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Whatchareadin (174 KP) rated Love in a Nutshell (Culhane Family #1) in Books
May 10, 2018
Kate Appleton is at a point in her life where things couldn't possibly be worse. She is currently living in Keene's Harbor in Michigan in an attempt to fix up her parent's summer home into a Bed and Breakfast before the new mortgage holder takes over.
Matt Culhane is at a point in his life where things couldn't be better. His Depot Brewery and restaurant is doing great and he has plans for more businesses in the very near future. He does have one small problem, though. Someone seems to be after him.
After being fired from her job Kate starts working for Matt as a "floater" and spy. It's her job to find the saboteur in the establishment as well as help out where she is needed. What will happen between them during this time?
I didn't dive into this book the way I thought I would when I got this book from the library. Trying to continue my [a:Janet Evanovich|2384|Janet Evanovich|https://d.gr-assets.com/authors/1385051483p2/2384.jpg] challenge this was the next book I picked up. I started with the Stephanie Plum series, but I am waiting for [b:Three to Get Deadly|6854|Three to Get Deadly (Stephanie Plum, #3)|Janet Evanovich|https://d.gr-assets.com/books/1311727539s/6854.jpg|1341652] to become available.
Mostly this was a cute story that held my interest at certain parts. About half way through, the excitement picked up and helped to carry me to the end. I like Kate's character and she seemed like someone I would be friends with. The same with Matt. He is not your typical guy, he is a true gentleman that genuinely care for those around him. He's the kind of guy every woman wants. This was not one of my favorites, but I am not giving up on my challenge.
The next book I'm going to read for the Challenge is [b:The Husband List|15793075|The Husband List (Culhane Family #2)|Janet Evanovich|https://d.gr-assets.com/books/1345686386s/15793075.jpg|21416771] which is also co-authored by [a:Dorien Kelly|176341|Dorien Kelly|https://d.gr-assets.com/authors/1296407006p2/176341.jpg]. I got this from the library at the same time as this book. I'm going to take a small break from JE for a while though and switch to something different.
Matt Culhane is at a point in his life where things couldn't be better. His Depot Brewery and restaurant is doing great and he has plans for more businesses in the very near future. He does have one small problem, though. Someone seems to be after him.
After being fired from her job Kate starts working for Matt as a "floater" and spy. It's her job to find the saboteur in the establishment as well as help out where she is needed. What will happen between them during this time?
I didn't dive into this book the way I thought I would when I got this book from the library. Trying to continue my [a:Janet Evanovich|2384|Janet Evanovich|https://d.gr-assets.com/authors/1385051483p2/2384.jpg] challenge this was the next book I picked up. I started with the Stephanie Plum series, but I am waiting for [b:Three to Get Deadly|6854|Three to Get Deadly (Stephanie Plum, #3)|Janet Evanovich|https://d.gr-assets.com/books/1311727539s/6854.jpg|1341652] to become available.
Mostly this was a cute story that held my interest at certain parts. About half way through, the excitement picked up and helped to carry me to the end. I like Kate's character and she seemed like someone I would be friends with. The same with Matt. He is not your typical guy, he is a true gentleman that genuinely care for those around him. He's the kind of guy every woman wants. This was not one of my favorites, but I am not giving up on my challenge.
The next book I'm going to read for the Challenge is [b:The Husband List|15793075|The Husband List (Culhane Family #2)|Janet Evanovich|https://d.gr-assets.com/books/1345686386s/15793075.jpg|21416771] which is also co-authored by [a:Dorien Kelly|176341|Dorien Kelly|https://d.gr-assets.com/authors/1296407006p2/176341.jpg]. I got this from the library at the same time as this book. I'm going to take a small break from JE for a while though and switch to something different.
Kristy H (1252 KP) rated The Craftsman in Books
Mar 12, 2019
Complex, compelling, and complicated tale
The year is 1999 and Assistant Commissioner Florence Lovelady returns to Lancashire for the funeral of Larry Glassbrook, a murderer she arrested 30 years ago. Larry killed three children, burying them alive in caskets he made himself. He also kidnapped and tortured Florence while she was investigating his case. Thirty years ago, Florence made a name for herself with the Glassbrook case, which changed her life forever. Clay effigies were found with each of the children's bodies, suggesting an element of witchcraft. Now, when Florence returns for the funeral, she finds a fourth: of herself. Does this means Florence is in danger? And what does the message Larry sent her from prison mean? Is there still a killer out there?
"I wonder what words his headstone might carry: Loving husband, devoted father, merciless killer."
I'm a huge Sharon Bolton fan, so I was excited to read this one. I hadn't really read the description in a while, so I didn't realize so much of the narrative took place in the late 1960s. I'm usually more of a modern fiction fan, but I found the 1960s portion--narrated by Florence--to be surprisingly engaging and enjoyable. It offered a really detailed look at how women were treated, especially on the police force, and was a true testament to Florence's strength. She was a fascinating, nuanced character who drew me in from the beginning. The book really revolves around her, but she makes it worth it.
The novel is certainly creepy--definitely a good spooky read for the month of October. It can be dark and gruesome. There's a witchcraft portion that sometimes seems a little unbelievable, but I thought it worked well within the confines of the story. There's even some funny moments--made even better by what a great heroine Florence is.
There's an excellent mystery here, which will keep you guessing from the start. The story skips between 1969 and 1999, and the two portions work together seamlessly. I found the tale to be complex, complicated, and just really compelling. There's something about this book that simply keeps you reading. Florence is an awesome character, the story is fascinating and different, and it's just a really enjoyable (if somewhat dark) read. Definitely recommend.
I received a copy of this novel from the publisher and Netalley in return for an unbiased review (thank you!).
"I wonder what words his headstone might carry: Loving husband, devoted father, merciless killer."
I'm a huge Sharon Bolton fan, so I was excited to read this one. I hadn't really read the description in a while, so I didn't realize so much of the narrative took place in the late 1960s. I'm usually more of a modern fiction fan, but I found the 1960s portion--narrated by Florence--to be surprisingly engaging and enjoyable. It offered a really detailed look at how women were treated, especially on the police force, and was a true testament to Florence's strength. She was a fascinating, nuanced character who drew me in from the beginning. The book really revolves around her, but she makes it worth it.
The novel is certainly creepy--definitely a good spooky read for the month of October. It can be dark and gruesome. There's a witchcraft portion that sometimes seems a little unbelievable, but I thought it worked well within the confines of the story. There's even some funny moments--made even better by what a great heroine Florence is.
There's an excellent mystery here, which will keep you guessing from the start. The story skips between 1969 and 1999, and the two portions work together seamlessly. I found the tale to be complex, complicated, and just really compelling. There's something about this book that simply keeps you reading. Florence is an awesome character, the story is fascinating and different, and it's just a really enjoyable (if somewhat dark) read. Definitely recommend.
I received a copy of this novel from the publisher and Netalley in return for an unbiased review (thank you!).
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
KalJ95 (25 KP) rated God of War in Video Games
Jan 3, 2020
The most gripping and emotionally engaging narrative in years. (2 more)
Combat is brutal and satisfying.
The one take camera is an astonishing achievement.
Powerful Playstation Epic.
Back in 2015, gaming hit its peak, and the new generation really came into full effect. Bloodborne, MGS V: The Phantom Pain, Rise of the Tomb Raider, just some games to hit the same year, but what really made me question just how incredible video games could become, was The Witcher 3: Wild Hunt. Since then, I found games that reached similar levels, but never peaked as much as that. Until God of War.
God of War engaged with me so much because at the time I was trying with my other half to have a child, and persistent family issues meant I no longer spoke to my father. Following the story of Kratos and Atreus really hit home, and I've never felt so gripped and emotionally attached to fictional characters. Every beat of the narrative is put there to for purpose, and to carry weight along this epic journey with a father and son. It packs so much intensity at times it becomes enthralling, almost addictive to continue its 25 hour length. This, I suppose, you could say is it's one part of two contained within the game.
Of course, there are levels upon levels to examine within this masterpiece, but simplifying it within two aspects seems the most appropriate way. The second is the combat.
God of War is brutal, bloody, bold. The simplicity to master the move sets is so brilliant and often bonkers. Throwing your trusty Leviathan Axe, and calling it back never, ever gets boring, and pushes you to become more intelligent with its system. The more the game enters its next stage, a curveball hits you, and you have to learn what you know already, and add even more creativity. By the end, you should be an expert. That is until you meet the Queen Valkyrie. That's all I'll say.
God of War is a masterpiece. Sure, there could of been a little more meat on the bone when it came to the endgame, more side mission content. But the story is so perfect, so masterful, it deserves every bit of praise it gathers.
God of War engaged with me so much because at the time I was trying with my other half to have a child, and persistent family issues meant I no longer spoke to my father. Following the story of Kratos and Atreus really hit home, and I've never felt so gripped and emotionally attached to fictional characters. Every beat of the narrative is put there to for purpose, and to carry weight along this epic journey with a father and son. It packs so much intensity at times it becomes enthralling, almost addictive to continue its 25 hour length. This, I suppose, you could say is it's one part of two contained within the game.
Of course, there are levels upon levels to examine within this masterpiece, but simplifying it within two aspects seems the most appropriate way. The second is the combat.
God of War is brutal, bloody, bold. The simplicity to master the move sets is so brilliant and often bonkers. Throwing your trusty Leviathan Axe, and calling it back never, ever gets boring, and pushes you to become more intelligent with its system. The more the game enters its next stage, a curveball hits you, and you have to learn what you know already, and add even more creativity. By the end, you should be an expert. That is until you meet the Queen Valkyrie. That's all I'll say.
God of War is a masterpiece. Sure, there could of been a little more meat on the bone when it came to the endgame, more side mission content. But the story is so perfect, so masterful, it deserves every bit of praise it gathers.
JT (287 KP) rated In the Tall Grass (2019) in Movies
Mar 10, 2020
What did I just watch? If someone could enlighten me I would be most grateful. Netflix doesn’t have the best track record when it comes to original films and I have yet to see one that I was genuinely impressed with. Given all the money that Netflix has, you would have thought they might be able to deliver something worth watching.
For Netflix’s latest effort, In The Tall Grass, the film is based on the 2012 novella by Stephen King and son Joe Hill. King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
Becky (Laysla De Oliveira) and Cal Demuth (Avery Whitted) are making the long trip to San Diego where Becky is planning to give up her baby. Stopping outside an abandoned church they hear a child crying for help from inside a field of tall grass. Not wanting to drive off the pair investigate and become separated and lost in the grass maze. Director Vincenzo Natali is no stranger to maze-like scenarios having helmed The Cube, in which six people are involuntarily placed in an endless maze of deadly traps.
King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
With Becky and Cal in danger of being consumed by the grass, they encounter the family of the missing boy they were searching for. The Dad, Ross (Patrick Wilson) discovers Becky and promises her safe passage out of the labyrinth. Cal in the meantime has met the young boy, Tobin (Will Buie Jr.), who makes a few sinister statements. A huge rock in the middle of the field that can turn people insane as well as bend time expands the story’s supernatural element. This becomes apparent when Becky’s boyfriend shows up months after she failed to return home and becomes a focal point of the story.
The cast, except for Patrick Wilson who plays the psycho role to great effect, are forgettable. There is a scattering of creepy moments but it’s not enough to carry the film any further. Natali had to make a few changes that were different from the novella to pack it into a feature-length film and this is probably where it falls down.
For Netflix’s latest effort, In The Tall Grass, the film is based on the 2012 novella by Stephen King and son Joe Hill. King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
Becky (Laysla De Oliveira) and Cal Demuth (Avery Whitted) are making the long trip to San Diego where Becky is planning to give up her baby. Stopping outside an abandoned church they hear a child crying for help from inside a field of tall grass. Not wanting to drive off the pair investigate and become separated and lost in the grass maze. Director Vincenzo Natali is no stranger to maze-like scenarios having helmed The Cube, in which six people are involuntarily placed in an endless maze of deadly traps.
King’s books, in particular, seem hardest to adapt onto the big screen so it should come as no surprise that this supernatural head-scratcher fails miserably.
With Becky and Cal in danger of being consumed by the grass, they encounter the family of the missing boy they were searching for. The Dad, Ross (Patrick Wilson) discovers Becky and promises her safe passage out of the labyrinth. Cal in the meantime has met the young boy, Tobin (Will Buie Jr.), who makes a few sinister statements. A huge rock in the middle of the field that can turn people insane as well as bend time expands the story’s supernatural element. This becomes apparent when Becky’s boyfriend shows up months after she failed to return home and becomes a focal point of the story.
The cast, except for Patrick Wilson who plays the psycho role to great effect, are forgettable. There is a scattering of creepy moments but it’s not enough to carry the film any further. Natali had to make a few changes that were different from the novella to pack it into a feature-length film and this is probably where it falls down.
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