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Sophia (Bookwyrming Thoughts) (530 KP) rated The Corridor (The Corridor Duology, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
It seems, that <b>books relating to parallel universes are like mermaid books and contemporary books</b>: I either get along with them, or I don't get along with them.
It's no brainer that <b>a book involving parallel universes as <i><a title="A Thousand Pieces of You by Claudia Gray" href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank" rel="noopener">A Thousand Pieces of You</a></i> and <i>The Corridor</i> have would be extremely scientific in its explanation</b>. An information dump is (or maybe just a dumbing down of information) bound to happen if the authors want me to make sense of their parallel universes.
But somehow, <b>I enjoyed a story concocted by A.N. Willis far more than a story concocted by Claudia Gray</b> (parallel universes related I DO like Claudia Gray's other works), even if my first thoughts reading the first chapter was, "Oh, no. Parallel universes. Please don't disappoint me, A.N. Willis."
I find that I'm actually not disappointed I really enjoyed the first book in the <i>Corridor</i> series, and <b>I was pretty engrossed with Willis' writing. I wanted to know more than what the author actually wrote</b> Estele's power, Dr. Taber's betrayal years ago. <b>I even found myself interested in the science of the universes that the scientists were seeing and the different "Earths" Estele visits using her power.</b> And I am not generally a science person, regardless of the fact I think Chemistry is easy and passed it with a fabulous A-.
(Maybe I'm a chemistry kid rather than a physical science or biology kid. I guess I can't run away from math after all. What if I'm an accountant one day?!?!?! I won't complain, of course, since it's baby math...)
<b>There were moments that I found myself confused on which Earth the characters were talking about each world has different names for each of the other Earth</b>. The original Earth simply went with First Earth, Second Earth, and possibly so and so forth if they found any more. Estele went with calling First Earth and Second Earth whatever the scientists called them, and came up with names that were significant to that Earth when she first visits. Another version of Earth was further advanced and found more twelve Earths in total, and went with the zodiac in naming each of them. I found that <b>while the more advanced Earth was far more complicated, Estele's version seemed to make things a lot more clearer in matching up the Earths.</b>
Possibly <b>the biggest difference between <i>A Thousand Pieces of You</i> and <i>The Corridor</i> was how Marguerite actually uses a device while Estele somehow has a power to travel across worlds.</b> I personally found that really cool and interesting, and as mentioned earlier, I wanted to know more about that power as much as Estele did.
By the time I actually got to the end of the book, I was pretty disappointed... in a good way. I suppose Willis did disappoint me after all. <b>I honestly have no clue where the author is going with the series</b>, but I'm hoping the sequel will be just as good as the first one is.
<a href="https://bookwyrmingthoughts.com/arc-review-the-corridor-by-an-willis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
It seems, that <b>books relating to parallel universes are like mermaid books and contemporary books</b>: I either get along with them, or I don't get along with them.
It's no brainer that <b>a book involving parallel universes as <i><a title="A Thousand Pieces of You by Claudia Gray" href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank" rel="noopener">A Thousand Pieces of You</a></i> and <i>The Corridor</i> have would be extremely scientific in its explanation</b>. An information dump is (or maybe just a dumbing down of information) bound to happen if the authors want me to make sense of their parallel universes.
But somehow, <b>I enjoyed a story concocted by A.N. Willis far more than a story concocted by Claudia Gray</b> (parallel universes related I DO like Claudia Gray's other works), even if my first thoughts reading the first chapter was, "Oh, no. Parallel universes. Please don't disappoint me, A.N. Willis."
I find that I'm actually not disappointed I really enjoyed the first book in the <i>Corridor</i> series, and <b>I was pretty engrossed with Willis' writing. I wanted to know more than what the author actually wrote</b> Estele's power, Dr. Taber's betrayal years ago. <b>I even found myself interested in the science of the universes that the scientists were seeing and the different "Earths" Estele visits using her power.</b> And I am not generally a science person, regardless of the fact I think Chemistry is easy and passed it with a fabulous A-.
(Maybe I'm a chemistry kid rather than a physical science or biology kid. I guess I can't run away from math after all. What if I'm an accountant one day?!?!?! I won't complain, of course, since it's baby math...)
<b>There were moments that I found myself confused on which Earth the characters were talking about each world has different names for each of the other Earth</b>. The original Earth simply went with First Earth, Second Earth, and possibly so and so forth if they found any more. Estele went with calling First Earth and Second Earth whatever the scientists called them, and came up with names that were significant to that Earth when she first visits. Another version of Earth was further advanced and found more twelve Earths in total, and went with the zodiac in naming each of them. I found that <b>while the more advanced Earth was far more complicated, Estele's version seemed to make things a lot more clearer in matching up the Earths.</b>
Possibly <b>the biggest difference between <i>A Thousand Pieces of You</i> and <i>The Corridor</i> was how Marguerite actually uses a device while Estele somehow has a power to travel across worlds.</b> I personally found that really cool and interesting, and as mentioned earlier, I wanted to know more about that power as much as Estele did.
By the time I actually got to the end of the book, I was pretty disappointed... in a good way. I suppose Willis did disappoint me after all. <b>I honestly have no clue where the author is going with the series</b>, but I'm hoping the sequel will be just as good as the first one is.
<a href="https://bookwyrmingthoughts.com/arc-review-the-corridor-by-an-willis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Alex Kapranos recommended Here Come the Warm Jets by Brian Eno in Music (curated)
Haley Mathiot (9 KP) rated The Last Song in Books
Apr 27, 2018
My Summary: Ronnie does not want to spend the summer with her dad. Her dad left them three years ago, and she hasn’t really forgiven him for it. She hated him for it so much, that she refused to take his calls, quit playing the piano, and never read the letters he sent her. What is she going to do all summer stuck with a dad she hates in a small town with nothing but sand on every side of her, no clubs, no friends…
When she finds Will, the cutest volley-ball players slash aquarium volunteer in her back yard helping her protect un-hatched sea turtles from being eaten by raccoons, she judged him as not-her-type. She doesn’t expect to find a friend in a jock-rich-perfect-family boy, nor does she expect that this will be the best—most exciting, most scary, most fun, most painful—summer of her lifetime.
My Review: I’m not really sure where to start here, other than I am so utterly pleased with The Last Song, I cannot begin to find words to describe it.
Ronnie, Jonah (her brother), Her dad Steve, Will… all the characters really, were such real characters. I felt everything they felt, I laughed when they laughed, and I (nearly) cried when they cried.
I hate it when books suffer from "happy-land syndrome—" where everything works out just too perfectly that it seems silly. The Last Song seemed to work perfectly, but it didn’t have that plot-manipulated feel to it. It didn’t feel like Sparks was just trying to move the story along and causing things to line up too perfectly to be realistic—it felt like the story was writing itself, and it was perfect. The pacing didn’t feel rushed or slow. It was not a thriller, but I did find myself sitting on the edge of my seat dying to find out what happens. I read it through in two or three days (which is fast for me right now, what with school the way it is!). There are twists, there are surprises—some beautiful, some painful, but all wonderful.
The writing was contemporary. It was easy reading and it wasn’t Dostoevsky, but it wasn’t bad either. The humor was light and witty and sarcastic, sometimes laugh out loud, and more times than I can count my sister would look up from her homework and say “Haley. What is so funny?” The perspective alternated between several different characters, but it wasn’t disorientating. It was all from third person perspective, but I still felt like I could get inside the character’s head.
The end was perfect. That’s all I can really say about it because any information would totally ruin the story. All the loose ends were tied, all the questions were answered, and the ending was open to the future but closed in a wonderful conclusion. Suffice to say I grinned so wide I couldn’t see, and my cheeks are still sore.
Audio Review: Let’s just say that I almost gave up reading The Last Song when I started listening to the audio. Pepper Binkley read Ronnie’s perspective and had a high pitched voice, she read a little too fast (which is rare. Most of the time readers are way too slow), there was no differentiating between voices of characters so you couldn’t tell who was talking, and she seemed up tight and nervous. Scott Sowers read the various men’s perspectives, and he read alright. He was a little slow and his voice took some getting used to but he was otherwise ok. I did get too frustrated to get far in the audio book though. I ended up quitting and reading the paperback. I recommend reading The Last Song over listening to it.
Content: blissfully clean. There was romance between Will and Ronnie, but no sex. It wasn’t needed, either. I feel like the fact that they didn’t sleep together added to the book rather than took away from it. It was also clean of foul language. There was some mention of God and the Bible, but never did it feel like Sparks was preaching.
Recommendation: Ages 14+
When she finds Will, the cutest volley-ball players slash aquarium volunteer in her back yard helping her protect un-hatched sea turtles from being eaten by raccoons, she judged him as not-her-type. She doesn’t expect to find a friend in a jock-rich-perfect-family boy, nor does she expect that this will be the best—most exciting, most scary, most fun, most painful—summer of her lifetime.
My Review: I’m not really sure where to start here, other than I am so utterly pleased with The Last Song, I cannot begin to find words to describe it.
Ronnie, Jonah (her brother), Her dad Steve, Will… all the characters really, were such real characters. I felt everything they felt, I laughed when they laughed, and I (nearly) cried when they cried.
I hate it when books suffer from "happy-land syndrome—" where everything works out just too perfectly that it seems silly. The Last Song seemed to work perfectly, but it didn’t have that plot-manipulated feel to it. It didn’t feel like Sparks was just trying to move the story along and causing things to line up too perfectly to be realistic—it felt like the story was writing itself, and it was perfect. The pacing didn’t feel rushed or slow. It was not a thriller, but I did find myself sitting on the edge of my seat dying to find out what happens. I read it through in two or three days (which is fast for me right now, what with school the way it is!). There are twists, there are surprises—some beautiful, some painful, but all wonderful.
The writing was contemporary. It was easy reading and it wasn’t Dostoevsky, but it wasn’t bad either. The humor was light and witty and sarcastic, sometimes laugh out loud, and more times than I can count my sister would look up from her homework and say “Haley. What is so funny?” The perspective alternated between several different characters, but it wasn’t disorientating. It was all from third person perspective, but I still felt like I could get inside the character’s head.
The end was perfect. That’s all I can really say about it because any information would totally ruin the story. All the loose ends were tied, all the questions were answered, and the ending was open to the future but closed in a wonderful conclusion. Suffice to say I grinned so wide I couldn’t see, and my cheeks are still sore.
Audio Review: Let’s just say that I almost gave up reading The Last Song when I started listening to the audio. Pepper Binkley read Ronnie’s perspective and had a high pitched voice, she read a little too fast (which is rare. Most of the time readers are way too slow), there was no differentiating between voices of characters so you couldn’t tell who was talking, and she seemed up tight and nervous. Scott Sowers read the various men’s perspectives, and he read alright. He was a little slow and his voice took some getting used to but he was otherwise ok. I did get too frustrated to get far in the audio book though. I ended up quitting and reading the paperback. I recommend reading The Last Song over listening to it.
Content: blissfully clean. There was romance between Will and Ronnie, but no sex. It wasn’t needed, either. I feel like the fact that they didn’t sleep together added to the book rather than took away from it. It was also clean of foul language. There was some mention of God and the Bible, but never did it feel like Sparks was preaching.
Recommendation: Ages 14+
Kara Skinner (332 KP) rated Bascomville in Books
Jun 12, 2019
Genre: Contemporary, Teen
Page Count: 284
Average Goodreads Rating: 4.67 out of 5 stars
My rating: 4.5 out of 5 stars
Welcome to the life of Max Bascom, whose home is Bascomville. Bascomville has its own special kind of normal, where fathers can get job leads from their sons and Christmas dinners can end up to be Chinese take out. Max does his best to navigate Bascomville and to keep it running as smoothly as possible through good times and tragedy. And he also forms a special bond with the girl next door, Janice, who understands Bascomville despite coming from a world much different.
This book is so fabulously written. I usually don’t take review requests, but I’m glad I did for this book. It’s part romance, part literary masterpiece, and it captures “growing up” so well. I wish I had this book when I was in middle school or high school because I can relate to making your own kind of normal.
“Us? Normal?”
“How do you know we aren’t? How do we know everybody doesn’t make their own?”
She considered this for a moment then dismissed it. “If everybody made their own then nothing would be normal. Nothing could ever be normal.”
“Exactly.”
That’s my kind of definition of normal. And I think everyone needs to remember that normalcy doesn’t really exist a little bit more.
I didn’t see the plot twists coming ahead of time and I never got bored. On top of that, this book is incredibly quotable. There’s some good life advice in here, like when Max helped Janice cover up vandalism on her house:
And I knew then that ultimately we can save neither ourselves nor our loved ones from life. We can only live it.
Max is a complex character that I like and dislike. He is, ultimately, human, not a hero. He tends to overreact sometimes when Janice is involved, but for the most part he’s likeable. He’s loyal to his family, loves his little sister, and wishes for a world with a level playing field.
My favorite character is his little sister Lily, though. She actually has it worse than Max. She lives at home with her parents after Max goes to college and has to deal with her mother pretending she doesn’t exist and her father pretending to be her best friend to make up for it. Her home life is lousy at best and she practically raises herself for her last years of high school. But she’s strong enough to not break under pressure and she’s not one for self-pity.
“Fair is for dorks. I don’t need fair to make things work.”– Lily Bascom
So why only a 4.5 instead of a 5?
It’s because of the long descriptions, like this one that characterizes Mr. Birnbaum, Janice’s father, through his workshop.
I stepped inside and caught my breath. It was, to me, a foreign wonderland, this workshop. I am not a particularly handy person, and the panorama of neatly arranged rows of tools hanging on pegboards, the fittings categorized in plastic bins, the copper piping slung above the rafters, the worktables and vises and clamps and braided electrical cords all echoed the prowess of this man. I felt humbled, and strangely calm. I still wasn’t sure if I was doing the right thing but I was no longer nervous about it. I could leave disappointed, even chastised, and be all right with it. Such was the power of Sheldon Birnbaum and this place.
While these descriptions certainly add character and depth to the story, they can sometimes be a little excessive and make my attention lag. This book is certainly not a fluff book and isn’t meant to be one, but the long descriptions make it slightly more harder to get through than it has to be.
This is a good book for anyone to read and I can’t recommend it enough, especially to teens. It helps us remember that we all need to make our own normal.
Page Count: 284
Average Goodreads Rating: 4.67 out of 5 stars
My rating: 4.5 out of 5 stars
Welcome to the life of Max Bascom, whose home is Bascomville. Bascomville has its own special kind of normal, where fathers can get job leads from their sons and Christmas dinners can end up to be Chinese take out. Max does his best to navigate Bascomville and to keep it running as smoothly as possible through good times and tragedy. And he also forms a special bond with the girl next door, Janice, who understands Bascomville despite coming from a world much different.
This book is so fabulously written. I usually don’t take review requests, but I’m glad I did for this book. It’s part romance, part literary masterpiece, and it captures “growing up” so well. I wish I had this book when I was in middle school or high school because I can relate to making your own kind of normal.
“Us? Normal?”
“How do you know we aren’t? How do we know everybody doesn’t make their own?”
She considered this for a moment then dismissed it. “If everybody made their own then nothing would be normal. Nothing could ever be normal.”
“Exactly.”
That’s my kind of definition of normal. And I think everyone needs to remember that normalcy doesn’t really exist a little bit more.
I didn’t see the plot twists coming ahead of time and I never got bored. On top of that, this book is incredibly quotable. There’s some good life advice in here, like when Max helped Janice cover up vandalism on her house:
And I knew then that ultimately we can save neither ourselves nor our loved ones from life. We can only live it.
Max is a complex character that I like and dislike. He is, ultimately, human, not a hero. He tends to overreact sometimes when Janice is involved, but for the most part he’s likeable. He’s loyal to his family, loves his little sister, and wishes for a world with a level playing field.
My favorite character is his little sister Lily, though. She actually has it worse than Max. She lives at home with her parents after Max goes to college and has to deal with her mother pretending she doesn’t exist and her father pretending to be her best friend to make up for it. Her home life is lousy at best and she practically raises herself for her last years of high school. But she’s strong enough to not break under pressure and she’s not one for self-pity.
“Fair is for dorks. I don’t need fair to make things work.”– Lily Bascom
So why only a 4.5 instead of a 5?
It’s because of the long descriptions, like this one that characterizes Mr. Birnbaum, Janice’s father, through his workshop.
I stepped inside and caught my breath. It was, to me, a foreign wonderland, this workshop. I am not a particularly handy person, and the panorama of neatly arranged rows of tools hanging on pegboards, the fittings categorized in plastic bins, the copper piping slung above the rafters, the worktables and vises and clamps and braided electrical cords all echoed the prowess of this man. I felt humbled, and strangely calm. I still wasn’t sure if I was doing the right thing but I was no longer nervous about it. I could leave disappointed, even chastised, and be all right with it. Such was the power of Sheldon Birnbaum and this place.
While these descriptions certainly add character and depth to the story, they can sometimes be a little excessive and make my attention lag. This book is certainly not a fluff book and isn’t meant to be one, but the long descriptions make it slightly more harder to get through than it has to be.
This is a good book for anyone to read and I can’t recommend it enough, especially to teens. It helps us remember that we all need to make our own normal.
Kristy H (1252 KP) rated The Flight Attendant in Books
Feb 26, 2018
Compulsively readable (1 more)
Fascinating, befuddling story
Unpredictable book that sucks you in from the start
Cassandra Bowen is a flight attendant with a history of bad decisions--most of them tied to her predilection to heavy drinking. Mostly her drinking leads to sexual encounters with dubious men, topless dancing, and a few bouts of blackouts. But when Cassie's work takes her to Dubai, she spends the night with a gentleman she met on the plane, drinking heavily with him all evening; in the morning she wakes up next to him in bed and finds him dead, covered in blood. Alone and female in Dubai, Cassie sneaks out of the hotel room and returns home on the plane with her fellow flight attendants, setting off a trail of lies that will haunt her. And in the back of her mind, she fears the worst: could she have killed Alex while drunk? And what will happen when the authorities discover her deception?
This novel starts off with a bang, with Cassie waking up next to a dead man. Once Cassie gets back to the States, I found myself fascinated what could possibly happen for the other 80% of the book. (My mistake, a lot can happen.) The entire novel kept me wondering what on earth would come next. This is a crazy, unpredictable book that sucks you in and never lets you go. I was constantly wondering who the various characters were--who really was Alex, for instance? Is there more to Cassie than we are being told? I was honestly confused for a good portion of the book, which doesn't happen often when I read.
It was really fun and befuddling to piece things together in this one. The book was rather stressful, trying to decipher all the various characters and to deal with Cassie's high-risk behavior. As the end nears, I was actually shocked by a couple of twists, which I really appreciated. It's rare that a thriller truly shocks me anymore. I was truly impressed with this one. The ending was a little odd, but as I pondered it more, I think I'm good with it.
As for Cassie, she was a hard character to like, and there's certainly been no shortage of unreliable drunken female narrators in contemporary fiction as of late. Still, you can't help but get caught up in her story. It's compulsively readable. There are also lots of good flight attendant stories; Chris Bohjalian always well researches his books.
Cassie's chapters also alternate with a woman named Elena, which is an effective storytelling device, and only ratchets up the suspense. Her tale is just as befuddling as Cassie's--perhaps even more so--and just added to my desire to turn the pages and find out what on earth was going on and how these people were all connected. Bohjalian really weaved a fascinating story here, and I love how all of his books are so different. Whereas some can be emotional, this one was truly a thriller, and focused so much on the story and mystery. It wasn't exactly what I was expecting, but it was great.
I also found some amusing little personal tidbits in the book: references to Charlottesville (the second in a row in the novels I read--it's my hometown) and Cassie's Kentucky references, including her attendance at the University of Kentucky. We are, in fact, a UK and UVA household--my five-year-old twins are very divided between the two. It's funny how little things stick with you when you read a novel.
Overall, this was a great read. Completely befuddling, but incredibly suspenseful and just sort of fun. Not at all what I expected from Bohjalian, but a fascinating, enjoyable thriller. I was completely lost in Cassie and Elena's bizarre world for a few days--the sign of a great book. 4 stars.
I received a copy of this novel from the publisher and Edelweiss and Netgalley in return for an unbiased review; more at http://justacatandabookatherside.blogspot.com/.
This novel starts off with a bang, with Cassie waking up next to a dead man. Once Cassie gets back to the States, I found myself fascinated what could possibly happen for the other 80% of the book. (My mistake, a lot can happen.) The entire novel kept me wondering what on earth would come next. This is a crazy, unpredictable book that sucks you in and never lets you go. I was constantly wondering who the various characters were--who really was Alex, for instance? Is there more to Cassie than we are being told? I was honestly confused for a good portion of the book, which doesn't happen often when I read.
It was really fun and befuddling to piece things together in this one. The book was rather stressful, trying to decipher all the various characters and to deal with Cassie's high-risk behavior. As the end nears, I was actually shocked by a couple of twists, which I really appreciated. It's rare that a thriller truly shocks me anymore. I was truly impressed with this one. The ending was a little odd, but as I pondered it more, I think I'm good with it.
As for Cassie, she was a hard character to like, and there's certainly been no shortage of unreliable drunken female narrators in contemporary fiction as of late. Still, you can't help but get caught up in her story. It's compulsively readable. There are also lots of good flight attendant stories; Chris Bohjalian always well researches his books.
Cassie's chapters also alternate with a woman named Elena, which is an effective storytelling device, and only ratchets up the suspense. Her tale is just as befuddling as Cassie's--perhaps even more so--and just added to my desire to turn the pages and find out what on earth was going on and how these people were all connected. Bohjalian really weaved a fascinating story here, and I love how all of his books are so different. Whereas some can be emotional, this one was truly a thriller, and focused so much on the story and mystery. It wasn't exactly what I was expecting, but it was great.
I also found some amusing little personal tidbits in the book: references to Charlottesville (the second in a row in the novels I read--it's my hometown) and Cassie's Kentucky references, including her attendance at the University of Kentucky. We are, in fact, a UK and UVA household--my five-year-old twins are very divided between the two. It's funny how little things stick with you when you read a novel.
Overall, this was a great read. Completely befuddling, but incredibly suspenseful and just sort of fun. Not at all what I expected from Bohjalian, but a fascinating, enjoyable thriller. I was completely lost in Cassie and Elena's bizarre world for a few days--the sign of a great book. 4 stars.
I received a copy of this novel from the publisher and Edelweiss and Netgalley in return for an unbiased review; more at http://justacatandabookatherside.blogspot.com/.
Hazel (1853 KP) rated Paper Towns in Books
Dec 7, 2018
This was my book of the month for March 2014. You can view and reblog my Tumblr post here: http://fuzzysparrow.tumblr.com/post/81305903630/x
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
Cassie Osbourne (6 KP) rated The Hazel Wood in Books
Nov 9, 2018
Alice and her mother, Ella, have been on the road for as long as she can remember, constantly followed by some kind of freak bad luck. When word reaches them that Ella’s mother, famous fairytale author Althea Proserpine, has died, they think they’re safe...until Ella gets kidnapped by the Hinterlands. To save her, Alice must venture into the Hazel Wood.
I LOVE fairy tales, the darker, the better as far as I’m concerned. So when I’m told about a book that is based around dark, original fairytales, naturally I wanted to read it as soon as I could get my hands on it. However, it wasn’t quite what I expected.
Although this is a book about fairy tales and their characters being real, we are only told two stories: ‘Alice Three Times’ and ‘The Door That Wasn’t There’. This means that when we meet the Nightwalkers, Twice-Killed-Katherine, the Briar King and Hansa the Traveller, we don’t know what to make of them because we don’t know their stories. Now, I am all for discovering more about characters and their motivations as the story unfolds, but we never get that with these characters - it’s almost just assumed that we know who they are. I even checked online to see if I was reading the second book in the series by mistake! There is a book being written called ‘Tales From The Hinterland’ which is the collection of stories that these characters are from, but it is set to be published in 2020 when really it should have come first. Having said all of that, I did really like the ‘real world’ characters, and I thought that Janet and Spinner were super cool.
The atmosphere was really good throughout, even in the middle section when I found it hard to read because I couldn’t connect were really atmospheric. I loved the strange surrealness and dreamlike writing that was very fairy tale-ish, and it was brilliant. I also really enjoyed the writing style. I don’t think that I’ve properly ever read a book with so many current references and I quite like it. It makes the book feel very contemporary (after all it was only published in January) and in our world, while still having the other world, the Hinterland, mixed in which gives it a slight feeling of invasion and overlap. It also really suits Alice’s character and voice since she is narrating the story and was brought up very much in our world.
The plot was good on the whole. My main issue, once again, comes down to the fact that the stories weren’t told - or rather that the wrong one was. ‘Alice Three Times’ was great because it became relevant but ‘The Door That Wasn’t There’ seemed not to have any purpose. Surely if there was one story that Finch would have told Alice, it would have been ‘Twice-Killed-Katherine’ as she is following them for most of the first half of the book (and then just disappears for no real reason).
While the beginning and end of the book are really great and really gripping, I found most of the middle section really difficult to read because, guess what, we didn’t know the stories! When I started reading this book, I thought that I would finish it in the same week I started it...that was two weeks ago. The middle of the book is when Alice actually enters the Hinterland, but since we don’t know anything about the characters or the world, it feels like we’re constantly playing catch up. Whenever I decided what I was going to sit down, grit my teeth and get through it, it felt like it was a chore and I could only manage one or two chapters at a time. It gets very gripping again from chapter twenty-eight when Alice starts to get sucked into the story, but that’s because we’ve already been told ‘Alice Three Times”.
Although I did like ‘The Hazel Wood’, a middle did take a lot of the enjoyment out of reading it. Maybe when ‘Tales From The Hinterland’ comes out, I’ll read that then give this book another shot when I am more informed.
Characters: 6/10
Atmosphere: 8/10
Writing Style: 8/10
Plot: 7/10
Intrigue: 6/10
Logic: 7/10
Enjoyment: 7/10
I LOVE fairy tales, the darker, the better as far as I’m concerned. So when I’m told about a book that is based around dark, original fairytales, naturally I wanted to read it as soon as I could get my hands on it. However, it wasn’t quite what I expected.
Although this is a book about fairy tales and their characters being real, we are only told two stories: ‘Alice Three Times’ and ‘The Door That Wasn’t There’. This means that when we meet the Nightwalkers, Twice-Killed-Katherine, the Briar King and Hansa the Traveller, we don’t know what to make of them because we don’t know their stories. Now, I am all for discovering more about characters and their motivations as the story unfolds, but we never get that with these characters - it’s almost just assumed that we know who they are. I even checked online to see if I was reading the second book in the series by mistake! There is a book being written called ‘Tales From The Hinterland’ which is the collection of stories that these characters are from, but it is set to be published in 2020 when really it should have come first. Having said all of that, I did really like the ‘real world’ characters, and I thought that Janet and Spinner were super cool.
The atmosphere was really good throughout, even in the middle section when I found it hard to read because I couldn’t connect were really atmospheric. I loved the strange surrealness and dreamlike writing that was very fairy tale-ish, and it was brilliant. I also really enjoyed the writing style. I don’t think that I’ve properly ever read a book with so many current references and I quite like it. It makes the book feel very contemporary (after all it was only published in January) and in our world, while still having the other world, the Hinterland, mixed in which gives it a slight feeling of invasion and overlap. It also really suits Alice’s character and voice since she is narrating the story and was brought up very much in our world.
The plot was good on the whole. My main issue, once again, comes down to the fact that the stories weren’t told - or rather that the wrong one was. ‘Alice Three Times’ was great because it became relevant but ‘The Door That Wasn’t There’ seemed not to have any purpose. Surely if there was one story that Finch would have told Alice, it would have been ‘Twice-Killed-Katherine’ as she is following them for most of the first half of the book (and then just disappears for no real reason).
While the beginning and end of the book are really great and really gripping, I found most of the middle section really difficult to read because, guess what, we didn’t know the stories! When I started reading this book, I thought that I would finish it in the same week I started it...that was two weeks ago. The middle of the book is when Alice actually enters the Hinterland, but since we don’t know anything about the characters or the world, it feels like we’re constantly playing catch up. Whenever I decided what I was going to sit down, grit my teeth and get through it, it felt like it was a chore and I could only manage one or two chapters at a time. It gets very gripping again from chapter twenty-eight when Alice starts to get sucked into the story, but that’s because we’ve already been told ‘Alice Three Times”.
Although I did like ‘The Hazel Wood’, a middle did take a lot of the enjoyment out of reading it. Maybe when ‘Tales From The Hinterland’ comes out, I’ll read that then give this book another shot when I am more informed.
Characters: 6/10
Atmosphere: 8/10
Writing Style: 8/10
Plot: 7/10
Intrigue: 6/10
Logic: 7/10
Enjoyment: 7/10
Hazel (1853 KP) rated There Will Be Lies in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Award winning Nick Lake has returned to the limelight with a young adult thriller so full of emotion that you will be gripped from beginning to end. <i>There Will Be Lies </i>starts with a happy relationship between mother and daughter, then rips it apart revealing that everything you once believed true is a lie.
From the very beginning seventeen year old Shelby Jane Cooper warns the reader that bad things are going to happen. She speaks of death and of a car collision that is about to occur within the first few chapters of the story. But this is not the climax of the story. It is merely the small stone dropped on the top of a mountain, causing an avalanche of questions, danger and the slowly unraveling truth.
All her life Shelby has been homeschooled, isolated from society and shadowed by her over protective mother. After being hit by a car, resulting in a fractured foot, Shelby is ushered into a car by her mother and driven in the opposite direction from home. Supposedly an abusive father, a man Shelby cannot recall, is on their tail whom they must hide from to avoid a disastrous confrontation. Despite initially believing this story, peculiar things start happening to Shelby that suggest all is not as it seems.
The first quarter of <i>There Will Be Lies</i> follows a typical contemporary storyline, but as it becomes more thrilling, the author incorporates fantasy/American mythology into the mix. Finding herself slipping in and out of a dying, impossible world known as the <i>Dreaming</i>, Shelby begins to hesitate to believe the things her mother is telling her, especially after being warned that there will be two lies followed by a truth. Yet she cannot work out what they are; and what if the truth is something she cannot, does not want, to consider?
I loved this book from the very beginning. I loved Shelby’s character: the way she spoke, her sarcasm, her wit, her intelligence. I liked that despite being so sheltered from the world, she was not weird or awkward. What made it even better was discovering she was deaf. Readers will not even be able to guess at that for almost half the novel, when Shelby reveals the fact herself. She is not portrayed as stupid or any less human for having a disability. Nick Lake has done a superb job of avoiding any forms of stigma or prejudice.
With the story picking up the pace, my love was almost turned to hate. Almost. The fantastical elements, the American mythology, which gave it the appearance of a half fairytale, very nearly ruined the entire book for me. I admit I liked the concept and enjoyed reading the scenes set in the <i>Dreaming</i>, but it seemed so out of place with the rest of the novel. It felt as though Lake had written two different stories and decided to combine them together instead of publishing them separately. However, as I said, this only ALMOST ruined it.
As the story progressed, the relevance of the fairy-tale-like elements became clearer. You cannot say for sure whether the <i>Dreaming</i> was real or whether Shelby was merely doing that: dreaming. But what you can say is that the mythological storyline is a metaphorical way of showing what Shelby was dealing with in the real world. In a place where she was confused about what was true, she needed the <i>Dreaming</i> to explain things to her, to make her understand her predicament.
<i>There Will Be Lies </i>is full of little metaphors, some that you do not notice at first, but can easily be applied to life in general. It is an extremely quotable narrative with beautiful phrasing. With two thrilling storylines that eventually merge together, it is guaranteed that you will be gripped, wanting to know what happens; yet also not wanting it to end.
Award winning Nick Lake has returned to the limelight with a young adult thriller so full of emotion that you will be gripped from beginning to end. <i>There Will Be Lies </i>starts with a happy relationship between mother and daughter, then rips it apart revealing that everything you once believed true is a lie.
From the very beginning seventeen year old Shelby Jane Cooper warns the reader that bad things are going to happen. She speaks of death and of a car collision that is about to occur within the first few chapters of the story. But this is not the climax of the story. It is merely the small stone dropped on the top of a mountain, causing an avalanche of questions, danger and the slowly unraveling truth.
All her life Shelby has been homeschooled, isolated from society and shadowed by her over protective mother. After being hit by a car, resulting in a fractured foot, Shelby is ushered into a car by her mother and driven in the opposite direction from home. Supposedly an abusive father, a man Shelby cannot recall, is on their tail whom they must hide from to avoid a disastrous confrontation. Despite initially believing this story, peculiar things start happening to Shelby that suggest all is not as it seems.
The first quarter of <i>There Will Be Lies</i> follows a typical contemporary storyline, but as it becomes more thrilling, the author incorporates fantasy/American mythology into the mix. Finding herself slipping in and out of a dying, impossible world known as the <i>Dreaming</i>, Shelby begins to hesitate to believe the things her mother is telling her, especially after being warned that there will be two lies followed by a truth. Yet she cannot work out what they are; and what if the truth is something she cannot, does not want, to consider?
I loved this book from the very beginning. I loved Shelby’s character: the way she spoke, her sarcasm, her wit, her intelligence. I liked that despite being so sheltered from the world, she was not weird or awkward. What made it even better was discovering she was deaf. Readers will not even be able to guess at that for almost half the novel, when Shelby reveals the fact herself. She is not portrayed as stupid or any less human for having a disability. Nick Lake has done a superb job of avoiding any forms of stigma or prejudice.
With the story picking up the pace, my love was almost turned to hate. Almost. The fantastical elements, the American mythology, which gave it the appearance of a half fairytale, very nearly ruined the entire book for me. I admit I liked the concept and enjoyed reading the scenes set in the <i>Dreaming</i>, but it seemed so out of place with the rest of the novel. It felt as though Lake had written two different stories and decided to combine them together instead of publishing them separately. However, as I said, this only ALMOST ruined it.
As the story progressed, the relevance of the fairy-tale-like elements became clearer. You cannot say for sure whether the <i>Dreaming</i> was real or whether Shelby was merely doing that: dreaming. But what you can say is that the mythological storyline is a metaphorical way of showing what Shelby was dealing with in the real world. In a place where she was confused about what was true, she needed the <i>Dreaming</i> to explain things to her, to make her understand her predicament.
<i>There Will Be Lies </i>is full of little metaphors, some that you do not notice at first, but can easily be applied to life in general. It is an extremely quotable narrative with beautiful phrasing. With two thrilling storylines that eventually merge together, it is guaranteed that you will be gripped, wanting to know what happens; yet also not wanting it to end.
Hazel (1853 KP) rated As I Descended in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.
Naomi Forrest (42 KP) rated City of Ghosts in Books
Dec 31, 2018 (Updated Dec 31, 2018)
I haven't read any Victoria Schwab before though I do have another of her books to read and I know that she is extremely popular, particularly for fans of the young adult genre. This book piqued my interest as a middle grade ghost story so when I found it at a gorgeous second hand book store in Alnwick, Northumberland (you trade your old books in for new ones, it is amazing!), I snapped it up.
Cass is a brilliant protagonist....she's weird, she knows she's weird and she embraces her weird. We live in a world of fashion rules and being told that being different is wrong, even now in 2018. To be the generic carbon copy makes you popular. As Cass says:
'I know you're supposed to want to be one of the popular kids....It just seems like it would be exhausting...Smile, but not too wide. Laugh, but not too loud.'
From this quote alone, you just know that Schwab understands pre-teens and teens. She has been there. Cass is a brilliant character to empower the intended audience and show them it's good to be different. The other big character in the book is Cass's best friend, Jacob, who often has amusing little retorts to Cass and adds humour throughout the book. Oh yes, and he's dead! Apart from this interesting fact and also that he saved Cass's life, the bond between the two is like any other friendship and I get the feeling we will see more of these characters. It is hinted at in the story that Jacob remaining in the world of the living may create problems so it raises a lot of questions about what is coming. I was constantly questioning throughout the book, where did Jacob come from? Did he die saving Cass? Why has he not crossed over? How can he come through the veil? The writing just flows so easily and is told through Cass's eyes. I'm not always the biggest fan of present tense writing in novel's but the use of first person really put me into Cass's world and I had to know about the veil! (I was also a big Ghost Whisperer fan).
This book also has one of my favourite things, a cute little map at the start. However, unlike the often fiction maps that enhance the story, this is Cassidy's map of Edinburgh, which is pretty awesome, especially as I know the places on it, living just an hour's train ride from the city. It shows the main places you would expect, as well as Blackwell's book shop (it is a good Blackwell's too, bigger than Newcastle!). I just love maps in books, I spend ages pouring over them and it really adds to the pictures in your mind.
Of course, being a ghost story, this novel is quite edgy for middle grade but absolutely age appropriate and Schwab is so skillful at pushing the tension right up before diffusing it at just the right point. I get scared even by some young adult ghost stories (no lie) and this one was borderline comfortable for me. The description perfectly set the scene and I truly felt like I was in a foggy graveyard in the dark, or underground in Mary King's Close. I love how Schwab drew on Scottish history and Scotland's love of ghost stories and seamlessly weaves them with the fiction of this ghost hunting American family. I think a lot of children who I come across and potentially across the country may have been to Edinburgh so it makes the story a little bit more accessible while the fantasy creates a boundary from it being too scary. Cass is also a big fan of Harry Potter and the frequent references throughout will really resonate with contemporary children who also love the series.
I loved this book and can't wait for what follows on. It is definitely an exciting addition to a class bookshelf for the ghost story lover but would be a gripping book to share with your class just for pleasure. Brimming with tension, spine tingling atmosphere and completely relevant to the modern day pre-teen, I recommend whole heartedly.