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Kristy H (1252 KP) rated Burying the Honeysuckle Girls in Books
Jun 21, 2019
Althea Bell returns home after (another) stint in rehab to find her father further stricken by Alzheimer's and her older brother--who is running for political office--fully entrenched in the seat of power in the family. Wynn doesn't want Althea and her sketchy past to ruin his chances at political fame and fortune. Even worse, Althea is shocked when she learns that the women in her family have a history of mental illness, which seems to come on around age 30--and Althea is just a few weeks away from her own birthday. Althea's mother passed away at that age, and Althea is determined to discover what happened to her. But doing so will dredge up family secrets that it seems Wynn wants hidden--and he'll do anything to keep Althea from shaming the family name
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
This won't be a very long review, because I listened to this book on audiobook (technically the audio that comes with my Kindle Unlimited subscription), and I couldn't take any notes or do any highlighting as I listened, as I was in the car. But I do want to point out that this is the *first ever* audiobook that I've ever listened to from start to finish! I'm not very good with verbal listening--even in college lectures, I had to take copious notes to retain the information, and I could just never keep up with audiobooks: my brain always wandered off. But I was commuting a lot for work and gave this one a try. It stuck!
This book felt a little slow in places, but now I'll never know if it was because it was an audiobook or what. I felt bad for Althea, who really seems to have received a bum rap: mother dies when she's a kid, a pretty awful brother, drug addiction, and more. She's a rather compelling narrator, and her family's backstory is interesting. The whole "I'm going to go crazy when I'm 30" thing seemed a little overblown and histrionic at times--seriously, you can't truly think the moment you turn 30, everything changes. But, I still found myself caught up in Althea's story, and I really loved hearing about her grandmother and her own struggles in the '30s. There were pieces of this book that were really touching and heartbreaking and the last half, especially, really got to me.
Overall, it was fun to explore an audiobook. It sure made my two-hour (each way) commute more palatable, and I found myself fascinated that one-person could do the voices of so many people. I found this story pretty compelling and liked the fact that it spanned several generations. The points it made about mental illness--especially the way women were treated in the past (and even now, really)--were very illuminating and well-done. 3.5 stars.
BackToTheMovies (56 KP) rated The Captor (2019) in Movies
Jun 21, 2019
2019 certainly seems to be the year of Ethan Hawke slaying it in movies! The Kid was a powerhouse performance enough to warrant and the year off but then The Captor is released and once again. Wow. Ethan Hawke only goes and blows the bloody doors off this real-life true story about a bank robbery in Stockholm. This is our The Captor review.
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
Emma @ The Movies (1786 KP) rated The Mule (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Thinking Clint Eastwood is a great actor is sadly not enough to get you through this film.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
Darren (1599 KP) rated The Veil (TBD) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Darren (1599 KP) rated Wounds (2019) in Movies
Oct 24, 2019
Characters – Jim Jacobs is the leader of the cult, he wants to prove the spirit can be separated from the body, did he die in the mass suicide or did he achieve his goal with the other members of the cult. Maggie the lead in the documentary team, she introduces the team and arranges for Sarah to return, she does also have a connection to what happened during the mass suicide. Sarah is the lone survivor from the suicide, she returns as a grown up even if she does seem to be happy to be back to learn the truth.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Performances – Thomas Jane is the highlight of this movie, his performance is filled with all the crazy needed for role. Jessica Alba on the other side of the coin is average to poor throughout, this role could have been played by anyone to a higher level. Lily Rabe does continue to make herself feel like she should be in horror films at all times.
Story – The story follows the documentary team looking at new evidence which could explain what was happening on the site of a mass suicide. The idea of learning what happened through a mix of tapes which sadly don’t feel like found footage which is the biggest problem. The continuing idea works but the forced horror is the stumbling block here. The story does also have flaws including why didn’t the police investigate the property to find the tapes, I mean come on there was a mass suicide surely raiding every possible location is important in an investigation.
Horror/Mystery – The horror does feel forced for the most part and once we see the final scene feels almost unnecessary, this could easily have just stuck to the mystery thriller side of things and kept us on edge wondering where things will go next.
Settings – The whole film is set on the Veil, it shows a place that has had mass suicides would be haunting to be around as well as have secrets people might have missed.
Special Effects – The effects for the ‘found footage’ are way too high of a quality, this is mostly down to one moment feeling like it has the grainy effect but the next we are thrown into that time. The ghost activity is fine but nothing overly impressive.
Scene of the Movie – The final moment.
That Moment That Annoyed Me – I want to put a couple here, first why did the police not investigate the surrounding area? Why is Jessica Alba a lead actress? The horror is mostly plain old jump scares.
Final Thoughts – This is a by the book horror mystery thriller which would have hit higher levels if it had remained just a mystery thriller without the pointless jump scares that miss most times. We also have a forgettable supporting crew in the documentary team.
Overall: Try but don’t buy in.
Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Natacha (374 KP) rated The Beauty of Darkness (The Remnant Chronicles #3) in Books
Jul 9, 2019 (Updated Jul 13, 2019)
Contains spoilers, click to show
That was one of the hardest books I had to rate and review. The reason is that the adult part of me had very specific expectations while my young teenager self was reminding me that this is a YA book. More details.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.
Things that I liked:
-Lia is taking control of her destiny and do everything she can to save her people. As with the previous books is a strong female character, with personality and a big heart.
- We keep seeing how Lia is still attached to Venda and is also willing to help them. Is not just about saving her people but it's also about saving the people of Venda from their tyrant.
-Nice twists regarding Kaden past.
-Nice twists regarding Lia family
-I liked Lia's and her family dynamic.
Things my teenager self liked:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending.
Things I didn't like:
-Everybody gets a happy ending. Every main character survives and every one of them found love. A classic fairy tale ending... As an adult, I really didn't like that. First of all, if you have a love triangle and for two books you are telling us how much both Rafe and Kaden are sooooo deeply in love with Lia you don't get to just make Kaden fall in love with Pauline out of the blue and forget about Lia and just be besties. NO. I want my heart to be broken. I had mentally prepared myself for him to die or at the end to de like "I can be around you if you are not mine" and just leave. The author had an amazing opportunity to break our hearts but not... It's a YA book we can't do that. I sound like a crazy person I know...
-I felt this book was slower than it should have been. I was 40 pages from the end and this big battle between the ferocious army of Venda haven't even started. We had a big build-up from the previous book and I wanted an epic battle with twists and turns but it didn't happen.
-For 3 book we were told that Lia would have to "sacrifice" herself for the greater good. Well, that didn't happen either. Well, she "sacrificed" because she became the queen of Venda and couldn't be with Rafe. Ok, I can deal with that but then at the end, Lia and Rafe are "we love each other so we'll make it work", sooo... where is the sacrifice? Again a great opportunity to break our hearts but no... we went with the happy ending.
As I said this is a YA book so I'm perfectly aware of the author choices and I respect them. As a teenager, this would have probably been a 10/10. But if this final book was written for an adult audience it could have been heartbreaking and amazing.
365Flicks (235 KP) rated Peelers (2016) in Movies
Nov 20, 2019
Last night I watched a movie that was so rotten that not only was I not able to write a review for it, but I felt like a needed a palette cleanser. When I received the trailer for Peelers I thought to myself ‘A Zombie Horror Comedy set in a Strip Club sooooo Boobies’ okay I am in lets have a look at Peelers. Holy crap was this the palette cleanser I needed.
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
Blue Jean (Wren Walker) is an ex Major League Baseball player seeing out her days as the super sexy, super sassy owner of a small-town strip club. BJ (ha BJ) has decided tonight is going to be her last night as she sells up to some local douche-bag who has every intention of pulling the place down. So with this being Blue’s last night she wants it to go out with a bang and we are introduced to all the right characters to make this happen (Mostly diaper wearing peeing on stage strippers). Throw in some recently exposed to some crazy shit coal miners, a mass blood bath and shenanigans and this movie becomes less Striptease and more From Dusk till Dawn.
This movie is an absolute riot, I had so much fun watching this and was pleasantly surprised with what waited around every corner. So often an independent movie can either be great but look terrible or Terrible but look great. I found Peelers to be both it looks great and is great. The movie looks polished as hell for a movie that I assume didn’t have the biggest budget. The script from Lisa DeVita is refreshingly original but manages to throw most of the Zombie tropes at us that we know and love, remember people jump scares can still be effective. Dialogue wise the chemistry and banter just flows.
Seve Schlenz has turned out a great movie here and considering this is second Feature as a director you really wouldn’t know it. Lets talk about effects for a second. Its pretty much all practical, which you would expect. Great care and attention has been taken by the team to make them A. Scary but B. not shit. The cast is on point making this a fun as hell enjoyable romp (with Boobies) from start to finish. Wren Walker as Blue Jean is incredible and you could easily draw comparisons to Uma Thurman in the bad ass stakes with this actress, I look forward to seeing her in more.
This is a solid recommend from me, it was exactly what I needed after the tripe I watched the night before. It may be indie and low budget as balls but it has more fun being exactly that than most. I genuinely thoroughly enjoyed this Flick and think you will too. You have to seek this one out. Did I mention it has Boobies???
365Flicks (235 KP) rated Lost Cat Corona (2017) in Movies
Nov 20, 2019
Holy shit people… Its Ralph freaking Macchio… I have got to admit its been some time since I saw Daniel Larusso in a movie so of course I was gonna sit down and watch this flick, what I did not expect was to find a whole cast of actors that maybe never set the world on fire but I have a certain affinity for.
Lost Cat Corona is one of those bottle movies that takes place over one day, spending time with various different characters that you just know (because Movies) will all somehow connect to each other at some point or other, you know like Crash, Kids, Clerks, or any other movie of its nature these are just the ones come to mind.
We start the flick by meeting Dominic (Ralph freaking Macchio). Dominic is a somewhat put upon and just wants to coast through life with as little drama as possible kind of guy (I can relate). On the day of his friends dads wake his wife’s cat has decided to go AWOL. His wife Connie (its only Gina bloody Gershon) is taking her mother for an operation and tells Dom “Find the cat or your out the house”. We spend the day with Dominic and his good friend Ponce (David “Batista from Dexter” Zayas) looking all around Corona for Leonard whilst bumping into a crazy cast of characters in his local neighborhood and getting caught up in some shady shit.
This is a super simple concept but works for all the right reasons. The script is as tight as you could ask and moves at a fairly rapid pace. Our cast is group of people you know and probably actually love, all giving solid great performances in a slightly off the wall comedy that gets in, moves along and gets out before outstaying its welcome.
Macchio and Zayas have cracking chemistry and with a solid as hell script form Writer/Director Anthony Tarsitano they are given room to show us a different side to themselves. Gershon is… Well… Gershon, always a pleasure to see her face on screen. We are also treated to Paul Sorvino (Goodfellas) as Uncle Sam, Sean Young (Blade Runner) and Jeff Kober (Sons of Anarchy).
Now would I recommend this Flick… Yeah I would, big time. This is one of those movies you can just put on and enjoy for what it is. If you want Action and Adrenaline, this is not your movie. If you want a well paced, superbly written, wonderfully acted good time then this is the movie for you. You know what guys, it may be because its Sunday and i’m having a lazy one or maybe i was just in the mood for this flick, I thoroughly enjoyed this one.
Did I mention Daniel Larusso is in this Flick… Whoooohooooo.
Lost Cat Corona is one of those bottle movies that takes place over one day, spending time with various different characters that you just know (because Movies) will all somehow connect to each other at some point or other, you know like Crash, Kids, Clerks, or any other movie of its nature these are just the ones come to mind.
We start the flick by meeting Dominic (Ralph freaking Macchio). Dominic is a somewhat put upon and just wants to coast through life with as little drama as possible kind of guy (I can relate). On the day of his friends dads wake his wife’s cat has decided to go AWOL. His wife Connie (its only Gina bloody Gershon) is taking her mother for an operation and tells Dom “Find the cat or your out the house”. We spend the day with Dominic and his good friend Ponce (David “Batista from Dexter” Zayas) looking all around Corona for Leonard whilst bumping into a crazy cast of characters in his local neighborhood and getting caught up in some shady shit.
This is a super simple concept but works for all the right reasons. The script is as tight as you could ask and moves at a fairly rapid pace. Our cast is group of people you know and probably actually love, all giving solid great performances in a slightly off the wall comedy that gets in, moves along and gets out before outstaying its welcome.
Macchio and Zayas have cracking chemistry and with a solid as hell script form Writer/Director Anthony Tarsitano they are given room to show us a different side to themselves. Gershon is… Well… Gershon, always a pleasure to see her face on screen. We are also treated to Paul Sorvino (Goodfellas) as Uncle Sam, Sean Young (Blade Runner) and Jeff Kober (Sons of Anarchy).
Now would I recommend this Flick… Yeah I would, big time. This is one of those movies you can just put on and enjoy for what it is. If you want Action and Adrenaline, this is not your movie. If you want a well paced, superbly written, wonderfully acted good time then this is the movie for you. You know what guys, it may be because its Sunday and i’m having a lazy one or maybe i was just in the mood for this flick, I thoroughly enjoyed this one.
Did I mention Daniel Larusso is in this Flick… Whoooohooooo.
Emma @ The Movies (1786 KP) rated Secret Santa (2018) in Movies
Dec 8, 2019
As alternative Christmas films go this one is way out there and probably the most Christmassy of them all. We've got actual Christmas events which is more than some.
Christmases in the family are always an over the top affair, snowy location, enormous turkey, secret Santa gifts and competition. But where there should be fun and merriment there's always a little bit of resentment, bitterness and not so friendly jabs.
April has turned over a new leaf and this Christmas is meant to be a way to apologise for past wrongs and bring everyone back together for some much needed family bonding, what she doesn't know is that someone else has other ideas. The family doesn't need more pleasantries, it needs a bit of truth.
Secret Santa is just pure batshit crazy and takes dysfunctional family to another level, there's so much going on that you'll certainly never be bored watching it. We obviously have a lot of gratuitous violence and there's also some nudity and sex thanks to Jackson, his girlfriend, and a... well, I won't spoil that bit. These are all selling points, right!?
What kick starts the craziness is the punch being spiked with an experimental military-grade truth serum, the effects start with what appears just to be their normal family bitchiness but it soon progresses into something a lot more homicidal. I liked that they kept a bit of a mix, not everyone showed the same sort of rage and it really depended on their original demeanour. The most extreme was definitely Jackson, and Nathan Hedrick certainly gives a fantastic, if disturbing, performance in the role. But everyone really commits to their parts and that's the thing that stopped this film from sliding into a bad made-for-TV affair.
There are so many things I want to mention but I don't want to spoil the fun to be had from watching this, so I'll just say that something wacky and nuts happens approximately every two minutes.
The film is done in such a way that you really get pulled into the action of it all by being up close and personal, and throughout there's a real contrast between the good and the bad, even in the opening titles. We're also treated to some great musical choices throughout and the festive vibe shines through. Make sure you watch into the credits as there are some great little additions to the story in them.
If you've brought the DVD then you'll also have a "making of" featurette, you absolutely need to watch this. It's almost as long as the film but it was really interesting to watch. Finding out the background to some of these films really does help you have a different appreciation for them and listening to the story begin Secret Santa was a real bonus.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/secret-santa-movie-dvd-review.html
Christmases in the family are always an over the top affair, snowy location, enormous turkey, secret Santa gifts and competition. But where there should be fun and merriment there's always a little bit of resentment, bitterness and not so friendly jabs.
April has turned over a new leaf and this Christmas is meant to be a way to apologise for past wrongs and bring everyone back together for some much needed family bonding, what she doesn't know is that someone else has other ideas. The family doesn't need more pleasantries, it needs a bit of truth.
Secret Santa is just pure batshit crazy and takes dysfunctional family to another level, there's so much going on that you'll certainly never be bored watching it. We obviously have a lot of gratuitous violence and there's also some nudity and sex thanks to Jackson, his girlfriend, and a... well, I won't spoil that bit. These are all selling points, right!?
What kick starts the craziness is the punch being spiked with an experimental military-grade truth serum, the effects start with what appears just to be their normal family bitchiness but it soon progresses into something a lot more homicidal. I liked that they kept a bit of a mix, not everyone showed the same sort of rage and it really depended on their original demeanour. The most extreme was definitely Jackson, and Nathan Hedrick certainly gives a fantastic, if disturbing, performance in the role. But everyone really commits to their parts and that's the thing that stopped this film from sliding into a bad made-for-TV affair.
There are so many things I want to mention but I don't want to spoil the fun to be had from watching this, so I'll just say that something wacky and nuts happens approximately every two minutes.
The film is done in such a way that you really get pulled into the action of it all by being up close and personal, and throughout there's a real contrast between the good and the bad, even in the opening titles. We're also treated to some great musical choices throughout and the festive vibe shines through. Make sure you watch into the credits as there are some great little additions to the story in them.
If you've brought the DVD then you'll also have a "making of" featurette, you absolutely need to watch this. It's almost as long as the film but it was really interesting to watch. Finding out the background to some of these films really does help you have a different appreciation for them and listening to the story begin Secret Santa was a real bonus.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/12/secret-santa-movie-dvd-review.html