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Merissa (12055 KP) rated Dark Flame (Flame Born #1) in Books
Feb 8, 2021 (Updated Aug 7, 2023)
WHAT. A. BOOK!!! Dark Flame is the first book in the Flame Born series and I read it in one sitting, staying up waaaay past my bedtime because I simply could not put it down!
It's dark, it's twisted, you have no idea for sure just who is 'good' and who is 'bad', there is more intrigue than you can shake a stick at, AND I LOVED EVERY WORD!
Michael is a brilliant character. He thinks he's straight, but his girlfriend has just left him. Things are weird around him, and about to get stranger. Flanagan has a whole Viking vibe going on (which I definitely won't complain about), but some of the guys he works with are... less than pure, let's just put it that way. In fairness, that just made it even better. As for Alexei, wow, he's hot. I also don't trust him as far as I could throw him!
This was an amazing start to a series. You get all the world- and character-building you could wish for, whilst being carried away on a story that shows you there is more to this world than most know about.
I eventually went to bed, re-read the ending as soon as I woke up, and after that, I went straight to Kat Silver's website so I could read the bonus about Michael and Flanagan, but I couldn't find it! Trust me, I'm going to keep on looking until I do.
I loved this book, I can't wait for book 2, and you really need to read it! I can't believe this is her debut novel! Absolutely and utterly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 8, 2021
It's dark, it's twisted, you have no idea for sure just who is 'good' and who is 'bad', there is more intrigue than you can shake a stick at, AND I LOVED EVERY WORD!
Michael is a brilliant character. He thinks he's straight, but his girlfriend has just left him. Things are weird around him, and about to get stranger. Flanagan has a whole Viking vibe going on (which I definitely won't complain about), but some of the guys he works with are... less than pure, let's just put it that way. In fairness, that just made it even better. As for Alexei, wow, he's hot. I also don't trust him as far as I could throw him!
This was an amazing start to a series. You get all the world- and character-building you could wish for, whilst being carried away on a story that shows you there is more to this world than most know about.
I eventually went to bed, re-read the ending as soon as I woke up, and after that, I went straight to Kat Silver's website so I could read the bonus about Michael and Flanagan, but I couldn't find it! Trust me, I'm going to keep on looking until I do.
I loved this book, I can't wait for book 2, and you really need to read it! I can't believe this is her debut novel! Absolutely and utterly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 8, 2021
Mandy and G.D. Burkhead (26 KP) rated Flightless Falcon in Books
May 20, 2018
Shelf Life – Flightless Falcon Still Glides Pretty Well
Flightless Falcon is a light DAW fantasy by Mickey Zucker Reichert that first came out in paperback in July of 2001. Set in your typical fantasy land – lightly coated in magic but sans any fantastical creatures such as dragons, elves, dwarves, and the like – it follows the sad, luckless exploits of an ex-miner named Tamison made useless after a cave in kills his father and brother and leaves him trapped deep in the mine for a few days.
Afterwards, with a debilitating fear of both the dark and being underground, he’s unable to continue as a miner, yet too unskilled to get any other job. As such, he and his family live in dirt poverty for a decade or so until he finally decides to try stealing what they need instead of earning the money to buy it. Unfortunately he’s just as horrible at this as anything else he tries and ends up in jail for two years.
When he finally gets out, his family’s disappeared, so he adopts a stray dog and lives on the streets for a while. Then one day a guard finds him and tells him, “Hey, I know where your family is, and it’s bad, man, we should go save ’em.” So Tamison saves a fortune teller from some different guards, just for good measure, and the three of them go off to get his family back.
The plot evolves from there – I won’t go into much greater detail because I don’t want to give anything away. And while it’s an entertaining read, it does have its share of snags, though not often or strong enough to derail the overall experience. Still, might was well talk about ’em.
The majority of these moments occur due to the protagonist himself; Tamison’s constant suffering and depression and worthlessness gets a bit irritating after a while (and not a very long while). But you do end up genuinely sympathizing with him, at least for the most part – his self-pitying and constant sobbing are offset, personality-wise, by his intense love and devotion to his family’s welfare (though apparently it still isn’t strong enough for him to suck up his phobia and go back to working in the mines). The end result is a character that, while whiny enough that you want to reach into the pages and smack him, is still believable. The fact that a lot of his misfortune is brought on by bad luck and the overwhelming apathy of the world around him, instead of just his own sad uselessness, also helps save what might have been an otherwise excruciatingly sad-sack protagonist.
But ignore what Miss Reichert and the back cover of the book say – the real star of this story isn’t Tamison, the guard (Dallan), or the fortune teller (Rifkah). It’s the weasely bastard of a con man that Tamison can’t stop running into, the aptly-named Con. This guy’s selfish lack of a moral compass and unwillingness to sugarcoat anything for anyone is a breath of fresh air amidst the hopeful optimism and general boyscout do-goodery of the rest of the starring party, and his quick wit and blunt, sarcastic dialogue are at once impressive and entertaining to read in the circumstances. His back story’s also far more interesting than anything Tamison, Dallan, and Rifkah can come up with.
The story itself also grows past a simple “save some good guys from some bad guys” fetch quest to envelope a degree of political intrigue, subterfuge, loyalty dilemmas, and good ol’ fashion backstabbery. I won’t say anything more past the obvious (there’s a twist, you know there’s gonna be a twist, there’s always a twist) other than to say that the generic good-guy-bad-guy feeling the book’s own synopsis offers slips slowly into a more realistic, more satisfying realm of uncertain grayness that accompanies all conflicts between the world’s two rival governments, the one Tamison belongs to and the one he’s told is harboring his missing family.
Basically, each time you think this book is going to march the plot or one of the characters into Generic Land (and you will occasionally think this multiple times), the direction skews off at the last moment to surprise you. The result is that you end up reading the book in two minds: one for soaking up the story and being entertained, and one with a critical eye turned always on the author’s style, to see where it threatens to stray into unimpressiveness and how it keeps saving itself.
But don’t focus overly much on my criticisms – that’s just how I’ve been trained to talk about good writing, to search for the roughest spots and pick at them in order to see how the whole thing might be polished even more. The reason this book is so easy to criticize is because its weak spots are few and manageable and therefor easy to cover and be done with in the length of a blog post. The overall impression I came away with is still one of a fun, thoughtful, imaginative tale, at times suspenseful, at times moving, and always deeply visual. I didn’t mention the detailed visual descriptions did I? Oh well, I just did. Now you know they’re there.
It’s not going to turn into the next blockbuster fantasy franchise, but if you find it in your used book store, there are less-enjoyable ways to spend your reading time. I recommend Flightless Falcon to anyone who enjoys well-written, character-driven fantasy and doesn’t need it to last through a dozen sequels.
Afterwards, with a debilitating fear of both the dark and being underground, he’s unable to continue as a miner, yet too unskilled to get any other job. As such, he and his family live in dirt poverty for a decade or so until he finally decides to try stealing what they need instead of earning the money to buy it. Unfortunately he’s just as horrible at this as anything else he tries and ends up in jail for two years.
When he finally gets out, his family’s disappeared, so he adopts a stray dog and lives on the streets for a while. Then one day a guard finds him and tells him, “Hey, I know where your family is, and it’s bad, man, we should go save ’em.” So Tamison saves a fortune teller from some different guards, just for good measure, and the three of them go off to get his family back.
The plot evolves from there – I won’t go into much greater detail because I don’t want to give anything away. And while it’s an entertaining read, it does have its share of snags, though not often or strong enough to derail the overall experience. Still, might was well talk about ’em.
The majority of these moments occur due to the protagonist himself; Tamison’s constant suffering and depression and worthlessness gets a bit irritating after a while (and not a very long while). But you do end up genuinely sympathizing with him, at least for the most part – his self-pitying and constant sobbing are offset, personality-wise, by his intense love and devotion to his family’s welfare (though apparently it still isn’t strong enough for him to suck up his phobia and go back to working in the mines). The end result is a character that, while whiny enough that you want to reach into the pages and smack him, is still believable. The fact that a lot of his misfortune is brought on by bad luck and the overwhelming apathy of the world around him, instead of just his own sad uselessness, also helps save what might have been an otherwise excruciatingly sad-sack protagonist.
But ignore what Miss Reichert and the back cover of the book say – the real star of this story isn’t Tamison, the guard (Dallan), or the fortune teller (Rifkah). It’s the weasely bastard of a con man that Tamison can’t stop running into, the aptly-named Con. This guy’s selfish lack of a moral compass and unwillingness to sugarcoat anything for anyone is a breath of fresh air amidst the hopeful optimism and general boyscout do-goodery of the rest of the starring party, and his quick wit and blunt, sarcastic dialogue are at once impressive and entertaining to read in the circumstances. His back story’s also far more interesting than anything Tamison, Dallan, and Rifkah can come up with.
The story itself also grows past a simple “save some good guys from some bad guys” fetch quest to envelope a degree of political intrigue, subterfuge, loyalty dilemmas, and good ol’ fashion backstabbery. I won’t say anything more past the obvious (there’s a twist, you know there’s gonna be a twist, there’s always a twist) other than to say that the generic good-guy-bad-guy feeling the book’s own synopsis offers slips slowly into a more realistic, more satisfying realm of uncertain grayness that accompanies all conflicts between the world’s two rival governments, the one Tamison belongs to and the one he’s told is harboring his missing family.
Basically, each time you think this book is going to march the plot or one of the characters into Generic Land (and you will occasionally think this multiple times), the direction skews off at the last moment to surprise you. The result is that you end up reading the book in two minds: one for soaking up the story and being entertained, and one with a critical eye turned always on the author’s style, to see where it threatens to stray into unimpressiveness and how it keeps saving itself.
But don’t focus overly much on my criticisms – that’s just how I’ve been trained to talk about good writing, to search for the roughest spots and pick at them in order to see how the whole thing might be polished even more. The reason this book is so easy to criticize is because its weak spots are few and manageable and therefor easy to cover and be done with in the length of a blog post. The overall impression I came away with is still one of a fun, thoughtful, imaginative tale, at times suspenseful, at times moving, and always deeply visual. I didn’t mention the detailed visual descriptions did I? Oh well, I just did. Now you know they’re there.
It’s not going to turn into the next blockbuster fantasy franchise, but if you find it in your used book store, there are less-enjoyable ways to spend your reading time. I recommend Flightless Falcon to anyone who enjoys well-written, character-driven fantasy and doesn’t need it to last through a dozen sequels.
Purple Phoenix Games (2266 KP) rated That Snow Moon in Tabletop Games
Jun 12, 2019 (Updated Jun 12, 2019)
Many years ago, in a star system located quite a long ways away from our own…… Remind you of a wildly successful fantasy film series involving laser swords, telekinetic powers, and space travel? That snow coincidence. Ha! See what I did there?
That Snow Moon is a card game of dexterity, mixed with some bluffing. Players are divided between two ‘teams’ – the Liberation (good guys) and the Dynasty (bad guys). The goals are simple. The Liberation is trying to assemble a set of plans to be used in the destruction of the Snow Moon. The Dynasty is trying to destroy the Liberation base and stop them from acquiring those plans. I don’t know about you, but if they turned this into a movie, I would probably watch it.
Here’s the kicker though – you don’t simply PLAY cards in this game. You toss/drop them. Yep, you read that right. In this game, you throw cards. Each team takes turns tossing cards into the play area, in hopes of creating clusters of touching cards that activate powers to aid in the completion of their respective goals. Bluffing comes into play because Liberation cards can be played face-down, and remain that way until exposed by a Dynasty card. Can you trick the Dynasty into revealing a card whose power you want to use, or will they see through your ruse and expose and eliminate your more powerful cards? On the flip side, can you foil the plans of the rebellious Liberation, or will they be sly enough to avoid detection? The final fate of your galaxy is up in the air – literally.
The premise of this game sounded really cool to me, but when I actually got to play it, it was quite….underwhelming. In theory, tossing cards puts a unique twist on the standard card game. But the unpredictability of actually tossing/dropping cards makes this game way more luck-driven than strategic to me. It should be noted that we have a PnP of this game – sleeved and with regular playing cards added to beef up the cards. Maybe if we had a retail version, the cards would be easier to manipulate? I’m not sure. At times it just felt futile to try to strategize certain tosses because they cards are going to fall where they may. The actual gameplay is a little bland too – it feels like it’s missing something. Maybe adding more action options or more complex/powerful card powers would up the ante a little bit. The game, as is, just kind of feels like 16-Card-Pick-Up to me.
As a huge fan of the brand-name muse of this game, That Snow Moon fell flat for me. It feels a little too simple, yet wildly unpredictable at the same time. Is it a game I’d pull out to play again? I don’t know – maybe? It’s not high on my list. That snow joke, Purple Phoenix Games gives it a disappointing 9 / 18.
https://purplephoenixgames.wordpress.com/2019/05/30/that-snow-moon-review/
That Snow Moon is a card game of dexterity, mixed with some bluffing. Players are divided between two ‘teams’ – the Liberation (good guys) and the Dynasty (bad guys). The goals are simple. The Liberation is trying to assemble a set of plans to be used in the destruction of the Snow Moon. The Dynasty is trying to destroy the Liberation base and stop them from acquiring those plans. I don’t know about you, but if they turned this into a movie, I would probably watch it.
Here’s the kicker though – you don’t simply PLAY cards in this game. You toss/drop them. Yep, you read that right. In this game, you throw cards. Each team takes turns tossing cards into the play area, in hopes of creating clusters of touching cards that activate powers to aid in the completion of their respective goals. Bluffing comes into play because Liberation cards can be played face-down, and remain that way until exposed by a Dynasty card. Can you trick the Dynasty into revealing a card whose power you want to use, or will they see through your ruse and expose and eliminate your more powerful cards? On the flip side, can you foil the plans of the rebellious Liberation, or will they be sly enough to avoid detection? The final fate of your galaxy is up in the air – literally.
The premise of this game sounded really cool to me, but when I actually got to play it, it was quite….underwhelming. In theory, tossing cards puts a unique twist on the standard card game. But the unpredictability of actually tossing/dropping cards makes this game way more luck-driven than strategic to me. It should be noted that we have a PnP of this game – sleeved and with regular playing cards added to beef up the cards. Maybe if we had a retail version, the cards would be easier to manipulate? I’m not sure. At times it just felt futile to try to strategize certain tosses because they cards are going to fall where they may. The actual gameplay is a little bland too – it feels like it’s missing something. Maybe adding more action options or more complex/powerful card powers would up the ante a little bit. The game, as is, just kind of feels like 16-Card-Pick-Up to me.
As a huge fan of the brand-name muse of this game, That Snow Moon fell flat for me. It feels a little too simple, yet wildly unpredictable at the same time. Is it a game I’d pull out to play again? I don’t know – maybe? It’s not high on my list. That snow joke, Purple Phoenix Games gives it a disappointing 9 / 18.
https://purplephoenixgames.wordpress.com/2019/05/30/that-snow-moon-review/
Debbiereadsbook (1200 KP) rated WHo We Truly Are (Enhanced #2) in Books
Oct 26, 2018
Wanted to punch Talon so bad!
Independent reviewer for Divine Magazine, I was gifted the AUDIO copy of this book.
This is book two in the Enhanced Series, and you really SHOULD read or listen to book one, Five Minutes Longer, before you start this one. It's a continuation of Talon and Finn's tale, and not all is repeated here.
Talon and Finn are partners in all ways, it's just not common knowledge. When Finn is sent undercover to try to locate the missing Enhanced children, Talon has to dig deep within himself to let Finn do his job, and then for Talon to do his, when Finn turns up missing too.
For most of this book, I wanted to punch Talon in the face so bloody hard!! He's such an idiot when it comes to Finn doing his job, he really is! I get he cares for Finn, very much so, but Finn came into Talon's world as his WORK partner, and that has to be front and centre. But no, Talon's reaction to Finn going undercover is to bury his head in the sand, and ignore Finn. So much so, Finn thinks to leave Florida and find himself some who really appreciates him.
But in Talon's defense, he is dealing with his ever increasing powers, taking on the powers of the other team members, and it does take its toll on him.
I found this one a little more explicit than book one, as Talon and Finn's physical relationship seems to be the outlet for their work situations frustration, for BOTH of them. No complaining, min, no ma'am not at all! Even though I wanted to punch Talon, he does somewhat redeem himself when they get home!
The missing children has *some* conclusion, but there are still some unanswered questions. We meet some new people, both Enhanced and regular.
When Talon finally gets his head out his ass, and *literally* explodes, it's Finn that brings him back from the brink. Finn's words said to him, that words Talon longed to hear, and indeed say, manage to clear his mind and focus in time to save them both.
Nick J Russo again narrates. I love his narration again. His voices are clear, and consistent across both books, and I have no trouble following multi person conversations. His reading voice is deep and even, making it such an easy listen!
Russo gets all of Finn's emotions when Talon almost blanks him, and I felt for Finn, I really did. Listening to a book is such a different experience to reading, and the narrator makes listening to this book such a pleasure.
Of course, a narrator can ONLY reads the words he's given and if Victoria Sue continues to write about these guys, I'm gonna be listening! (I don't like to flip between listening and reading in a series, I find I lose something if I do!)
Off to listen to book three, Beneath The Mask. I've a feeling Gael is in a world of hurt and the guys don't really know how deep it goes!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
This is book two in the Enhanced Series, and you really SHOULD read or listen to book one, Five Minutes Longer, before you start this one. It's a continuation of Talon and Finn's tale, and not all is repeated here.
Talon and Finn are partners in all ways, it's just not common knowledge. When Finn is sent undercover to try to locate the missing Enhanced children, Talon has to dig deep within himself to let Finn do his job, and then for Talon to do his, when Finn turns up missing too.
For most of this book, I wanted to punch Talon in the face so bloody hard!! He's such an idiot when it comes to Finn doing his job, he really is! I get he cares for Finn, very much so, but Finn came into Talon's world as his WORK partner, and that has to be front and centre. But no, Talon's reaction to Finn going undercover is to bury his head in the sand, and ignore Finn. So much so, Finn thinks to leave Florida and find himself some who really appreciates him.
But in Talon's defense, he is dealing with his ever increasing powers, taking on the powers of the other team members, and it does take its toll on him.
I found this one a little more explicit than book one, as Talon and Finn's physical relationship seems to be the outlet for their work situations frustration, for BOTH of them. No complaining, min, no ma'am not at all! Even though I wanted to punch Talon, he does somewhat redeem himself when they get home!
The missing children has *some* conclusion, but there are still some unanswered questions. We meet some new people, both Enhanced and regular.
When Talon finally gets his head out his ass, and *literally* explodes, it's Finn that brings him back from the brink. Finn's words said to him, that words Talon longed to hear, and indeed say, manage to clear his mind and focus in time to save them both.
Nick J Russo again narrates. I love his narration again. His voices are clear, and consistent across both books, and I have no trouble following multi person conversations. His reading voice is deep and even, making it such an easy listen!
Russo gets all of Finn's emotions when Talon almost blanks him, and I felt for Finn, I really did. Listening to a book is such a different experience to reading, and the narrator makes listening to this book such a pleasure.
Of course, a narrator can ONLY reads the words he's given and if Victoria Sue continues to write about these guys, I'm gonna be listening! (I don't like to flip between listening and reading in a series, I find I lose something if I do!)
Off to listen to book three, Beneath The Mask. I've a feeling Gael is in a world of hurt and the guys don't really know how deep it goes!
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
The Chairport (1 KP) rated Mission: Impossible - Fallout (2018) in Movies
Aug 4, 2018
Real action (3 more)
Real stunts
Fantastically scored
Beautiful locations and cinematography
Pay the admission, accept this mission!
(Review from www.thechairport.com)When the Mission Impossible film franchise started it had a slightly rocky start. After a great first film, the second film fell short of the mark. Watching those first two films now you can see how different they are to the Mission we know now. Ever since the second Mission film, ever since JJ Abrams and the Bad Robot team took over, the Mission franchise has been ageing like a fine wine. Actually, it’s been ageing like Tom Cruise. Fallout, the sixth film in the Mission franchise is the best yet and easily one of the best action films of all time and it’s all thanks to its real action.
Mission Impossible: Fallout follows Ethan Hunt as he and his crew lose some plutonium they are trying to recover. The bad guys trying to use the plutonium are The Apostles, a spin-off group from Rogue Nation’s Syndicate. This time the IMF team are joined by a ruthless CIA agent, Walker played by Henry Cavill, who is there to ensure that the team retrieve the plutonium. The bad guys this time around, The Apostles, follow Solomon Lane’s thinking that to get peace the world must first experience a great suffering. With that line ringing throughout the IMF’s ears, the team is off on a race against time to stop The Apostles.
Fallout is filled with action and as far as action movies come, this film really takes the cake. Tom Cruise is just the man that everyone wants to be, as in he really seems like he can do anything. In the current state of cinema any other filmmaking team would’ve made this film with CGI effects all over yet Cruise and Fallout’s director, Christopher McQuarrie, have decided to do everything for real and it’s that element alone that makes the film.
There are moments in Fallout where you just sit there astonished by what you’re seeing happen in front of you. You feel shivers and the need to applause at the opening ten minutes of the film, your eye’s dash across the screen as you’re watching Cruise’s Ethan Hunt race through oncoming traffic in Paris and you’ll find yourself simply flabbergasted as you watch Cruise do anything at all in the helicopter sequence that you’ve definitely already heard about.
Mission Impossible: Fallout isn’t just simply an insane action blockbuster, it is more than that. Every actor on the screen knows that what they’re in is going to be something revolutionary for cinema and every actor really pulls their weight. Simon Pegg’s comedy is on point, Alec Baldwin’s acting as someone in charge is as good as ever, Henry Cavill being absolutely brutal is scary and cool at the same time. Fallout also has a good amount of female characters in it with Rebecca Ferguson and Michelle Monaghan bringing a lot of well-needed emotion and Vanessa Kirby’s Black Widow bringing a funny yet creepy vibe to the whole occasion.
The story is fairly simple as McQuarrie doesn’t want to isolate the audience, you can definitely see it if you haven’t seen other Mission Films. It’s McQuarrie and his team’s filmmaking that really make the film what it is. The cameraman who does the HALO jump with Tom Cruise deserves many awards and I would be surprised if the film, and its team, didn’t win any awards for filmmaking. If you’ve got free time too then look up how the film was made because it is quite interesting. I mean it’s rare that an action blockbuster would even be nominated but as of right now Fallout is my favourite film of the year, both for how good it is and then researching how it was made. People just don’t put in as much effort as the Mission team have done in films anymore.
Mission Impossible: Fallout is a must-see film. It’s a long film but never really feels like it. It’s a constant chase that will keep you on the edge of your seat and it has twists and turns that you won’t see coming. I was recently reading about how Christopher Nolan wanted The Dark Knight to bring back film instead of everyone filming digitally. Fallout sings a similar message and but its message is for real-life stunts. Mquarrie has evolved in a similar manner to how Nolan evolved between Batman Begins and The Dark Knight. Fallout gave me similar vibes of excitement and intensity and Fallout will leave its mark on you, I’m not sure how I’ll feel watching CGI action from now on. All I know is that making everything real instead of fake isn’t impossible but to repeat the magic that Fallout has, well that’s only something the Mission team can do. Mission accomplished Cruise, mission accomplished.
Score: 5/5
Mission Impossible: Fallout follows Ethan Hunt as he and his crew lose some plutonium they are trying to recover. The bad guys trying to use the plutonium are The Apostles, a spin-off group from Rogue Nation’s Syndicate. This time the IMF team are joined by a ruthless CIA agent, Walker played by Henry Cavill, who is there to ensure that the team retrieve the plutonium. The bad guys this time around, The Apostles, follow Solomon Lane’s thinking that to get peace the world must first experience a great suffering. With that line ringing throughout the IMF’s ears, the team is off on a race against time to stop The Apostles.
Fallout is filled with action and as far as action movies come, this film really takes the cake. Tom Cruise is just the man that everyone wants to be, as in he really seems like he can do anything. In the current state of cinema any other filmmaking team would’ve made this film with CGI effects all over yet Cruise and Fallout’s director, Christopher McQuarrie, have decided to do everything for real and it’s that element alone that makes the film.
There are moments in Fallout where you just sit there astonished by what you’re seeing happen in front of you. You feel shivers and the need to applause at the opening ten minutes of the film, your eye’s dash across the screen as you’re watching Cruise’s Ethan Hunt race through oncoming traffic in Paris and you’ll find yourself simply flabbergasted as you watch Cruise do anything at all in the helicopter sequence that you’ve definitely already heard about.
Mission Impossible: Fallout isn’t just simply an insane action blockbuster, it is more than that. Every actor on the screen knows that what they’re in is going to be something revolutionary for cinema and every actor really pulls their weight. Simon Pegg’s comedy is on point, Alec Baldwin’s acting as someone in charge is as good as ever, Henry Cavill being absolutely brutal is scary and cool at the same time. Fallout also has a good amount of female characters in it with Rebecca Ferguson and Michelle Monaghan bringing a lot of well-needed emotion and Vanessa Kirby’s Black Widow bringing a funny yet creepy vibe to the whole occasion.
The story is fairly simple as McQuarrie doesn’t want to isolate the audience, you can definitely see it if you haven’t seen other Mission Films. It’s McQuarrie and his team’s filmmaking that really make the film what it is. The cameraman who does the HALO jump with Tom Cruise deserves many awards and I would be surprised if the film, and its team, didn’t win any awards for filmmaking. If you’ve got free time too then look up how the film was made because it is quite interesting. I mean it’s rare that an action blockbuster would even be nominated but as of right now Fallout is my favourite film of the year, both for how good it is and then researching how it was made. People just don’t put in as much effort as the Mission team have done in films anymore.
Mission Impossible: Fallout is a must-see film. It’s a long film but never really feels like it. It’s a constant chase that will keep you on the edge of your seat and it has twists and turns that you won’t see coming. I was recently reading about how Christopher Nolan wanted The Dark Knight to bring back film instead of everyone filming digitally. Fallout sings a similar message and but its message is for real-life stunts. Mquarrie has evolved in a similar manner to how Nolan evolved between Batman Begins and The Dark Knight. Fallout gave me similar vibes of excitement and intensity and Fallout will leave its mark on you, I’m not sure how I’ll feel watching CGI action from now on. All I know is that making everything real instead of fake isn’t impossible but to repeat the magic that Fallout has, well that’s only something the Mission team can do. Mission accomplished Cruise, mission accomplished.
Score: 5/5
BankofMarquis (1832 KP) rated The Dark Knight Rises (2012) in Movies
Jun 27, 2018
A "good enough" ending to the trilogy
Going into the filming of THE DARK KNIGHT RISES, Director Christopher Nolan had a problem on his hands. The previous film in this trilogy - 2008's THE DARK KNIGHT - had turned into a cultural phenomenon based, in part, on the late Heath Ledger's bravura performance as The Joker. So how does he top it?
The quick answer is - you don't, so don't even try.
THE DARK KNIGHT RISES is a satisfactory conclusion to the Dark Knight trilogy that started with 2005's BATMAN BEGINS and, again stars Christian Bale as Bruce Wayne/Batman, the "Dark Knight".
What Director Nolan wisely does is continue his dark tone with this film, but does not even mention The Joker (or Ledger) in this film. Let the memories of the past films be just that - memories - and let this film stand on it's own.
And it does, for the most part.
Taking place 8 years after the events of THE DARK KNIGHT, this film has Batman coming out of self-imposed "retirement" to, yet again, save Gotham City from the clutches of a bad guy - this time, the masked Bane. In the course of this film Batman is torn down, to be risen and reborn again as the shining light of good over evil, shedding the "Dark Knight" moniker once and for all.
Nolan - and his brother, and frequent collaborator, Jonathan - wrote the screenplay and it is...serviceable. Nothing really remarkable about the story and plot. It gives each one of our returning characters - Lucious Fox (Morgan Freeman), Alfred Pennyworth (Michael Caine) and - especially - Commissioner Gordon (Gary Oldman) room to shine along with other, new characters like Selina Kyle/Catwoman (a really good Anne Hathaway), Officer Blake (Joseph Gordon-Levitt) Miranda Tate (Marion Cotillard) and, of course, Bane (Tom Hardy).
As you might be able to see, ALL of these actors are members of Nolan's "troupe" of actors - they either have been in other Nolan films (or, in the case of Hathaway, WILL be in another Nolan film) and each of them appear on the screen with gusto and a quiet confidence in their characters and a trust in a filmmaker that comes from frequent collaborations.
In the lead, Bale, of course, gives his usual, strong performance, though I did detect a hint of weariness in the performance. Now...some will say that is because the character is becoming weary, but I think it is more to the case that Bale was growing weary of playing this character.
But that is a quibble for all of the characters/actors do a terrific/professional job pushing the plot forward, which (let's admit) is just an excuse to go from one gigantic battle/chase scene to another and...Nolan certainly knows how to do these.
From the opening to close, every one of these gigantic "set pieces" held my attention and I found myself - even though I have seen this film before - sitting on the edge of my seat as the good guys - led by Batman - raced time to thwart the machinations of the bad guys in the end.
I'm glad these action sequences held my attention, for there are, inexplicably, looooong sections of this film where there is no action, but "character development" and "growth from strong internal retrospection." This sort of thing might have looked good on the page, but it is rather dull and boring when put on the screen. This film is almost 3 hours long, and - if Mr. Nolan would like to contact me - I can suggest a few spots where we can trim about 20-30 minutes out of this film, starting with the long stretch where Bruce Wayne is imprisoned.
But...these stretches are tolerable when you know it will lead you to some really fine action sequences featuring character/actors that you care about and are actually rooting for them to succeed. As I stated before, this is an "agreeable" conclusion to the trilogy. One who's journey I was glad to be one, but - to be honest - one that I was glad was over as well.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
The quick answer is - you don't, so don't even try.
THE DARK KNIGHT RISES is a satisfactory conclusion to the Dark Knight trilogy that started with 2005's BATMAN BEGINS and, again stars Christian Bale as Bruce Wayne/Batman, the "Dark Knight".
What Director Nolan wisely does is continue his dark tone with this film, but does not even mention The Joker (or Ledger) in this film. Let the memories of the past films be just that - memories - and let this film stand on it's own.
And it does, for the most part.
Taking place 8 years after the events of THE DARK KNIGHT, this film has Batman coming out of self-imposed "retirement" to, yet again, save Gotham City from the clutches of a bad guy - this time, the masked Bane. In the course of this film Batman is torn down, to be risen and reborn again as the shining light of good over evil, shedding the "Dark Knight" moniker once and for all.
Nolan - and his brother, and frequent collaborator, Jonathan - wrote the screenplay and it is...serviceable. Nothing really remarkable about the story and plot. It gives each one of our returning characters - Lucious Fox (Morgan Freeman), Alfred Pennyworth (Michael Caine) and - especially - Commissioner Gordon (Gary Oldman) room to shine along with other, new characters like Selina Kyle/Catwoman (a really good Anne Hathaway), Officer Blake (Joseph Gordon-Levitt) Miranda Tate (Marion Cotillard) and, of course, Bane (Tom Hardy).
As you might be able to see, ALL of these actors are members of Nolan's "troupe" of actors - they either have been in other Nolan films (or, in the case of Hathaway, WILL be in another Nolan film) and each of them appear on the screen with gusto and a quiet confidence in their characters and a trust in a filmmaker that comes from frequent collaborations.
In the lead, Bale, of course, gives his usual, strong performance, though I did detect a hint of weariness in the performance. Now...some will say that is because the character is becoming weary, but I think it is more to the case that Bale was growing weary of playing this character.
But that is a quibble for all of the characters/actors do a terrific/professional job pushing the plot forward, which (let's admit) is just an excuse to go from one gigantic battle/chase scene to another and...Nolan certainly knows how to do these.
From the opening to close, every one of these gigantic "set pieces" held my attention and I found myself - even though I have seen this film before - sitting on the edge of my seat as the good guys - led by Batman - raced time to thwart the machinations of the bad guys in the end.
I'm glad these action sequences held my attention, for there are, inexplicably, looooong sections of this film where there is no action, but "character development" and "growth from strong internal retrospection." This sort of thing might have looked good on the page, but it is rather dull and boring when put on the screen. This film is almost 3 hours long, and - if Mr. Nolan would like to contact me - I can suggest a few spots where we can trim about 20-30 minutes out of this film, starting with the long stretch where Bruce Wayne is imprisoned.
But...these stretches are tolerable when you know it will lead you to some really fine action sequences featuring character/actors that you care about and are actually rooting for them to succeed. As I stated before, this is an "agreeable" conclusion to the trilogy. One who's journey I was glad to be one, but - to be honest - one that I was glad was over as well.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
Darren (1599 KP) rated 12 Rounds 3: Lockdown (2015) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 12 Rounds 3: Lockdown starts as Burke (Cross) and his fellow officers learning of an incriminating set of photos of his men’s corruption. We move on to meet Burke’s former partner John Shaw (Ambrose) who is returning to work after being shot in the line of duty. It isn’t too long before we see the clash between Burke and Shaw which leads to Shaw investigating the bust.
When Shaw uncovers the truth he finds himself being hunted in the precinct by Burke and his men Gideon (Cudmore), Darrow (Munro) Harris (Olsson), Meeks (Levins) and Saul (Morrow). Shaw finds himself locked in the station with only the rookie Jenny Taylor (Smyth) not hunting him down like Burke’s men.
12 Rounds 3: Lockdown is an action film that does everything you need it to without making anything over complicated. We have the one man taking on the villains in a building with no escape to expose the truth. What more do you need in an action film. Saying that we have one final twist that comes off very cheap and forced. This is something that is easy to watch which will work for casual viewing.
Actor Review
Dean Ambrose: John Shaw is the honest cop that has just returned to work after being injured in the line of duty. He uncovers that his former partner has been Burke and his men have become corrupt. He has to survive a lockdown being hunted down by all of the men and being framed for everything to get the truth out. Dean is very good in this role with a potentially new action star.
Roger Cross: Tyler Burke is the former partner of Shaw but they have gone their separate ways with Burke entering into the world of corruption but when he is about to get busted he will kill anyone that gets in his way including Shaw who is the only man stopping his team from being exposed. Roger makes for a good leading villain role.
Daniel Cudmore: Gideon is one of the men working with Burke, he is the psychical presence that Shaw must overcome in the traditional big guy little guy fight in an action movie. Daniel is good for what he needs to be in this film without standing out any more than the rest of the bad guys.
Lochlyn Munro: Darrow is the tech guy on Burke’s team he does everything to make sure that Shaw can’t communicate or escape with the outside world. Lochlyn does well in this role which again is just like the rest of the bad guys.
Support Cast: 12 Rounds 3: Lockdown has a very simple used of supporting cast with most of them being the people trying to kill Shaw with the rest outside working out what to do.
Director Review: Stephen Reynolds – Stephen gives us an action film that is an easy watch as well as being non-stop.
Action: 12 Rounds 3: Lockdown has plenty of action going on from start to finish with the nothing being too over the top but never seems to stop.
Crime: 12 Rounds 3: Lockdown has all the criminals being police which is a nice take on the crime side of the story.
Thriller: 12 Rounds 3: Lockdown doesn’t stop which is always a good thing in an action film.
Settings: 12 Rounds 3: Lockdown keeps nearly all of the film inside the police station which helps keep the action in a small space.
Special Effects: 12 Rounds 3: Lockdown uses the special effects well without having to use them too often.
Suggestion: 12 Rounds 3: Lockdown is one for the action fans out there to enjoy, it is an easy watch. (Action Fans Watch)
Best Part: Ambrose is great with no previous experience.
Worst Part: Final Twist.
Believability: No
Chances of Tears: No
Chances of Sequel: Maybe
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 30 Minutes
Trivia: Due to being in WWE where they perform in front of a live audience on live television, Dean Ambrose was used to reading his lines in one try and got aggravated when other actors forgot their lines.
Overall: Enjoyable action film that is easy to watch.
https://moviesreview101.com/2016/04/04/12-rounds-3-lockdown-2015/
When Shaw uncovers the truth he finds himself being hunted in the precinct by Burke and his men Gideon (Cudmore), Darrow (Munro) Harris (Olsson), Meeks (Levins) and Saul (Morrow). Shaw finds himself locked in the station with only the rookie Jenny Taylor (Smyth) not hunting him down like Burke’s men.
12 Rounds 3: Lockdown is an action film that does everything you need it to without making anything over complicated. We have the one man taking on the villains in a building with no escape to expose the truth. What more do you need in an action film. Saying that we have one final twist that comes off very cheap and forced. This is something that is easy to watch which will work for casual viewing.
Actor Review
Dean Ambrose: John Shaw is the honest cop that has just returned to work after being injured in the line of duty. He uncovers that his former partner has been Burke and his men have become corrupt. He has to survive a lockdown being hunted down by all of the men and being framed for everything to get the truth out. Dean is very good in this role with a potentially new action star.
Roger Cross: Tyler Burke is the former partner of Shaw but they have gone their separate ways with Burke entering into the world of corruption but when he is about to get busted he will kill anyone that gets in his way including Shaw who is the only man stopping his team from being exposed. Roger makes for a good leading villain role.
Daniel Cudmore: Gideon is one of the men working with Burke, he is the psychical presence that Shaw must overcome in the traditional big guy little guy fight in an action movie. Daniel is good for what he needs to be in this film without standing out any more than the rest of the bad guys.
Lochlyn Munro: Darrow is the tech guy on Burke’s team he does everything to make sure that Shaw can’t communicate or escape with the outside world. Lochlyn does well in this role which again is just like the rest of the bad guys.
Support Cast: 12 Rounds 3: Lockdown has a very simple used of supporting cast with most of them being the people trying to kill Shaw with the rest outside working out what to do.
Director Review: Stephen Reynolds – Stephen gives us an action film that is an easy watch as well as being non-stop.
Action: 12 Rounds 3: Lockdown has plenty of action going on from start to finish with the nothing being too over the top but never seems to stop.
Crime: 12 Rounds 3: Lockdown has all the criminals being police which is a nice take on the crime side of the story.
Thriller: 12 Rounds 3: Lockdown doesn’t stop which is always a good thing in an action film.
Settings: 12 Rounds 3: Lockdown keeps nearly all of the film inside the police station which helps keep the action in a small space.
Special Effects: 12 Rounds 3: Lockdown uses the special effects well without having to use them too often.
Suggestion: 12 Rounds 3: Lockdown is one for the action fans out there to enjoy, it is an easy watch. (Action Fans Watch)
Best Part: Ambrose is great with no previous experience.
Worst Part: Final Twist.
Believability: No
Chances of Tears: No
Chances of Sequel: Maybe
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 30 Minutes
Trivia: Due to being in WWE where they perform in front of a live audience on live television, Dean Ambrose was used to reading his lines in one try and got aggravated when other actors forgot their lines.
Overall: Enjoyable action film that is easy to watch.
https://moviesreview101.com/2016/04/04/12-rounds-3-lockdown-2015/
Bob Mann (459 KP) rated The Equalizer 2 (2018) in Movies
Sep 28, 2021
A “Good Guy” meting out justice in a bad way.
There’s something really satisfying about seeing our ‘hero’ Robert McCall giving bad ‘uns a bloody nose (and far worse) as immediate punishment for a crime committed. My parent’s pre-war generation would wax lyrical about the days when police officers or teachers could give a kid a “good box around the ears” as a lesson for a minor infringement. (“Ah, the good old days…. That’ll learn ‘im”!). But equally there’s also the queasy feeling here that this is a vigilante being judge, jury and executioner. Thank GOODNESS then that it’s Denzel Washington and he’s OBVIOUSLY a good guy that will never get it wrong!
Washington returns here as the righter of wrongs, now working as a Lyft driver in Boston (clearly Uber either lost the bidding war or they were not considered to be as cool a brand anymore). Through his job he crosses paths with various troubled souls and is often able to help: sometimes with just an encouraging word; sometimes with more physical activity! By way of validating his good guy credentials, he also takes under his wing Miles (Ashton Sanders) – a local black kid at risk of being dragged into the Boston gang scene.
But this is all window-dressing for the main plot, involving bad guys (for reasons that escaped me) tidying up a lot of CIA loose ends in Brussels in a very brutal way. In charge of the investigation is Robert’s ex-boss Susan Plummer (Melissa Leo) and to help out further Robert has to ‘reappear’ to his ex-partner Dave York (Pedro Pascal). As in the first film, events lead to an explosive western-style showdown.
Directed again by Antoine Fuqua, the film oozes style from the impressive opening shots of a Turkish train, where the cinematography by Bourne-regular Oliver Wood is exceptional. The action scenes are well-executed, and includes a superb science experiment that will puzzle any viewer who thinks “hang on a minute – flour doesn’t burn”!
Reading again my review of the original film, I went off on a rant about extreme screen violence in sub-18 certificate films. There is certainly – as the British film censors (the BBFC) describe it – “strong violence” in this film, with some pretty brutal murder scenes. If anything though I thought the violence was a little less gratuitous this time around, which I welcome.
Denzel is the greatest asset of this film though. He acts up a hurricane (literally), and without his calm and powerful presence at the heart of the film, this would just be A.N.Other generic thriller. It’s also great that this time around the excellent Melissa Leo gets more screen time, as does her husband played by Bill “Independence Day” Pullman. (Is it just me that gets Mr Pullman confused with the late Mr Paxton? I spent all of this film thinking “Oh how sad” though all his scenes before I realised I was grieving for the wrong guy!). In terms of mistaken identity, this film has another in that a key villain Resnik looks far too much like Mark Wahlberg, but is actually Canadian actor Jonathan Scarfe.
Where the film stumbled for me was in having too many parallel “good deed” sub-plots. One in particular – you’ll know the one – feels completely superfluous, beggars belief and could have been excised completely for the DVD deleted scenes.
Do you need to have seen the first film? No, not really. There is exposition about McCall’s back-story, but if this was covered in the first film then I had completely forgotten it. It certainly didn’t detract from this as a stand-alone film.
A cut-above the norm, Washington’s solid performance makes this an entertaining night out at the flicks.
Washington returns here as the righter of wrongs, now working as a Lyft driver in Boston (clearly Uber either lost the bidding war or they were not considered to be as cool a brand anymore). Through his job he crosses paths with various troubled souls and is often able to help: sometimes with just an encouraging word; sometimes with more physical activity! By way of validating his good guy credentials, he also takes under his wing Miles (Ashton Sanders) – a local black kid at risk of being dragged into the Boston gang scene.
But this is all window-dressing for the main plot, involving bad guys (for reasons that escaped me) tidying up a lot of CIA loose ends in Brussels in a very brutal way. In charge of the investigation is Robert’s ex-boss Susan Plummer (Melissa Leo) and to help out further Robert has to ‘reappear’ to his ex-partner Dave York (Pedro Pascal). As in the first film, events lead to an explosive western-style showdown.
Directed again by Antoine Fuqua, the film oozes style from the impressive opening shots of a Turkish train, where the cinematography by Bourne-regular Oliver Wood is exceptional. The action scenes are well-executed, and includes a superb science experiment that will puzzle any viewer who thinks “hang on a minute – flour doesn’t burn”!
Reading again my review of the original film, I went off on a rant about extreme screen violence in sub-18 certificate films. There is certainly – as the British film censors (the BBFC) describe it – “strong violence” in this film, with some pretty brutal murder scenes. If anything though I thought the violence was a little less gratuitous this time around, which I welcome.
Denzel is the greatest asset of this film though. He acts up a hurricane (literally), and without his calm and powerful presence at the heart of the film, this would just be A.N.Other generic thriller. It’s also great that this time around the excellent Melissa Leo gets more screen time, as does her husband played by Bill “Independence Day” Pullman. (Is it just me that gets Mr Pullman confused with the late Mr Paxton? I spent all of this film thinking “Oh how sad” though all his scenes before I realised I was grieving for the wrong guy!). In terms of mistaken identity, this film has another in that a key villain Resnik looks far too much like Mark Wahlberg, but is actually Canadian actor Jonathan Scarfe.
Where the film stumbled for me was in having too many parallel “good deed” sub-plots. One in particular – you’ll know the one – feels completely superfluous, beggars belief and could have been excised completely for the DVD deleted scenes.
Do you need to have seen the first film? No, not really. There is exposition about McCall’s back-story, but if this was covered in the first film then I had completely forgotten it. It certainly didn’t detract from this as a stand-alone film.
A cut-above the norm, Washington’s solid performance makes this an entertaining night out at the flicks.
Gareth von Kallenbach (980 KP) rated Paul Blart: Mall Cop (2009) in Movies
Aug 14, 2019
Paul Blart (Kevin James) is a man with a dream. Paul dreams of being an officer with the New Jersey police, but thanks to his hypoglycemia, and weight, he has had a difficult time passing his requirements.
After his latest failure which concluded with him passing out inches from an obstacle course finish line, Paul has hit rock bottom. His daughter and mother encourage him to get on with his life, and look for a woman who will make him happy, (It is learned that his ex-wife only wanted him in her life so she could gain citizenship), and that new opportunities will arise.
The fact that the holidays are coming up is of little consolation, as Paul focuses on his career as a security guard at a local mall where he has worked from the past ten years, With the Black Friday shopping day upcoming, Paul attempts to get closer to the lovely Amy (Jayma Mays), who works at one of the mall’s boutiques.
The fact that Paul is shy and awkward does not help his cause, but in time, he is able to form a friendship with Amy that survives some real obstacles such as a very out of character wild night out which ends in disaster for Paul as his intolerance of alcohol leads to some truly outrageous behavior which embarrasses Amy.
As Paul attempts to recover from his fiasco at the workplace party, he returns to patrol at the mall astride his ever present Segway while a group of thieves secretly plot to take over the mall and rob the various stores.
When the bad guys make their move, Paul is indisposed and is easily overlooked, which in turn keeps him in the dark about what is really happening. When Paul eventually learns what is going on and that Amy is amongst the hostages, he must muster up the courage and abilities he never knew he had in order to save the day and rescue Amy.
What follows is a madcap though slight romp which while not big on over the top laughs has more than enough smiles to keep you amused along the way.
Kevin James is entertaining as the hapless Blart, but he is not given much to work with in his first starring role as the story is very formulaic and restrained which does not allow him to fully display his comedic skills as he did in The King of Queens.
The film was produced by Adam Sandler’s Happy Madison company and was co written by James and Nick Bakay. While it is not a bad film, I had hoped for more as the premise is rife with possibilities and the film comes across as playing it safe rather than taking chances. There is very little offensive in the film so it is appropriate for most families, which despite the flaws, makes the film a pleasant if not memorable diversion.
After his latest failure which concluded with him passing out inches from an obstacle course finish line, Paul has hit rock bottom. His daughter and mother encourage him to get on with his life, and look for a woman who will make him happy, (It is learned that his ex-wife only wanted him in her life so she could gain citizenship), and that new opportunities will arise.
The fact that the holidays are coming up is of little consolation, as Paul focuses on his career as a security guard at a local mall where he has worked from the past ten years, With the Black Friday shopping day upcoming, Paul attempts to get closer to the lovely Amy (Jayma Mays), who works at one of the mall’s boutiques.
The fact that Paul is shy and awkward does not help his cause, but in time, he is able to form a friendship with Amy that survives some real obstacles such as a very out of character wild night out which ends in disaster for Paul as his intolerance of alcohol leads to some truly outrageous behavior which embarrasses Amy.
As Paul attempts to recover from his fiasco at the workplace party, he returns to patrol at the mall astride his ever present Segway while a group of thieves secretly plot to take over the mall and rob the various stores.
When the bad guys make their move, Paul is indisposed and is easily overlooked, which in turn keeps him in the dark about what is really happening. When Paul eventually learns what is going on and that Amy is amongst the hostages, he must muster up the courage and abilities he never knew he had in order to save the day and rescue Amy.
What follows is a madcap though slight romp which while not big on over the top laughs has more than enough smiles to keep you amused along the way.
Kevin James is entertaining as the hapless Blart, but he is not given much to work with in his first starring role as the story is very formulaic and restrained which does not allow him to fully display his comedic skills as he did in The King of Queens.
The film was produced by Adam Sandler’s Happy Madison company and was co written by James and Nick Bakay. While it is not a bad film, I had hoped for more as the premise is rife with possibilities and the film comes across as playing it safe rather than taking chances. There is very little offensive in the film so it is appropriate for most families, which despite the flaws, makes the film a pleasant if not memorable diversion.
Debbiereadsbook (1200 KP) rated Misdemeanor (Responsible Adult #1) in Books
Jul 6, 2021
cliff hanger but so bloody good!
I was gifted my copy of this book, direct from the author.
Micky is doing his best to keep his head above water. Looking after his disabled little brother, Flynn is top of that list. getting this new job will help a great deal. He just didn't plan on Danny, his boss. Danny is still suffering after a bad break up, but Micky is a breath of fresh air, even if the man has so many layers. Can they make it work?
Micky is trying, dammit, he really is! He lost his mum a few years ago, and his dad is absent and a deadbeat. Looking after Finn fell on to Micky cos Micky wants to keep Flynn close, to keep the two of them together. Flynn's special needs won't be easy for a stranger to deal with but Micky can, for the most part. But Micky is hurting, deep inside. He won't admit it, not to anyone, and certainly not to his best friend who is a career crook! But Danny? Danny picks at him, peels away his onion layers and digs deep til Micky really can't help himself.
The world though, is out to get Micky and he has to keep one step ahead of everyone trying to take Flynn away from him.
I loved this, bar one thing . . well maybe BECAUSE of this one thing I loved it, I'm still not sure yet!
Micky is not a bad person, he's just not made the best of choices up to now, but the job with Danny is step in the right direction. He tries HARD, he really does. Flynn is his world, but Danny sneaks in.
Danny is lovely, he knows Micky has his own stuff to deal with, but he will be there for Micky, should Micky need him. And I think Micky DOES need Danny, deeply. Micky might not admit to that fact, but Micky needs Danny, just as much as Flynn needs Micky. And I loved the pair of them, I really did!
That one thing?? Cliff hanger, baby, a massive cliff hanger that my poor kindle is lucky to have survived! Because this is NOT a complete story, no ma'am. This is the first in a trilogy! I didn't really pay attention to the other books, when I was asked if I wanted to read this one, just that THIS book sounded really good. Now, going forward, I will pay more attention, and maybe wait till I have all three parts in trilogies available to me, should I wish to read them!
I need book 2, like yesterday cos fooooooooooooooooooooooooooook me, these guys are gonna kill me, I'm sure, before they get to their Happy Ever After! Oh! Ms White, they DO get there, don't they?? Oh god I hope so!
Anyway!
Loved it!
5 full and slightly dented stars (cos they were flung across the room when I finished this!)
**same worded review will appear elsewhere**
Micky is doing his best to keep his head above water. Looking after his disabled little brother, Flynn is top of that list. getting this new job will help a great deal. He just didn't plan on Danny, his boss. Danny is still suffering after a bad break up, but Micky is a breath of fresh air, even if the man has so many layers. Can they make it work?
Micky is trying, dammit, he really is! He lost his mum a few years ago, and his dad is absent and a deadbeat. Looking after Finn fell on to Micky cos Micky wants to keep Flynn close, to keep the two of them together. Flynn's special needs won't be easy for a stranger to deal with but Micky can, for the most part. But Micky is hurting, deep inside. He won't admit it, not to anyone, and certainly not to his best friend who is a career crook! But Danny? Danny picks at him, peels away his onion layers and digs deep til Micky really can't help himself.
The world though, is out to get Micky and he has to keep one step ahead of everyone trying to take Flynn away from him.
I loved this, bar one thing . . well maybe BECAUSE of this one thing I loved it, I'm still not sure yet!
Micky is not a bad person, he's just not made the best of choices up to now, but the job with Danny is step in the right direction. He tries HARD, he really does. Flynn is his world, but Danny sneaks in.
Danny is lovely, he knows Micky has his own stuff to deal with, but he will be there for Micky, should Micky need him. And I think Micky DOES need Danny, deeply. Micky might not admit to that fact, but Micky needs Danny, just as much as Flynn needs Micky. And I loved the pair of them, I really did!
That one thing?? Cliff hanger, baby, a massive cliff hanger that my poor kindle is lucky to have survived! Because this is NOT a complete story, no ma'am. This is the first in a trilogy! I didn't really pay attention to the other books, when I was asked if I wanted to read this one, just that THIS book sounded really good. Now, going forward, I will pay more attention, and maybe wait till I have all three parts in trilogies available to me, should I wish to read them!
I need book 2, like yesterday cos fooooooooooooooooooooooooooook me, these guys are gonna kill me, I'm sure, before they get to their Happy Ever After! Oh! Ms White, they DO get there, don't they?? Oh god I hope so!
Anyway!
Loved it!
5 full and slightly dented stars (cos they were flung across the room when I finished this!)
**same worded review will appear elsewhere**