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James P. Sumner (65 KP) rated Rambo: Last Blood (2019) in Movies
Sep 19, 2019
Hopefully this truly is Last Blood.
In Sylvester Stallone's fifth and (hopefully) final outing as one-man army John Rambo, we find the eponymous hero enjoying the quiet life on the Texas ranch he returned to at the end of "Rambo (2008)".
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
The character is still as reflective and composed as ever, with hints and flashbacks to his ongoing struggle with PTSD following his experiences in Vietnam. He trains horses on the ranch and acts as surrogate father to his college-bound niece, played by the relatively-unknown and absolutely stunning Yvette Monreal. He also has an unfathomably complex network of tunnels dug beneath his property, which could never have been done by one man, even in the 11 years that have past since the last movie.
The first ten minutes set the scene and familiarizes the audience with characters old and new. Having watched all four previous films in preparation for this one, it's quite sad to see how much the essence of Rambo as a person has changed. The first three all followed the same theme - a reluctant warrior with a muted self-loathing of the terrible abilities he has been blessed with, begrudgingly fighting someone else's war because he can't stop himself from doing what he thinks is right. The fourth one took the series in a different yet understandable direction - he's getting older, he's retired from the world, and he's minding his own business when trouble happens to find him. Then, the old Rambo we saw in "Rambo: First Blood - Part II (1985)" comes out and lays waste to everyone. But in this latest film, you barely recognize the character compared to the previous entries. He doesn't look or feel like the Rambo we've known over the years, which means this film struggles to look and feel like a Rambo film.
The next five minutes establishes the upcoming plot of the movie (such as it is), which is transparent and predictable. It then morphs into "Taken (2008)" on steroids! It takes a nice diversion at first, showing Rambo take on an entire Mexican people-trafficking ring, only to get the living hell beaten out of him. What you might think would happen in real life, but you kind of expected Rambo to go all "Rambo" on them, so when he doesn't, it's almost a pleasant surprise.
However, normal business soon resumes. Another tussle with some of the Mexican bad guys sets up the final act, which is Rambo vs. Every Mexican Criminal Ever - clips of which you will have seen in the trailer.
This is where the film lets itself down, if I'm honest. You would expect the finale to be the big payoff, but it actually ruins what would otherwise have been a half-decent film. It would be silly of me to criticize a Rambo film for being unrealistic. That being said, there's pushing the boundaries of belief, and then there's just lazy writing!
The final act begins. Five trucks of bad guys show up. Around 20-25 armed men are shown approaching Rambo's location. It's no spoiler to say he probably kills about 50 in total. Not sure where all the disposable enemies came from, but he didn't seem to mind.
Then there's the five-minute montage of him booby-trapping his ranch prior to the bad guys showing up. Something he did without any actual evidence they would come for him - just an assumption that somewhere there's a group of people who probably want to try and kill him, so best to be prepared. The whole scene feels like what would happen if "Deadpool (2016)" and "Home Alone (1990)" had a baby. Don't get me wrong, it was mindless, cringe-inducing, blood-soaked fun, but a lot of it felt unnecessarily complicated.
And then there's the violence itself. I love an action movie that drowns in crimson as much as the next person, but a lot of the violence felt like it was there for the sake of it. Like the producers said, 'We've got the 18-certificate, so let's make use of it.' I'm sure there's a deep-rooted psychological argument to be made for it. Like it's intentionally over the top to serve as a metaphor for the horrors Rambo suffered in Vietnam or something. Personally, I don't think this film is capable of being that deep and meaningful.
I really, really wanted this film to be good. I enjoyed the others and I wanted to enjoy this one. And I did, to an extent, I guess. But the whole film felt pointless. I understand the thinking that the series needed a proper and fitting end to the character's arc. But, if I'm being honest, you could've said the last film did that. It actually provides a better ending to the character than this one. The way he returned from Burma and is last seen approaching the family ranch after 30+ years away... you could've ended it there and left it to the audience's imaginations as to how he lived out the rest of his life. But money talks, and unfortunately, it ruined an otherwise successful and enjoyable franchise that had simply ran its course. A prime example of not knowing when to quit, this sentiment is echoed by Stallone's aging appearance, which takes away what credibility this character had left.
A real shame, but sadly, this isn't a film that's worth watching, unless you're a true die-hard fan of the character, in which case you'll want to watch it just because, but you'll be left disappointed.
Haley Mathiot (9 KP) rated Fade to Black (Rojan Dizon, #1) in Books
Apr 27, 2018
Imagine a combination of 1984, The Hunger Games, and a James Patterson mystery novel. That is the best way I can sum up Fade to Black. A world so intriguing, mysterious, and exciting that you want to live in it, and yet then again, maybe you don’t. A plot that never stops moving and throwing stuff at you, and with every page you become more and more wrapped up in it. Characters that you want to be, or be friends with, or take a good swing at. I am so excited about this novel, guys. I can’t recommend it enough.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
First, the characters/narrator. I love Jake. I love Pacha. I love Rojan. I love them all. I love the way they talk to each other (or don’t talk to each other) and argue with each other. And the narrator, Rojan, is awesome. There are three things that makes Rojan a fantastic character, and a new favorite of mine.
First, he’s different. He’s not the “guy who wants to be a hero,” or the “I want to prove myself” or “I’m looking for my one-true-love” kind of guy. No, Rojan just wants to finish his damn job and get on with his damn life. He doesn’t want to be a hero or a villain: he just wants to get paid, go home, and find a new girl to chase. He’s the reluctant hero.
Second, the word “loyal” is not in Rojan’s repertoire. He specifically admits to enjoying the chase more than the catch, and for some reason, that’s really attractive! And of course, the girl he falls for is so perfect for him that it’s not even funny… in fact, if she’d come to terms with the idea, he might actually manage not to cheat on her. At the very end after he’s managed to kill the bad guys, save the planet, and rescue the girl, the only thing he was focused on was getting into the nurses pants.
Third, his personality is just fantastic. He’s such a pessimist, and admits to being a cynic. He makes the most absurdly snarky comments about everything, to the point that even in a tense scene there’s comic relief because he’s such a clever bastard (as a matter of fact, I think he actually calls himself that at least once).
The ending was wonderful, and left me feeling satisfied and complete, even though I can’t wait for the next book: not because it had a cliff-hanger, but because it was just so good!
Only thing I hate: It’s book 1 in a 3-book series, and the other two aren’t published… This happened to me while reading Daughter of Smoke and Bone, and The Better Part of Darkness. Gah! So annoying!
Content/Recommendation: Language and violence and dark humor. Mention of rape and sex. This is an adult book, maybe older teens, ages 18+. It’s totally worth the read. It’s also hilarious.
Leanne Crabtree (480 KP) rated Scorched (Sapphire City, #1) in Books
Jan 6, 2021
I received this ARC via Netgalley in exchange for an honest review.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.
The cover drew me in. Isn’t it a thing of beauty?
When I requested this I assumed it would be more paranormal than it was. In fact it was more fantasy than anything. People who go around using their powers–known as the Augmented–to stop evil, dressed up in disguise. Superheroes?
I was quickly drawn into the story within the first chapter when we see Verity struggle to remember who she is and that she isn’t a bad person after being tortured by her arch nemesis’ minions in a mental asylum and her escape from there. She runs to a safe house and bumps into her brother who tells her she’s been MIA for nine months.
Can I just stop there for a minute and mention the Fortune siblings’ names? The eldest is Equity, then Adonis, then there is Verity and baby brother Chance. I love their names! If they don’t scream Superhero, I don’t know what does :D
Anyway, back to the story. On Verity’s return to her family, things don’t go smoothly and she realises things don’t add up. Is there a conspiracy in the works?
Throughout the story we see flashbacks of the night that Verity was captured and it is all very intriguing. At just over half way through I had my suspicions of what they would end up showing and I was right in my assumption about what some of it would show. I’m not going into detail as it would totally ruin in for you.
We meet a lot of other Augmented people: Iceclaw, Weasel, Glimmer. Some are good and some not so much. I liked the description of each and how they earned their names. They were thought out and I could picture them easily.
I grew to really like Glimmer, he seemed like a really nice guy. Verity, on the other hand, I couldn’t decide about. She seemed to like pushing people away and was full of self-loathing a lot of the time, unable to justify some of the things she’d done.
To start with I didn’t mind the lack of romance, as I was so caught up in the drama surrounding Verity, but the more I read the book the more I missed it. There was a bit; some kisses exchanged and nice words but nothing like the amount I like to read in books and that’s reflected in my rating.
It was full of action and intrigue. I liked the superhero vs. bad guys aspect. If you like the sound of it, then I’d suggest you go grab a copy.
Debbiereadsbook (1197 KP) rated Risk It All (MacAteer Brothers #4) in Books
Apr 7, 2021
I liked this, I liked this a lot
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the MacAteer brothers series, and they can all be read as stand alone books. BUT, as a personal point, I would recommend you read the previous three books before this one. It's fun watching these guys fall hard and fast, but there was some things they said in the other books that don't come up here, and I think they should have. Some history and legends revolving around the MacAteer men! And cos, I said so! :-)
Patrick and Angus are the youngest brothers, identical twins, and are both a bit free with their bodies and are, in essence, men whores. They makes no bones what they are offering, and they enjoy themselves. Coming home to work with Connor, Owen and Garrett puts Patrick in direct contact with Sloane, who runs their favourite Irish bar. And the man falls hard and fast but she keeps pushing him away. Will he walk away from her like her ex did?
I liked this, I liked this a lot. And while emotional, it doesn't quite pull the punch that Owen and Garrett's book do.
What I did love about this one was, that Sloane's history isn't made clear to US til she tells Patrick about it. And I LOVED that, I really did. You knew she was hurt, badly, by her ex, but the WHY and what he did?? I freaking wanted Patrick to punch that man so bad, so VERY bad!
And Patrick's reaction to finding out Sloane's pain?? He literally wraps her up, and pulls her close. And it's then, right near the end, that they get their moment. I loved being made to wait for it, I really did! I think, as with Owen and Mel, had they NOT had their moment, I'd have still enjoyed it.
Patrick has his voice in the third, and Sloane in the first. I'm loving this, I really am. It's different, yes, but it works so well here! It's a bit shorter than the other books too and I read it in one sitting.
Angus, the final brother is next and he meets Rhyleigh here. Smitten they both are, but there really isn't anything given away about them! Can't wait to get my hands on it!
I might go back and read Eva's book, the MacAteer sister who falls in love with Stud from The Dragon Runners series. I tried before, but I'd like to round this family out by having read ALL their stories.
4 stars
**same worded review will appear elsewhere**
This is book 4 in the MacAteer brothers series, and they can all be read as stand alone books. BUT, as a personal point, I would recommend you read the previous three books before this one. It's fun watching these guys fall hard and fast, but there was some things they said in the other books that don't come up here, and I think they should have. Some history and legends revolving around the MacAteer men! And cos, I said so! :-)
Patrick and Angus are the youngest brothers, identical twins, and are both a bit free with their bodies and are, in essence, men whores. They makes no bones what they are offering, and they enjoy themselves. Coming home to work with Connor, Owen and Garrett puts Patrick in direct contact with Sloane, who runs their favourite Irish bar. And the man falls hard and fast but she keeps pushing him away. Will he walk away from her like her ex did?
I liked this, I liked this a lot. And while emotional, it doesn't quite pull the punch that Owen and Garrett's book do.
What I did love about this one was, that Sloane's history isn't made clear to US til she tells Patrick about it. And I LOVED that, I really did. You knew she was hurt, badly, by her ex, but the WHY and what he did?? I freaking wanted Patrick to punch that man so bad, so VERY bad!
And Patrick's reaction to finding out Sloane's pain?? He literally wraps her up, and pulls her close. And it's then, right near the end, that they get their moment. I loved being made to wait for it, I really did! I think, as with Owen and Mel, had they NOT had their moment, I'd have still enjoyed it.
Patrick has his voice in the third, and Sloane in the first. I'm loving this, I really am. It's different, yes, but it works so well here! It's a bit shorter than the other books too and I read it in one sitting.
Angus, the final brother is next and he meets Rhyleigh here. Smitten they both are, but there really isn't anything given away about them! Can't wait to get my hands on it!
I might go back and read Eva's book, the MacAteer sister who falls in love with Stud from The Dragon Runners series. I tried before, but I'd like to round this family out by having read ALL their stories.
4 stars
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 26, 2023
More of the Same - which is a GOOD thing
Once a series gets to it’s 4th installment - and that installment is NOT a reboot or “prequel” - the audience for said series is pretty much settled in. There is a rabid group of movie-going watchers that are looking for the intimate details and Easter Eggs to further their immersion into this world while the rest of the movie going public has probably moved on and, just might, check it out on a whim.
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated Icons (Icons, #1) in Books
Apr 27, 2018
This book had a lot of potential, and I was really getting into it… before I just got too out of it to keep going. Maybe one day I’ll read it again but I stopped at chapter 8.
There are only two reasons why. Which is really too bad because like I said, there was A LOT of potential here.
1. Emotionally sappy. Sap city, guys. "It was like “Our wrists touched and I felt it tingling down my arm and into my toes to the depths of my soul” kind of sappy. Overdramatic is another way to say it. I’ve talked about this before, and I’m sure I’ll talk about it again… romantic scenes are hard to write. But if you suck at them, find a way to tell the romantic story without writing sucky scenes.
2. The story itself was almost a repeat of The Hunger Games. Now I know, there are a lot of major differences, but let’s look at the similarities: An evil all-powerful and all-controlling government, a creepy government leader, a boy and a girl who are totally in love with each other but won’t admit it are trying to bring it down and just get back to the way things are supposed to be, they get brought to the main city and forced to participate in something they don’t want to do but don’t have a choice in… etc. Also, love triangle. Yeah. It’s The Hunger Games but more sci-fi technically advanced.
It just wasn’t for me. That being said, there were a lot of good things about it! It was exciting, it drew you in right away, the characters were distinct, the setting and descriptions were excellent. It was just those two things that kept coming back to me, and I knew there was no way I was going to be able to finish listening to it.
Content/Recommendation: occasional use of light language. Ages 13+
There are only two reasons why. Which is really too bad because like I said, there was A LOT of potential here.
1. Emotionally sappy. Sap city, guys. "It was like “Our wrists touched and I felt it tingling down my arm and into my toes to the depths of my soul” kind of sappy. Overdramatic is another way to say it. I’ve talked about this before, and I’m sure I’ll talk about it again… romantic scenes are hard to write. But if you suck at them, find a way to tell the romantic story without writing sucky scenes.
2. The story itself was almost a repeat of The Hunger Games. Now I know, there are a lot of major differences, but let’s look at the similarities: An evil all-powerful and all-controlling government, a creepy government leader, a boy and a girl who are totally in love with each other but won’t admit it are trying to bring it down and just get back to the way things are supposed to be, they get brought to the main city and forced to participate in something they don’t want to do but don’t have a choice in… etc. Also, love triangle. Yeah. It’s The Hunger Games but more sci-fi technically advanced.
It just wasn’t for me. That being said, there were a lot of good things about it! It was exciting, it drew you in right away, the characters were distinct, the setting and descriptions were excellent. It was just those two things that kept coming back to me, and I knew there was no way I was going to be able to finish listening to it.
Content/Recommendation: occasional use of light language. Ages 13+
Rachel King (13 KP) rated Glass Houses (The Morganville Vampires, #1) in Books
Feb 11, 2019
I found this book to be a nice change from the typical high school setting that so many Young Adult books take place in - with good reason, of course. So what if she's still only 16, she's in college! Unfortunately, she still has not outgrown the evil female clique syndrome that plague so many stories. Some elements of the story remind me of my own days in university, but the book takes them all to the extreme. On a side note, it's a good thing she's so dang smart, because from my experience, skipping classes like she does throughout the text should, in reality, result in failing grades. I guess that's the beauty of fantasy literature - you can skip all the drudgery and go straight for the exciting bits of life.
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
Goddess in the Stacks (553 KP) rated Empress of All Seasons in Books
Mar 20, 2019
Characters (2 more)
World-building
Japanese mythology
I am so torn on this book. I'm really tired of the trope of "batch of girls competing to win a dude" that seems to be so popular lately. But this is an Asian take on the trope, so I don't want to come down too hard on it for that. I attended a panel at the last Baltimore Book Festival about old tropes being resurrected by minority authors, and I agree that just because a trope might seem old and played out, putting a new spin on it with minority characters and themes deserves its own time. That is definitely valid. But they were talking about tropes like vampires and zombies and retold classics like Pride and Prejudice and Alice in Wonderland. I'm not sure the trope of "girls competing to win a dude" deserves more time in any form. (To be fair, I kind of equally hate guys competing to win the hand of the princess. No one should be obligated to marry someone just because they won an arbitrary competition. There are all kinds of consent issues there.)
Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.
Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.
You can find all my reviews at http://goddessinthestacks.com
Despite that, I really enjoyed this book. I loved the characters, the variety of yõkai, the bits of myth interspersed throughout the book. I do question Akira being trained to be a master of shuriken in a matter of days - like, really? And I wish instead of summarizing a ton in the epilogue, she'd just written a sequel, because I think there's enough material to do it. You'd think, with so much I didn't like about the book, that my overall opinion would be negative - but it's not. Even with all of those bad points, this book was enthralling and kept me reading right to the end.
Empress of all Seasons is a great Japanese-inspired fantasy that relies a little too much on old tropes. Set your inner critic to the side and just enjoy the ride, because the story is fantastic.
You can find all my reviews at http://goddessinthestacks.com
Phillip McSween (751 KP) rated Mission: Impossible 2 (2000) in Movies
Jun 4, 2019
Short of Average
When you spend two hours on a movie like Mission: Impossible 2, you can’t help but wonder, “Did they make this just to piss me off?” I knew the answer was no, but I was pissed nonetheless. In the franchise’s first sequel, Ethan Hunt (Tom Cruise) is back at it trying to recover a deadly virus from a rogue agent.
Acting: 8
Beginning: 9
Characters: 8
Cinematography/Visuals: 3
I wish I could have been in the editing room when they were working on this movie. Everytime director John Woo would mention anything about slow mo, I would send an electric shock down his spine. Enough already. You can slow the camera down, great! It doesn’t add to the value of the action. The John Wick movies are a perfect example of that. He cuts through guys with efficiency and speed. And you know what else? He does it without the damn doves! M:I 2 is a visual mess.
Conflict: 8
Genre: 3
When I think of great actions movies, this ain’t it. Not even close. It had flashes, but falls well short of being even average.
Memorability: 5
Pace: 6
Plot: 5
This movie breaks two major rules of filmmaking by having: 1. A love relationship that develops way too quickly and 2. A plot that advances based on sheer coincidence. You can’t be clever with screenwriting and take shortcuts at the same time, good writing just doesn’t work that way. At best, the story is mediocre.
Resolution: 7
Overall: 62
Mission: Impossible 2 reminds me of those cheesy action movies of old that you knew would be bad, but you suffered through it because you just wanted to see stuff blow up. Actually, it’s worse than that because it actually attempts to be a good movie and, in the process, takes itself way too seriously. Flashes of greatness, but moreso just a flash in the pan.
Acting: 8
Beginning: 9
Characters: 8
Cinematography/Visuals: 3
I wish I could have been in the editing room when they were working on this movie. Everytime director John Woo would mention anything about slow mo, I would send an electric shock down his spine. Enough already. You can slow the camera down, great! It doesn’t add to the value of the action. The John Wick movies are a perfect example of that. He cuts through guys with efficiency and speed. And you know what else? He does it without the damn doves! M:I 2 is a visual mess.
Conflict: 8
Genre: 3
When I think of great actions movies, this ain’t it. Not even close. It had flashes, but falls well short of being even average.
Memorability: 5
Pace: 6
Plot: 5
This movie breaks two major rules of filmmaking by having: 1. A love relationship that develops way too quickly and 2. A plot that advances based on sheer coincidence. You can’t be clever with screenwriting and take shortcuts at the same time, good writing just doesn’t work that way. At best, the story is mediocre.
Resolution: 7
Overall: 62
Mission: Impossible 2 reminds me of those cheesy action movies of old that you knew would be bad, but you suffered through it because you just wanted to see stuff blow up. Actually, it’s worse than that because it actually attempts to be a good movie and, in the process, takes itself way too seriously. Flashes of greatness, but moreso just a flash in the pan.
Phillip McSween (751 KP) rated Total Recall (1990) in Movies
Mar 20, 2018
Just Great Sci-Fi
Total Recall is pure 90's action at its best. Cool fight scenes and gun battles are littered throughout, but never forced or never at the sacrifice of pacing. It definitely made up for some of my smaller gripes like having a lame villain. Seriously, Richter (Michael Ironside) was about as terrifying as my obese beagle. And what was up with the cheesy girl fight? Just not needed.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.