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Kyera (8 KP) rated Clockwork Prince in Books
Jan 31, 2018
The Infernal Devices continues with the second book in the series, Clockwork Prince. The story continues not long after the events of Clockwork Angel and takes place in the now familiar London. In retrospect, I realize that there is not a lot of action in these books. While there are some fantastically written scenes, there are a lot less active, fighting elements than in her other series. For example, you frequently see the characters of the Dark Artifices either training or fighting demons - yet that doesn't happen very often in the Infernal Devices.
As I've re-read this series, I've come to appreciate just how character driven these novels are. While there is action, most of the scenes focus on the characters themselves. You delve deeper into Will's psyche as he continues to push everyone away and wonders if the mask he wears will soon become who he is. You watch as Jem struggles with his illness and how much those around him mean to him. You understand Tessa's struggle to understand who, and what, she is. You feel for Charlotte's struggle for the Institute and the distraction of her husband.
Even though the series is a work of fiction, it just feels real and I believe that that is the mark of a fantastic novel. You connect with the characters and go on this emotional journey with them. As they learn about themselves, grow, change, learn, love and lose - you also feel that you have been affected. Each and every character is further developed in this novel, which I think is the strongest aspect of Clockwork Prince. Tessa, Jem and Will are some of my favourite fictional characters from all of the books that I've read.
I do feel that this book falls prey, to a small degree, to the curse of the second book - which being a bridge between the first and final books in the series can be lacking. Cassandra Clare moved the plot along, allowed us and the characters to discover new information, but overall not a lot happened. I still loved this book, but it was not quite as good as Clockwork Angel and likely won't be anywhere near as good as Clockwork Princess (proclaimed by many to be the best conclusion).
I highly recommend this series to fans of fantasy, who enjoy character driven plots and immerse worlds. Of course, you must read Clockwork Angel first as this is a series and the book would not entirely make sense otherwise.
As I've re-read this series, I've come to appreciate just how character driven these novels are. While there is action, most of the scenes focus on the characters themselves. You delve deeper into Will's psyche as he continues to push everyone away and wonders if the mask he wears will soon become who he is. You watch as Jem struggles with his illness and how much those around him mean to him. You understand Tessa's struggle to understand who, and what, she is. You feel for Charlotte's struggle for the Institute and the distraction of her husband.
Even though the series is a work of fiction, it just feels real and I believe that that is the mark of a fantastic novel. You connect with the characters and go on this emotional journey with them. As they learn about themselves, grow, change, learn, love and lose - you also feel that you have been affected. Each and every character is further developed in this novel, which I think is the strongest aspect of Clockwork Prince. Tessa, Jem and Will are some of my favourite fictional characters from all of the books that I've read.
I do feel that this book falls prey, to a small degree, to the curse of the second book - which being a bridge between the first and final books in the series can be lacking. Cassandra Clare moved the plot along, allowed us and the characters to discover new information, but overall not a lot happened. I still loved this book, but it was not quite as good as Clockwork Angel and likely won't be anywhere near as good as Clockwork Princess (proclaimed by many to be the best conclusion).
I highly recommend this series to fans of fantasy, who enjoy character driven plots and immerse worlds. Of course, you must read Clockwork Angel first as this is a series and the book would not entirely make sense otherwise.
Louise (64 KP) rated Paper Girls: Volume 1 in Books
Jul 2, 2018
This is really tricky to review as I don't want to give too much away, but I want people to read it because I found it good but also at the same time, I am not 100% sure what I just read.
I wasn't expecting to like it as much as I did, it was weird but in a good way. I haven't read a graphic novel for a while and this just appealed to me... especially as it's written by the same author as Saga.
It all starts with four 12-year-old girls in 1988 doing their paper rounds on the aftermath of Halloween, they get caught up in a war of the worlds, time traveling galactic war between monsters, demons, aliens and a godlike man. With everybody vanishing, the presence of pterodactyls and not knowing who to trust or which way to turn,will they survive?
There are a lot of things that I enjoyed about this graphic novel, first off I shall start with the artwork the palette mostly consists of purples,pinks and blues and the drawings fit in with the 80's theme. I loved that it was set in the 80's and that the girls were doing paper rounds on their bikes and had cassette tapes, I really just like anything set in this era. The characters are all very different and each have their own personalities, they are sassy, have attitude and funny at the same time.
There are some things that let this down for me, not many but I think are quite important. First off there was not much background stories to the girls or character development. There is also the fact that the things they encounter are not fully explained or where they actually come from. The plot also can be a bit jumpy in parts and can be slightly confusing. I am hoping that the second volume gives us more of an understanding as to where the characters are coming from, what they are fighting and more world/character building.
This is the is a bind up of issues 1-5 and I will definitely be reading the second volume as I have a feeling this is just going to get better and better. Even though this is a story of four 12 year olds girls there is strong language and violence so not suitable for children or the easily offended.
Overall I rated this 4 out of 5 stars
**I received a copy of this graphic novel from Netgalley and the publishers in exchange for an honest review**
I wasn't expecting to like it as much as I did, it was weird but in a good way. I haven't read a graphic novel for a while and this just appealed to me... especially as it's written by the same author as Saga.
It all starts with four 12-year-old girls in 1988 doing their paper rounds on the aftermath of Halloween, they get caught up in a war of the worlds, time traveling galactic war between monsters, demons, aliens and a godlike man. With everybody vanishing, the presence of pterodactyls and not knowing who to trust or which way to turn,will they survive?
There are a lot of things that I enjoyed about this graphic novel, first off I shall start with the artwork the palette mostly consists of purples,pinks and blues and the drawings fit in with the 80's theme. I loved that it was set in the 80's and that the girls were doing paper rounds on their bikes and had cassette tapes, I really just like anything set in this era. The characters are all very different and each have their own personalities, they are sassy, have attitude and funny at the same time.
There are some things that let this down for me, not many but I think are quite important. First off there was not much background stories to the girls or character development. There is also the fact that the things they encounter are not fully explained or where they actually come from. The plot also can be a bit jumpy in parts and can be slightly confusing. I am hoping that the second volume gives us more of an understanding as to where the characters are coming from, what they are fighting and more world/character building.
This is the is a bind up of issues 1-5 and I will definitely be reading the second volume as I have a feeling this is just going to get better and better. Even though this is a story of four 12 year olds girls there is strong language and violence so not suitable for children or the easily offended.
Overall I rated this 4 out of 5 stars
**I received a copy of this graphic novel from Netgalley and the publishers in exchange for an honest review**
JT (287 KP) rated Shame (2012) in Movies
Mar 10, 2020
If you ever wondered what constitutes as a powerful piece of film making then Shame, directed by Steve McQueen, is it. Michael Fassbender plays Brandon a man who has an addiction for sex and all things surrounding it. From porn, webcams, fingering random girls in bars, it’s all covered here in gratuitous fashion that certainly delivers shock value.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
When his sister, Sissy (Mulligan) turns up at his apartment unannounced it throws his life into turmoil as she carries with her problems of her own.Brandon’s sexual appetite is a massive part of his life, he doesn’t go in for long term relationships instead finding time to pay for sex and engage in dates and the occasional one night stand.
His hunger drifts into the work place as well, which proves a dangerous playground. As the film grows Brandon begins to realise that his addiction is slowly consuming him, unable to perform sexually in some cases he is gripped by emotional dilemmas while at the same time trying to orchestrate a normal existence.
Fassbender is brilliant, giving by far, one of his best performances. Strange that actors seem to do this in films that generally are not that well known, albeit only around film festivals as opposed to main stream cinema. Brandon is a character that is trying to escape his inner demons, like with any addiction the road to ridding the problem is a long journey.
We see Brandon having a clear out of his apartment, throwing porn mags, DVDs and even his entire laptop, casting it onto the street in bin bags like it was a quick fix solution, which it’s not.
The supporting cast, aside Mulligan, is limited. James Badge Dale as Brandon’s over excited and at times sleazy boss holds his own but it is a relatively small part so he doesn’t have a lot to chew on. Shame is graphic, if you’re the least bit prudish then this film is certainly not going to be for you. Fassbender is a hollow shell, but the emotion beneath him is bubbling and the final act shows Brandon on a night of careless sexual exploitation, which takes him on a painful journey of self loathing.
It’s a film that will be open to much debate, the last scenes will no doubt set tongues wagging. But through all the controversy lies a film that depicts an addiction just like any other, and tries to break through to the underlying causes behind it, as well as the people that it affects.
BookInspector (124 KP) rated My Sister's Bones in Books
Sep 24, 2020
This novel started creating tension from the first pages, and it kept the intrigue going all the way till the very last page. This book contains tree parts. The first one is the story from Kate’s point of view. She is a successful Journalist, who came to her birth place after her mother’s death. The second part is the story told from Sally’s point of view. Sally is Kate’s younger sister, who is chronic alcoholic. She feels like a black sheep of the family, the “never good enough” daughter. The third part will remain a secret; I don’t like to spoil the pleasure. I love when Author gives voices to more than one character, I really enjoyed reading the story from different point of view and it made the book and the characters way more interesting and indulging. The characters which author chose are really intriguing and interesting. All of them suffering from some mental problems and are disturbed. Kate disturbed by her childhood and constant trips to war zones, and Sally by her inner demons. I think the characters were well rounded and exciting to read about.
The plot was amazingly thought through and overflowing with suspense. I couldn’t put it down, it captivated me and I needed to know more. I loved that the chapters were not long; it made it quick and pleasurable for me to read it. The writing style used in this novel was not difficult and very easy to read. I really loved how every part of the book was concluded with a sentence, which actually used to take my breath away with disbelief and wish to know more. This book has everything, it is fast paced, it has lots of twists and turns and it thickens with every chapter. This book covers so many great universal themes: how alcoholism destroys families and life of children in such families, what does journalist feels during and after trips to war torn countries, how it affects their personal life seeing so many ruined lives and death of innocent people, how people react while suffering domestic violence. There are so many great and very important themes in this book. I am amazed how author rounded all them up and fitted so many of them in this beautiful creation. The ending of the book was really unexpected and I was so confused after reading it. To be honest, all I have for this book is praise, it is an amazing book and it is a Must Read. Can’t wait for the movie because there definitely will be one.
The plot was amazingly thought through and overflowing with suspense. I couldn’t put it down, it captivated me and I needed to know more. I loved that the chapters were not long; it made it quick and pleasurable for me to read it. The writing style used in this novel was not difficult and very easy to read. I really loved how every part of the book was concluded with a sentence, which actually used to take my breath away with disbelief and wish to know more. This book has everything, it is fast paced, it has lots of twists and turns and it thickens with every chapter. This book covers so many great universal themes: how alcoholism destroys families and life of children in such families, what does journalist feels during and after trips to war torn countries, how it affects their personal life seeing so many ruined lives and death of innocent people, how people react while suffering domestic violence. There are so many great and very important themes in this book. I am amazed how author rounded all them up and fitted so many of them in this beautiful creation. The ending of the book was really unexpected and I was so confused after reading it. To be honest, all I have for this book is praise, it is an amazing book and it is a Must Read. Can’t wait for the movie because there definitely will be one.
Eleanor Luhar (47 KP) rated The Rest of Us Just Live Here in Books
Jun 24, 2019
This is the second book I've read by Patrick Ness, the first being More Than This which I adored. So I was really looking forward to The Rest of Us Just Live Here, and I was not disappointed!
The theme of this novel was basically what if you're not the Chosen One? As in, what if you aren't the one who slays the vampires, or exorcises all the demons? What if you don't fall in love with a Goddess or an angel? What if you're just a regular kid, like Mike?
At the start of each chapter, there's a short summary of what's happening in the "main story" - the indie kids fighting the Immortals, saving the world and that kinda thing. But that's all we get of their story; the rest is dedicated to Mike and his friends and family, struggling to lead happy, normal lives.
Each character is so unique and realistic. This is the important bit. There are characters with OCD, alcoholic parents, eating disorders. All of them are so well developed and relatable (expect perhaps Jared, who happens to be 1/4 God of Cats). I just love how their lives are normal lives, and how that doesn't mean they don't get a book written about them. Okay, Henna and Mikey nearly die, Jared can heal people and they encounter blue-eyed creatures a few times, but for the most part they aren't the heroes. They are just people.
I loved how you could compare the normal lives of the gang to what's happening with the indie kids. You can see how certain things affect each group of people differently, and how everything changes what they do. Such as the ending with Finn #2, which decides Jared's fate and alters the indie kids' story completely.
The writing is sometimes a little simplistic, like the kind of thing you read when you're a pre-teen or something. But it's easy to read, and really does draw you in. I have a few other Ness books I'd like to read, and I really am loving his work so far.
As you may or may not know, I'm a sucker for books featuring mental health problems. Anxiety, OCD, anorexia... They need to be addressed! It's great seeing how Mike and his sister get on with their lives despite the problems they're facing, and how they get involved without being judged based on their issues. Like I said, this is a really honest book, which we really need! I'd say 4 stars for this; I love it, but it's not quite in my favourites.
The theme of this novel was basically what if you're not the Chosen One? As in, what if you aren't the one who slays the vampires, or exorcises all the demons? What if you don't fall in love with a Goddess or an angel? What if you're just a regular kid, like Mike?
At the start of each chapter, there's a short summary of what's happening in the "main story" - the indie kids fighting the Immortals, saving the world and that kinda thing. But that's all we get of their story; the rest is dedicated to Mike and his friends and family, struggling to lead happy, normal lives.
Each character is so unique and realistic. This is the important bit. There are characters with OCD, alcoholic parents, eating disorders. All of them are so well developed and relatable (expect perhaps Jared, who happens to be 1/4 God of Cats). I just love how their lives are normal lives, and how that doesn't mean they don't get a book written about them. Okay, Henna and Mikey nearly die, Jared can heal people and they encounter blue-eyed creatures a few times, but for the most part they aren't the heroes. They are just people.
I loved how you could compare the normal lives of the gang to what's happening with the indie kids. You can see how certain things affect each group of people differently, and how everything changes what they do. Such as the ending with Finn #2, which decides Jared's fate and alters the indie kids' story completely.
The writing is sometimes a little simplistic, like the kind of thing you read when you're a pre-teen or something. But it's easy to read, and really does draw you in. I have a few other Ness books I'd like to read, and I really am loving his work so far.
As you may or may not know, I'm a sucker for books featuring mental health problems. Anxiety, OCD, anorexia... They need to be addressed! It's great seeing how Mike and his sister get on with their lives despite the problems they're facing, and how they get involved without being judged based on their issues. Like I said, this is a really honest book, which we really need! I'd say 4 stars for this; I love it, but it's not quite in my favourites.
Eleanor Luhar (47 KP) rated Ghost Boy in Books
Jun 24, 2019
Another young adult novel, following an 11-year-old boy. His name is Ben, and he sees ghosts. Well, spirits, and only a few. Mainly, he sees Abby, a girl of his own age. His mother views his ability as a 'gift', but his father thinks he's crazy. He gets angry when Ben talks about Abby as if she's real, and tries several methods to rid Ben of his spirits.
Ben goes through a lot in this novel, from his cousin losing his foot, his father sending him to a shrink, being caught graffiti-ing, and being beaten up for standing up to a bully. And more! These things are mostly nothing to do with Abby or Ben's ability to see the dead, but there are some connections. In one case, Ben actually exorcises a 'dybbuk' from a stranger on a beach.
It is clear that Ben is desperate for his father's approval. He attempts daring and foolish stunts designed to impress him, and he ends up lying about taking anti-psychotic medication just to please him. His mother often stands up for Ben, but this causes h er to fight with his father. Ben's sister is rarely mentioned, and does not seem to make any comments on Ben's ability - if she even knows about it.
A lot of this book felt like it was completely disconnected to the main plot; it felt a bit like a generic YA fiction novel at times. The plot revolving around Abby seemed to disappear for a while, before being re-introduced.
The plot with Abby was actually very interesting. I had my hunches from relatively early on, but it wasn't overly obvious or predictable. I did find it a bit strange how Ben believed he had a romantic interest in her at one point, and the 'solution' she suggests is also a bit strange... But it was unique and innovative, that's for sure. I'm intrigued to know where Abby got her name from, as it is later revealed that her mother referred to her as Eliza.
Ben's exorcising ability was not explained or developed upon at all, and there was no other mention of/reference to dybbuks or similar demons. This was a bit of a shame, as that was an interesting aspect.
As Ben was quite a young protagonist, I do believe I am a bit too old to actually really appreciate this. The writing definitely seemed more suited to a slightly younger audience, but wasn't overly immature. I'd definitely recommend this for slightly younger readers. I noticed a few mistakes, but only generic typos. 3.5 stars.
Ben goes through a lot in this novel, from his cousin losing his foot, his father sending him to a shrink, being caught graffiti-ing, and being beaten up for standing up to a bully. And more! These things are mostly nothing to do with Abby or Ben's ability to see the dead, but there are some connections. In one case, Ben actually exorcises a 'dybbuk' from a stranger on a beach.
It is clear that Ben is desperate for his father's approval. He attempts daring and foolish stunts designed to impress him, and he ends up lying about taking anti-psychotic medication just to please him. His mother often stands up for Ben, but this causes h er to fight with his father. Ben's sister is rarely mentioned, and does not seem to make any comments on Ben's ability - if she even knows about it.
A lot of this book felt like it was completely disconnected to the main plot; it felt a bit like a generic YA fiction novel at times. The plot revolving around Abby seemed to disappear for a while, before being re-introduced.
The plot with Abby was actually very interesting. I had my hunches from relatively early on, but it wasn't overly obvious or predictable. I did find it a bit strange how Ben believed he had a romantic interest in her at one point, and the 'solution' she suggests is also a bit strange... But it was unique and innovative, that's for sure. I'm intrigued to know where Abby got her name from, as it is later revealed that her mother referred to her as Eliza.
Ben's exorcising ability was not explained or developed upon at all, and there was no other mention of/reference to dybbuks or similar demons. This was a bit of a shame, as that was an interesting aspect.
As Ben was quite a young protagonist, I do believe I am a bit too old to actually really appreciate this. The writing definitely seemed more suited to a slightly younger audience, but wasn't overly immature. I'd definitely recommend this for slightly younger readers. I noticed a few mistakes, but only generic typos. 3.5 stars.
love books like this, books that push MY buttons, in ways I didn't like before.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Patrick has been let down by the Cuff'd app, but a message from a new Daddy makes Patrick wish. It makes him wish he lived in Italy, where Akker lives. And Akker wishes too. Akker uses his friends to get Patrick to Italy. But that let down also follows Patrick and Patrick has to dig deep to get through.
I read a lot of kink books and I make no bones about what I like and what I do not like. And this book surprised me! In all the best ways!
There are some aspects of Patrick's kink that are at the very VERY bottom of my like list, but quite HIGH on my dislike list. I'm not going to say what, cos spoilers, but suffices to say, Sayle dealt with said kink very well. So very well, in fact, it wasn't till I finished that the penny dropped! I mean I read about it, when Akker and Patrick were together, but it did not click, it really didn't! So well played there!
I loved, I mean LOVED that Patrick showed Akker some things that he really hadn't considered his own kink. To be fair, I don't think that Patrick realised it was one of his kinks till the point he did what he did. I loved that an experienced Dom can learn new things, things that push his own buttons in ways he never knew could be pushed.
I didn't think this was especially hawt, in the grand scheme of things. Indeed, the smexy times are quite low, but the kink level is high. It is very emotional, for Patrick especially, I thought. He has some demons to slay, and Akker and his connections help him slay them.
I found it incredibly high on the too stinking cute and the warm and fuzzies scale though! I loved the interactions between Patrick, Beau and Jessie, who are sharing a house in the beginning. Jessie has his own story in His Boy To Tease, but Beau needs a story too! And Lowell, the poor kid who got dragged into this whole mess, he needs a happy every after, I felt sorry for him!
I love books like this, books that push MY buttons, in ways I didn't like before.
5 full and shiny stars
*same worded review will appear elsewhere
Patrick has been let down by the Cuff'd app, but a message from a new Daddy makes Patrick wish. It makes him wish he lived in Italy, where Akker lives. And Akker wishes too. Akker uses his friends to get Patrick to Italy. But that let down also follows Patrick and Patrick has to dig deep to get through.
I read a lot of kink books and I make no bones about what I like and what I do not like. And this book surprised me! In all the best ways!
There are some aspects of Patrick's kink that are at the very VERY bottom of my like list, but quite HIGH on my dislike list. I'm not going to say what, cos spoilers, but suffices to say, Sayle dealt with said kink very well. So very well, in fact, it wasn't till I finished that the penny dropped! I mean I read about it, when Akker and Patrick were together, but it did not click, it really didn't! So well played there!
I loved, I mean LOVED that Patrick showed Akker some things that he really hadn't considered his own kink. To be fair, I don't think that Patrick realised it was one of his kinks till the point he did what he did. I loved that an experienced Dom can learn new things, things that push his own buttons in ways he never knew could be pushed.
I didn't think this was especially hawt, in the grand scheme of things. Indeed, the smexy times are quite low, but the kink level is high. It is very emotional, for Patrick especially, I thought. He has some demons to slay, and Akker and his connections help him slay them.
I found it incredibly high on the too stinking cute and the warm and fuzzies scale though! I loved the interactions between Patrick, Beau and Jessie, who are sharing a house in the beginning. Jessie has his own story in His Boy To Tease, but Beau needs a story too! And Lowell, the poor kid who got dragged into this whole mess, he needs a happy every after, I felt sorry for him!
I love books like this, books that push MY buttons, in ways I didn't like before.
5 full and shiny stars
*same worded review will appear elsewhere
Gareth von Kallenbach (971 KP) rated Doctor Sleep (2019) in Movies
Nov 7, 2019
Some nightmares you wake up from, wipe the sweat from your brow, and go back to wonderful slumber as though it never occurred. Others follow you in both your sleep and waking hours. For Dan Torrance (Ewan McGregor) the nightmare that began at the Overlook Hotel in Stephen King’s best-selling novel (and movie directed by Stanley Kubrick) The Shining continue to follow him through his childhood years. With the help of a friendly spirit (Carl Lumbly) Dan learns how to contain the malevolent spirits that followed him from his nightmarish experience, but at almost the cost of his sanity. Falling back on his fathers’ previous crutch, Dan drinks and fights his demons away every night, consumed by a different type of spirit to manage the pain and fear that he has been running from.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
Emma @ The Movies (1786 KP) rated The New Mutants (2020) in Movies
Sep 2, 2020
Contains spoilers, click to show
It's been 84 years... Well, not quite but that long, but near enough.
Dani wakes in a facility, chained to a bed with no clue how she got there after a disaster that devastated her home. She soon meets four other patients, all teens with mutant powers that have been gathered to learn how to control their powers so they can safely join others like them in another facility. But with Dani's arrival, everyone is about to learn what real nightmares are made of.
I sat and stared at this blank space for a while, I have been looking forward to New Mutants for so long and I've been contemplating if that anticipation has affected my enjoyment of it now that I've finally seen it... sadly, I don't think it did.
The promise that this film had in the trailer was pretty big, it looked much darker, a lot scarier, and I was excited for such a big diversion from what we're used to. Yes, the final product was definitely different but, as always, the trailer oversells aspects that aren't really representative of the completed film.
Watching New Mutants was very familiar. There's a certain amount of X-Men/mutant recognition, but there's also touches of Glass (unfortunate considering NM was scheduled for release before it originally) and Runaways. Without a bigger hook in the story it started to feel like an ironing film... something you put on while you have other things to do. Even with all new material it lacked any punch to give it some thrill.
The film is very much an origin story for these characters rather than something in its own right. Similar to Birds Of Prey you've got a lot of new people to meet and learn about, but in BoP this is done with a traditional base story and the characters on top and here everything is new... powers, characters, environments... that excess of new information is not quite as cohesive. In the hospital environment they're all understandably at odds with the doctor and each other, but that seems to change at the drop of a hat for no logical reason.
Out of everyone I was only really impressed with Henry Zaga's portrayal of Roberto da Costa, that was probably because of the humour in his role that broke the seriousness of everything around him. There were solid dramatic moments from him too but the role of Berto did suffer a knock with one of my other issues, and that was the seemingly shoehorned sex. We get it, teens are horny in films, but why was it necessary at all? Berto's storyline could easily have been adapted into something different and Rahne's backstory seems to have been twisted slightly to include it when there was a perfectly good story there already.
I'm not massively familiar with these characters outside of the film, Berto/Sunspot was in Days Of Future Past but I didn't realise this connection until afterwards. I thought it was a shame that there wasn't really a crossover with the rest of the universe when there were opportunities all over the place. Rahne is connected to Moira MacTaggert, Sam has mutant siblings, Illyana is Colossus' sister and the Essex Corporation is likely the same company that ran the orphanage in Deadpool 2... yet the only mentions of the outside universe are thrown in and felt like they were added without much thought and only because we'd expect them to say something about it.
I'm sorry, at this point my rant is just flowing... stay with me a little longer.
What New Mutants felt like it was missing was a villain, which is odd when there are so many bad guys. You have Essex Corp, but there's not enough about them to be anything more than a thought for the future. We're then left with the inner demons from Dani's mutant power, but they're technically undefeatable because they're a creation... so this just makes the film a bonding exercise between the five of them. Something to contemplate though... if they're experiencing their own demons because of Dani's power then how is it that Illyana's smileys go for Berto and Sam when she isn't there? Surely they should vanish when she does? I'm going to have to do more reading about this team, if you know about them then please do give me a crash course.
There are still some good effects and the idea of a darker tone to the universe has a lot of potential, but let's face it, we're never likely to see it again... though the end of the film would like you to believe otherwise with its walk off into the sunset-esque moment. They went full Artemis Fowl with us and lined up a sequel... we're not getting a sequel out of that no matter how much potential they have in the wings... surely?
I still vaguely enjoyed watching New Mutants, if I had my Unlimited Card I would be seeing it again, I wouldn't even have minded getting this as a VOD title because I would have got a few viewings in for my money... but let's face it, this felt more like a double length feature at the start of a new TV series than a film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/09/the-new-mutants-movie-review-spoilers.html
Dani wakes in a facility, chained to a bed with no clue how she got there after a disaster that devastated her home. She soon meets four other patients, all teens with mutant powers that have been gathered to learn how to control their powers so they can safely join others like them in another facility. But with Dani's arrival, everyone is about to learn what real nightmares are made of.
I sat and stared at this blank space for a while, I have been looking forward to New Mutants for so long and I've been contemplating if that anticipation has affected my enjoyment of it now that I've finally seen it... sadly, I don't think it did.
The promise that this film had in the trailer was pretty big, it looked much darker, a lot scarier, and I was excited for such a big diversion from what we're used to. Yes, the final product was definitely different but, as always, the trailer oversells aspects that aren't really representative of the completed film.
Watching New Mutants was very familiar. There's a certain amount of X-Men/mutant recognition, but there's also touches of Glass (unfortunate considering NM was scheduled for release before it originally) and Runaways. Without a bigger hook in the story it started to feel like an ironing film... something you put on while you have other things to do. Even with all new material it lacked any punch to give it some thrill.
The film is very much an origin story for these characters rather than something in its own right. Similar to Birds Of Prey you've got a lot of new people to meet and learn about, but in BoP this is done with a traditional base story and the characters on top and here everything is new... powers, characters, environments... that excess of new information is not quite as cohesive. In the hospital environment they're all understandably at odds with the doctor and each other, but that seems to change at the drop of a hat for no logical reason.
Out of everyone I was only really impressed with Henry Zaga's portrayal of Roberto da Costa, that was probably because of the humour in his role that broke the seriousness of everything around him. There were solid dramatic moments from him too but the role of Berto did suffer a knock with one of my other issues, and that was the seemingly shoehorned sex. We get it, teens are horny in films, but why was it necessary at all? Berto's storyline could easily have been adapted into something different and Rahne's backstory seems to have been twisted slightly to include it when there was a perfectly good story there already.
I'm not massively familiar with these characters outside of the film, Berto/Sunspot was in Days Of Future Past but I didn't realise this connection until afterwards. I thought it was a shame that there wasn't really a crossover with the rest of the universe when there were opportunities all over the place. Rahne is connected to Moira MacTaggert, Sam has mutant siblings, Illyana is Colossus' sister and the Essex Corporation is likely the same company that ran the orphanage in Deadpool 2... yet the only mentions of the outside universe are thrown in and felt like they were added without much thought and only because we'd expect them to say something about it.
I'm sorry, at this point my rant is just flowing... stay with me a little longer.
What New Mutants felt like it was missing was a villain, which is odd when there are so many bad guys. You have Essex Corp, but there's not enough about them to be anything more than a thought for the future. We're then left with the inner demons from Dani's mutant power, but they're technically undefeatable because they're a creation... so this just makes the film a bonding exercise between the five of them. Something to contemplate though... if they're experiencing their own demons because of Dani's power then how is it that Illyana's smileys go for Berto and Sam when she isn't there? Surely they should vanish when she does? I'm going to have to do more reading about this team, if you know about them then please do give me a crash course.
There are still some good effects and the idea of a darker tone to the universe has a lot of potential, but let's face it, we're never likely to see it again... though the end of the film would like you to believe otherwise with its walk off into the sunset-esque moment. They went full Artemis Fowl with us and lined up a sequel... we're not getting a sequel out of that no matter how much potential they have in the wings... surely?
I still vaguely enjoyed watching New Mutants, if I had my Unlimited Card I would be seeing it again, I wouldn't even have minded getting this as a VOD title because I would have got a few viewings in for my money... but let's face it, this felt more like a double length feature at the start of a new TV series than a film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/09/the-new-mutants-movie-review-spoilers.html
Lee (2222 KP) rated Colossal (2016) in Movies
Jul 26, 2017
Colossal is written and directed by Nacho Vigalondo, who also wrote and directed 2007’s Timecrimes. One of my favourite movies and probably the best movie about time travel that isn’t Back to the Future! So, I’d been looking forward to catching this, his latest movie, for a while now. Luckily, it didn’t disappoint.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.
Anne Hathaway is Gloria, a 30-something party girl whose life is in a serious downward spiral. Her boyfriend (an underused Dan Stevens) decides that enough is enough and kicks her out of his New York apartment. So, Gloria moves back to the quiet little town where she grew up and moves into her parents empty house in an attempt to try and rebuild her life. After a bad nights sleep on the bare floor (a nice running joke throughout the movie), she heads out to buy an inflatable mattress and on the way back is passed by Oscar (Jason Sudeikis) in his pickup truck, who pulls up and offers her a ride. It turns out that Oscar and Grace are old school friends and as they get talking about old times it transpires that things aren’t so great for Oscar these days either. He takes her to the bar he inherited from his father, only half renovated due to a lack of money, and later on offers Gloria a waitress job. Most of their time in the bar though seems to be spent after hours, drinking away the stock with a couple of other friends/barflies. Gloria is soon back to blacking out from drink and then waking up at some point the next day with vague memories of the night before.
And then one morning Gloria wakes to images on TV of a giant Godzilla-like creature which suddenly materialised and started rampaging through Seoul in South Korea. Furthermore, after a few more appearances by this creature, Gloria comes to the realisation that this creature somehow appears to be copying her movements! And a bit later on, a giant robot appears too!!
It’s difficult to elaborate on this part of the movie much further without going into serious spoiler territory. The whole idea sounds crazy, but it’s surprising just how quickly the whole concept just settles in and this remains primarily a movie about humans, our relationships and our inner demons. Hathaway and Sudeikis are at their best here, with Sudeikis progressing from his usual likeable slacker role into something much more darker and complex. Things become increasingly tense, culminating in a highly original and hugely satisfying final act which I absolutely loved. It’s truly amazing what’s been achieved here with such a low budget too, with only a few occasions where the effects appear a little shaky. Overall though, this is a smart must-see movie. Brilliant.