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Johnnie To recommended The Last Emperor (1987) in Movies (curated)
Joe Mantegna recommended Spartacus (1960) in Movies (curated)
Joe Mantegna recommended The Last Emperor (1987) in Movies (curated)
Samuel Byrne (31 KP) rated Taboo - Season 1 in TV
Apr 22, 2017
Tom Hardy, needless to say any more (5 more)
Costume design is award worthy
Scripting and Story are interesting and thought-provoking
Supporting cast carry the show when Hardy is absent from a scene. Something amazing to see in any show
A number of twists help to keep the show Interesting and attracts viewers back to each new episode
Showed a darker and more mysterious take on a Period Drama
At times, it appeared to lose sight of what it wanted to achieve (1 more)
Had a fairly obvious end to the season.
A Tom Hardy filled Pinnacle!
Awix (3310 KP) rated The Aftermath (2019) in Movies
Mar 14, 2019
Yet another Keira Knightley costume drama about well-brought-up people grappling with their repressed emotions. This one is set in post-war Germany where KK is an army wife reunited with her officer husband (Jason Clarke doing an English accent), but she ends up knocking off the German widower (Alexander Skarsgard) whose house they have commandeered.
Decent production values but the performances aren't good enough to lift a story which feels trite, hackneyed and inconsequential. No sense of passion or danger, hard to care about anyone or anything in the movie; it's just incredibly dull and predictable.
Decent production values but the performances aren't good enough to lift a story which feels trite, hackneyed and inconsequential. No sense of passion or danger, hard to care about anyone or anything in the movie; it's just incredibly dull and predictable.
Arlie (10 KP) rated RuPaul's Drag Race in TV
Jun 21, 2018
Yas Queen!
I've enjoyed watching RuPaul's Drag Race since the first episode. Each season of Drag Race has added new challenges and even more drama to the show. Personally I'm not that happy with drama on competition shows but it's difficult not to have it when it comes to any type of performer. (Speaking as an A.S. and B.A. degree holder for theatre and costume design, there's always drama in theatre. lol) The language is the only thing about the show that I really dislike, but it's not a game changer for me but it might be for others.
My favorite episode of every season is always The Snatch Game, watching the Queens pull out their celebrity impersonations, there are always a few that should have listened better to Mama Ru. Then again that's every episode when she goes around to talk to them about what they are doing for that maxi challenge.
I highly recommend this show to people who enjoy reality t.v., competition shows, and of course Drag Queens.
My favorite episode of every season is always The Snatch Game, watching the Queens pull out their celebrity impersonations, there are always a few that should have listened better to Mama Ru. Then again that's every episode when she goes around to talk to them about what they are doing for that maxi challenge.
I highly recommend this show to people who enjoy reality t.v., competition shows, and of course Drag Queens.
Awix (3310 KP) rated Peterloo (2018) in Movies
Nov 9, 2018 (Updated Nov 9, 2018)
Inescapably worthy costume drama sheds some light on a half-forgotten landmark in British political history, but in the process kind of comes across as Barry Lyndon as written by Jeremy Corbyn. Decent, heroic, possibly slightly naive reformers campaign to reform society; greedy and self-serving politicians, magistrates and businessmen unite to stop them; in the end the troops are sent in.
Not quite as punishingly didactic as it sounds, but this may not have been intentional: what may also have been an accident is how close the film frequently comes to being actually quite funny. There are some spectacular wigs and hats, startling accents, and very broad performances from most of the cast - it almost feels like a parody of a bad costume drama in places. There's a scene where a family of semi-literate mill-workers pause to discuss the economic effects of the Corn Laws in some detail, mostly for the audience's benefit, while another scene arguably recycles a Monty Python gag. Casting someone from Blackadder as the Prince Regent was probably a misstep, too.
Still, it all reeks with conviction and moral outrage, and in the end the Peterloo massacre itself is staged quite well - though I still think it could have been handled slightly more cinematically. This is the movie equivalent of someone who hands out the Socialist Worker in the street: the intentions are so laudable that you kind of feel obliged to indulge the earnest lack of self-awareness. Looks quite good too.
Not quite as punishingly didactic as it sounds, but this may not have been intentional: what may also have been an accident is how close the film frequently comes to being actually quite funny. There are some spectacular wigs and hats, startling accents, and very broad performances from most of the cast - it almost feels like a parody of a bad costume drama in places. There's a scene where a family of semi-literate mill-workers pause to discuss the economic effects of the Corn Laws in some detail, mostly for the audience's benefit, while another scene arguably recycles a Monty Python gag. Casting someone from Blackadder as the Prince Regent was probably a misstep, too.
Still, it all reeks with conviction and moral outrage, and in the end the Peterloo massacre itself is staged quite well - though I still think it could have been handled slightly more cinematically. This is the movie equivalent of someone who hands out the Socialist Worker in the street: the intentions are so laudable that you kind of feel obliged to indulge the earnest lack of self-awareness. Looks quite good too.
Awix (3310 KP) rated Barry Lyndon (1975) in Movies
Jun 27, 2018
Famously demanding costume drama/endurance challenge from Stanley Kubrick. Handsome but dimwitted Irish lad does his thinking with the wrong body parts, becomes fugitive from justice, soldier, duellist, deserter, gambler, and spy before marrying into money; his attempts to climb further up society's tree go badly wrong.
Sounds like a rollicking tale, but many will probably find the, erm, stately pace at which events unfold to be rather punishing; there's also the problem that Ryan O'Neal is basically just an absence of hiatus in the middle of the film - you never really care about Barry Lyndon himself. On the other hand, the film is stuffed with wonderful character cameos and subtly magical moments, and the appearance of the thing is utterly gorgeous. If you're prepared to treat the film essentially as a visual feast peppered with incidental pleasures such as Leonard Rossiter's dancing or the climactic duel, then you will probably find it rather mesmerising - as a conventional piece of entertainment, probably less so.
Sounds like a rollicking tale, but many will probably find the, erm, stately pace at which events unfold to be rather punishing; there's also the problem that Ryan O'Neal is basically just an absence of hiatus in the middle of the film - you never really care about Barry Lyndon himself. On the other hand, the film is stuffed with wonderful character cameos and subtly magical moments, and the appearance of the thing is utterly gorgeous. If you're prepared to treat the film essentially as a visual feast peppered with incidental pleasures such as Leonard Rossiter's dancing or the climactic duel, then you will probably find it rather mesmerising - as a conventional piece of entertainment, probably less so.
Awix (3310 KP) rated The Asphyx (1972) in Movies
Jun 14, 2018
Early 70s British costume-drama horror movie, so you know roughly what to expect - scientist consumed with hubris decides to play God, learns the hard way he doesn't have the full set of qualifications for the gig. But this is really a rather morbid Victorian melodrama, an impression which is only heightened by how primitive some of the special effects are (the asphyx puppet in particular is a bit of an eye-popper).
At a time when the average Hammer horror was brazenly carnal and exploitative, and Amicus' line of portmanteaus was recycling the same jokey twist endings, The Asphyx takes itself wholly seriously and is positively bleak throughout - the whole movie is about death and despair, and the effects this can have on people. (At one point the plot boils down to a race between two characters to see which one of them can commit suicide first.) The intensity of the telling (good performances from the leads) makes it somewhat mesmerising to watch, even if it's a slightly chilly and unsettling experience.
At a time when the average Hammer horror was brazenly carnal and exploitative, and Amicus' line of portmanteaus was recycling the same jokey twist endings, The Asphyx takes itself wholly seriously and is positively bleak throughout - the whole movie is about death and despair, and the effects this can have on people. (At one point the plot boils down to a race between two characters to see which one of them can commit suicide first.) The intensity of the telling (good performances from the leads) makes it somewhat mesmerising to watch, even if it's a slightly chilly and unsettling experience.
Sarah (7798 KP) rated The Favourite (2018) in Movies
May 6, 2019
An unusual period piece
This is a very unusual film and for the most part very good. Period dramas aren’t usually my thing, but The Favourite isn’t your average period drama. It’s a very subtle tongue in cheek, witty, humorous and sometimes bizarre tale that’s very clever and entertaining to watch. Whilst Olivia Colman May have won the Oscar, I think all 3 of the female leads in this are very strong and a delight to watch, especially when their characters are all together in the same scenes. Indeed the scenes with Emma Stone and Rachel Weisz sniping at each other are by far the best to watch. Even the rest of the supporting cast too are very good, although I do think Mark Gatiss was a little underused. Nobody does posh upper class toff like he does!
The film itself looks beautiful. The costume and set design, and music, are fantastic, and the whole thing looks stunning. I did however have a slight issue with the cinematography. I found some of the strange camera angles a little frustrating and irritating after a while, especially as some of them don’t really seem to fit in with the style and tone of the rest of the film. I also think the final act and especially the final scene were a bit of a letdown. Most of the film has a rather humorous or at least light hearted undertone, but the final act takes it a little too seriously and the final scene is just too ill fitting too. Despite this, it’s a very different period drama and definitely worth a watch for some stellar performances.
The film itself looks beautiful. The costume and set design, and music, are fantastic, and the whole thing looks stunning. I did however have a slight issue with the cinematography. I found some of the strange camera angles a little frustrating and irritating after a while, especially as some of them don’t really seem to fit in with the style and tone of the rest of the film. I also think the final act and especially the final scene were a bit of a letdown. Most of the film has a rather humorous or at least light hearted undertone, but the final act takes it a little too seriously and the final scene is just too ill fitting too. Despite this, it’s a very different period drama and definitely worth a watch for some stellar performances.
