pass me the tissues for god’s sake.
More at: https://moviemetropolis.net/2019/06/21/toy-story-4-review-this-is-the-end/
Of course, the main test of a good Pixar movie is how it makes you feel. And Toy Story 4 delivers heart and humour in spades with a witty script and beautiful send-off to these beloved characters. If Disney makes good on its promise that this IS the final part of a quadrilogy, then they’ve created something very special indeed. We may have lost two animated series’ in 2019, but boy did they go out with a bang.
Now pass me the tissues for god’s sake.
More at: https://moviemetropolis.net/2019/06/21/toy-story-4-review-this-is-the-end/
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