Search
Search results
Phillip McSween (751 KP) rated Never Grow Old (2019) in Movies
Apr 1, 2019
Under-the-Radar Good
Set in the 1800’s, when a band of unsavory men muscle their way into a small town, the town’s undertaker has to face the moral decision of reaping the benefits of their destruction or keeping his family and the town safe. It’s a lot harder of a decision than you might think which is part of the reason why I think this movie works so well. I thought I could easily decide one way or another, but by the end of it, I wasn’t so sure.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Phillip McSween (751 KP) rated Sorry to Bother You (2018) in Movies
Apr 1, 2019
Bananas
When a man gets a job at a call center, he finds that using his “white voice” not only gets him ahead faster, but it takes him down a road crazier than he ever could have imagined. “Crazier” is the operative word here as this movie pushes crazy to the absolute limit. Sorry to Bother You is not without its flaws, but it gets the job done in terms of quality.
Acting: 10
Beginning; 10
Characters: 10
Cassius’ (LaKeith Stanfield) character works on a number of levels. He’s your average guy trying to make it in the world having to rob Peter to pay Paul. He’s easily lovable and funny. More importantly, he’s relatable. There was a number of times watching the movie where I found myself thinking, “Definitely been there before.”
While his character shines, it pales in comparison to Detroit played by the phenomenal Tessa Thompson. She has such a smoothness about her that you can’t escape. In this role, she is a starving artist trying to pave her way and stay true to herself as she wants Cassius to do. She’s cool as shit, but also not the type of girl you ever want to doublecross. I can’t express enough how much Detroit impacted the movie as a whole.
Cinematography/Visuals: 7
The movie succeeds with a lot of jarring imagery, although I will admit that the shock value felt too strong at times. The visuals won’t change your life, but there were a few moments that raised an eyebrow or two. This is the lovechild of when artsy-fartsy meets comedy.
Conflict: 8
Genre: 10
Memorability: 10
Pace: 9
There were a couple of times where I found myself asking, “Ok, where is this going?” But it gets there eventually. It’s consistently funny and is meant to be one of those movies that you probably need to watch a couple of times to really grasp. Outside of one lull, expect to be consistently entertained throughout as this strange mystery unfolds.
Plot: 9
Resolution: 3
Overall: 86
Sorry to Bother You should be a classic, but a meh ending keeps that award just out of reach. I still really liked it and I think you will too. However, it fell just short of me loving it. If you’re looking for some strong social commentary, look no further.
Acting: 10
Beginning; 10
Characters: 10
Cassius’ (LaKeith Stanfield) character works on a number of levels. He’s your average guy trying to make it in the world having to rob Peter to pay Paul. He’s easily lovable and funny. More importantly, he’s relatable. There was a number of times watching the movie where I found myself thinking, “Definitely been there before.”
While his character shines, it pales in comparison to Detroit played by the phenomenal Tessa Thompson. She has such a smoothness about her that you can’t escape. In this role, she is a starving artist trying to pave her way and stay true to herself as she wants Cassius to do. She’s cool as shit, but also not the type of girl you ever want to doublecross. I can’t express enough how much Detroit impacted the movie as a whole.
Cinematography/Visuals: 7
The movie succeeds with a lot of jarring imagery, although I will admit that the shock value felt too strong at times. The visuals won’t change your life, but there were a few moments that raised an eyebrow or two. This is the lovechild of when artsy-fartsy meets comedy.
Conflict: 8
Genre: 10
Memorability: 10
Pace: 9
There were a couple of times where I found myself asking, “Ok, where is this going?” But it gets there eventually. It’s consistently funny and is meant to be one of those movies that you probably need to watch a couple of times to really grasp. Outside of one lull, expect to be consistently entertained throughout as this strange mystery unfolds.
Plot: 9
Resolution: 3
Overall: 86
Sorry to Bother You should be a classic, but a meh ending keeps that award just out of reach. I still really liked it and I think you will too. However, it fell just short of me loving it. If you’re looking for some strong social commentary, look no further.
Neon's Nerd Nexus (360 KP) rated Rocketman (2019) in Movies
May 27, 2019
Satalight Flight
#rocketman explodes, leaps, dazzles & shines filling the entire screen at every opportunity with colour, #camp & charisma. I can not pretend i know anything about #eltonjohn or his #music because ive gone through life with having little interest in his #career (apart from that cool #robertdowneyjr video) so for me to say how much i enjoyed this movie might actually be less than if i was a huge #fan so bare that in mind. This film isnt just your average paint by numbers #biopic... well no i lie... it is, & even though i #hated how obvious #Elton clearly had a lot of influence & choice over how he was portrayed (feeling at times like a pro Elton John promotional video at times) i really did admire its style & its ability to shake things up which is something other films in this genre dare not do. So what i mean by this is in a sense the film is a #fantasy musical, think of it as a theatre show but instead of in real life more like one in your #dreams & youve nailed it. Not only is this #super fun, visually interesting, #creative & flashy it gives us an in site into Eltons mind explaining to us how being on stage makes him feel or showing us all those #emotions he struggles to express. It doesnt shy over #drug abuse, #sex addiction or alcohol dependence either which is something #BohemianRhapsody failed to do & this brings the film back down to reality injecting #emotion & conflict. #Rocketman is a somewhat tragic #story about how lack of parent support in an upbringing can have devastating effects on someones mental state & life choices. Elton is #shy, reserved, confused & with no one willing to trully understand him he's alone so on stage seems to be his way of shouting out, being #loved & being someone everyone whats him to be. Well filmed with an impressive supporting cast too & #taronegerton gives the best performance of his career becoming/losing himself as Elton but giving off such an energetic, #charming & almost #showman like quality to the role also. While the film does have its flaws its a great time, well made & different enough to stand out from the rest. A good film especially for people #hungry for more music biopics. #pride #gaypride #gay #kingsman
I enjoyed this fantasy book despite not particularly connecting with the main character. Katsa can be harsh and unrelatable, but the plot of the book is interesting. I listened to the book rather than reading it, so I think that I noticed the writing style/grammar problems less than those who were actually looking at the words.
The premise was fascinating - some people grow into special abilities called graces although each grace is different. Katsa has a fighting grace, which her King has her use to intimidate and harm people. Despite hating it, she never fights against it and accepts her position as a killer. I understand the fear of the King's anger, but cannot reconcile that with allowing oneself to be used and abused in such a manner. She is a fighter and strong enough that no one should be able to command her. Her freedom and her choices should be her own, but she allows herself to be manipulated for a long time.
Po, on the other hand, was very likable. He brings out a better side of Katsa and forces her to realize that she does not have to be the King's puppet. He is intelligent, a revered fighter and kind. I also liked another character, but as they do not have a role until the later half of the book - I'm afraid that talking about them might spoil details.
The world building was decent and I hope that it is expanded in future books, as this is not a standalone. The journey Katsa goes on is chronicled beautifully, but I don't feel like I know the world itself or its monarchies well. There are seven kingdoms and I would not be able to detail customs, names or climate of many of them.
Overall, the plot is relatively predictable although there were a few points that weren't expected. The pacing was steady throughout, but some scene changes and plot progressions seemed to jump forward when the plot would have been better served if they were expanded upon. For example, the conflict of the plot built and then the climax and "resolution" was mere moments so if you weren't paying close attention you may have missed it.
I would recommend this to young adult/teen readers who enjoy fantasy books - and I can't wait to read the next book in the series.
The premise was fascinating - some people grow into special abilities called graces although each grace is different. Katsa has a fighting grace, which her King has her use to intimidate and harm people. Despite hating it, she never fights against it and accepts her position as a killer. I understand the fear of the King's anger, but cannot reconcile that with allowing oneself to be used and abused in such a manner. She is a fighter and strong enough that no one should be able to command her. Her freedom and her choices should be her own, but she allows herself to be manipulated for a long time.
Po, on the other hand, was very likable. He brings out a better side of Katsa and forces her to realize that she does not have to be the King's puppet. He is intelligent, a revered fighter and kind. I also liked another character, but as they do not have a role until the later half of the book - I'm afraid that talking about them might spoil details.
The world building was decent and I hope that it is expanded in future books, as this is not a standalone. The journey Katsa goes on is chronicled beautifully, but I don't feel like I know the world itself or its monarchies well. There are seven kingdoms and I would not be able to detail customs, names or climate of many of them.
Overall, the plot is relatively predictable although there were a few points that weren't expected. The pacing was steady throughout, but some scene changes and plot progressions seemed to jump forward when the plot would have been better served if they were expanded upon. For example, the conflict of the plot built and then the climax and "resolution" was mere moments so if you weren't paying close attention you may have missed it.
I would recommend this to young adult/teen readers who enjoy fantasy books - and I can't wait to read the next book in the series.
Cyn Armistead (14 KP) rated Wolf Who Rules (Elfhome, #2) in Books
Mar 1, 2018
What a tease! To come SO close to dealing with polyamory, then skip back!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!
I guess it's just been too long since I read <i>Tinker</i>, but I don't really remember any hints of polyamory there at all. In this book, though, it's made very clear that elven society has found monogamy to be an unreasonable model for people who normally live thousands of years. Anybody who hasn't read Tinker shouldn't read this review, because there are spoilers for that book - but hey, that's to be expected in the review for a sequel. Just knowing that certain characters live and marry is a spoiler!
Anyway, Tinker may be an elf now, but she was raised as a human, and apparently the half-elven quasi-nursemaid Tooloo who has always been part of her life either doesn't know about the difference in societal expectations, or never saw fit to mention it. That isn't so surprising, as Tooloo is depicted as several tacos short of a combo plate. But why, when some of the elves (especially Stormsong) are shown to be familiar with human culture, haven't any of them anticipated this as a source of trouble in Tinker and Wolf's marriage? Why doesn't anybody ever just sit down and say, "Look, honey, the rulers only choose guards with whom they get along well, and with opposite-sex guards, that can mean getting along with sexually. Your new husband has had sex with all of his female bodyguards in the past, and it's expected that you'll eventually take your own male Sekasha as lovers, too. Deal." (I'm not even starting on how very heteronormative everything is. You're telling me there's all that lucious pretty and thousands of years in which to experiment, and nobody ever crosses those streams, so to speak? Yeah, right.) There's a perfect opening for such a speech in the book, a point when the need for it is made very, very obvious--but I suppose having it all out in the open would remove a source of conflict.
Why are so many authors so bloody timid about laying things out like that, about showing healthy communication between people? Yes, we can imagine the most amazing advances in technology, and societies very different from our current ones, but by Goddess we must continue to show people screwing up their relationships in exactly the same way as in Shakespeare's day or nobody could relate to them!
Dana (24 KP) rated Dreams of Gods and Monsters (Daughter of Smoke and Bone, #3) in Books
Mar 23, 2018
I really enjoyed this series when I started it back when it first came out. Unfortunately for me, being the weird person I am, I decided to wait TWO YEARS after this book came out to actually read it, even though I had bought it when it came out. (Seriously, we are talking not very smart right here.) Because of that, it was kinda hard to get back in the series. I didn't remember a lot of stuff until it was remembered by the characters themselves. When a couple of new characters were introduced, I thought I was already supposed to know them. It was a mess.
Speaking of the characters, I love the little commentaries they have when it is in their point of view. Zuzana and Karou are so sassy all of the time and I just love it. I was also happy that all of my ships were still afloat by the end of the book and I even got some new ones!! (Liziri, am I right?) I am just happy that the characters got to be happy.
For me, maybe because it had been so long since I had read the other books, the story line got very confusing at points. A lot was going on at once and was sometimes hard to follow. I didn't know what was going on at all for the first few chapters, but it started to get cleared up a bit as I went along.
In my opinion, too much happened too late in this book. A whole new conflict started/was revealed with about seventy pages left and was never really resolved which I thought was odd. It was a really cool plot line that could have gone onto another book, but the series is over, so I honestly don't know what to think about that.
Overall, despite my complaining, I really did enjoy this book and the series as a whole. It had a very interesting concept throughout and the characters and their stories were very compelling, which is something I absolutely love about the series. I just think I would have enjoyed it more if I had either reread the previous two books or read this one when it came out.
I would definitely recommend this series to people who want to read something different, because this is certainly that!!
Speaking of the characters, I love the little commentaries they have when it is in their point of view. Zuzana and Karou are so sassy all of the time and I just love it. I was also happy that all of my ships were still afloat by the end of the book and I even got some new ones!! (Liziri, am I right?) I am just happy that the characters got to be happy.
For me, maybe because it had been so long since I had read the other books, the story line got very confusing at points. A lot was going on at once and was sometimes hard to follow. I didn't know what was going on at all for the first few chapters, but it started to get cleared up a bit as I went along.
In my opinion, too much happened too late in this book. A whole new conflict started/was revealed with about seventy pages left and was never really resolved which I thought was odd. It was a really cool plot line that could have gone onto another book, but the series is over, so I honestly don't know what to think about that.
Overall, despite my complaining, I really did enjoy this book and the series as a whole. It had a very interesting concept throughout and the characters and their stories were very compelling, which is something I absolutely love about the series. I just think I would have enjoyed it more if I had either reread the previous two books or read this one when it came out.
I would definitely recommend this series to people who want to read something different, because this is certainly that!!
Lauren (6 KP) rated Supergirl - Season 2 in TV
Jul 9, 2018 (Updated Jul 9, 2018)
Chyler Leigh!! (4 more)
Floriana Lima
Melissa Benoist
Jeremy Jordan
The addition oaf a Luthor
Character development (2 more)
Network switch
Lovesick Kara took away from the supposed theme
Contains spoilers, click to show
This season had some absolutely great aspects and some that were not so stellar.
I think that the show did an amazing job with Alex's coming out storyline. It was so real and raw. This storyline was looked upon so highly by the LGBTQ community as it seemed to really speak to so many people. It was also a great example of a healthy relationship, with both women being so supportive of one another and helping each other grow. I read an article that praised it as being one of the healthiest on TV. I also think that Katie McGrath as Lena Luthor was a great addition. She brought a bit of conflict and mixed emotions. Can a Luthor get along with a Super? Is she bad or is she good? I think the moral dilemma was actually a nice addition. It was super fun seeing all the guest stars from the old Superman and super hero shows/movies making an appearance. I also liked seeing Superman a bit. I didn't like the prospect of him taking away from her and swooping in to save the day, and was happy that it didn't really seem to happen that way.
Generally speaking I thought that the move to the CW hurt the show, despite opening some doors for things that may not have been included had the show remained on CBS. I noticed a lack of character development in this season. Characters that I thought grew a to last season seemed to stay the same. There was no character growth at all. Characters that were introduced this season didn't seem to have much back story and remained 1 dimensional. There seemed to be a lot of missed opportunity. I also think that Kara falling for and pining after Mon-El so much seemed to take away from the empowerment that she had so much of in the first season. She focused so much on him that it seemed to make her forget so much of what she stood for. Not to mention that he didn't respect her at all and she continued pining after him. She so quickly jumped from loving James to immediately chasing a guy with qualities and from a planet she claimed to hate. It didn't make much sense.
I think that the show did an amazing job with Alex's coming out storyline. It was so real and raw. This storyline was looked upon so highly by the LGBTQ community as it seemed to really speak to so many people. It was also a great example of a healthy relationship, with both women being so supportive of one another and helping each other grow. I read an article that praised it as being one of the healthiest on TV. I also think that Katie McGrath as Lena Luthor was a great addition. She brought a bit of conflict and mixed emotions. Can a Luthor get along with a Super? Is she bad or is she good? I think the moral dilemma was actually a nice addition. It was super fun seeing all the guest stars from the old Superman and super hero shows/movies making an appearance. I also liked seeing Superman a bit. I didn't like the prospect of him taking away from her and swooping in to save the day, and was happy that it didn't really seem to happen that way.
Generally speaking I thought that the move to the CW hurt the show, despite opening some doors for things that may not have been included had the show remained on CBS. I noticed a lack of character development in this season. Characters that I thought grew a to last season seemed to stay the same. There was no character growth at all. Characters that were introduced this season didn't seem to have much back story and remained 1 dimensional. There seemed to be a lot of missed opportunity. I also think that Kara falling for and pining after Mon-El so much seemed to take away from the empowerment that she had so much of in the first season. She focused so much on him that it seemed to make her forget so much of what she stood for. Not to mention that he didn't respect her at all and she continued pining after him. She so quickly jumped from loving James to immediately chasing a guy with qualities and from a planet she claimed to hate. It didn't make much sense.
LilyLovesIndie (123 KP) rated Koven in Books
Nov 5, 2018
Celeste, a vampire with a very painful past, is determined to locate a mysterious organisation responsible for her pain. Striker is the leader of a protective band of vampires, Koven, charged with her capture and execution. It all sounds so simple, but when intrigue and powerful forces come into play, it changes the game they're both playing.
Before I go any further - I bloody loved this book! Anyone who's read my reviews knows just how much just love vampires, they're my Achilles heel, but so often they're overdone and full of cliches, but Koven blows most other vampire novels I've read completely out of the ball park. The creation of the Kouncil, Koven and then the added mystery of the Queens and konsorts all weaved together in a totally believable, yet very refreshing view on typical vampire lore.
The plot was full of twists and turns, I never knew exactly where Skye was going to take this novel. This, combined with a fast paced plot, had me hooked from the start and totally absorbed in Celeste and Striker's story. I found myself ignoring things that needed doing so I could spend the extra time reading.
Celeste and Striker, as leading characters were superb. They were developed, a pleasure to read, and their conflict over their feelings for each other was well written and very easy to get lost in. The support characters of Bradford, Rodham and the other Koven guys were just as entertaining to read, but Celeste really stole the show. Her back story, the pain, her recovery, it was just shine to read and she is such a powerful, strong lead character.
And so, before I keep you any longer, I can only say - buy this, find a quiet room and read it, preferably in one sitting. It's awesome, I cannot recommend it highly enough. Gripping, exciting and just fabulous from start to finish, this is a must read for anyone interested in the vampire genre. I mean this when I say I honestly cannot wait for another installment in what promises to be an excellent saga.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Before I go any further - I bloody loved this book! Anyone who's read my reviews knows just how much just love vampires, they're my Achilles heel, but so often they're overdone and full of cliches, but Koven blows most other vampire novels I've read completely out of the ball park. The creation of the Kouncil, Koven and then the added mystery of the Queens and konsorts all weaved together in a totally believable, yet very refreshing view on typical vampire lore.
The plot was full of twists and turns, I never knew exactly where Skye was going to take this novel. This, combined with a fast paced plot, had me hooked from the start and totally absorbed in Celeste and Striker's story. I found myself ignoring things that needed doing so I could spend the extra time reading.
Celeste and Striker, as leading characters were superb. They were developed, a pleasure to read, and their conflict over their feelings for each other was well written and very easy to get lost in. The support characters of Bradford, Rodham and the other Koven guys were just as entertaining to read, but Celeste really stole the show. Her back story, the pain, her recovery, it was just shine to read and she is such a powerful, strong lead character.
And so, before I keep you any longer, I can only say - buy this, find a quiet room and read it, preferably in one sitting. It's awesome, I cannot recommend it highly enough. Gripping, exciting and just fabulous from start to finish, this is a must read for anyone interested in the vampire genre. I mean this when I say I honestly cannot wait for another installment in what promises to be an excellent saga.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Midge (525 KP) rated Playing with Fire in Books
Jan 29, 2019
Full of drama, romance and hot desire (2 more)
Good character development
Great plot
A Great, Spicy Romance Novella!
Wow, Jen Talty is straight into all of the action and keeps it coming with this thrilling romance novella, set in Lake George, New York. It is a delightful story that has a bit of everything, from drama and hot desire to tension and conflict, there is something for everyone.
I really like that, in the opening chapter, we are introduced to hot and sexy fire-fighter, Cade Nash. Next, we meet his gorgeous new neighbour, but Heather Holbrook is a dentist and Cade has a deep-rooted fear of dentists, dating back to a bad experience from his childhood. Cade loves to help people in their hour of need so when Heather’s car has a flat battery and she needs a jump-start, he is there to assist.
Heather has recently divorced and is trying to start over in her new neighbourhood. After leaving her abusive husband, she just wants a happy, quiet life. You could immediately sense that there was an intense physical attraction between Cade and Heather and one of the highlights of the book was following how they dealt with their emotionally-charged feelings for one another. After some problems with her ex-husband, Heather is forced to rely on Cade more than she would have chosen to, until he oversteps the mark, although his main goal was to protect her. Can Heather forgive him?
I thought both the plot and the character development were great and found the story-line to be very believable. The story is well-told, captivating and engaging. It held my interest right from the beginning and I found myself rooting for both Heather and Cade as they tried to deal with all of their conflicting emotions. This was a short, fast-paced read with plenty of action, some suspense and lots of lust and love. I enjoyed their instant attraction and the banter between them and I laughed-out-loud a few times while reading it. I thought the ending was very appropriate for this great novella.
I have been inspired to read more from Jen Talty and I highly recommend "Playing With Fire."
Thank you to Hidden Gems and the author, Jen Talty for a free ARC of this book in exchange for a voluntary, honest review.
I really like that, in the opening chapter, we are introduced to hot and sexy fire-fighter, Cade Nash. Next, we meet his gorgeous new neighbour, but Heather Holbrook is a dentist and Cade has a deep-rooted fear of dentists, dating back to a bad experience from his childhood. Cade loves to help people in their hour of need so when Heather’s car has a flat battery and she needs a jump-start, he is there to assist.
Heather has recently divorced and is trying to start over in her new neighbourhood. After leaving her abusive husband, she just wants a happy, quiet life. You could immediately sense that there was an intense physical attraction between Cade and Heather and one of the highlights of the book was following how they dealt with their emotionally-charged feelings for one another. After some problems with her ex-husband, Heather is forced to rely on Cade more than she would have chosen to, until he oversteps the mark, although his main goal was to protect her. Can Heather forgive him?
I thought both the plot and the character development were great and found the story-line to be very believable. The story is well-told, captivating and engaging. It held my interest right from the beginning and I found myself rooting for both Heather and Cade as they tried to deal with all of their conflicting emotions. This was a short, fast-paced read with plenty of action, some suspense and lots of lust and love. I enjoyed their instant attraction and the banter between them and I laughed-out-loud a few times while reading it. I thought the ending was very appropriate for this great novella.
I have been inspired to read more from Jen Talty and I highly recommend "Playing With Fire."
Thank you to Hidden Gems and the author, Jen Talty for a free ARC of this book in exchange for a voluntary, honest review.
Phillip McSween (751 KP) rated Rear Window (1954) in Movies
Dec 24, 2018
Great Mystery
A photojournalist is wheelchair-ridden, watching people in his apartment complex from his window for hours. He’s thrown for a loop when he witnesses what he thinks is a murder. He wants to get to the bottom of it or die trying.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.