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Sassy Brit (97 KP) rated You Should Have Left in Books
Jun 5, 2019
by author Daniel Kehlmann is imaginatively written in such a way that you’re reading a scriptwriter’s notes from his notebook, as he is writing them. The main character bares his soul about his life, his thoughts and dreams. Much of it is mundane everyday stuff, until you realise that what is being said actually has a very different meaning. Darker and more horrific than it at first may seem.
Writing his screenplay, and lying to his boss about his progress, the screenwriter takes his family, wife Susanna, and four-year old Esther to what he wants to be a writer’s retreat. Yeah, it does sound rather like The Shining. But even though there’s less of it, there’s even more to it… Stick with me. I’ll explain.
Things are not going as planned, for this unnamed writer. His marriage is on the rocks and his screenplay is failing. On top of that there are a lot of strange goings on he cannot explain. Odd things are happening in the house he’s renting via Airbnb. Maybe it’s haunted, or just tricks of light are playing with his mind giving him that illusion. Either way, it’s a slow descent into darkness that the author of the notebook does not seem to notice himself. Not straight away.
But as the reader I get to see that every now and then there’s things hidden in the text the writer seems not to be aware of. He’s spiralling downhill I’m wondering about his mental state, or if the house itself, or something in it — something supernatural — is playing with his mind.
How long can he hold it together? He’s got responsibilities to look after his kid, but he can hardly look after himself. He’s already forgetting which lies he’s told and mixing his dreams (and nightmares) with reality. Even he doesn’t know how it will end, and starts to think about leaving his notebook behind in order for it to be found… and it has been, I’m reading it now…
Several of the notes in his book get to the end of the page and are never finished, which to my mind, is in keeping with the distracted, confused voice of this note taker and adds to the setting’s dark, oppressive atmosphere.
Clever, surreal, with a kind of rhythmic writing, akin to memories of sitting in the back of the car and being rocked to sleep. The only difference would be the rude awakening. The slamming of the brakes. When the harshness of reality jolts you awake.
Yep, this unsettling, nightmarish journey, had me glued to the pages, even though at first I was not entirely sure I understood what I’d read… It’s a short novella sized book, and I must admit I had to read it again to fully appreciate this awesome piece of writing. It’s not your average horror, I can tell you! Nope, there’s nothing average about this at all. Incidentally, it’s translated from German and that fact may be why I thought it worked even better. No words are wasted. There’s a certain style to this book that makes me feel like he’s got something bigger, and maybe even better to come. I can see, however, it won’t be everyone’s cup of tea. I personally wish I’d got to this one sooner.
Stark, sparse, and totally different to anything I’ve read in a long time. I loved it. An alternative read without a doubt. A very short read, in fact. What’s more, this review took longer to write about it, than it did to read. Twice.
Writing his screenplay, and lying to his boss about his progress, the screenwriter takes his family, wife Susanna, and four-year old Esther to what he wants to be a writer’s retreat. Yeah, it does sound rather like The Shining. But even though there’s less of it, there’s even more to it… Stick with me. I’ll explain.
Things are not going as planned, for this unnamed writer. His marriage is on the rocks and his screenplay is failing. On top of that there are a lot of strange goings on he cannot explain. Odd things are happening in the house he’s renting via Airbnb. Maybe it’s haunted, or just tricks of light are playing with his mind giving him that illusion. Either way, it’s a slow descent into darkness that the author of the notebook does not seem to notice himself. Not straight away.
But as the reader I get to see that every now and then there’s things hidden in the text the writer seems not to be aware of. He’s spiralling downhill I’m wondering about his mental state, or if the house itself, or something in it — something supernatural — is playing with his mind.
How long can he hold it together? He’s got responsibilities to look after his kid, but he can hardly look after himself. He’s already forgetting which lies he’s told and mixing his dreams (and nightmares) with reality. Even he doesn’t know how it will end, and starts to think about leaving his notebook behind in order for it to be found… and it has been, I’m reading it now…
Several of the notes in his book get to the end of the page and are never finished, which to my mind, is in keeping with the distracted, confused voice of this note taker and adds to the setting’s dark, oppressive atmosphere.
Clever, surreal, with a kind of rhythmic writing, akin to memories of sitting in the back of the car and being rocked to sleep. The only difference would be the rude awakening. The slamming of the brakes. When the harshness of reality jolts you awake.
Yep, this unsettling, nightmarish journey, had me glued to the pages, even though at first I was not entirely sure I understood what I’d read… It’s a short novella sized book, and I must admit I had to read it again to fully appreciate this awesome piece of writing. It’s not your average horror, I can tell you! Nope, there’s nothing average about this at all. Incidentally, it’s translated from German and that fact may be why I thought it worked even better. No words are wasted. There’s a certain style to this book that makes me feel like he’s got something bigger, and maybe even better to come. I can see, however, it won’t be everyone’s cup of tea. I personally wish I’d got to this one sooner.
Stark, sparse, and totally different to anything I’ve read in a long time. I loved it. An alternative read without a doubt. A very short read, in fact. What’s more, this review took longer to write about it, than it did to read. Twice.
Movie Metropolis (309 KP) rated Spy (2015) in Movies
Jun 10, 2019
Comedic Gold
From the brilliant Paul Feig, director of the ridiculously funny Bridesmaids and Sandra Bullock’s laugh-a-minute The Heat comes the latest in the secret agent comedy film, Spy. But does this film, fronted by the ever-popular Melissa McCarthy have what it takes to play with the big boys in the genre?
Spy follows the story of McCarthy’s Susan Cooper, a lonely CIA analyst suddenly thrust into the limelight as a secret agent tasked with tracking the whereabouts of a nuclear weapon after the rest of the agency’s operatives have their identities compromised.
After the success of Matthew Vaughn’s Kingsman: The Secret Service, released earlier this year, expectations of another spy comedy hit for 2015 were low to say the least, especially after the critical disaster that was Reese Witherspoon’s cop comedy Hot Pursuit.
However, Feig once again strikes gold with an exciting story, an all-star cast and some breath-taking scenery and action pieces. There’s no wonder he’s been tasked with directing the Ghostbusters reboot.
Jason Statham, Rose Byrne, Miranda Hart and Jude Law take their places in a film that not only has you on the edge of your seat more times than the majority of full-blown action movies, but also will have you laughing your head off.
The gags are relentless and on the whole, very funny with McCarthy continuing to be a dynamic presence like she has shown throughout the majority of her previous work. However, the surprising stand-out is Jason Statham as super spy Rick Ford.
We’ve all seen Statham play the tough action guy and his role in Spy is certainly no different. The difference comes with his ridiculously dry sense of humour – he is genuinely funny with his serious delivery and provides the film with its best moments.
Jude Law’s charismatic agent Fine, oblivious to McCarthy’s affections for him fails to make as much of an impact as Statham’s truly brilliant characterisation.
The film’s biggest weakness is in Miranda Hart however, who channels the same character that anyone familiar with her BBC One show will know all too well. Yes, she’s funny, but only because the script allows her to be – almost masking her well-worn persona somewhat.
Elsewhere, the locations are beautiful. From Paris to Budapest, Spy takes you on a tour of Europe and is unashamed of showing these tourist hot-spots in all their glory. Feig juxtaposes sweeping shots of Paris with intimate scenes in Budapest and the film’s occasional tonal shift also utilises this filming tactic well.
Moreover, the numerous action sequences are excellently choreographed. Feig has a real love for the spy genre and it shows. From the super slow-mo used so the audience knows what is going on, to the Shirley Bassey like theme song, nowhere is untouched in creating a viable spy movie, albeit a funny one.
Overall, so far, every film Paul Feig has touched has turned to gold. The Heat wasn’t as impressive as Bridesmaids but that is simply because of how fantastic the latter is. However, with Spy there is no denying that he is back on solid ground.
Melissa McCarthy is the perfect comedy actress to front a film like this and Jason Statham’s surprising comedic turn is absolutely marvellous. Despite a less than stellar performance from Miranda Hart, Spy is fun from beginning to end with numerous twists and turns along the way.
Settle down for the ride with some popcorn and you’ll have a fantastic time.
https://moviemetropolis.net/2015/06/07/comedic-gold-spy-review/
Spy follows the story of McCarthy’s Susan Cooper, a lonely CIA analyst suddenly thrust into the limelight as a secret agent tasked with tracking the whereabouts of a nuclear weapon after the rest of the agency’s operatives have their identities compromised.
After the success of Matthew Vaughn’s Kingsman: The Secret Service, released earlier this year, expectations of another spy comedy hit for 2015 were low to say the least, especially after the critical disaster that was Reese Witherspoon’s cop comedy Hot Pursuit.
However, Feig once again strikes gold with an exciting story, an all-star cast and some breath-taking scenery and action pieces. There’s no wonder he’s been tasked with directing the Ghostbusters reboot.
Jason Statham, Rose Byrne, Miranda Hart and Jude Law take their places in a film that not only has you on the edge of your seat more times than the majority of full-blown action movies, but also will have you laughing your head off.
The gags are relentless and on the whole, very funny with McCarthy continuing to be a dynamic presence like she has shown throughout the majority of her previous work. However, the surprising stand-out is Jason Statham as super spy Rick Ford.
We’ve all seen Statham play the tough action guy and his role in Spy is certainly no different. The difference comes with his ridiculously dry sense of humour – he is genuinely funny with his serious delivery and provides the film with its best moments.
Jude Law’s charismatic agent Fine, oblivious to McCarthy’s affections for him fails to make as much of an impact as Statham’s truly brilliant characterisation.
The film’s biggest weakness is in Miranda Hart however, who channels the same character that anyone familiar with her BBC One show will know all too well. Yes, she’s funny, but only because the script allows her to be – almost masking her well-worn persona somewhat.
Elsewhere, the locations are beautiful. From Paris to Budapest, Spy takes you on a tour of Europe and is unashamed of showing these tourist hot-spots in all their glory. Feig juxtaposes sweeping shots of Paris with intimate scenes in Budapest and the film’s occasional tonal shift also utilises this filming tactic well.
Moreover, the numerous action sequences are excellently choreographed. Feig has a real love for the spy genre and it shows. From the super slow-mo used so the audience knows what is going on, to the Shirley Bassey like theme song, nowhere is untouched in creating a viable spy movie, albeit a funny one.
Overall, so far, every film Paul Feig has touched has turned to gold. The Heat wasn’t as impressive as Bridesmaids but that is simply because of how fantastic the latter is. However, with Spy there is no denying that he is back on solid ground.
Melissa McCarthy is the perfect comedy actress to front a film like this and Jason Statham’s surprising comedic turn is absolutely marvellous. Despite a less than stellar performance from Miranda Hart, Spy is fun from beginning to end with numerous twists and turns along the way.
Settle down for the ride with some popcorn and you’ll have a fantastic time.
https://moviemetropolis.net/2015/06/07/comedic-gold-spy-review/
Purple Phoenix Games (2266 KP) rated Indigo in Tabletop Games
Jun 12, 2019
Mazes. So simple, yet for some reason, so entertaining. Well, for me at least. Who knew that winding your way through a maze to get from Point A to Point B could be such a hit? Combine traversing through a maze with building your own maze of sorts, and you’ve got Indigo! Does this game deliver on gameplay and enjoyment, or does it leave you running into dead-ends and loops as you try to find your way out?
Indigo is a strategy game of tile placement and route building in which players are attempting to get various gems from the center of the board through their “gateways” on the edges of the board to score points. Players are each building their own pathways, in a maze-like sort of way, to maneuver the gems around the board, through their own gateways, and away from those of their opponents. Each player receives one tile, and on their turn, plays it to the board. Tiles can be placed anywhere on the board, they don’t necessarily need to be placed adjacent to other tiles. If you play a tile to extend an existing route with a gem on it, move the gem as far along that route as possible. After playing a tile, you draw a new tile to be played on your next turn. The game continues until all gems have been claimed, and then points are added! Gems are worth points depending on their color, and the player with the highest score wins!
I think Indigo is such a neat game. It is so simple, yet strategic, and that makes it so much fun for me to play. The board itself becomes a visual maze as tiles are added, and you must be diligent about watching which pathways are open and available to you, while also trying to make sure you keep pathways blocked off towards your opponents. The possibilities are endless with this game in terms of tile placement and strategy, and that keeps me engaged the entire game. I also love the fact that all players only have 1 tile to play at any given time – you’ve got to make your tile work, you don’t have a hand of tiles from which to choose your best option. That ups the strategy factor even more because one misplaced tile could be the difference between gaining a gem or accidentally giving one away!
Another thing I like about Indigo is just that it’s a pretty game to look at! I think it is so cool to see the board fill up as the game progresses, and you get to watch the maze come to life with each turn. What starts as a mostly blank board soon becomes filled with ribbon-like paths that can lead to anywhere! It’s a neat visual effect for me, and that’s something that drew me into this game in the first place.
Is Indigo the best strategy game I’ve ever played? No. But it is a fun one that keeps me on my toes. With so many possibilities for routes, and the board changing with every tile placed, players are constantly engaged and active in the game. Purple Phoenix Games gives Indigo a swirly 13 / 18.
https://purplephoenixgames.wordpress.com/2019/04/09/indigo-review/
Indigo is a strategy game of tile placement and route building in which players are attempting to get various gems from the center of the board through their “gateways” on the edges of the board to score points. Players are each building their own pathways, in a maze-like sort of way, to maneuver the gems around the board, through their own gateways, and away from those of their opponents. Each player receives one tile, and on their turn, plays it to the board. Tiles can be placed anywhere on the board, they don’t necessarily need to be placed adjacent to other tiles. If you play a tile to extend an existing route with a gem on it, move the gem as far along that route as possible. After playing a tile, you draw a new tile to be played on your next turn. The game continues until all gems have been claimed, and then points are added! Gems are worth points depending on their color, and the player with the highest score wins!
I think Indigo is such a neat game. It is so simple, yet strategic, and that makes it so much fun for me to play. The board itself becomes a visual maze as tiles are added, and you must be diligent about watching which pathways are open and available to you, while also trying to make sure you keep pathways blocked off towards your opponents. The possibilities are endless with this game in terms of tile placement and strategy, and that keeps me engaged the entire game. I also love the fact that all players only have 1 tile to play at any given time – you’ve got to make your tile work, you don’t have a hand of tiles from which to choose your best option. That ups the strategy factor even more because one misplaced tile could be the difference between gaining a gem or accidentally giving one away!
Another thing I like about Indigo is just that it’s a pretty game to look at! I think it is so cool to see the board fill up as the game progresses, and you get to watch the maze come to life with each turn. What starts as a mostly blank board soon becomes filled with ribbon-like paths that can lead to anywhere! It’s a neat visual effect for me, and that’s something that drew me into this game in the first place.
Is Indigo the best strategy game I’ve ever played? No. But it is a fun one that keeps me on my toes. With so many possibilities for routes, and the board changing with every tile placed, players are constantly engaged and active in the game. Purple Phoenix Games gives Indigo a swirly 13 / 18.
https://purplephoenixgames.wordpress.com/2019/04/09/indigo-review/
Purple Phoenix Games (2266 KP) rated Bananagrams in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
What if I told you that you could play an entire game of Scrabble in about 15 minutes? You wouldn’t believe me, would you? I wouldn’t have believed me either until I discovered Bananagrams. Ok, so it’s not technically Scrabble, but the gist is the same – place tiles and create words! The biggest difference is that there are no points and there is no board. You have a ‘hand’ of letter tiles that you must use to create your own personal crossword faster than your opponents! If anyone uses all of their tiles, all players must draw a new tile from the center of the table and adjust/add to their existing crossword to incorporate the new letter. Once all of the letter tiles are gone, the first player to complete their crossword is the winner!
As a solo game, you play Bananagrams the same way as you would in a group – use your tiles to create your crossword, and the game is over when all of the tiles are used. It’s still a race against the clock – you are just trying to beat your own best time instead of finishing before your opponents.
Some games really were not made to be played solo and, in my opinion, Bananagrams is one of those games. Most of the excitement of this game comes from racing your opponents to finish your crossword before they do. Playing solo just feels a little pointless to me – it’s not as exciting or nearly as fun. You are in complete control when playing solo because the game advances only when you allow it to. In a group game, the game is controlled by the fastest players, and that might not always be you. Yeah, you’re still supposed to be trying to beat your own best time when playing solo, but speed doesn’t feel as necessary because honestly, it isn’t.
The only positive reason I have for playing Bananagrams solo is that it just allows you to practice playing the game. It gives you time to test out different strategies that could then be used in a group game. You can practice creating new words to better utilize your current tiles, or find easy ways to modify your current crossword without losing time. Solo play is a good exercise for your brain. Using the skills you’ve practiced in solo play can help you better succeed in group play. And group play is where Bananagrams really shines.
Bananagrams is a fast and fun game that definitely requires more thought and strategy than its silly title would lead you to believe. However, this is a game I would recommend mainly for group play. Give it a shot solo if you want, but don’t be expecting it to be particularly exciting or fun. I do love to play Bananagrams, but only when I get to play with a group.
https://purplephoenixgames.wordpress.com/2019/02/21/solo-chronicles-bananagrams/
What if I told you that you could play an entire game of Scrabble in about 15 minutes? You wouldn’t believe me, would you? I wouldn’t have believed me either until I discovered Bananagrams. Ok, so it’s not technically Scrabble, but the gist is the same – place tiles and create words! The biggest difference is that there are no points and there is no board. You have a ‘hand’ of letter tiles that you must use to create your own personal crossword faster than your opponents! If anyone uses all of their tiles, all players must draw a new tile from the center of the table and adjust/add to their existing crossword to incorporate the new letter. Once all of the letter tiles are gone, the first player to complete their crossword is the winner!
As a solo game, you play Bananagrams the same way as you would in a group – use your tiles to create your crossword, and the game is over when all of the tiles are used. It’s still a race against the clock – you are just trying to beat your own best time instead of finishing before your opponents.
Some games really were not made to be played solo and, in my opinion, Bananagrams is one of those games. Most of the excitement of this game comes from racing your opponents to finish your crossword before they do. Playing solo just feels a little pointless to me – it’s not as exciting or nearly as fun. You are in complete control when playing solo because the game advances only when you allow it to. In a group game, the game is controlled by the fastest players, and that might not always be you. Yeah, you’re still supposed to be trying to beat your own best time when playing solo, but speed doesn’t feel as necessary because honestly, it isn’t.
The only positive reason I have for playing Bananagrams solo is that it just allows you to practice playing the game. It gives you time to test out different strategies that could then be used in a group game. You can practice creating new words to better utilize your current tiles, or find easy ways to modify your current crossword without losing time. Solo play is a good exercise for your brain. Using the skills you’ve practiced in solo play can help you better succeed in group play. And group play is where Bananagrams really shines.
Bananagrams is a fast and fun game that definitely requires more thought and strategy than its silly title would lead you to believe. However, this is a game I would recommend mainly for group play. Give it a shot solo if you want, but don’t be expecting it to be particularly exciting or fun. I do love to play Bananagrams, but only when I get to play with a group.
https://purplephoenixgames.wordpress.com/2019/02/21/solo-chronicles-bananagrams/
Kyera (8 KP) rated Wintersong in Books
Jan 31, 2018
Wintersong is a fairytale re-telling based upon the German poem Der Erlkonig and stories of the Goblin King. The author takes a relatively short poem and breathes life into it, translating the dark words into an entire world. Liesl has heard tales of the Goblin King from her grandmother since she was a small child. Even played make-believe in the Goblin Grove with her Goblin King, but as she grew older she lost her faith in the old stories. Even her brother and sister seemed not to heed the old woman’s warnings. She warned Liesl that she must protect both siblings - she would be faced with a choice and mustn’t choose wrong.
This dire warning and her later choices set her on a journey to the Underworld. It is dark, earthy and primal, full of creatures that Liesl does not understand or trust. The land itself is well-described and forms itself within the reader’s mind. Though you would never hope to call it home, it has its own ancient and crude form of beauty.
The characters are unique, although generally not faceted or well-developed in their personalities. Perhaps our main character just does not know them as well as she believes, for her view is quite flat. Her sister, Kathe is beautiful and cares only about similarly pretty and frivolous things. Her brother, Josef is a talented musician who fears his music is a “gift” from the Devil. Her grandmother is superstitious, her mother hard-working and aloof, and her father a drunk. Sadly, we don’t get to see or experience any depth of personality, nor are they given the chance to develop over the course of the novel. As our main character is in the Underworld, the lack of development is understandable which is why I wish they were more fleshed out initially.
Liesl herself is a strange mix of traits with her love of music and composition, intense lack of confidence and anger stemming from her belief that she is ugly and unwanted. Her choices are both selfish and selfless. She is a mass of contradictions and broken beliefs. While she is an interesting character, I don’t find her to be particularly relatable. I didn’t connect with any of the characters in the novel, although I enjoyed the story itself. I’m sure there are others who would find similarities between themselves and one of the characters, making this book more impactful.
Finally, the Goblin King himself – who seems to be like two people in one. At times, we see the younger, more open man that he was and could be again while at others the cold, quick to anger Trickster of the Underworld is at the forefront. More intriguing than his present is his story, you wonder how did he become the Erlkonig? For he is not the first, nor shall he be the last. He is more human than his subjects and thus this difference is what fascinated me. I wanted that story, more than him demanding Liesl in her “entire” and her being unable to give of herself, fully, yet.
It was an interesting story even though I didn’t particularly care for the characters. I recommend this book for older young adult/teen readers who enjoy fantasy and fairytale books. The writing is very poetic and beautifully descriptive. I don’t regret reading this book, but I also wouldn’t personally go out and buy a physical copy of it for my shelf.
This dire warning and her later choices set her on a journey to the Underworld. It is dark, earthy and primal, full of creatures that Liesl does not understand or trust. The land itself is well-described and forms itself within the reader’s mind. Though you would never hope to call it home, it has its own ancient and crude form of beauty.
The characters are unique, although generally not faceted or well-developed in their personalities. Perhaps our main character just does not know them as well as she believes, for her view is quite flat. Her sister, Kathe is beautiful and cares only about similarly pretty and frivolous things. Her brother, Josef is a talented musician who fears his music is a “gift” from the Devil. Her grandmother is superstitious, her mother hard-working and aloof, and her father a drunk. Sadly, we don’t get to see or experience any depth of personality, nor are they given the chance to develop over the course of the novel. As our main character is in the Underworld, the lack of development is understandable which is why I wish they were more fleshed out initially.
Liesl herself is a strange mix of traits with her love of music and composition, intense lack of confidence and anger stemming from her belief that she is ugly and unwanted. Her choices are both selfish and selfless. She is a mass of contradictions and broken beliefs. While she is an interesting character, I don’t find her to be particularly relatable. I didn’t connect with any of the characters in the novel, although I enjoyed the story itself. I’m sure there are others who would find similarities between themselves and one of the characters, making this book more impactful.
Finally, the Goblin King himself – who seems to be like two people in one. At times, we see the younger, more open man that he was and could be again while at others the cold, quick to anger Trickster of the Underworld is at the forefront. More intriguing than his present is his story, you wonder how did he become the Erlkonig? For he is not the first, nor shall he be the last. He is more human than his subjects and thus this difference is what fascinated me. I wanted that story, more than him demanding Liesl in her “entire” and her being unable to give of herself, fully, yet.
It was an interesting story even though I didn’t particularly care for the characters. I recommend this book for older young adult/teen readers who enjoy fantasy and fairytale books. The writing is very poetic and beautifully descriptive. I don’t regret reading this book, but I also wouldn’t personally go out and buy a physical copy of it for my shelf.
Mike Wilder (20 KP) rated The Thing (2011) in Movies
May 30, 2018
This is a prequel to probably one of the best horror films ever made
Contains spoilers, click to show
This is a prequel to probably one of the best horror films ever made, a true classic and a very good addition to the story. It tells what happened in the events leading up to the original film. The last shot of this film links to the first shot of the original.
At first I was worried about this film for two reasons. First, as the film was set on a Norwegian camp how much reading would I have to do whilst trying to follow the story? Second, the original film is amazing a true classic of the horror genre. Would this film do justice to the story and would the use of modern effects change the feel of the story? My fears were soon put to rest. Fortunately it appears that the universal language for scientists working in the Antarctic is English! There are a few subtitles throughout the film but not that many. Now a big thank you to the producers of this film. It is clear that they are true fans of the original and this is evident in the title. They couldn't come up with a title better than "The Thing". They could have gone with The Thing: Begins but nothing sounded as good. This film was made by fans of the original and they have ensured that it links into every reference made in the original to the Norwegian base, even down to an axe in the wall seen in the first film, showing how it got there in this one. The cast is made up of very good actors, none of them are particularly well known to everyone. I recognised a few faces, but this is good as you have no idea who will survive as there no major stars.
Story wise, if you have seen the original you know what to expect but the film makers know this and throw a few curve-balls in. The famous "blood test" of the original almost happens here but cleverly it gets change for something else also unexpected. The creatures origins are left alone and rightly so as there is no way of knowing them. It is just a creature trying to survive by killing everyone in its way. Do we really need to know more than that? The effects are also very good, but this is what you would expect from modern effects. Where the original films effects were ground breaking, the ones here are what you can see in most Hollywood creature films. The difference here is the attention to making the creature effects look like the original. Again the makers of the film have done a great job in making the two films fit together both story wise and visually. I wish all sequels/prequels would have enough respect for the audience like this one has.
My nemesis(a film critic on UK radio) struck again with this film. They rated this film a "good strong 3 stars" asked why not 4 stars they stated that Happy Feet Two was released at the same time and this was a 4 star film and they enjoyed it more. What???! How can you compare a horror with a cartoon? Shouldn't you rate them as individual films in different genres?
At first I was worried about this film for two reasons. First, as the film was set on a Norwegian camp how much reading would I have to do whilst trying to follow the story? Second, the original film is amazing a true classic of the horror genre. Would this film do justice to the story and would the use of modern effects change the feel of the story? My fears were soon put to rest. Fortunately it appears that the universal language for scientists working in the Antarctic is English! There are a few subtitles throughout the film but not that many. Now a big thank you to the producers of this film. It is clear that they are true fans of the original and this is evident in the title. They couldn't come up with a title better than "The Thing". They could have gone with The Thing: Begins but nothing sounded as good. This film was made by fans of the original and they have ensured that it links into every reference made in the original to the Norwegian base, even down to an axe in the wall seen in the first film, showing how it got there in this one. The cast is made up of very good actors, none of them are particularly well known to everyone. I recognised a few faces, but this is good as you have no idea who will survive as there no major stars.
Story wise, if you have seen the original you know what to expect but the film makers know this and throw a few curve-balls in. The famous "blood test" of the original almost happens here but cleverly it gets change for something else also unexpected. The creatures origins are left alone and rightly so as there is no way of knowing them. It is just a creature trying to survive by killing everyone in its way. Do we really need to know more than that? The effects are also very good, but this is what you would expect from modern effects. Where the original films effects were ground breaking, the ones here are what you can see in most Hollywood creature films. The difference here is the attention to making the creature effects look like the original. Again the makers of the film have done a great job in making the two films fit together both story wise and visually. I wish all sequels/prequels would have enough respect for the audience like this one has.
My nemesis(a film critic on UK radio) struck again with this film. They rated this film a "good strong 3 stars" asked why not 4 stars they stated that Happy Feet Two was released at the same time and this was a 4 star film and they enjoyed it more. What???! How can you compare a horror with a cartoon? Shouldn't you rate them as individual films in different genres?
Hazel (1853 KP) rated The Sun is Also a Star in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Following the success of her debut novel, Nicola Yoon’s second book, <i>The Sun is also a Star</i>, has been highly anticipated amongst young adult readers. In twelve hours time, senior student, Natasha will be deported to Jamaica. Her family are undocumented immigrants and can no longer remain living in the United States. Despite her best efforts, Natasha has not succeeded in getting the courts to change their mind, and now there is barely any time left. Today is the last day before things change forever; little does she know how significant this day will be.
Only half the story is told from Natasha’s point of view. The remainder is narrated by Daniel, a Korean American whose parents’ high expectations have resulted in an interview with the prestigious university, Yale. With several hours to go, Daniel is wandering around New York when a chain of events leads him into saving Natasha’s life – literally. Instantly infatuated with Natasha, Daniel attempts to convince her that their meeting is fate. Yet, Natasha’s factual, scientific brain refuses to concede, leaving Daniel with less than 12 hours to convince her otherwise.
At heart, <i>The Sun is also a Star</i>, is a romance novel, however it contains so many other themes. Both characters are from immigrant families whose histories greatly impact on their current and future lives. Natasha’s father’s impractical dreams have lead to this disastrous consequence, whereas Daniel’s parents are adamant that he become a doctor and avoid the poverty they grew up with. Naturally, the teens are unhappy with the way their futures are being plotted; Natasha more so, however the poetry-loving Daniel wishes he could become who he wants to be rather than who he is told to be.
Although being deep thinkers, Natasha and Daniel are total opposites, yet something is pulling them together. Whether it is love or the simply the way the universe works, the character’s break all ethnic stereotypes as their relationship races from strangers to something much more intimate.
Nicola Yoon has experienced first hand growing up in both Jamaica and New York, therefore readers can assume that Natasha’s experiences are largely based on the author’s own – presumably not including the deportation. Society generally tends to assume all people from Jamaica or Korea fit into a certain box – liking certain music, academic success, wearing particular fashion – yet Daniel and Natasha prove otherwise.
Despite the narrative being condensed into one day in the life of these two characters, there is so much going on. Firstly there is the rushing around New York trying to get to appointments on time and so forth, however the content in between these scenes will keep the reader thinking for hours. Daniel’s poetical theories about love and Natasha’s scientific explanation about the universe will make you question your own philosophy about the world. Whether either or neither of them are correct, what they do prove is the difference a single day can make.
<i>The Sun is also a Star</i> has a similar vibe to novels by Rainbow Rowell, David Levithan and John Green – some of the top Young Adult authors of the current era. It is a story that will pull at your heartstrings while your logical brain refuses to see chance of a happy ending. With no way of guessing what the universe has in store, this book will keep you thoroughly engaged from beginning to end.
Following the success of her debut novel, Nicola Yoon’s second book, <i>The Sun is also a Star</i>, has been highly anticipated amongst young adult readers. In twelve hours time, senior student, Natasha will be deported to Jamaica. Her family are undocumented immigrants and can no longer remain living in the United States. Despite her best efforts, Natasha has not succeeded in getting the courts to change their mind, and now there is barely any time left. Today is the last day before things change forever; little does she know how significant this day will be.
Only half the story is told from Natasha’s point of view. The remainder is narrated by Daniel, a Korean American whose parents’ high expectations have resulted in an interview with the prestigious university, Yale. With several hours to go, Daniel is wandering around New York when a chain of events leads him into saving Natasha’s life – literally. Instantly infatuated with Natasha, Daniel attempts to convince her that their meeting is fate. Yet, Natasha’s factual, scientific brain refuses to concede, leaving Daniel with less than 12 hours to convince her otherwise.
At heart, <i>The Sun is also a Star</i>, is a romance novel, however it contains so many other themes. Both characters are from immigrant families whose histories greatly impact on their current and future lives. Natasha’s father’s impractical dreams have lead to this disastrous consequence, whereas Daniel’s parents are adamant that he become a doctor and avoid the poverty they grew up with. Naturally, the teens are unhappy with the way their futures are being plotted; Natasha more so, however the poetry-loving Daniel wishes he could become who he wants to be rather than who he is told to be.
Although being deep thinkers, Natasha and Daniel are total opposites, yet something is pulling them together. Whether it is love or the simply the way the universe works, the character’s break all ethnic stereotypes as their relationship races from strangers to something much more intimate.
Nicola Yoon has experienced first hand growing up in both Jamaica and New York, therefore readers can assume that Natasha’s experiences are largely based on the author’s own – presumably not including the deportation. Society generally tends to assume all people from Jamaica or Korea fit into a certain box – liking certain music, academic success, wearing particular fashion – yet Daniel and Natasha prove otherwise.
Despite the narrative being condensed into one day in the life of these two characters, there is so much going on. Firstly there is the rushing around New York trying to get to appointments on time and so forth, however the content in between these scenes will keep the reader thinking for hours. Daniel’s poetical theories about love and Natasha’s scientific explanation about the universe will make you question your own philosophy about the world. Whether either or neither of them are correct, what they do prove is the difference a single day can make.
<i>The Sun is also a Star</i> has a similar vibe to novels by Rainbow Rowell, David Levithan and John Green – some of the top Young Adult authors of the current era. It is a story that will pull at your heartstrings while your logical brain refuses to see chance of a happy ending. With no way of guessing what the universe has in store, this book will keep you thoroughly engaged from beginning to end.
Louise (64 KP) rated Salt to the Sea in Books
Jul 2, 2018
This book! OMG you guys! It had the feels and was so so so so sad!
Guilt is a hunter.
Salt to the Sea is a story set in 1945 Germany told from four perspectives, Florian, Joana, Emilia and Alfred all from different homelands, fleeing Stalin's Red Army. Refugees are fleeing for freedom in form on the Wilhelm- Gustloff a ship that will make a 48 hour trip to Kiel. The Wilhelm-Gustaloff is evacuating injured soldiers and civilians - It's capacity is to hold 1500 passengers but with so many people they are forced to take over 10,000. A few hours into the trip the ship is hit by Russian torpedoes, does the foursome still have enough fight to survive?
Fate is a hunter.
Joana is Lithuanian and has been assisting a doctor with surgery, with her knowledge she is able to help some of the injured refugees and civilians she comes across. She is leading a current group of people to the Wilhelm Gustloff when she meets Florian a Prussian apprentice art restorer for Gauleiter Erich Koch who was a leader of the regional branch of Nazi party (Very high up). Along side Florian is Emilia a 15-year-old Polish girl on the run from a farm in which she was sent by her father. Then there is Alfred a German sailor, with his first Voyage being the Wilhelm-Gustloff.
Shame is a hunter
This book was heartbreaking and a real eye opener. The story is told in small chapters alternating from the four perspectives. Alfred's perspectives are sometimes told in letters to a love interest back home The characters are equally fleshed out and you get a real connection with them, they all have something they are running from and a background story. I really didn't like Alfred's character, in his letters he was making out that he was some highly responsible soldier which made a huge difference to the war when all he was doing was a low-level job on the ship, he was pretty much insane. Emilia's story grew stronger and stronger as the story went on and became more peturbed . Florian is a mysterious character who doesn't reveal much about himself but he is always calculating the best way to freedom. There is a slow burn romance within the novel but it is no way insta-lovey at all. With this romance we find out more about Florian.
Fear is a hunter.
This book reminded me a lot of 'All the light we cannot see' by Anthony Doerr minus the fantasy element. But for me it was much better, the fact that you don't really read stories about Lithuanians, Prussians etc in world war 2 stories. The Wilhelm Gustloff was an actual ship in world war 2 and 9,500 lives were lost however I had never heard about this before and I am really interested in reading more about this. I am going to be honest, I don't know too much about the war and the particulars to it, so I can't say how accurate Ruta's account is.
This book is compelling and harrowing at the same time, some of the descriptions of how the civilians and refugees were living and attempts for freedom were deeply upsetting. The most moving book I have read this year and would definitely recommend to anyone that is interested in historical fiction.
I loved Ruta Sepetys writing and really want to read between shades of gray and out of the easy.
I rated this 5 out of 5 stars.
Guilt is a hunter.
Salt to the Sea is a story set in 1945 Germany told from four perspectives, Florian, Joana, Emilia and Alfred all from different homelands, fleeing Stalin's Red Army. Refugees are fleeing for freedom in form on the Wilhelm- Gustloff a ship that will make a 48 hour trip to Kiel. The Wilhelm-Gustaloff is evacuating injured soldiers and civilians - It's capacity is to hold 1500 passengers but with so many people they are forced to take over 10,000. A few hours into the trip the ship is hit by Russian torpedoes, does the foursome still have enough fight to survive?
Fate is a hunter.
Joana is Lithuanian and has been assisting a doctor with surgery, with her knowledge she is able to help some of the injured refugees and civilians she comes across. She is leading a current group of people to the Wilhelm Gustloff when she meets Florian a Prussian apprentice art restorer for Gauleiter Erich Koch who was a leader of the regional branch of Nazi party (Very high up). Along side Florian is Emilia a 15-year-old Polish girl on the run from a farm in which she was sent by her father. Then there is Alfred a German sailor, with his first Voyage being the Wilhelm-Gustloff.
Shame is a hunter
This book was heartbreaking and a real eye opener. The story is told in small chapters alternating from the four perspectives. Alfred's perspectives are sometimes told in letters to a love interest back home The characters are equally fleshed out and you get a real connection with them, they all have something they are running from and a background story. I really didn't like Alfred's character, in his letters he was making out that he was some highly responsible soldier which made a huge difference to the war when all he was doing was a low-level job on the ship, he was pretty much insane. Emilia's story grew stronger and stronger as the story went on and became more peturbed . Florian is a mysterious character who doesn't reveal much about himself but he is always calculating the best way to freedom. There is a slow burn romance within the novel but it is no way insta-lovey at all. With this romance we find out more about Florian.
Fear is a hunter.
This book reminded me a lot of 'All the light we cannot see' by Anthony Doerr minus the fantasy element. But for me it was much better, the fact that you don't really read stories about Lithuanians, Prussians etc in world war 2 stories. The Wilhelm Gustloff was an actual ship in world war 2 and 9,500 lives were lost however I had never heard about this before and I am really interested in reading more about this. I am going to be honest, I don't know too much about the war and the particulars to it, so I can't say how accurate Ruta's account is.
This book is compelling and harrowing at the same time, some of the descriptions of how the civilians and refugees were living and attempts for freedom were deeply upsetting. The most moving book I have read this year and would definitely recommend to anyone that is interested in historical fiction.
I loved Ruta Sepetys writing and really want to read between shades of gray and out of the easy.
I rated this 5 out of 5 stars.
In The Dark World, Zak Bagans talks about his ghostly encounters, as the lead investigator for the documentary series Ghost Adventures! As one of the more seasoned and experienced professionals in the field, Zak has had some pretty crazy experiences! They cover the entire spectrum of ghost hunting phenomena, from seeing full body apparitions, to having his butt pinched by a spirit, LOL!
Zak begins by talking about the experiences he’s had with spirits prior to the series, and explaining why his own nature led him to this danger’s-edge career path. It’s not a biography however, and in some places is more like a manual for future ghost hunters.
There is an element of progression in the book, in that it starts by concentrating on innocent spirits, which he admits make up the majority; followed by confused spirits, who are sometimes unaware that they have died. This is succeeded by chapters on angry spirits, followed by downright evil spirits, which he refers to as demons.
The book starts with less dramatic phenomena such as words being heard through a white noise generator, emotional transference, and unexplained orbs of light on camera. But this is quickly followed up by tales of pebbles and shards being levitated vertically and flung horizontally by unseen hands, and physical scratch marks on Zak’s back! Zak also comes dangerously close to being possessed!
When Zak carries out an investigation, he starts by researching the history of the buildings and accompanying remaining personalities linked to the buildings. This makes for better story-telling, both on the screen, and certainly in his book.
I am a follower of the show when it’s available in the UK, and have always been intrigued by the equipment they use. I was expecting the book to be heavily edited, and, as such lacking in this kind of detail. However I was very pleasantly surprised - Zak even goes as far as explaining which pieces of equipment are better, and why. To an extent, the book can serve as a manual for would be ghost hunters.
Zak explains the difference between residual and intelligent hauntings, and chronicles instances where the lines between the two are blurred. He also documents moments when he’s had simultaneous significant readings on several devices, and argues that that in itself provides excellent evidence of the paranormal.
The nerd that I am looked forward to the section on the scientific theories for these paranormal experiences - and I wasn’t disappointed! Several theories were put forward and they form one of the most accessible guides to scientific theories that I’ve ever read! Zak discusses how each theory fits particular experiences of his, and compares and contrasts them for different phenomena.
The book is rounded off with Zak relating his ambitions for the field of paranormal investigation, where he puts a case forward for a central repository of data. In this section, we also hear from other prominent figures in the field, with their hopes for the field, including a striking passage from Marie D. Jones.
The book has high entertainment value, but a mere book, even one written as seriously as this, won’t make a believer out of a sceptic. Its content provides essential background for a would-be ghost hunter however. A recommended read for the open-minded and curious.
Zak begins by talking about the experiences he’s had with spirits prior to the series, and explaining why his own nature led him to this danger’s-edge career path. It’s not a biography however, and in some places is more like a manual for future ghost hunters.
There is an element of progression in the book, in that it starts by concentrating on innocent spirits, which he admits make up the majority; followed by confused spirits, who are sometimes unaware that they have died. This is succeeded by chapters on angry spirits, followed by downright evil spirits, which he refers to as demons.
The book starts with less dramatic phenomena such as words being heard through a white noise generator, emotional transference, and unexplained orbs of light on camera. But this is quickly followed up by tales of pebbles and shards being levitated vertically and flung horizontally by unseen hands, and physical scratch marks on Zak’s back! Zak also comes dangerously close to being possessed!
When Zak carries out an investigation, he starts by researching the history of the buildings and accompanying remaining personalities linked to the buildings. This makes for better story-telling, both on the screen, and certainly in his book.
I am a follower of the show when it’s available in the UK, and have always been intrigued by the equipment they use. I was expecting the book to be heavily edited, and, as such lacking in this kind of detail. However I was very pleasantly surprised - Zak even goes as far as explaining which pieces of equipment are better, and why. To an extent, the book can serve as a manual for would be ghost hunters.
Zak explains the difference between residual and intelligent hauntings, and chronicles instances where the lines between the two are blurred. He also documents moments when he’s had simultaneous significant readings on several devices, and argues that that in itself provides excellent evidence of the paranormal.
The nerd that I am looked forward to the section on the scientific theories for these paranormal experiences - and I wasn’t disappointed! Several theories were put forward and they form one of the most accessible guides to scientific theories that I’ve ever read! Zak discusses how each theory fits particular experiences of his, and compares and contrasts them for different phenomena.
The book is rounded off with Zak relating his ambitions for the field of paranormal investigation, where he puts a case forward for a central repository of data. In this section, we also hear from other prominent figures in the field, with their hopes for the field, including a striking passage from Marie D. Jones.
The book has high entertainment value, but a mere book, even one written as seriously as this, won’t make a believer out of a sceptic. Its content provides essential background for a would-be ghost hunter however. A recommended read for the open-minded and curious.
Gareth von Kallenbach (977 KP) rated Fifty Shades Darker (2017) in Movies
Jun 19, 2019
Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) have returned in “50 Shades Darker” which looks to continue the massive success of the series.
Picking up shortly after the last film, the newly single Anastasia has begun working her dream job as an assistant in a Seattle publishing company. When she is reunited with Christian at a social event, he pleads with her to take him back and offers to redefine the terms of their relationship agreement.
Although cautions, she takes him back and despite telling him she wants to take it slow, the first of many sex scenes follow.
Although happy to be reunited, the pair are plagued by issues from Christian’s past as well as his own inner demons which constantly pull at them and threaten to undermine their new relationship.
Of course much if it is little more than thinly veiled lip service designed to get them into the bedroom time and time again so the camera can focus on their bodies and Christian resorting to his old ways with all manner of restraints and devices.
One would think that a film that is supposed to be so erotic would be far more exciting and titillating but the film’s sex scenes are so dull and by the numbers you will soon find yourself losing interest. A big part of this goes to the total lack of chemistry between the leads. If you thought it was strained in the first film it is pretty much non-existent this time out. The dialogue is also not much better as it is laughably bad in areas and unintentionally funny. The monotone delivery of the leads does not help much as it seems like there is a competition to see how many shots of the beautiful Seattle area and their bodies can be creamed into the film.
Kim Bassinger does bring the film a bit of intrigue as a woman from Christian’s past, but she is not in the film enough to really make that much of a difference as pretty much all of the supporting characters are paper thin and not given the chance to grow.
I did like the film more than I liked the original film, but I continue to struggle with the appeal of the film series. The leads lack any chemistry and supporters of the BDSM lifestyle have said the series does not portray their lifestyle accurately and that what Christian does is abusive.
I posted the question that how much appeal would the series have if Christian was a struggling musician living in a hovel who could not even afford a Starbucks run. He would be considered a deeply damaged individual who women would run from. But package him up as a young and attractive billionaire, and it seems that common sense goes out the window as far as the ladies in his life go, and he gets a pass on behaviors that would be totally unacceptable to most.
For me the lack of eroticism, chemistry between the leads, and a compelling story could be overlooked as despite the issues, it does entertain. But when the characters are so hard to like, I found myself not having much sympathy for any obstacles they encountered. My advice, wait for the video as there are far more erotic and entertaining films on Netflix.
http://sknr.net/2017/02/09/50-shades-darker/
Picking up shortly after the last film, the newly single Anastasia has begun working her dream job as an assistant in a Seattle publishing company. When she is reunited with Christian at a social event, he pleads with her to take him back and offers to redefine the terms of their relationship agreement.
Although cautions, she takes him back and despite telling him she wants to take it slow, the first of many sex scenes follow.
Although happy to be reunited, the pair are plagued by issues from Christian’s past as well as his own inner demons which constantly pull at them and threaten to undermine their new relationship.
Of course much if it is little more than thinly veiled lip service designed to get them into the bedroom time and time again so the camera can focus on their bodies and Christian resorting to his old ways with all manner of restraints and devices.
One would think that a film that is supposed to be so erotic would be far more exciting and titillating but the film’s sex scenes are so dull and by the numbers you will soon find yourself losing interest. A big part of this goes to the total lack of chemistry between the leads. If you thought it was strained in the first film it is pretty much non-existent this time out. The dialogue is also not much better as it is laughably bad in areas and unintentionally funny. The monotone delivery of the leads does not help much as it seems like there is a competition to see how many shots of the beautiful Seattle area and their bodies can be creamed into the film.
Kim Bassinger does bring the film a bit of intrigue as a woman from Christian’s past, but she is not in the film enough to really make that much of a difference as pretty much all of the supporting characters are paper thin and not given the chance to grow.
I did like the film more than I liked the original film, but I continue to struggle with the appeal of the film series. The leads lack any chemistry and supporters of the BDSM lifestyle have said the series does not portray their lifestyle accurately and that what Christian does is abusive.
I posted the question that how much appeal would the series have if Christian was a struggling musician living in a hovel who could not even afford a Starbucks run. He would be considered a deeply damaged individual who women would run from. But package him up as a young and attractive billionaire, and it seems that common sense goes out the window as far as the ladies in his life go, and he gets a pass on behaviors that would be totally unacceptable to most.
For me the lack of eroticism, chemistry between the leads, and a compelling story could be overlooked as despite the issues, it does entertain. But when the characters are so hard to like, I found myself not having much sympathy for any obstacles they encountered. My advice, wait for the video as there are far more erotic and entertaining films on Netflix.
http://sknr.net/2017/02/09/50-shades-darker/